Crucifixes and Religious Sculptures

A variety of artistic representations of crucifixes featuring Christ on the cross, showcasing different styles, materials, and historical periods. The mood is reverent and solemn.

Christ in Majesty with Symbols of the Four Evangelists; about 1150-1200 Fresco secco transferred to plaster and wood Unidentified artist Spanish (Catalan); 12th century

Crucifix.

Christ in Majesty with Symbols of the Four Evangelists; about 1150-1200 Fresco secco transferred to plaster and wood Unidentified artist Spanish (Catalan); 12th century

Campania Napoli Naples S. Lorenzo Maggiore85. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

Unknown artist. First half of the 13th century. Crucifix. Walnut wood carved and painted. National Museum of Capodimonte. Naples. Italy.

CRISTO CRUCIFICADO - GOTICO. Location: IGLESIA DE SAN BARTOLOME. CARMONA. Seville. SPAIN.

Lazio Rieti Magliano Sabina Madonna delle Grazie. Hutzel, Max 1960-1990 One exterior view of facade. Interior views include: high altarpiece of a mixed-media Madonna--metalwork on painted panel (15th century, Umbrian), wood sarcophagus. Crypt: votive frescoes including St. Francis receiving the stigmata. (12th-15th century). Wooden statue of crucifixion (16th century). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Chapel of the Cross, Christ, St, Saint, Saint

CRUCIFIXION EN MARFIL S XVII. Location: CONVENTO DE LAS CLARISAS / MUSEO DE ARTE SACRO. MONFORTE DE LEMOS. LUGO. SPAIN.

Campania Caserta Capua Chiesa dell'Annunziata40. Hutzel, Max 1960-1990 Medieval: Architecture, sculpture. Post-medieval: Architecture, architectural sculpture, sculpture, painting, stucco, decorative arts (furniture, woodworking, tapestry, metalworking), marble Object Notes: constructed from 1531 to 1574, earlier church from c.1285-1309. Renaissance appearance with modifications of the 17th and 18th centuries. No information provided by Hutzel. See guidebook included in shipment of photographs, pp. 33-34. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city,

Crucified Saint Julia, Giovanni Carra, 17th c. Santa Giulia, City Museum, Brescia, Lombardy, Italy, Brescia, Lombardy, Italy, Europe

CrucifiedChrist. Artist, attributed to: Georg Petel, German, 1601/2-ca. 1634

Cross (altar): Obverse - crucifixion; Reverse - tools of the Passion and the Resurrection of Christ; Unknown Orthodox workshop (988-2000); 2nd half 19th century (1851-00-00-1900-00-00);

Corpus of the Expiring Christ. Spain, circa 1675-1700. Sculpture. Polychromed earthenware (head) and macerated bast fibers with fish spines

Crucifix on a Golgotha Base ca. 1590-1600 Base by Giuseppe de' Levi Although this crucifix is a powerfully direct devotional image, its corpus and base are quite obviously from different workshops. Giuseppe de Levis, signer of the picturesque base, could never have managed the finesse of the corpus. It is likely, howevereven if it cannot be provedthat the base was made with this particular corpus in mind. They appear to be contemporaneous, and they form a most harmonious composition. It is not too bold to speculate that the first owner of the corpus prized it enough to bring it to Giuseppe de Levis's Veronese workshop to have it mounted. The gilt corpus is both austere and elegant, the hair framing the face in soft waves. The head of Christ is set almost straight on his neck, not yet fallen, and the face wears an expression of heroic resignation. The hands and feet are chased with exceptional care; one might well consider these the refining touches of a goldsmith. The sculptural styl

Crucifix probably 17th century German. Crucifix. German. probably 17th century. Figure: boxwood, polished; cross: black wood (modern). Sculpture-Miniature

Unknown artist. First half of the 13th century. Crucifix. Walnut wood carved and painted. National Museum of Capodimonte. Naples. Italy.

Painted Cross/Crucifix, by Jacopo di Paolo, 1426, 15th Century, tempera on board with golden background. Italy, Emilia Romagna, Bologna, San Giacomo Maggiore Church. All painted wooden Cross Christ Patiens nude: naked loincloth nimbus aureole: halo on the left, at the polylobate end of the horizontal arm of the Cross, Mary Madonna Grieved Virgin on the right St John the Evangelist a.

Umbria Perugia Massa Martana (environs) S. Maria in Pantano. Hutzel, Max 1960-1990 Exterior views of the Medieval architecture of the church: rose window, gothic portal, and tower. Interior views depict details of Medieval fresco fragments, columns and capitals, and a wooden crucifix. Antiquities: Roman gravestones used as altar bases, a Roman column used as a font, a reused historiated relief and frieze. Object Notes: Hutzel photo campaign date: May 28, 1984 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

CRISTO EN LA CRUZ. Location: INTERIOR. Valladolid. SPANIEN. JESUS. CRISTO CRUCIFICADO.

CRISTO DE QUINTANILLA DEL MONTE S XIV. Location: PALACIO EPISCOPAL-MUSEO DE LOS CAMINOS. ASTORGA. LEON. SPAIN.

Cristo crucificado de Perves, procedente de Sant Fruitós de Perves, Lleida. Siglo XIII.

Lazio Rieti Rieti Museo Civico6. Hutzel, Max 1960-1990 Some wooden statues, mostly of the Madonna & Child. In most part, paintings, including the Madonna & Child with SS. Domenico. Peter, Paul and Peter Martyr by Lucca di Tomme. There is also a tryptich of the Resurrection, with predella scenes of the Passion, and other Renaissance and Baroque paintings. Owner: Palazzo Comunale Antiquities: Antique statues and busts. Object Notes: Two Hutzel photo campaign dates, one December 22, 1982, the other date is not legible. There are two sets of prints, one with numbers and an "A" set with its own numbers. At this time, the "A" set matches to the negatives we have; however, the negatives are missing for the numbered set. Since the two sets are virtually identical, it would in most cases be possible to find an image in the "A" set that would have a negative. Numbered set: 72 prints; "A" set: 94 prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the ea

CRISTO DE LA AGONIA - SIGLO XVII - BARROCO ESPAÑOL. Author: JUAN SANCHEZ BARBA (1602-1673). Location: ORATORIO DE CABALLERO DE GRACIA. MADRID. SPAIN.

S. Eugenio basilica, Rome, Italy. Crucifix and statue.

Black crucifix, wooden crucifix from the late 15th century, Tropea cathedral, Calabria, Italy.

CRISTO DE MARFIL. Location: CATEDRAL-INTERIOR. Toledo. SPAIN.

Catholic parish church of the crowning glory in Bad Mergentheim-Stuppach Franken Kath. Parish Church of Mariä Könung in Bad Mergentheim-Stuppach Franken

cross with god nailed to the cross

Campania Napoli Naples S. Lorenzo Maggiore0. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches o

Sant Crist de la Sang, monasterio de Sant Bartomeu, Inca, Mallorca, balearic islands, Spain.

Crucified Christ, late 1300s. Spain, Navarre, late 14th century. Painted and gilded wood (poplar); overall: 211 x 154.9 x 32.2 cm (83 1/16 x 61 x 12 11/16 in.).

Crucifix, Southern Germany or Tyrol, late 15th century, Staedtische Galerie im Lenbachhaus, Munich, Upper Bavaria, Bavaria, Germany, Europe

Marches Pesaro e Urbino Sant'Angelo in Vado S. Maria dei Servi5. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

'Crucifix'. Italy, Early 17th century (wooden cross was produced later). Dimensions: height of the figure: 24,0 cm. Museum: State Hermitage, St. Petersburg.

Wooden crucifix with skull and crossbones isolated on black background.

CRUCIFIJO S XVIII. Location: IGLESIA DE SANTA MARIA DEL CAMPO. Coruña. SPAIN.

Painted Cross. 1272-85. Oil painting on canvas. Master of San Francesco. Louvre. Paris. France.

Crucifixion. Date/Period: Ca. 1260. Tempera on panel. Author: COPPO DI MARCOVALDO.

Georgia, Kakheti. Religious art at the David Gareja Monastery.

Unknown painter of the Campania, Italy. Crucifixion, 1280-1290. Tempera and gold on table. National Museum of Capodimonte. Naples. Italy.

Crucifix in St Paul's catholic cathedral, Tirana, Albania..

CRISTO DE LA MISERICORDIA. Author: JUAN DE MESA (1583-1627). Location: COLEGIATA. Osuna. Seville. SPAIN.

Crucifix made of marble,

Basilica of the Nativity of Our Lady Regensburg. Jesus on the cross. The crucufixion. Regensburg. Germany.

The Czech Cross a carved crucifix by Jindich Severa 1968. Coventry Cathedral, England

Crucifix from Damienice unknown

Christ. Second half of the13th century. From Solsona. Episcopal Museum of Vic. Catalonia. Spain.

Christ on the cross by Velasquez c.1632

Chistus Cross in the cemetery of the Frauenwoerth Monastery Church, Fraueninsel, Chiemsee, Chiemgau, Bavaria, Germany, Europe

Master of the blue crucifixes (active in Assisi and Perugia between 1265 and 1275). Processional cross, painted on both sides. 1265-1275. Wallraf-Richartz Museum. Cologne. Germany.

Rusted cast-iron statue of Christ on a stone cross, 19th Century, against a blue sky in the cemetery of Guebwiller, Route de Colmar, Guebwiller, Alsace, France, Europe

Crucifixion, by Lucca Master of 12th Century, 12th Century, tempera on slightly sculpted panel. Italy: Tuscany: Lucca: San Michele in Foro Church. Whole artwork. Christ crucified cross with lobed arms scenes of Christ's life tetramorph angels cherubim seraphim red blue black gold wood

Crucifix Italian 18th century Christ is shown as if speaking his last words to God the Father. The figure is distinguished by the expressive features, disproportionately large head, and lavish treatment of the hair. The schematically drawn body and rigid, unmodulated loincloth are not particularly well carved.

Crucifix 1140-1160 Meuse. Gilded copper, champlevÈ enamel .

Lazio Rieti Antrodoco S. Maria Assunta, Cathedral7. Hutzel, Max 1960-1990 Medieval: Romanesque facade portral from church of S. Maria extra moenia. Post-medieval: 18th century architecture (1712) with rich Baroque interior; paintings on canvas; processional cross German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Jesus Christ - Old crucifix, Catholic Church, on black background with copy space

Lazio Rieti Rieti Museo Civico49. Hutzel, Max 1960-1990 Some wooden statues, mostly of the Madonna & Child. In most part, paintings, including the Madonna & Child with SS. Domenico. Peter, Paul and Peter Martyr by Lucca di Tomme. There is also a tryptich of the Resurrection, with predella scenes of the Passion, and other Renaissance and Baroque paintings. Owner: Palazzo Comunale Antiquities: Antique statues and busts. Object Notes: Two Hutzel photo campaign dates, one December 22, 1982, the other date is not legible. There are two sets of prints, one with numbers and an "A" set with its own numbers. At this time, the "A" set matches to the negatives we have; however, the negatives are missing for the numbered set. Since the two sets are virtually identical, it would in most cases be possible to find an image in the "A" set that would have a negative. Numbered set: 72 prints; "A" set: 94 prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the e

Christ on the Cross, El Greco (workshop of), 1600 - 1615 painting Christ on the cross, against a landscape with the buildings of Jerusalem in the distance. Dark clouds fill the sky. canvas. oil paint (paint) Christ on the cross on Golgotha (alone, without bystanders)

Barlach crucifix, St., Saint, Saint

Church of our Lady of the Presentation. Jesus on the cross. The crucifixion. Aveiro. Portugal.

Jesus figure on a wooden door

Wooden crucifix

Pietro Tacca, The Pistoia Crucifix, c 1600 1616 The Pistoia Crucifix

Crucifix Guariento di Arpo (ca.1338-ca.1378 Italian) Oil on Wood Panel Eremitani Church, Padua, Italy

Abruzzo, Isola del Gran Sasso d'Italia, S. Massimo, Italy, 20th century, photo, photography, Europe

Statuary of St Cross, Calvary on Charles Bridge in Prague

Corpus of Christ 1200s (Cross is later) Wood; painted decoration; gilding Unknown artist Spanish (Catalonia)

Unknown painter of the Campania, Italy. Crucifixion, 1280-1290. Tempera and gold on table. National Museum of Capodimonte. Naples. Italy.

CRUCIFICADO - ICONO - S XX. Author: MONJAS BENEDICTINAS. Location: PRIVATE COLLECTION. MADRID. SPAIN. JESUS. CRISTO CRUCIFICADO. XXX.

Crucifix of xii-xiii century, cividale del friuli, Italy

Kalvarienberg with Christ on the Cross, Birkenstein, Fischbachau, Upper Bavaria, Bavaria, Germany, Europe

Lazio Rieti Casperia S. Maria di Legarano9. Hutzel, Max 1960-1990 Medieval: Wooden crucifix dating from the 1400's or (14th century). Post-medieval: Painting, sculpture. In the lunette above the portal is a fresco of the Annunciation by Bartolomeo Torresani. A fresco of the Last Judgment, by Bartolomeo Torresani, on walls of a chapel to the left of the atrium. Painting of S. Sebastian and S. John the Baptist of the school of Antoniazzo Romano. In a niche, representation of the Wedding of the Virgin, fresco attributed to Alessandro Torresani. Nativity scene in polychromed terracotta by an Abruzzi artist from the 15th century. Behind the main altar, a polychromed wood statue of the Virgin and Child signed by Carlo dell'Aquila (1489). Antiquities: Architecture and sculpture. Remains of "opus reticulatum" walls (church built on the site of a roman villa), a "colossal god" sculpture from 1 B.C. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early

Crucifix, by Master of the Blue Crosses, 1233 - 1266, 13th Century, tempera on linen pasted on panel. Italy: Umbria: Perugia: Assisi: Treasury Museum of San Francesco Basilica. Umbrian or Emilian master of second third of 13C. Front Christ Crucifixion Mary St John gold blue girdle Cross

Golden crucified Jesus Christ on the cross. Close up. Detail. Nitra Calvary. Slovakia

Crucifix made of marble with blue sky in background. France, Provence Region

National Museum of Ancient Art. Crucifix, Altar cross. Ivory. Macao or China. 18 th century.

Crucifix of Ferdinand I of Leon and Castile and Sancha of Leon. 11th century. National Archaeological Museum. Madrid. Spain.

Jesus Christ on Cross Isolated Sculpture Wooden jesus christ sculpture isolated on white background Copyright: xZoonar.com/DanielxFerreira-LeitesxCiccarinox 12818302

Crucifix, Christ on the cross

Christ Cross against blue sky at the back of St. Heinrich Church, Durbach, Baden-Wuerttemberg, Germany, Europe

USA, New Mexico, Las Cruces. Crucifix on altar of Basilica of San Albino.

Saint Pierre church. Jesus on the cross. The crucifixion. Altar with two church candles. Toucy. France.

CRISTO EN LA CRUZ. Author: EL GRECO ESCUELA. Location: CASA MUSEO DEL GRECO-COLECCION. Toledo. SPAIN. CRISTO CRUCIFICADO.

Cross, Morschreuth, Upper Franconia, Bavaria, Germany, Europe

Crucifix late 17th century German or Flemish. Crucifix. German or Flemish. late 17th century. Ivory. Sculpture-Miniature

SPAIN - Teruel (district) - ARAGON - TERUEL. Salvador church; "Cristo de los 3 brazos" image (3 arms Christ)

Twelve Messenger Altar, St. Jacob's Town Church, Rothenburg ob der Tauber, Bavaria, Germany, Europe

image of Jesus crucified, 14th century, polychrome wood, transition style between the Romanesque and the Gothic, Monastery of Santa María de San Salvador de Cañas, Cañas, La Rioja, Spain.

Umbria Perugia Montesanto S. Maria, Parish church7. Hutzel, Max 1960-1990 coverage includes views of the church facade, interior views of the nave and altar, and views of paintings by Virgilio Nucci, Camillo Angelucci, and others. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Germany, Mecklenburg-Western Pomerania, Baltic Sea, Bad Doberan, Doberan Monastery, Cistercian Abbey, Minster, High Gothic brick building

CRUCIFIX IN CATHOLIC BASILICA ST. AUGUSTINE, FL

Lazio Roma Frascati Chiesa dei Cappuccini3. Hutzel, Max 1960-1990 Views of facade, exterior chapels, interior altars, choir, paintings, and sculpture. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Engraving by Richard Brookshaw depicting Christ on the cross, created in 1771. The print represents the crucifixion, a pivotal event in Christianity.

Cross in a room, Saint_Pierre de Solesmes Abbey, Solesmes, Sarthe, Pays de la Loire, France, Europe

Abruzzo Pescara Penne Cathedral. Hutzel, Max 1960-1990 Romanesque church on site of Roman ruins. Cathedral now has Renaissance side door, and 14th century bell tower. Facade reconstructed in 1955. Several views of the 12th century altar, reconstructed after WWII bombing, of the 13th century crucifix, and of gold statue of S. Massimo from 1762. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Pere Lachaise graveyard. Crucifix. Cemetery.

Marches Macerata Visso S. Maria, Collegiate Church4. Hutzel, Max 1960-1990 Detailed views of the 14th century exterior architecture of the church, including portals, and details of columns and capitals. There are general interior views, with detailed photos showing the paintings, both on the screen behind the main altar and behind side altars. There are also many photos of painting fragments from the late Medieval and early Renaissance periods. Sculptural photos include a wooden crucifix and basins or altars (perhaps antique) with human face motifs. Object Notes: Hutzel photo campaign date: June 30, 1984. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissan

Dyck, Anthony van, London, Jode, Arnold de, Christ on the Cross, verso bottom center - stamped, Christ on the Cross. Nailed to the cross is a piece of paper with an inscription: 'Jesus of Nazareth, King of the Jews' in Hebrew, Greek and Latin. Below the image is a two-line caption in Latin., print, prent, prints, prenten, height 415 mm, width 265 mm, 1638 - 1667, print maker, printmaker, 1666 - 1667, paper, papier, engraving, engraving (printing process), Flemish, Dutch, 1599-03-22 - 1641-12-09

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