Flemish Engravings

Historical copper engravings with religious themes and mythological motifs, showcasing detailed narrative scenes from the 16th to 17th centuries.

This etching by Cornelis Schut, created between 1615 and 1655, depicts the Godfather with a Holy Spent pigeon and the return of the Holy Family from Egypt, showing figures, birds, and landscape elements.

Appointment of Ferdinand as governor about the Netherlands by Philip IV; Entry of Ferdinand in Antwerp in 1635 (no. 25), 1639 - 1641 print The appointment of Ferdinand as governor about the Netherlands by Philip IV. On the left the kneeling begging Dutch virgin, in heaven Isabella Clara Eugenia. The central performance on the triumphal arch of Isabella Clara Eugenia was set up in the Clarenstraat. Marked at the top right: p. 96. Page no. 25 In a whole of 43 plates that illustrate the publication of the description of the entry of the Cardinal Infant Ferdinand of Austria in Antwerp on April 17, 1635 as the new governor for the Spanish Netherlands. Southern Netherlands paper etching / engraving triumphal arch Antwerp

Four performances from classical history, Simon Fokke, 1722 - 1784 print Four performances from the classical history of one plate, numbered from LXXIII to LXXVI and all provided with a caption. At the top left: Claudius Pulcher throws chickens into the sea. Bottom left: Scipio tears the bills. At the top right: generous act of Crassus. At the bottom right: Murder of the Praetor Asellio. Performances LXXIII and LXXIV at the top right marked: against about page. 137. LXXV and LXXVI representations marked at the top right: Against page. 236. Amsterdam paper etching (story of) Publius Clodius (Claudius) Pulcher. Scipio, accused of extortion, silences his accusers by tearing up the bills and leading the people to the Capitol to thank the gods for his victory over Hannibal. (story of) M. Licinius Crassus. murder

The Virgin and the Young Christ. Artist: After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503-1540 Casalmaggiore); Circle of Marcantonio Raimondi (Italian, Argini () ca. 1480-before 1534 Bologna ()). Date: n.d..In Mariette Album, folio 63, top rt. Museum: Metropolitan Museum of Art, New York, USA. Author: After Parmigianino (Girolamo Francesco Maria Mazzola). Circle of Marcantonio Raimondi.

Bliżej Kultury Verlag of Ferdinand Schenk in Vienna

Woodcut by Peter Flötner from 1534 depicting scenes of famine as recorded in the chronica hunger, emphasizing figures, landscape, and composition.

Etching by Hubertus Quellinus showing a triumphal procession. Produced around 1668.

Copper engraving by Theodor Galle depicting a title page for the works of philosopher Seneca, created between 1632 and 1652, showing decorative elements and inscriptions.

Copper engraving by Nicolaes Braeu, created in 1598, depicting mythological designs including gods, humans, and symbolic actions from classical stories.

Goethe in Leipzig , Goethe in Leipzig, various scenes from Illustrirte Zeitung , Ludwig Pietsch -, artist

Copper engraving by Harmen Jansz. Muller depicting a lion hunt, created in 1570, showing hunters, weapons, and lions in a hunting scene.

Woodcut by Peter Flötner from the 19th century depicting the slander of Apelles, highlighting figures, gestures, and narrative composition.

Etching by Salvator Rosa depicting military figures and warriors from historical periods, created between 1653 and 1658, showing armor, weapons, and dynamic battle scenes.

Three sieve figures with Taburijn and Hoorn

Bliżej Kultury Ernst Wasmuth, A. G. Berlin, Douwermann, Heinrich (1480/1485 ca 1543/1544)

Etching by Gillis van Scheyndel depicting various oriental figures, created between 1615 and 1660.

Kaulbach Friedrich August (1850-1920), Fries in the staircase of the new museum in Berlin (approx. 1900): Continuous children's frieze with the ironic relativization of monumental world history. Photo on paper, 15.9 x 32.1 cm (including scan edges) Kaulbach Friedrich August (1850-1920): Fries im Treppenhaus des Neuen Museums, Berlin

Fourteen Scenes Related to the Tale of Tom Thumb. Oswald Adalbert Sickert (British, 1828 - 1885)

Attila durch Leo I verhindert nach Rome eindringen. Pietro Dovizielli (Italian, 1804 - 1885)

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

Allegory of winter - Heden, Pieter van der (Ca 1530-Post 1584), Bol, Hans (1534-1593), Cock, Hieronymus (Ca 1510-1570); 1570 (1570-00-00-1570-00-00);

Copper engraving by Nicolaes Braeu, created in 1598, illustrating a design of classical mythology with mythological figures and symbolic elements.

Copper engraving by Gerard Seghers depicting Jesus with Paul and the twelve apostles, created between 1620 and 1671.

Catalogue raisonne et figure de ses tableaux, La Galerie Électorale de Düsseldorf, Pigage, Nicolas de, 1723-1796, Red crayon, or pen, ink and watercolor, 1770-1778

Copper engraving by Nicolaus Theodori Braew depicting famous antique sculptures. Created between 1599 and 1621, illustrating classical art and historical statues.

Unfinished cartoon for an alternate design for cotton printing: La Vie de Bélisaire, B. M. Lebert, 1759-1836, Hartmann et Fils, (Munster, France), Pen and grey washes on cream-colored paper (mounted), A central island and four smaller ones illustrate legends from the later life of the blind Byzantine general, Belisarius (ca. 505-565), of Macedonia: upper left, the dream of Belisarius; upper right, Belisarius recognizing a friend; center, Belisarius setting free the Visigoths; lower left, Belisarius begging alms at the gates of Constantinople; lower right, Belisarius' dream of Justice. Alternate suggestions of a patterned ground given., Probably Munster, France, ca. 1820, Drawing, Drawing

Drawing (Italy)

Etching by Romeyn de Hooghe, 1674, depicting multiple wrestling scenes with human figures interacting in athletic positions.

Byblis turned into a stream, Virgilius Solis, 1569 print Byblis was in love with her brother Caunus. When he disappeared and she could not find him, byblis bathed in tears and turned into a stream. print maker: Neurenbergpublisher: Frankfurt am Mainpublisher: Frankfurt am Mainpublisher: Frankfurt am Main paper letterpress printing scrollwork, strapwork ~ ornament. Byblis changed into a fountain: after looking for Caunus everywhere, Byblis at last lies down, bathed in tears, and is changed into a fountain (Ovid, Metamorphoses IX 663)

Charles Primrose prepares his son for the death, Daniel Nikolaus Chodowiecki, 1776 print George ended up in jail with his father because he was seriously injured one of the men of Thornhill. His father tries to prepare him for the death penalty that may hang above his head. Numbered at the top right: 9. paper etching (GOLDSMITH, The Vicar of Wakefield) specific works of literature (with AUTHOR, title). prison, jail

Massamoord of the inhabitants of Prato, Pietro Sante Bartoli, After Rafaël, 1645 - 1700 The mass murder of the inhabitants of Prato. A group of frightened people are sitting on the floor. Standing soldiers put them dead with their swords. Title in the lower margin. Numbered in the middle: 9. Print is part of an album. print maker: Italyafter drawing by: Italyafter design by: Vaticaanstadpublisher: RomeRomeFlorence paper etching / engraving Prato The mass murder of the inhabitants of Prato. A group of frightened people are sitting on the floor. Standing soldiers put them dead with their swords. Title in the lower margin. Numbered in the middle: 9. Print is part of an album. print maker: Italyafter drawing by: Italyafter design by: Vaticaanstadpublisher: RomeRomeFlorence paper etching / engraving Prato

Etching by Johann Heinrich Roos from 1713-1767 depicting a title leaf with farm animals, showing livestock, composition, and rural scenery.

Two Dessus de-portes and a chimney piece; Dessus de Porte, Dessus de Chimineé; Nouveaux Livre de Taleaux de Portes, et Cheminée utiles aux peintres and floors. Three panels. Left above a vase with flowers on a pedestal. Right above a child with a vase and a bowl of flowers. In the middle of a vase with flowers, flanked by two women and two children.

Bliżej Kultury Ferdinand Schenk Verlag für Kunst und Kunstfäwer, Vienna, Speeckaert, Hans (approx. 1540 approx. 1577)

Copper engraving by Peter Paul Rubens from 1609 depicting scenes from the life of Saint Ignatius of Loyola, showing detailed 17th-century religious figures and European artistic style.

Two art connoisseurs view a sculpture, Daniel Nikolaus Chodowiecki, 1779 print Two art connoisseurs look in a modest way a sculpture of a young woman with a basket with flowers. paper. pencil etching statues, sculptures in garden. criticizing and discussing art, art criticism

Etching from 1690-1820 depicting the wedding of Amor and Psyche, showing human and divine figures, ceremonial setting, and colored cover in classical style.

Paul for Festus and Paulus baptized the Corinthians, Pietro Sante Bartoli, After Rafaël, 1645 - 1700 print Two performances. Left: Festus, sitting on a throne, condemns Paul who stands in front of him. Right: Paulus baptized the Christians in Corinth. Title and reference to the Bible text in the lower margin. print maker: Italyafter design by: Italyafter design by: Vaticaanstadpublisher: Rome paper etching / engraving Paul before Festus, King Agrippa and Queen Bernice. Paul in Corinth

Etching from 1665 by Jean Le Pautre showing an interior with a bed niche, highlighting architectural and decorative elements of the period.

David plays on his harp / david kills the lion and the bear / david by Samuel Anointed / David speaks with soldiers about Goliat, 1653 - 1654 print Four performances on an album magazine about the life of David, numbered one to four. At the top left, David is depicted as a shepherd and plays on his harp in the midst of the animals. At the top right, David kills the Leeuw and the bear. At the bottom left, Samuel points to David, the youngest son of Jesse, as a suitable successor to succeed King Saul. At the back left on the same show, David is anointed by Samuel. In the performance at the bottom right, David speaks with the soldiers about Goliat. The soldier opposite him is possibly his brother Eliab. Every performance with a Latin inscription and four lines of Latin in the lower margin. The magazine is part of an album. paper engraving story of David. David (not in biblical context); possible attributes: crown, harp. David kills a lion and a bear (or tells Saul about it). Samuel anoin

Neumann Balthasar, Brühl Castle. (From: leaves for architecture and handicrafts, 11th year, 1898, Tafel 89.) (1898-1898): View ceiling in the knight's hall on the left. Light pressure on paper, 34.7 x 27.4 cm (including scan edges) Neumann Balthasar : Schloss Brühl. (Aus: Blätter für Architektur und Kunsthandwerk, 11. Jg., 1898, Tafel 89)

Leaf with the letters M and L in picture frames with a representation of Moses that are found by the pharaoh's daughter and a farmer who performs his animals ..

Four episodes from national history, Simon Fokke, 1722 - 1784 print Uncuted magazine with four performances from national history. From left to right: Inhalation of Mayor Westerwijk in Goes; Johan Willem Friso, Prince of Orange drowns at Moerdijk; Peace of Utrecht; Miscarriage of Maria II Stuart, queen of England and Scotland. Amsterdam paper etching historical events and situations. historical persons (portraits and scenes from the life) Goes. Utrecht

Etching by Adriaen Collaert after 1598 showing a variety of fish in natural aquatic habitats, depicting anatomy, behavior, and environment.

A 1556 woodcut map by Heinrich Vogtherr the Elder depicting Germania, showing borders, cities, rivers, and topography.

Amsterdam, Vlieger, Jan, unknown, Monogrammist W (19th century), Cheshire, W., Bijbelsche verhalen uit het Nieuwe Testament, verso - stamped, Sheet with 4 illustrations of stories from the New Testament. The flight into Egypt, the feeding of five thousand, the sending out of the seventy and Zacchaeus in a fig tree. The corresponding Bible text below each illustration. Numbered top left: No. 20., print, prent, volksprent, volksprenten, prints, prenten, height 427 mm, width 345 mm, maker, verwerker, 1871 - 1908, paper, papier, houtgravure, galvanoplastiek, letterpress printing, boekdruk, Publication (Event), Publicatie, 1844-11-10 - 1908-01-14, publisher

Photograph of print: Marcantonio Raimondi (c. 1470 or 1482 - 1527 or 1534) according to Raphael (1483-1520), La vendange ; sheet from: Notice sur la vie de Marc Antoine Raimondi Graveur Bolonais accompagnée de reproductions photographiques de quelques une. Blanquart-Évrard, Louis-Désiré (1802-1872), printing house, Delessert, Benjamin (1817-1868), photographer, Goupil & Cie (Paryż ; firma wydawniczo-fotograficzna ; 1850-1884), publisher, Colnaghi, D. & Co. (Londyn ; galeria sztuki ; 1760- ), publisher

Albrecht Dürers workshop created a woodcut of the honorary gate of Emperor Maximilian I in 1515. The print, part of the first edition published in Nuremberg 1517-1518, illustrates architectural design, ornamentation, and commemorative elements of the German Renaissance.

Raphael, Raimondi, Marcantonio, Delessert, Benjamin, Marc Antoine Raimondi, Vénus et l'Amour, Photo reproduction of an engraving of Venus and Cupid by Marcantonio Raimondi, photograph, photo, reproduction, page, photos, photographically illustrated books, height 214 mm, width 106 mm, French, 1817 - 1868, photographer, 1848 - 1853, photographic paper, photo paper, salted paper print, salt print, Work conception, Italian, 1482 - 1534, after a print by, 1483-04-07 - 1520-04-07, intermediary draughtsman

Drawing, Design for Two Friezes and an Escutcheon; Italy; charcoal, pen and ink, brush and watercolor on paper

Three Corinthian columns; Ruins; Iacobus Androuetius du Cerceau lectoral s Cum NECTUS Essem Duodecim Fragmenta Structurae Veteris (...). In the foreground there are three corinthian columns on an increase with two steps. This print is part of an album.

Copper engraving by Abraham de Bruyn depicting a Roman emperor, created between 1558 and 1587, showing the figure, attire, and compositional detail.

Prospettiva dello stresso delubro. Prospettiva dello stresso delubro

Romulus addresses his men, Reinier Vinkeles (I), After Jacobus Buys, 1770 print Amsterdam paper etching / engraving battle (+ land forces)

Corpus Christi, Agostino Carracci, After Vespasiano Strada, 1581 print The body of Christ is supported by angels. Rome paper engraving .

Dřevoryt z knihy: 'La Grande danse macabre' XV. stol. Dennì episoda (cont'd). Periodicals. 1911 - 1913. General Research Division. Modernism (Art), Czech literature , 20th century, Art, Arts , Czechoslovakia

Design for Two Friezes and an Escutcheon, Charcoal, pen and ink, brush and watercolor on paper, Two friezes. At top, four putti with bucranium against a blue ground., Below, a symmetrical grotesque with mermaids and rinceaux., Italy, 17th-19th century, ornament, Drawing, Drawing

Man helps a woman get out of a carriage, Daniel Nikolaus Chodowiecki, 1778 print A man who is common and patient for his wife is praised. paper etching four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach

Wine harvesting children, monogrammist IB (16th century), After Rafaël, 1529 print A group of naked children collect grapes and other fruit in a barrel, one holds a goat, some are playing together. Germany paper engraving wine production. child

Various Designs for Parts of a Carriage 18th century Anonymous, Italian, first half of the 18th century Italian. Various Designs for Parts of a Carriage 340264

Copper engraving by Cornelis Bloemaert showing a group of figures with unusual or dramatic expressions, created between 1620 and 1692, set in a detailed environment.

Damon en Phillis, Daniel Nikolaus Chodowiecki, 1771 print Damon and Phillis are young and innocent. Turned on by two torty pigeons, they exchange their first pillow on a beautiful spring day. Numbered in the bottom right: 5. paper etching Literature. pastorals, Arcadian scenes. doves, pigeons. (lovers) kissing each other

Gugussomania by EUG. Ladreyt. (to be continued)

First and second span horses with allegories, Albrecht Dürer, 1523 print paper chariot, triumphal car

Allegorical Vignette with Laauwed Putto, Simon Fokke, 1722 - 1784 print Allegorical vignette with acclaimed and winch playing putto in the foreground. Two scenes are shown on the left and right. The left scene shows an appearance of a saint to a believing man. The right scene shows a man who is immersed in writings. The text above these scenes is: God's praise is the highest tone. Amsterdam paper etching Cupids: 'Love' 'Amoretti' 'Putti'. lyre, harp, harp

Sea fables explained London W. Clowes and sons ltd. 1883 ocean Halloween folklore mermaid monsters real, This page features an illustration accompanied by text on the topic of sea fables. It discusses the origins of various deities related to aquatic life and the symbolic representations of different creatures. The narrative delves into the role of these beings in ancient cultures and how they evolved over time, losing their original meanings. It highlights the connection between humans and the divine through the depiction of family structures, including figures such as Noah, his wife, and their sons. Additionally, it mentions the emblems of celestial bodies like the sun, moon, and stars, emphasizing the intertwining of ancestry, kingship, and spirituality in a complex and rich tapestry of symbolism.

Photo production of a fresco by Guido Reni, representative Aurora, Anonymous, After Guido Reni, c. 1860 - c. 1900 photograph Part of photo album with recordings of sights and artworks in Rome. Rome photographic support albumen print personification of the morning, 'Aurora'; 'Aurora' (Ripa)

Untitled painting Ruská výtvarná práce (continued). Chagall, Marc, 1887-1985. text. 1922. General Research Division. Czech literature , 20th century, Art, Modern , 20th century

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