Experimental Artwork

A variety of sketches and prints focusing on abstract forms, patterns, and experimental techniques, showcasing artistic exploration across different mediums.

Devil's Invocation, 19th century, Shibata Zeshin, Japanese, 1807 - 1891, 8 3/8 × 19 3/16 in. (21.27 × 48.74 cm) (image)37 × 22 1/8 in. (93.98 × 56.2 cm) (mount, without roller), Ink and light colors on mica paper (folding fan mounted on a hanging scroll), Japan, 19th century

Test of graphic technology, Cornelis Ploos van Amstel, 1736 - 1798 print Taste to grind a tinted copper plate again. A polishing iron may have been used here. The magazine is loose in the back of an album. paper etching

YELLOW HARBOR, by Paul Klee, 1921, Swiss drawing, watercolor and ink on paper. A trapezoidal shape suggests a rectilinear space in which various machines occupy space and belch smoke. There is bipedal figure at left (BSLOC_2017_7_74)

El Niño Valeroso. Cuento. The Brave Boy. Short story.. Posada, José Guadalupe, 1852-1913. Vanegas Arroyo, Antonio, 1852-1917. text. Prints, chapbooks, Illustrations, Pamphlets, Ephemera. 1890 - 1920. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Politics and culture , Mexico, Popular culture , Mexico

Bosphet. Leaf 41 Recto from a sketchbook with 58 sheets.

A sketch by Peter Fendi of a mosaic floor using pencil and watercolor, created in his sketchbook between 1820 and 1823.

Abkatensch of the chalk drawing on leaf 6 verso. Leaf 7 Recto from sketchbook LiX with 21 sheets.

Artist: Edwin Austin Abbey, American, 1852-1911, M.A., 1897, Study of thegoosegirl., Pen and ink and gouache, 27.8 × 33.4 cm (10 15/16 × 13 1/8in.), Made in United States, American, 19thcentury, Works on Paper - Drawings andWatercolors

Buda conquered by the Austrians 1686 Giuseppe Maria Mitelli The Hungarian city of Buda was occupied by the Turks for almost 150 years before it was liberated by the combined forces of the Austrians and Hungarians in 1686. The print is on two joined sheets. The word BUDA (as in Budapest) is constructed from contorted figures and different forms. It is framed by an etched border and in the upper section is the symbol of the Imperial Eagle.. Buda conquered by the Austrians 703034

Devil's Invocation, 19th century, Shibata Zeshin, Japanese, 1807 - 1891, 8 3/8 × 19 3/16 in. (21.27 × 48.74 cm) (image)37 × 22 1/8 in. (93.98 × 56.2 cm) (mount, without roller), Ink and light colors on mica paper (folding fan mounted on a hanging scroll), Japan, 19th century

Schmalz Otto (1861-1906), travel sketches from Austria, Germany and Italy (07/10/1893): Innsbruck: Landhaus (view, detail), gable (views, details). Pencil on paper, 21.8 x 29.9 cm (including scan edges) Schmalz Otto (1861-1906): Reiseskizzen aus Österreich, Deutschland und Italien

Ornamental design, c. 1895 - 1900 Leaf 10 Verso from a sketchbook with 19 sheets. paper. chalk ornaments ~ art

Kadetrappen, c. 1783 - c. 1797 Page 147 from a sketchbook with 175 pages. paper. pencil. watercolor (paint) brush Page 147 from a sketchbook with 175 pages. paper. pencil. watercolor (paint) brush

Salesman's sample, Medium: silk Technique: embroidered, Plum-colored silk embroidered with a bird on a flowering branch., France, late 18th century, embroidery & stitching, Salesman's sample

View of Ceuta, Anonymous, 1735 View of Ceuta, Spanish enclave in Morocco. Part of an atlas with 223 maps of countries and cities and war scenes in Europe in the period ca. 1690-1735. print maker: Northern Netherlandspublisher: Amsterdam paper etching / lacquering Ceuta View of Ceuta, Spanish enclave in Morocco. Part of an atlas with 223 maps of countries and cities and war scenes in Europe in the period ca. 1690-1735. print maker: Northern Netherlandspublisher: Amsterdam paper etching / lacquering Ceuta

The Horse of Selene from the Elgin Marbles recto. Dated: after 1807. Dimensions: overall: 20.3 x 25.3 cm (8 x 9 15/16 in.). Medium: pen and brown ink on wove paper. Museum: National Gallery of Art, Washington DC. Author: William Etty.

Fragment of leaf with designs for a pottery scale ..

Horses in the water. On verso remnants of an engraving of a head.

Border tile, painted with blue, male figure, border tile wall tile tile sculpture ceramic earthenware glaze, baked 2x glazed painted Rotterdam City Triangle Lombardstraat Binnenrotte Soil discovery Binnenrotte-Lombardstraat in Rotterdam

Nie Wierzba and birds - a wing screen; 19th century () (1801-00-00-1900-00-00);

Album about the journeys of Beisen - part 2, 1890 book Part two (of two); Cover with image of steamship sailing in bowl; At the top left orange title strip; bright pink cover with the image of two people; 27 magazines: one page, calligraphy; one page, introduction; three pages, table of contents; Other pages, images of exotic landscapes, birds and temples; DEKLAGE, COLOFON. paper color woodcut

sence titol, Andreu Vidal, tinta china sobre papel, exposición homenaje Andreu Vidal, Centre Cultural La Misericòrdia, Mallorca, Balearic Islands, Spain.

Sketch of the house in Nieder-Gorbitz; child in a blue apron; Scholtz, Julius (1825-1893); 1845 (1845-00-00-1845-00-00);Schlesisches Museum der Bildenen Künste (Wrocław - 1880-1945) - collection, houses, children, German drawings, village views, village homes

Photographic reproduction of decoration on ceiling, Hotel de Ville, Paris, 1852 - 1853 photograph Is part of a series of 18 magazines with photos of the cartons for the ceiling paintings by Henri Lehmann for the Galerie des Fêtes in the Hotel de Ville, Paris. Franceafter painting by: Paris cardboard salted paper print Paris

Vision in the clouds , Hallucinations & illusions, Cities & towns. The Massachusetts WPA Federal Art Project Photograph Collection

Rue d'Aboukir. Sculpted panels, rue d'Aboukir, 2nd arrondissement, Paris Sculpted Panels, Rue d'Aboukir, Paris (ie arrest). Anonymous Photography. Gélatino-Chloride Draw ..

Diafanorama of sixteen sailing ships on the water, Anonymous, c. 1750 - c. 1830 All sailing ships have white sails and sail under the Dutch flag. The second ship from the right is on fire. Three clouds float in the sky. The plate is painted white. The shown is located in a horizontal line in the middle of the glass plate. Netherlands wood (plant material). glass All sailing ships have white sails and sail under the Dutch flag. The second ship from the right is on fire. Three clouds float in the sky. The plate is painted white. The shown is located in a horizontal line in the middle of the glass plate. Netherlands wood (plant material). glass

Ship figurehead , Ship figureheads. The Massachusetts WPA Federal Art Project Photograph Collection

Seventeen Ornamental Designs for the Pless House or Chateau. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: sheet: 12 5/16 x 18 13/16 in. (31.2 x 47.8 cm). Date: second half 19th century. Museum: Metropolitan Museum of Art, New York, USA.

, FREYING - Palace Hachan - Innancy Joisage - Plaxiontccat, Bruno Raising Strategy -, Photographs

Wool-Carders. James Abbott McNeill Whistler (United States, 1834-1903). 1879/1880. Prints. Drypoint

Pompeiian Design for Wall and Doorway. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: 7 7/8 x 8 1/2 in. (20.0 x 21.6 cm). Date: second half 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Women's vignette mask; Care, Ignacy (1865-1941); 1912 (1912-00-00-1912-00-00);Young Poland (style), laurel branch (attribute), Polish graphics, women, masks, Poland (culture), Łopieński, Ignacy (1865-1944), Łopieński, Ignacy (1865-1944)-collection

Fragment, Medium: silk Technique: painted on taffeta, Oblong panel of taffeta painted in polychrome. A landscape with trees, pavilion and rocks., China, late 18th-early 19th century, printed, dyed & painted textiles, Fragment

Échantillons de briques émaillées.. Flandin, Eugène, 1809-1876. Botta, Paul Emile. Prints, Illustrations. 1849. General Research Division. Assyria , Antiquities & archaeological sites, Nineveh (Extinct city)

Fragment of a Tapestry Cartoon: Outstretched Hand, Body of a Seraph, and a Wing 1500-1550 School of Raphael (Raffaello Sanzio or Santi) Italian. Fragment of a Tapestry Cartoon: Outstretched Hand, Body of a Seraph, and a Wing 340610

Projection of Ceiling Over Plan of the Small Theater in the Palace at Caserta 1700-1773 Luigi Vanvitelli Italian. Projection of Ceiling Over Plan of the Small Theater in the Palace at Caserta 341576

View of a busy Rokin in Amsterdam, George Hendrik Breitner, 1900 View of a busy Rokin in Amsterdam. Page 37 and Page 38 from a sketchbook with 46 sheets made in Amsterdam. Amsterdam paper. chalk street (+ city(-scape) with figures, staffage). urban housing Rock

Museum, Smithsonian Institution.. John F. Jarvis (American, born 1850, active Washington D.C.)

Pompeiian Design for Wall and Doorway second half 19th century Jules-Edmond-Charles Lachaise French. Pompeiian Design for Wall and Doorway 345658

McBey, James, James McBey Earl's Court, recto below plate edge - handwritten, Self-portrait of James McBey in his studio in London., print, prints, verso - stamped, D, height 168 mm, width 277 mm, English, 1883-12-02 - 1959-12-01, print maker, prentmaker, 1914-03-25 - 1914-03-25, paper, papier, etching, etchings

Edo, Tsutaya Juzaburo (Koshodo), Utamaro, Kitagawa, Insects on flowering cucumber plant, Katydid and cicada on gourd, Page 15b and 16a in part two of the Insect Book of Utamaro., page, prints, Japan (collection), height 250 mm, width 180 mm, Japanese, 1753 - 1806, print maker, 1788 - 1788, fourth quarter 18th century, paper, mica, color woodcut, Publication (Event), Publication, publisher

Shield in Damascene Steel. Falloise., attributed to C.M. Ferrier & F. von Martens, 1851.

Painting reproduction: Flowers and shadows of dancing people Katsushika, hokusai (1760 1849)

A drawing by Stefano della Bella depicting four riders and two cavaliers standing on foot to the right, executed in pen and ink around 1633/34.

Upper row: at left, behind the vaulted roof of a tent is a part of a frieze. Two parts are the supports. Center: a tent, supported by two posts with capitals, with a low roof. At right, three rectangular openings, separated by columns. On top is a frieze with the roof of a tent in front; on a smaller scale the beginning of a sketch. Lower row, at left: three rectangular openings, the supports being posts with capitals. Center: a variation of the motif of the front of the alcove as in -1643. On verso: one below the other, are two sketches for bases of columns. Date: 1790-1809. Pen and brown ink, brush and brown wash on off-white lined paper, lined. Museum: Cooper Hewitt, Smithsonian Design Museum.

Bhairava ragini. Draughtsman: anonymous. Dating: 1750 - 1770. Place: India. Measurements: h 153 mm × w 125 mm. Museum: Rijksmuseum, Amsterdam.

Yenitcheri Acasi, Chef du Corps des Jamissaires, Reis-Efendi, Ministe. de l'extérr, Tchaouch Bachi Chatir, Exécuteur des hautes œuvres.. Brindesi, Jean. Prints. 1850. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Clothing & dress , Turkey, Clothing & dress , Turkey , Istanbul, Turbans , Turkey , Istanbul, Turkey , Court and courtiers

Workman at Lacock.. William Henry Fox Talbot (English, 1800 - 1877)

Postcard to Willem Bogtman, Richard Nicolaüs Roland Holst, after Louis Tessier, 1938 cardboard. ink writing (processes) / pen / collotype The Hague. Brussels

Good luck. Good luck

Figure in a Bar Parlour, Walter Richard Sickert (Munich, Germany, 1860 - 1942) 1925-1942

Painting. Framed painting of a peacock.

, Wolfrathplatz - Ober -St, -Veiter Castle - Interior view - Sub -view - wall and ceiling painting in the garden room, August Stauda -, photographer

Design for a Stage Set at the Opéra, Paris 1830-90 Eugène Cicéri French. Design for a Stage Set at the Opéra, Paris 359104

The Upper Part of a Door. Felix Bracquemond; French, 1833-1914. Date: 1852. Dimensions: 305 × 400 mm (plate); 285 × 387 mm (primary support); 465 × 360 mm (secondary support). Etching and drypoint on off-white laid paper, laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

A torso with a skin disease across it. Coloured stipple engraving by S. Tresca after Moreau-Valvile, c. 1806.

Nakch-i-Roustam. Tombe royale no. 3. Façade du caveau no. 3.. Coste, Pascal, 1787-1879. Flandin, Eugène (1809-1876). Prints. 1851 - 1854. General Research Division. Iran, Iran , Antiquities

Six abstract designs. Río, Antonio del. Prints. 1822. General Research Division. Mayas , Antiquities, Palenque (Chiapas, Mexico), Architectural decorations & ornaments

Toorop, Jan, Enfant avec le livre, Portrait of Charley Toorop, reading, recto bottom - handwritten, print, prints, verso - stamped, KL, Receive with dear children, our warmest wishes, height 102 mm, width 100 mm, Dutch, 1858-12-20 - 1928-03-30, print maker, printmaker, 1898 - 1998, Japanese paper (handmade paper), Japanese paper, drypoint, dry needle, plate tone

Martha Reed, Printed Delaines, c 1937 Printed Delaines

National celebration on April 1, 1872 of the 300-year-old intake of Den Briel, 1872 print Memorial magazine at the national celebration on 1 April 1872 of the 300-year-old intake of Den Briel by De Watergeuzen on April 1, 1572. Leaf with the intake of Den Briel, around seven performances of historical events from the start of the Dutch Uprising and three Portraits, at the top Willem van Oranje. Between the scenes ranks, weapons and banners. print maker: Netherlandsprinter: The Haguepublisher: Amsterdampublisher: Amsterdam paper capture of city (after the siege)

Study for The Hours” ceiling mural, House Chamber, Pennsylvania State Capitol at Harrisburg. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

Technique Demonstration. Dated: 1935/1942. Dimensions: overall: 35.6 x 25 cm (14 x 9 13/16 in.). Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: George E. Rhone.

Design for a ceiling second half 19th century Jules-Edmond-Charles Lachaise French. Design for a ceiling 388262

Vol. 1 of 5, Various Pictures by Keisai (Keisai soga). Artist: Kuwagata Keisai (Japanese, 1764-1824). Culture: Japan. Dimensions: 9 × 6 5/16 in. (22.9 × 16 cm). Date: ca. 1815-42. Museum: Metropolitan Museum of Art, New York, USA.

Legnica. Castle - Renaissance column; verso: sketch of typical scene in garden with fountain. Lesser, Aleksander (1814-1884), draughtsman, cartoonist

View of Château de Fromont, Israel Silvestre, 1631 - 1661 print View of Château de Fromont in Ris-Orangis on the road from Paris to Fontainebleau. In the air an ornamente empty coat of arms. Print is part of an album. print maker: Parispublisher: ParisThe Hague paper etching hôtel, i.e. small palace in city Château de Fromont

Two plates, circa 1931, England, by Frances Hodgkins.

Design for a Stage Set at the Opéra, Paris. Artist: Eugène Cicéri (French, Paris 1813-1890 Fontainebleau). Dimensions: Irregular sheet: 11 5/8 x 18 7/8 in. (29.6 x 48 cm). Date: 1830-90. Museum: Metropolitan Museum of Art, New York, USA.

Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3, George Cressal Ellis, ca. 1810-1875, undated, Watercolor and graphite on thin wove paper stained for tracing, laid down on contemporary wove paper mount, Sheet: 6 9/16 × 8 3/4 inches (16.7 × 22.2 cm) and Mount: 7 3/8 × 9 3/4 inches (18.7 × 24.8 cm), architectural subject, literary theme

View of the pipe market (Nieuwezijds Voorburgwal) in Amsterdam, George Hendrik Breitner, c. 1896 In the background the dome of the Royal Palace. Page 3 and Page 4 from a sketchbook with 37 sheets. Amsterdam chalk canals, waters (in city). civic architecture; edifices; dwellings Nieuwezijds Voorburgwal. Royal Palace Amsterdam

Frauen Series A. Thomas Schütte; German, born 1954. Date: 2006. Dimensions: 690 x 930 mm. Etching on paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

François-Édouard Bertin (French, 1797 - 1871), A Terrace and Garden on Capri recto, c. 1822 or later, charcoal and white chalk on blue paper

Log Cabin Quilt. Dated: 1935/1942. Dimensions: overall: 27.2 x 35.5 cm (10 11/16 x 14 in.). Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Elbert S. Mowery.

River Ferry on Rainy Day. Takahashi Hiroaki (Japan, 1871-1945). circa 1920s. Prints; woodblocks. Color woodblock print

Edelfelt, Albert, work, Flower Exercise, watercolor and pencil, painting, 31 cm x 48.5 cm, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Showcase with a color lithograph and a letter; Exhibition art, knowledge and commerce. On the left the color lithograph of Beatrice by Odilon Redon from 1897.

Design for Covered Bowl, first half 19th century, Yamamoto Baiitsu, Japanese, 1783 - 1856, 3 7/16 × 6 in. (8.73 × 15.24 cm)5 1/2 × 7 3/4 in. (13.97 × 19.69 cm) (mount), Ink and colors on paper, Japan, 19th century

Textile fragment, print of mountain landscape with autumn leaves and bamboo on pink background., anonymous, Japan, 1804 - 1818, Bunka period, silk, height 15.7 cm × width 24.3 cm

Shaker Visionary Image. Dated: 1935/1942. Dimensions: overall: 27.8 x 35.7 cm (10 15/16 x 14 1/16 in.). Medium: black and white photograph. Museum: National Gallery of Art, Washington DC. Author: American 20th Century.

Sample of printed IInen Unknown, Wiener Werkstätte

Sketchbook John Singer Sargent (American, born Italy, 1856-1925). Sketchbook, 1871-1872. Graphite, charcoal, watercolor and white chalk on paper, Sketchbook: 9 3/16 x 11 7/8 x 1/2 in. (23.3 x 30.2 x 1.3 cm). Regarded as one of the leading portraitists and watercolorists of the Gilded Age, the expatriate John Singer Sargent was also a consummate draftsman. He drew prolifically and precociously from a young age, as evidenced by this sketchbook, which he used while traveling in Germany in 1871-72, at age fifteen. Sargent filled many of the pages with his exercises in copying classical statuary from the famous plaster cast collection of Dresdens Albertinum museum. The sketches show a variety of approaches, from broad, linear strokes to refined tonal modeling. American Art 1871-1872

The sun and its influence on the world, 1585 print The God Apollo as Sol, driving on the clouds on his victory car, which is drawn by four horses. In the middle of the zodiac sign Leeuw. At the bottom of a hilly landscape (Italy and Bohemia) in which various dignitaries. On the left a pope is crowned. In the middle the coronation of a king and the knight's knight of a man. On the right a royal entry. Under the show a praise in Latin about the influence of the sun on the Italy and Bohemia regions. This print is part of an album. parchment (animal material). paper engraving (personifications of the) planets with their 'children', so-called 'Planetenkinder', accompanied by the corresponding zodiacal signs. triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée'. the chariot of the sun. papal coronation. coronation of a ruler. becoming a knight, knighting. Leo (zodiacal sign of July) Italy. Bohemen

Bodice. Dated: c. 1937. Dimensions: overall: 28 x 35.3 cm (11 x 13 7/8 in.). Medium: watercolor, gouache, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Edna C. Rex.

Architecture study. Draughtsman: George Hendrik Breitner. Dating: 1897. Place: Amsterdam. Measurements: h 140 mm × w 215 mm. Museum: Rijksmuseum, Amsterdam.

Sea of the North; Kita No Umi. Stylized landscape, printed on blue paper; Attached to slightly larger magazine Japanese paper on which handwritten signature, title and edition.

A Conversation, Kogan, Nina Iosifovna (1889-1942)

Plate. Dated: 1936. Dimensions: overall: 35.3 x 27.9 cm (13 7/8 x 11 in.) Original IAD Object: 1 1/2" High 7 7/8" Dia. Medium: watercolor, graphite, and pen and ink on paperboard. Museum: National Gallery of Art, Washington DC. Author: J. Howard Iams.

Whose Sleeves (Tagasode). Culture: Japan. Dimensions: 60 9/16 x 140 13/16 in. (153.8 x 357.6 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Pattens. Dated: c. 1936. Dimensions: overall: 24.6 x 35.3 cm (9 11/16 x 13 7/8 in.). Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Edward L. Loper.

Design for a part of the edge of a dish, with a hunter with dog and running animals in the middle of foliage, anonymous, c. 1550 - c. 1600 Germany paper. ink pen dish, plate, saucer. hunter

Enckell, Magnus, work, Bird of Paradise, exercise, 1925, painting, 47 cm x 68 cm, Knut Magnus Enckell 1870 Hamina - 1925 in Stockholm, a Finnish painter. Member of the Septem group of colorist painters. In Finland, Enckell is considered an influential symbolist artist.

Hokusai Manga, Vol. IX Katsushika Hokusai (Japanese, 1760-1849). Hokusai Manga, Vol. IX, 1817. Paper, 9 x 6 1/4 in. (22.9 x 15.9 cm). Asian Art 1817

Joseph Stannard, Man Fishing off Dock, one of three images on one sheet, etching on paper.

Persépolis. Palais no. 2. Bas-relief de la rampe de gauche de l'escalier du centre. Takht-i-Djemchid Takht-i Jamshîd. Flandin, Eugène, 1809-1876. Flandin, Eugène (1809-1876). Prints. 1851 - 1854. General Research Division. Iran, Iran , Antiquities

"Werry sorry Mam, but yer'l av to leave yer Krinerline outside.". Attributed to London Stereoscopic Company (active 1854 - 1890)

Flower garland for a cutting of a tomb. Artist: Johannes van Achelom (mentioned on object). Draughtsman: Gesina ter Borch. Dating: 1670 - c. 1687. Place: Zwolle. Measurements: h 203 mm × w 212 mm; h 243 mm × w 360 mm. Museum: Rijksmuseum, Amsterdam.

Fukeiga, Ando, Hiroshige, 1797-1858, artist, between 1900 and 1940, from an earlier print, 1 print : woodcut, color., Print shows a sail on a boat on a river with low buildings and fields in the background.

Patchwork Quilt. Dated: c. 1937. Dimensions: overall: 39.7 x 50.9 cm (15 5/8 x 20 1/16 in.) Original IAD Object: 93" long; 73" wide. Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Elbert S. Mowery.

Bull Gustav (1807-1880), silver press pattern for Ehrenburg (1842-1842): 5 ornamant details. Properto pressure on the cardboard, 28.7 x 43.3 cm (including scan edges) Stier Gustav (1807-1880): Silberpressungsmuster für Ehrenburg

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