Dramatic 17th Century Prints

Features somber and emotional subjects in a classic style, highlighting human figures and interactions, with a focus on dramatic scenes.

Rijn, Rembrandt van, The Raising of Lazarus: large plate, The Raising of Lazarus, verso lower left - stamped, print, prints, RHL. v Rijn f., central, height 365 mm, width 256 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1630 - 1634, second quarter 17th century, paper, etching, etchings, burin, Work conception, after own design by

Paris, Basan, Henry Louis, Rhine, Rembrandt van, Recueil de quatre-vingt-cinq estampes originales, Raising of Lazarus: large plate, The print is part of an album., print, album sheet, prints, height 366 mm, width 258 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1630 - 1634, second quarter 17th century, first quarter 19th century, paper, papier, etching, etchings, engraving, engraving (printing process), Publication (Event), Publication, publisher, 1807 - 1808

Lazio Roma Rome S. Paolo62. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture fragments, tomb sculpture fragments, sculptural fragments, inscribed tomb markers, sculpture, fresco painting, mosaics Specific Location: Basilica Antiquities: Architectural sculpture fragments, tomb sculpture fragments, sculpture fragments General Notes: the "tomb markers" need to be sorted and catalogued German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Arme Familie, Bl. 9, Vom Tode erster Teil, Op. XI. Klinger, Max (1857-1920), graphic artist, Stecchini, Ferd. (fl. ca 1850-1900), printer of graphic prints

Depiction of Euphraxia by Abraham Bloemaert, executed in brown Feder with green laved areas and deck white, showing figure, gesture, and composition.

Elsheimer, Adam, unknown, Mander, Karel van (III), Ceres and Stellio, verso - stamped, Night scene with Ceres and Stellio. Ceres drinks from a bowl and is laughed at by the boy Stellio because she does this too eagerly. Behind them stands an old woman with a torch and in the doorway a man who takes off his hat., print, prints, height 228 mm, width 160 mm, 1610 - 1670-03, print maker, printmaker, 1620 - 1670, paper, papier, etching, etchings, 1578-03-18 - 1610-12-11

Rijn, Rembrandt van, The Raising of Lazarus: large plate, The Raising of Lazarus, verso lower left - stamped, print, prints, RHL. v Rijn f., central, height 365 mm, width 256 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1630 - 1634, second quarter 17th century, paper, etching, etchings, burin, Work conception, after own design by

Umbria Perugia Bevagna Santuario della Madonna delle Grazie. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Holy Family, 1590, Etchings, 6 3/8 x 8 5/8 in. (16.2 x 21.9 cm), 6 3/8 x 8 5/8 in. (16.2 x 21.9 cm), Cream laid

Umbria Perugia Perugia Convent S. Pietro0. Hutzel, Max 1960-1990 Interior views with emphasis on paintings and sculpture; extensive views of illuminated manuscripts (negatives not printed). General Notes: There are no prints assigned H-#s 43-57. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Bliżej Kultury Styfi, Jan (1841 1921)

Arthur-Joseph Guéniot (1866-1951). Holy Religious appearing to knights. Graphite pencil. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, 19th XIXth 19th 19th 19th 19th century, 20th XXth XX 20th 20th 20th century

The dance of death. Etching by R. Dagley, 182-.

Rijn, Rembrandt van, Thery, A, Circumcision: small plate, The circumcision: small plate, verso - stamped, print, prints, verso lower left - stamped, height 90 mm, width 64 mm, print maker, printmaker, 1740 - 1789, paper, papier, etching, etchings, Work conception, Noord-Nederlands, 1606-07-15 - 1669-10-08

Truth protects the believer against all evil; Triumph of the truth. Man is attorned by all kinds of evil: the Sater sin (peccatum), hypocrisy (hypocrisis: a man with two faces and a mask), the deception (Mendacium: a man with a mask) and ignorance (Ignorantia: a woman with A blindfold). They shoot at him with arrows. However, truth protects him through a shield on which a large radiant sun is painted on. Anyone who believes in the divine truth has nothing to fear the evil of the world. The print has a Latin and a Dutch caption and is part of a series about the triumph of truth.

Gustave Doré (1832-1883), designer and Louis-Henri Brevière (1797-1869), engraver. "Apotheosis." Illustration for Honoré de Balzac, "Les Contes Dranitiques", Paris: Société Générale de Librairie, 1855 ". Paris, Maison de Balzac. 101792-2 Wood engraving, illustration of literary work, 19th 19th 19th 19th 19th 19th century, engraving

Gustave Doré (1832-1883), designer and Adrien Lavieille (1818-1862), engraver. "Darreniers iers and end Desplourable of the sire de Croix fed up with this daughter of hell." Illustration for Honoré de Balzac, "Les Contes Drolatiques", Paris: Société Générale de Librairie, 1855 ". Wood engraving. Paris, Maison de Balzac. 101787-26 Wood engraving, illustration of literary work, 19th 19th 19th 19th 19th 19th century, engraving

Woodcut by Albrecht Altdorfer depicting Joachim and Anna on the Golden Gate, created around 1513, showing biblical figures in architectural setting.

France sacrifices to reason. (IT)

Arthur-Joseph Guéniot (1866-1951). Moses bearing the tables of the law. Feather. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, 19th XIXth 19th 19th 19th 19th century, 20th XXth XX 20th 20th 20th century

A young man seated, holding a book and a pair of dividers, two older men standing, the eldest also holding dividers. Engraving by W. Ungher after Giorgione, c.1508.

A terrible fairy tale according to Artur Grottger's album was drawn by Karol Młodnicki. A clipping of ears 1874 (1) 53 Unknown, Grottger, Artur (1837 1867), M Rzenicki, Karol (1835 1900)

Lazio Roma Rome S. Pudenziana7. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, sculptural fragments, frescoes, mosaics.Post-medieval: Architecture, architectural sculpture, sculpture, frescoes, painting, stucco, mosaics. Object Notes: Tradition states that the church (on via Urbana) rests on the site of the house of the Roman senator Pudente, who gave shelter to S. Peter during his sojourn in Rome. Excavations reveal a 2nd century AD structure. 18th century facade. 4th century mosaic, "Triumphant Christ Enthroned" German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region i

Rembrandt van Rijn (Dutch, 1606 - 1669), Faust, c. 1652, etching, drypoint and burin

Woodcut showing the alliance of the four kingsthe King with three crowns, Blue, Black, and White Kingsagainst the King of the Fish, from the Weißkunig series of Emperor Maximilian I, by Leonhard Beck, 1514-1516, wooden stick.

Job Accepting Charity. Dated: 1825. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: William Blake.

The Five Kings Hiding in the Cave 1865-81 After Edward Gurden Dalziel British. The Five Kings Hiding in the Cave 642914

Illustration by George Cruikshank to Netley Abbey A Legend of Hampshire. From the book The Ingoldsby Legends or Mirth and Marvels by Thomas Ingoldsby, published 1865.

Axel Theodor Kittendorff (1821-1868); Lorenz Froelich (1820-1908), Hagbard Og Signe, (1852)

Anonymous chalk drawing with wash and brush in reddish-brown depicting an old musician, a young man, and an old spinner in back view.

Ernst Barlach, The Dance of Death II, 1921 The Dance of Death II

Drawing reproduction: Juliusz Kossak (1824-1899), a man from Podgolon Gl Ow, Opo, followed by a squirrel with a sword, next to the woman holding a cup. Former clothing and weapons. (13th century); after 1862 (1850-00-00-1875-00-00);

Hermione - Act V, Scene III, The Winters Tale. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

Hamlet: What is he, whose grief bears such an emphasis?” - A Churchyard - Act V, Scene I, Hamlet. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

Tuscany Siena Poggibonsi S. Lucchese0. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Woodcut on pear wood by Leonhard Beck showing Emperor Maximilian I in the Weißkunig series, depicting the alliance of Hagenau and the English king exiting, 1514-1516.

LA LECTURA DE LA MANO - 1868. Author: GUSTAVE DORE.

Raphael, Raimondi, Marcantonio, Delessert, Benjamin, Marc Antoine Raimondi, La Vierge pleurant le Corps mort de Jésus-Christ, Photo reproduction of an engraving of the lamentation of Christ by Mary, by Marcantonio Raimondi, photograph, photo, reproduction, page, photos, photographically illustrated books, height 292 mm, width 199 mm, French, 1817 - 1868, photographer, 1848 - 1853, photographic paper, photo paper, salted paper print, salt print, Work conception, Italian, 1482 - 1534, after a print by, 1483-04-07 - 1520-04-07, intermediary draftsman

This early 16th-century copper engraving by Monogrammist HS depicts a walking scene, emphasizing figure movement, composition, and detailed late medieval printmaking.

St George Series - The Petition to the King, 1900. After: Sir Edward Burne-Jones (d.1898). Publisher: Berlin Photographic Company

An oilgrisaille painting on red-brown primed paper by Franz de Paula Ferg showing a rural couple with a child while a farmer draws water from a fountain, highlighting daily life and landscape.

Toverdeur, Marius Bauer, 1899 print Two men approach a door that is guarded by a man via a staircase. paper etching magic objects and 'apotropaia'. opening the door

Saint Landricus is depicted by Leonhard Beck in 1517 on a wooden stick as part of the Sipp series commissioned by Emperor Maximilian I.

Micha Elwiro Andriolli, "Dziady: Maryla towards Gustaw's spectrum", illustration to "Dziady" by Adam Mickiewicz, 1879; from the series: "Heroines of Polish poetry, recreated by E. Andriolle"; Z: "K Osy" 1880 No. 770, p. 217; Gorazdowski, Edward (1843-1901), Andriolli, Micha Elwiro (1836-1893); 1880 (1880-00-00-1880-00-00);Kłosy (Warsaw - magazine - 1865-1890) - Illustrations, Mickiewicz, Adam (1798-1855). Dziady, illustrations for literary works, women, Polish painting, specter

CINDERELLA PAINTED BY GEORGE CRUIKSHANK, FROM THE EXHIBITION OF THE ROYAL ACADEMY, 1854

Title page for: Bernardus Bosch, Het Eigenbaat, 1785, Reinier Vinkeles (I), After Jacobus Buys, 1785 print Title page for a patriotic verse entitled: Het Eigenbaat, 1785. Allegorical representation of a forest in which the personification of the self -tan, accompanied by a wolf, takes the truth by hand. Northern Netherlands paper etching / engraving Selfishness; 'Interest', 'interest' (Ripa). Truth; 'TRAPE (RIPA)

King Mark stabbing Tristan in the presence of Ysolt. After a miniature from a 15th century manuscript. From Science and Literature in The Middle Ages by Paul Lacroix published London 1878

The Manger (La creche). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Rijn, Rembrandt van, Hieronymus in prayer: plate with curved upper edge, verso lower left, print, prints, Rembrandt f. 1632, lower right, verso middle lower, height 110 mm, width 82 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1632 - 1632, second quarter 17th century, paper, etching, etchings, burin, Work conception, after own design by

Photo production of (presumably) a drawing entitled 'The dream'; Der Traum .. Part of album with 30 photo productions of drawings of the Faust story of J.W. Von Goethe.

A Scholar in His Study, Rembrandt van Rijn, c. 1652 print Japanese paper etching / drypoint Faust. study; 'studiolo'; library

The Siege of Szigetvar, Countess Ilona Zrinyi throws a torch into the powder magazine, Historical, digitally restored reproduction of a 19th century original

Julian Fałat, At an innkeepers in Częstochowa. Tygodnik Ilustrowany (Warszawa ; czasopismo ; 1859-1939), publisher

Man under a tree near a water, Jacob van Strij, 1766 - 1815 drawing A man sitting under a tree by a water, barefoot and a foot in the water, a ruin in the background. Left at the bottom left of the pencil subdivided into Rhineland thumbs; traces of squared net in black chalk; Coming from a folder with study drawings by J. van Strij (and students). Design for a wallpaper painting. paper. chalk brush

Saul at the Witch of Endor. F.A. Brockhaus (Amsterdam, Lipsk, Wiesbaden ; wydawnictwo ; 1808-1953 ), printing house, unknown, graphic artist, Ge, Nikolay (1831-1894), draughtsman, cartoonist, Henkel, W.E. (Petersburg ; wydawnictwo ; ca 1860-1870), publisher

An old man with a wooden leg and a stick is accompanied by a girl carrying a bowl in her right hand. Etching by Jules Jacques Veyrassat.

Piotr Stachiewicz (1858-1938), from the series "Dziad i Baba" (V) - illustration for the song by J. I. Kraszewski "Dziad i Baba"; Czernecki, Jan (Wieliczka, Kraków; Publisher; 1905-1939), Angrer C. & Göschl (Vienna; Fotochemigraphic Zak 1870-); 1912 (1912-00-00-1912-00-00);

Pero sucks the chained Cimon in prison, Bernard Picart, After Rembrandt van Rijn, c. 1723 - c. 1733 print Pero gives her father Cimon de Borst in his prison collar (Caritas Romana). The story is an example from the classical literature of the love of children for their parents. paper etching But Suckling Cimon ('Roman Caritas')

Conrad sauve Gulnare de lincendie (Conrad Liberates Gulnare from the fire) (Byrons The Corsair). Artist: Horace Vernet, French, 1789-1863

Aurora,1900. After: Sir Edward Burne-Jones (d.1898). Publisher: Berlin Photographic Company

Umbria Perugia Bevagna SS. Domenico e Giacomo2. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Bliżej Kultury Cassell and Company Ltd., London, Paris, New York and Melbourne, Fortescue Brickdale, Eleanore (1872 1945)

Cuchulain desires Arms of the King. Chromolithograph after an illustration by Stephen Reid from Eleanor Hull's Cuchulain The Hound of Ulster, Harrap, London, 1909.

Rijn, Rembrandt van, Faust, A Scholar in his Study ('Faust'), verso lower right - pencil, print, prints, verso lower middle, verso lower left, verso lower right, C. 22701, verso lower middle - pencil, Haring 7, height 208 mm, width 161 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1650 - 1654, third quarter 17th century, Oriental paper, etching, etchings, drypoint, dry needle, burin, plate tone, Work conception, after own design by

PECADOS CAPITALES 'LA IRA' - 1302-1305 - FRESCO - TRECENTO ITALIANO - ESCUELA FLORENTINA. Author: Giotto. Location: CAPILLA DE LOS SCROVEGNI. Padua. ITALIA.

Lazio Viterbo Bagnaia Villa Lante92. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Interior with dog, Jan Baptist Tetar van Elven, after Huib van Hove BZ, 1815 - 1889 print Interior of a home. There is a hat on a chair and a cloak hangs over the backrest. A dog lurks to the spring of the hat. In the doorway in the background, a mother and child point out. Netherlands paper steel engraving interior of the house

Save the pieces - I've got Le Page's Liquid Glue , Women, Boys, Glue, 19th Century American Trade Cards

Artist: Jan Lievens, Dutch, 1607-1674, St. Jerome inPenitence, ca.1631, Etching, sheet: 24.6 × 21.2 cm (9 11/16 × 8 3/8in.), Made in The Netherlands, Dutch, 17thcentury, Works on Paper -Prints

Marches Pesaro e Urbino Urbino Museo del Duomo "Albani"4. Hutzel, Max 1960-1990 Post-medieval: Sculpture, paintings, panel painting, triptychs, polyptychs German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Aeneas and the Sibyl in the Underworld n.d. Arnold Houbraken Dutch. Aeneas and the Sibyl in the Underworld. Arnold Houbraken (Dutch, Dordrecht 1660-1719 Amsterdam). n.d.. Pen and brown ink, brush and gray wash, indented for transfer. Drawings

Eugène Lambert, The Monkey and the Cat, 1870s, pen and ink and gray wash on wove paper.

Wooden stick by Leonhard Beck (1514-1516) depicting the displaced Duke of Otnop, part of Emperor Maximilian I's 'Weißkunig' series.

Honoré Daumier, Ah! Pauv' Madame Chaffarou , 19th century Ah! Pauv' Madame Chaffarou ...

Wszyscy Święci w MNK Pomianowski, Kazimierz (Ca 1875 1890), Eljasz Radzikowski, Walery (1841 1905)

Albrechtsburg, resettlement of the University of Leipzig to MeissenMeissen. Albrechtsburg, resettlement of the University of Leipzig to Meissen

Alphonse Legros, Woman Seated against a Wall, Child with His Head in Her Lap (Femme assise, muraille au fond, enfant la tete dans son giron Woman Seated against a Wall, Child with His Head in Her Lap (Femme assise, muraille au fond, enfant la tete dans son giron

Dante Alighieri (1265-1321), Divina Commedia (Divine Comedy), Illustration by Franz Von Bayros, Inferno (Hell), Canto V, detail

The Piper. Dimensions: sheet: 42.4 x 34 cm (16 11/16 x 13 3/8 in.). Medium: lithograph on wove paper. Museum: National Gallery of Art, Washington DC. Author: Théodore Géricault.

Count Willem II secretly taken away by a corridor by a corridor, ca. 1250, 1840 - 1843 print Count of Holland William II is secretly taken away by a corridor by a corridor, presumably to flee. Unknown event, approx. 1250. Netherlands . Netherlands

Nuremberg, Dürer, Albrecht, Saint Jerome in the Wilderness, verso lower left - stamped, Saint Jerome sits in a rocky setting praying at a crucifix. Next to him stands a pollard willow, at his feet lies a lion., print, engraving, prints, engravings, F..., height 211 mm, width 183 mm, German, 1471-05-24 - 1528-04-05, print maker, printmaker, 1512 - 1512, first quarter 16th century, paper, drypoint, dry needle

Copper engraving 'The Temptation of the Two Hermits' by Albrecht Altdorfer, 1506, depicting two hermits with a temptor figure in a detailed landscape.

Théodore Gericault, The Piper The Piper

Print, The Deposition; France; wood engraving on paper; 4.7 × 5.3 cm (1 7/8 × 2 1/16 in.); 1945-200-478

Staircase in the Fuchs house in Saint-Gilles square, Nuremberg, Bavaria. Germany. Old XIX century engraved drawing from Trip to Nuremberg Le Tour du Monde 1864

'TERESINA,' BY F. WYBURD, IN THE EXHIBITION OF THE BRITISH INSTITUTION, 1861

Lazio Roma Subiaco Sacro Speco1. Hutzel, Max 1960-1990 Exterior views (Medieval core collection). Interior views of monument, with extensive coverage of 14th c. frescoes of the Sienese school in the upper church and many views of the rock cut chapels of the lower church, including Sacro Speco, where young S. Benedetto lived for three years in solitude; Cappella di S. Gregorio Magno, adorned with 13th c. Byzantine frescoes; Scala Santa and Cappella della Madonna, both decorated with Sienese school frescoes, and Grotta dei Pastori, with 8th c. Byzantine fresco. _ German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organize

Marriage of Doge of Venice with the Sea, Illustration drawn by H. Vogel, Ridpath's History of the World, Volume III, by John Clark Ridpath, LL. D., Merrill & Baker Publishers, New York, 1897

Francisco de Goya y Lucientes / 'Si no me engano, ba a dejar el avito. Album C, 18'. 1808 - 1814. Wash, Brush, Bistre on laid paper. Museum: Museo del Prado, Madrid, España.

Umbria Perugia Bevagna S. Agostino8. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Ary Scheffer, Marguerite in Church, 1832, etching on chine collé.

Engraved frontispiece from Dewhurst, New Medical Adviser

The Heart of the Rose,1900. After: Sir Edward Burne-Jones (d.1898). Publisher: Berlin Photographic Company

Prison of the Count of Castile, Fernando Gonzalez or Fernan Gonzalez (c. 910-970). Engraving by Coderch. Historia General de Espana by Father Mariana. Madrid, 1852.

The Banks of Lethe. F. Benedict Herzog (United States, 1859-1912). United States, 1907. Photographs. Photogravure

Gustave Doré (1832-1883), designer and Léopold deghouy (1821-1861), engraver. "Vertigo of love." Illustration for Honoré de Balzac, "Les Contes Drolatiques", Paris: Société Générale de Librairie, 1855 ". Wood engraving. Paris, Maison de Balzac. 101787-17 Wood engraving, illustration of literary work, 19th 19th 19th 19th 19th 19th century, engraving

Gustave Fraipont (1849-1923) .. "Claude Frollo". Plume and ink on paper. Around 1882. Paris, house of Victor Hugo. 76852-30 Ink, illustration, golden book, paper, novel character, engraving, feather

Sketch by Josef Wawra for the portrait 'Himmelfahrt' using feder and ink, depicting a figure with attention to pose and expression.

London, Tissot, James, Young woman descending the steps of the National Gallery in London, verso - stamped, print, prints, height 378 mm, width 210 mm, French, 1836-10-15 - 1902-08-08, print maker, printmaker, 1878 - 1878, paper, papier, etching, etchings, drypoint, dry needle, plaattoon

L'arbre de salut , Bowing, Trees, Alphonse Legros (1837-1911)

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