CRUCIFIX IN CATHOLIC BASILICA ST. AUGUSTINE, FL

CRUCIFIX IN CATHOLIC BASILICA ST. AUGUSTINE, FL
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Crucifix.
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Christ in Majesty with Symbols of the Four Evangelists; about 1150-1200 Fresco secco transferred to plaster and wood Unidentified artist Spanish (Catalan); 12th century
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6145-59134475
Campania Napoli Naples S. Lorenzo Maggiore85. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches
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1899-17319970
Unknown artist. First half of the 13th century. Crucifix. Walnut wood carved and painted. National Museum of Capodimonte. Naples. Italy.
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4409-17304430
CRISTO CRUCIFICADO - GOTICO. Location: IGLESIA DE SAN BARTOLOME. CARMONA. Seville. SPAIN.
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6145-59152442
Lazio Rieti Magliano Sabina Madonna delle Grazie. Hutzel, Max 1960-1990 One exterior view of facade. Interior views include: high altarpiece of a mixed-media Madonna--metalwork on painted panel (15th century, Umbrian), wood sarcophagus. Crypt: votive frescoes including St. Francis receiving the stigmata. (12th-15th century). Wooden statue of crucifixion (16th century). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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1848-67289013
Chapel of the Cross, Christ, St, Saint, Saint
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4409-17280191
CRUCIFIXION EN MARFIL S XVII. Location: CONVENTO DE LAS CLARISAS / MUSEO DE ARTE SACRO. MONFORTE DE LEMOS. LUGO. SPAIN.
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6145-59128415
Campania Caserta Capua Chiesa dell'Annunziata40. Hutzel, Max 1960-1990 Medieval: Architecture, sculpture. Post-medieval: Architecture, architectural sculpture, sculpture, painting, stucco, decorative arts (furniture, woodworking, tapestry, metalworking), marble Object Notes: constructed from 1531 to 1574, earlier church from c.1285-1309. Renaissance appearance with modifications of the 17th and 18th centuries. No information provided by Hutzel. See guidebook included in shipment of photographs, pp. 33-34. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city,
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1848-63245991
Crucified Saint Julia, Giovanni Carra, 17th c. Santa Giulia, City Museum, Brescia, Lombardy, Italy, Brescia, Lombardy, Italy, Europe
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6145-46800445
CrucifiedChrist. Artist, attributed to: Georg Petel, German, 1601/2-ca. 1634
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6145-59085648
Cross (altar): Obverse - crucifixion; Reverse - tools of the Passion and the Resurrection of Christ; Unknown Orthodox workshop (988-2000); 2nd half 19th century (1851-00-00-1900-00-00);
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6145-29131838
Corpus of the Expiring Christ. Spain, circa 1675-1700. Sculpture. Polychromed earthenware (head) and macerated bast fibers with fish spines
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6145-29712509
Crucifix on a Golgotha Base ca. 1590-1600 Base by Giuseppe de' Levi Although this crucifix is a powerfully direct devotional image, its corpus and base are quite obviously from different workshops. Giuseppe de Levis, signer of the picturesque base, could never have managed the finesse of the corpus. It is likely, howevereven if it cannot be provedthat the base was made with this particular corpus in mind. They appear to be contemporaneous, and they form a most harmonious composition. It is not too bold to speculate that the first owner of the corpus prized it enough to bring it to Giuseppe de Levis's Veronese workshop to have it mounted. The gilt corpus is both austere and elegant, the hair framing the face in soft waves. The head of Christ is set almost straight on his neck, not yet fallen, and the face wears an expression of heroic resignation. The hands and feet are chased with exceptional care; one might well consider these the refining touches of a goldsmith. The sculptural styl
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6145-29761800
Crucifix probably 17th century German. Crucifix. German. probably 17th century. Figure: boxwood, polished; cross: black wood (modern). Sculpture-Miniature
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4409-21513095
Unknown artist. First half of the 13th century. Crucifix. Walnut wood carved and painted. National Museum of Capodimonte. Naples. Italy.
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1899-30455
Painted Cross/Crucifix, by Jacopo di Paolo, 1426, 15th Century, tempera on board with golden background. Italy, Emilia Romagna, Bologna, San Giacomo Maggiore Church. All painted wooden Cross Christ Patiens nude: naked loincloth nimbus aureole: halo on the left, at the polylobate end of the horizontal arm of the Cross, Mary Madonna Grieved Virgin on the right St John the Evangelist a.
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6145-59200395
Umbria Perugia Massa Martana (environs) S. Maria in Pantano. Hutzel, Max 1960-1990 Exterior views of the Medieval architecture of the church: rose window, gothic portal, and tower. Interior views depict details of Medieval fresco fragments, columns and capitals, and a wooden crucifix. Antiquities: Roman gravestones used as altar bases, a Roman column used as a font, a reused historiated relief and frieze. Object Notes: Hutzel photo campaign date: May 28, 1984 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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4409-156540
CRISTO EN LA CRUZ. Location: INTERIOR. Valladolid. SPANIEN. JESUS. CRISTO CRUCIFICADO.
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4409-21482840
CRISTO DE QUINTANILLA DEL MONTE S XIV. Location: PALACIO EPISCOPAL-MUSEO DE LOS CAMINOS. ASTORGA. LEON. SPAIN.
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4409-65763446
Cristo crucificado de Perves, procedente de Sant Fruitós de Perves, Lleida. Siglo XIII.
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Image Number: 4186-61428556Rights ManagedCredit Line:ClassicStock/SuperStockCollection:ClassicStockStory:Crucifixes and Religious SculpturesContributor:ClassicStockModel Release:NoProperty Release:NoResolution:3556×5351
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