Théodore Gericault, The Piper The Piper

Théodore Gericault, The Piper The Piper
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4443-73194506
Paris, Basan, Henry Louis, Rhine, Rembrandt van, Recueil de quatre-vingt-cinq estampes originales, Raising of Lazarus: large plate, The print is part of an album., print, album sheet, prints, height 366 mm, width 258 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1630 - 1634, second quarter 17th century, first quarter 19th century, paper, papier, etching, etchings, engraving, engraving (printing process), Publication (Event), Publication, publisher, 1807 - 1808
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6145-59166084
Lazio Roma Rome S. Paolo62. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture fragments, tomb sculpture fragments, sculptural fragments, inscribed tomb markers, sculpture, fresco painting, mosaics Specific Location: Basilica Antiquities: Architectural sculpture fragments, tomb sculpture fragments, sculpture fragments General Notes: the "tomb markers" need to be sorted and catalogued German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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6145-48529582
Arme Familie, Bl. 9, Vom Tode erster Teil, Op. XI. Klinger, Max (1857-1920), graphic artist, Stecchini, Ferd. (fl. ca 1850-1900), printer of graphic prints
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6145-52825733
Depiction of Euphraxia by Abraham Bloemaert, executed in brown Feder with green laved areas and deck white, showing figure, gesture, and composition.
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4443-73249871
Elsheimer, Adam, unknown, Mander, Karel van (III), Ceres and Stellio, verso - stamped, Night scene with Ceres and Stellio. Ceres drinks from a bowl and is laughed at by the boy Stellio because she does this too eagerly. Behind them stands an old woman with a torch and in the doorway a man who takes off his hat., print, prints, height 228 mm, width 160 mm, 1610 - 1670-03, print maker, printmaker, 1620 - 1670, paper, papier, etching, etchings, 1578-03-18 - 1610-12-11
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4443-73234219
Rijn, Rembrandt van, The Raising of Lazarus: large plate, The Raising of Lazarus, verso lower left - stamped, print, prints, RHL. v Rijn f., central, height 365 mm, width 256 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1630 - 1634, second quarter 17th century, paper, etching, etchings, burin, Work conception, after own design by
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6145-59198271
Umbria Perugia Bevagna Santuario della Madonna delle Grazie. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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4443-75463836
The Holy Family, 1590, Etchings, 6 3/8 x 8 5/8 in. (16.2 x 21.9 cm), 6 3/8 x 8 5/8 in. (16.2 x 21.9 cm), Cream laid
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6145-59201362
Umbria Perugia Perugia Convent S. Pietro0. Hutzel, Max 1960-1990 Interior views with emphasis on paintings and sculpture; extensive views of illuminated manuscripts (negatives not printed). General Notes: There are no prints assigned H-#s 43-57. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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6145-45502579
Bliżej Kultury Styfi, Jan (1841 1921)
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6145-58999600
Arthur-Joseph Guéniot (1866-1951). Holy Religious appearing to knights. Graphite pencil. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, 19th XIXth 19th 19th 19th 19th century, 20th XXth XX 20th 20th 20th century
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6145-29251311
The dance of death. Etching by R. Dagley, 182-.
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4443-73249685
Rijn, Rembrandt van, Thery, A, Circumcision: small plate, The circumcision: small plate, verso - stamped, print, prints, verso lower left - stamped, height 90 mm, width 64 mm, print maker, printmaker, 1740 - 1789, paper, papier, etching, etchings, Work conception, Noord-Nederlands, 1606-07-15 - 1669-10-08
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6145-45972603
Truth protects the believer against all evil; Triumph of the truth. Man is attorned by all kinds of evil: the Sater sin (peccatum), hypocrisy (hypocrisis: a man with two faces and a mask), the deception (Mendacium: a man with a mask) and ignorance (Ignorantia: a woman with A blindfold). They shoot at him with arrows. However, truth protects him through a shield on which a large radiant sun is painted on. Anyone who believes in the divine truth has nothing to fear the evil of the world. The print has a Latin and a Dutch caption and is part of a series about the triumph of truth.
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6145-59016889
Gustave Doré (1832-1883), designer and Louis-Henri Brevière (1797-1869), engraver. "Apotheosis." Illustration for Honoré de Balzac, "Les Contes Dranitiques", Paris: Société Générale de Librairie, 1855 ". Paris, Maison de Balzac. 101792-2 Wood engraving, illustration of literary work, 19th 19th 19th 19th 19th 19th century, engraving
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6145-59016744
Gustave Doré (1832-1883), designer and Adrien Lavieille (1818-1862), engraver. "Darreniers iers and end Desplourable of the sire de Croix fed up with this daughter of hell." Illustration for Honoré de Balzac, "Les Contes Drolatiques", Paris: Société Générale de Librairie, 1855 ". Wood engraving. Paris, Maison de Balzac. 101787-26 Wood engraving, illustration of literary work, 19th 19th 19th 19th 19th 19th century, engraving
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6145-52837758
Woodcut by Albrecht Altdorfer depicting Joachim and Anna on the Golden Gate, created around 1513, showing biblical figures in architectural setting.
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6145-29913169
France sacrifices to reason. (IT)
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6145-58999466
Arthur-Joseph Guéniot (1866-1951). Moses bearing the tables of the law. Feather. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, 19th XIXth 19th 19th 19th 19th century, 20th XXth XX 20th 20th 20th century
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6145-29260219
A young man seated, holding a book and a pair of dividers, two older men standing, the eldest also holding dividers. Engraving by W. Ungher after Giorgione, c.1508.
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6145-45351912
A terrible fairy tale according to Artur Grottger's album was drawn by Karol Młodnicki. A clipping of ears 1874 (1) 53 Unknown, Grottger, Artur (1837 1867), M Rzenicki, Karol (1835 1900)
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Image Number: 6145-29853574Royalty FreeCredit Line:Piemags/PL Photography Limited/SuperStockCollection:PL Photography LimitedStory:Dramatic 17th Century PrintsContributor:PiemagsModel Release:NoProperty Release:NoResolution:2934×4000
Gericault
National Gallery of Art|
piper|
THÉODORE|
United States|