Artistic Print Techniques

Illustrations and engravings capturing historical and narrative moments, often focusing on daily life and cultural themes in graphic art.

Lazio Rieti Posta S. Rufina. Hutzel, Max 1960-1990 Post-medieval: Architecture, painting, sculpture, metalwork (tabernacle), wooden statues, stucco decoration. This church has a greek cross plan and a Baroque interior. Object Notes: Posta environs. Undocumented Hutzel name. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Aposto reference; before 1820 (1780-00-00-1820-00-00);

Two illustrations on one plate 1001 Nights". Saunders, Józef (1773-1845), graphic artist

The Dirty Bride or The Wedding of Mopsus and Nisa. Artist: Pieter Bruegel the Elder (Netherlandish, Breda () ca. 1525-1569 Brussels). Dimensions: Overall: 10 3/8 x 16 3/8 x 1 1/8 in. (26.4 x 41.6 x 2.9 cm). Date: ca. 1566.This remarkable drawing represents a group of street performers putting on a comic folk play, The Dirty Bride (De Vuile Bruid) on the occasion of Shrovetide, the three days before Ash Wednesday. The coarse, bedraggled bride being led from a shabby nuptial tent is Nisa, while the prancing groom who leads her out is Mopsus. The account of their marriage derives from the Eighth Eclogue of the Roman poet Virgil, but also appeared in several contemporary books of proverbs, in which it was used to indicate a world turned upside down. In this print after Bruegel's drawing, which was engraved by Pieter van der Heyden and published by Hieronymus Cock in 1570, a Latin inscription was added below the image that translates "Mopsus marries Nisa, what may not we lovers hope for"-

Lazio Rieti Posta S. Rufina. Hutzel, Max 1960-1990 Post-medieval: Architecture, painting, sculpture, metalwork (tabernacle), wooden statues, stucco decoration. This church has a greek cross plan and a Baroque interior. Object Notes: Posta environs. Undocumented Hutzel name. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Mother with child, beggar, woman, 1881 - 1934 zinc

Lazio Viterbo Bagnaia Villa Lante84. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Wall facing, Tin-glazed earthenware, underglaze, Horizontal rectangle. Thirty-seven tiles wide and twenty-one high with opening for door or window nineteen and one-half tiles high and twelve wide. To left and right of opening, centered canopy above. Left, woman representing Hope, right, a sculputure urn. Centered above opening, a mascaron. Arabesque design of foliage., Possibly Delft, Netherlands, Possibly Rotterdam, Holland, ca. 1725, tiles, Decorative Arts, Wall facing

Lazio Viterbo Bagnaia Villa Lante45. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Study of Heavenly Figures, Francis Augustus Lathrop, American, 1849 - 1909, Brush and blue watercolor on tracing paper, Four figures seated in clouds, the one at left wears a halo., USA, ca. 1895, figures, Drawing, Drawing

Abruzzo Alanno Madonna delle Grazie. Hutzel, Max 1960-1990 Post-medieval: Architecture, sculpture, frescos (16-17th century) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

This image depicts a lecture by Hermann Kaiser, delivered by Hofrat Junk on November 24, 1930. The event was recorded in 1937, capturing the historical context and significance of the lecture.

S. Jons Ap. (image of St. John the Evangelist). Czerski, Stanisław (1777-1833), graphic artist

Recto: the head of the soul in hell "Tormentum Gustus"; Verso: partly blurred emblematic composition; 1650-1800 (1650-00-00-1800-00-00);

Detail from the Battistero di San Giovanni (Florence Baptistery). The baptistery Considered a minor basilica, and is a religious building in Florence, Italy. It is in the Florentine Romanesque style, and was built between 1059 and 1128, making it one of the oldest buildings in the city. 3 sets of bronze doors with relief sculptures are on the exterior. The south doors created by Andrea Pisano, and the east and north doors by Lorenzo Ghiberti. This set of doors is known as 'The Gates of Paradise', and features scenes from the bible in bronze relief.

Lazio Viterbo Vitorchiano Madonna di S. Nicola5. Hutzel, Max 1960-1990 Three exterior views of 16th c. church; comprehensive coverage of church interior, including altars, nave and numerous frescoes of the viterbese school. General Notes: Two sets of prints integrated into single numerical sequence that comprises all views of Vitorchiano. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Bading girls on the banks of the Ganges in Benares, Wijnand Otto Jan Nieuwenkamp, 1917 print In the background temples and other buildings on the water. paper drypoint taking a bath - AA - in the open air. woman (showing herself) undressed, quasi-nude. prospect of city, town panorama, silhouette of city

The Night Watch, c. 1790 - c. 1840 copper (metal) etching

L'univers est créé (The Universe Is Being Created), from the Noa Noa Suite. Paul Gauguin; French, 1848-1903. Date: 1893-1894. Dimensions: 205 × 355 mm (image); 207 × 357 mm (sheet). Wood-block print in black ink, with selective wiping, on pink wove paper (faded to pinkish tan). Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Lazio Roma Castel Madama S. Sebastiano. Hutzel, Max 1960-1990 Post-medieval: Architecture, sculpture, painting. Statue of the Virgin on the main altar. Fresco of the martyrdom of S. Sebastian attributed to the school of the Zuccari brothers. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Saint Rochus (Roche). Dated: late 15th - early 16th century. Dimensions: overall: 7.6 x 5.3 cm (3 x 2 1/16 in.) gross weight: 48 gr. Medium: bronze//Medium brown patina. Museum: National Gallery of Art, Washington DC. Author: MODERNO.

Sculpture of girl with can and goose; Barfüssel v. Cauer.Sculpture of the German Sculptor Robert Cauer.

Egypt, Thebes, Luxor, Sheikh 'Abd al-Qurna, Tomb of city governor and vizier Ramose, Hypostyle hall, Unfinished mural paintings

Umbria Perugia Nocera Umbra S. Francesco5. Hutzel, Max 1960-1990 Post-medieval: Exterior views of architecture and architectural sculpture of S. Francesco Pinacoteca: fresco fragments, panel painting, polyptych, painting, miscelaneous architectural fragments Owner: Pinacoteca Comunale German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

At the shed - mystery; Makowski, Tadeusz (1882-1932); 1924 (1924-00-00-1924-00-00);

Apple of Discord Thrown by Eris at the Marriage of Peleus and Thetis: Study for Fresco in the Hall of Henri II at Fountainebleau 1504-70 Francesco Primaticcio Italian. Apple of Discord Thrown by Eris at the Marriage of Peleus and Thetis: Study for Fresco in the Hall of Henri II at Fountainebleau 340554

Grégoire, René (n.1871-06-04-D.1945), L'Amour (main title). Galvanoplasty in copper alloy, a leaf in copper alloy brazée on the reverse. Silver. Probably stripped and varnished. Petit Palais, Museum of Fine Arts of the City of Paris.

Bible illustrations, c. 1550 - c. 1699 wood (plant material)

Detail from the Battistero di San Giovanni (Florence Baptistery). The baptistery Considered a minor basilica, and is a religious building in Florence, Italy. It is in the Florentine Romanesque style, and was built between 1059 and 1128, making it one of the oldest buildings in the city. 3 sets of bronze doors with relief sculptures are on the exterior. The south doors created by Andrea Pisano, and the east and north doors by Lorenzo Ghiberti. This panel is a depiction of ''Abraham and Isaac.'

Drawing, Mural Design; Walter Shirlaw (American, b. Scotland, 1838-1909); charcoal, white chalk, graphite on cardboard; 47.2 × 98 cm (18 9/16 × 38 9/16 in.)

Emilia-Romagna Ferrara Pomposa Abbazia di Pomposa, Museo51. Hutzel, Max 1960-1990 Medieval: Fragments: capitals (Byzantine, 6th century), also capitals carved with human faces; marble friezes (10th century, later inscriptions); cornices, (with spolia) 11-12th centuries; ciborium; frescos. Post-medieval: Terracotta statuary, "neo-classical" (Hutzel); frescos: Bolognese, 14th century Antiquities: Amphora; grave monuments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Castel Fusano Castello Chigi7. Hutzel, Max 1960-1990 Architecture: exterior views of the castle and interior views of entrance hall and main salon. Detailed shots of: maps, salon fresco cycle of New Testament, allegorical and mythological scenes, chapel altarpiece, and other works all by Pietro da Cortona. 3 marble busts. Antiquities: Roman sarcophagus in garden Object Notes: 4 negatives of an ancient Roman statue in a niche (of a goddess missing head and arms) that are catalogued with Castello Chigi may be misidentified. General Notes: Hutzel made 2 separate photo campaigns in Castel Fusano; new numbers have been assigned to the photographs. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well

Woodcarving. Dated: c. 1938. Dimensions: overall: 23 x 30.5 cm (9 1/16 x 12 in.) Original IAD Object: 10 3/4" high; 11 3/4" wide; 1 3/4" thick. Medium: watercolor, graphite, and pen and ink on paper. Museum: National Gallery of Art, Washington DC. Author: Victor F. Muollo.

Birds of New England. Benjamin West Kilburn (American, 1827 - 1909)

SALA GOYA-ROSETON. Location: MINISTERIO DE EDUCACION Y CIENCIA. MADRID. SPAIN.

Religious Embroidery. Dated: c. 1940. Dimensions: overall: 44 x 33.9 cm (17 5/16 x 13 3/8 in.) Original IAD Object: 9" long; 5 1/2" wide. Medium: watercolor, gouache, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Stanley Mazur.

Panels from a Funerary Couch (Guanchuang). China. Date: 520 AD-530 AD. Dimensions: 44.7 × 94.0 × 3.5 cm (17 5/8 × 37 × 1 3/8 in.). Limestone. Origin: China. Museum: The Chicago Art Institute, Chicago, USA.

Elsevier photo collection. Rotterdam Virgin shipping Neptunus side. Sculpture J. Keller .. 1925. Rotterdam, South Holland

Pa. German Plate. Dated: c. 1937. Dimensions: overall: 45.6 x 41.8 cm (17 15/16 x 16 7/16 in.). Medium: oil paint on paperboard. Museum: National Gallery of Art, Washington DC. Author: William L. Antrim.

George & Martha Washington Made 1874 United States. Albumen print, stereo, from the series Skeleton Leaves . John P. Soule

Hof der Inzingen, Karel Petrus Cornelis de Bazel, 1895 print Behind a woman standing in a garden a pale face with thorns. Japanese paper (handmade paper) Sense of Duty, Devotion to Duty. adult woman. crown of thorns ~ instruments of the Passion

Brumidi's Alligorical Painting in Dome of the U.S. Capitol. 1850 - 1930. still image. Stereographs, Photographs. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection. Washington (D.C.), Capitols , Washington (D.C.), United States , Capital and capitol

this Barbara; after 1700 (1701-00-00-1820-00-00);

The Beautiful Open One', c1900-1940. Artist: Eugene Dabit. Eugene Dabit was a French socialist writer. Part of the group "proletarian literature" he found success for his novel L'Hotel du Nord which won the du Prix du roman populiste. Dabit was also an amateur artist.

The planet Venus and its influence on the world, 1585 print Venus and Amor, driving over the clouds in a victory car that is drawn by two lovebirds. At the top right the constellation Taurus, top left the constellation Libra. At the bottom of a river landscape with cities. In the foreground elegant groups that enjoy themselves with music, food, drinks and minuses. Under the performance a praise in Latin about the influence of the planet Venus on the regions of the Mediterranean Sea (Cyprus, Venice, Thebes and Arabia). This print is part of an album. parchment (animal material). paper engraving Venus and her children ('Planetenkinder') ~ Taurus and Libra. outdoor gathering, 'délices í la campagne'. chariot, triumphal car. banquet of elegant company. river. (story of) Venus (Aphrodite). (story of) Cupid, Amor (Eros) Venice. Arabia. Cyprus

The Orphans Dream, James Elliott, 1855 - 1865.

'The Rape of Amphitrite'. France, 18th century. Dimensions: 44x52 cm. Museum: State Hermitage, St. Petersburg.

Torsing Mans Figure, 1881 - 1934 wood (plant material)

Interior of Egyptian temple with statues of holy animals and others. Date: ca. 1796-1801. Pen and brown ink, brush and brown wash on lined paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Reproduction of marble bowls, from The Houses and Monuments of Pompeii, by Fausto and Felice Niccolini, Volume III, Art in Pompeii, Plate XLVIII, 1854-1896.

Schifanoia palace: episodes of the passion of christ, england, 1400, ferrara, italy

Chalk drawing by Carl von Hasenauer from 1850-1860 showing a cast iron Lindwurm head from the Guardian Angel fountain with white heighted details on blue paper.

Two tonda: Ango Watch and this family; Pczycki, Stanis Aw (Ca 1769-1844); after 1805 (1806-00-00-1830-00-00);

Tragic mask, by Unknown, 62 - 79, 1st Century, painted stucco. Italy, Campania, Naples, National Archaeological Museum, from Herculaneum, House of the Deer. Whole artwork. Tragic mask face light blue: azure red garland steps: stairs expression hat sadness fright.

Unidentified painting. Giorgio Sommer (Italian, born Germany, 1834 - 1914)

Resurrection; Adolphe Block (French, 1829 - about 1900); 1860s; Hand-colored Albumen silver print

NINFAS Y AMORCILLOS - 1887 - O/L - 76X146,5 CM. Author: IGNACIO PINAZO CAMARLENCH (1849-1916). Location: BANCO URQUIJO (PAL PEÑALBA. Valencia. SPAIN.

Lithophane Depicting Inhabitants of Judah in Babylonian Exile, biscuit, Horizontal rectangle with impressed design consisting of five seated figures in a lunette. Shows inhabitants of the Kingdom of Judah in Babylonian exile (psalm 137). 'An den Wassern zu Babylon sassen wir und weineten wenn wir an Zion gedachten.', impressed in top left and top right corners., Germany, 1825-1900, ceramics, Decorative Arts, lithophane, lithophane

Navigation and commerce

Sketch for the hall of the town hall of the twentieth arrondissement of Paris: Figures and allegorical scenes. Edouard Michel-Lan�on. Sketch for the hall of the town hall of the twentieth arrondissement of Paris: Figures and allegorical scenes. Oil and black ink on canvas. 1884. Museum of Fine Arts in the city of Paris, small palace.

Frontlet. Iran, circa 1000-650 B.C.. Jewelry and Adornments; worn ornaments. Silver, hammered

Fragment with a Lotus Band Motif 5th-6th century. Fragment with a Lotus Band Motif 444321

Bandbox. Dated: 1940. Dimensions: overall: 54.5 x 69.9 cm (21 7/16 x 27 1/2 in.). Medium: watercolor, gouache, and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Harold Merriam.

Hunting scene mid-18th century Italian, Venice (Murano). Hunting scene. Italian, Venice (Murano). mid-18th century. Glass. Glass-Painted

Intricate two-part carving in ivory: "Heaven and Hell," hinged together to close. New series of American views. 1850 - 1930. still image. Stereographs, Photographs. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection. Massachusetts, Salem (Mass.)

Discobolus, Vatican. Joseph Spithöver (Italian, active Rome, Italy 1850s - 1870s)

. This scene revolves around the cow in the background, Jupiters beloved Io. Jupiter changed her into a cow to hide his adultery from his jealous spouse, Juno. But since Juno asked for the cow as a present, Jupiter had to concede. Juno had the cow guarded by Argus, whereupon Jupiter sent Mercury to kill Argus. Mercury first lulled Argus to sleep with music and stories.

Dance..

Snuffbox with miniatures representing the Diversions of Love and dancing figure. Artist: Miniatures by Jacques Joseph de Gault (French, 1738-after 1812). Culture: French. Dimensions: Box: 1-3/8 x 2-3/4 x 2-1/8 in. (3.5 x 7.0 x 5.4 cm); Miniatures: Top, octagonal, 1 3/4 x 2 3/8 in. (44 x 61 mm); bottom, octagonal, 1 3/4 x 2 3/8 in. (44 x 61 mm); front 1 3/4 x 3/4 in. (43 x 18 mm); back 1 3/4 x 3/4 in. (43 x 18 mm); left side 3/4 x 1 in. (18 x 26 mm); right side 3/4 x 1 in. (18 x 26 mm); four chamfered corners, each 3/4 x 1/4 in. (18 x 7 mm). Date: miniatures ca. 1775, box ca. 1838-47.The scene, in grisaille (shade of pale gray), is presented as if it were a sculpture set against a dark ground. The enamels may date to the last quarter of the eighteenth century. Museum: Metropolitan Museum of Art, New York, USA. Author: Miniatures by Jacques Joseph de Gault.

Unknown. The city of Paris to which a genius presents the plan of a church. Pink stucco. Paris, Carnavalet museum. 76257-1

Statue of Ganimede, House of Masks, Rome ..

Photo production of a painting by Veleda by Charles Landelle, Goupil & Cie. (Possible), After Charles Landelle, 1850 - 1884 photograph. cabinet photograph This photo is part of an album. Paris cardboard. photographic support albumen print seer, prophet ~ Roman religion. adult woman

Brumidi's Alligorical Painting, (In Dome of the U.S. Capitol.) 1850 - 1930. still image. Stereographs, Photographs. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection. Washington (D.C.), Capitols , Washington (D.C.), United States , Capital and capitol

Campania Salerno Padula Monastery of S. Lorenzo50. Hutzel, Max 1960-1990 There are views of a number of antiquities. Their specific location within the monastery is unknown. There are two views of the tomb of Tommaso Sanseverino and one view of a statue. There are views of the altar, the frescoed ceiling and statues in niches. niches. Views are of the ceiling, paintings, and statues in niches. There are views of the loggia and its balustrade. There are two views of the ceiling fresco. There are views of the fountain, portico, columns and capitals. There are views of the votive cross, loggia, and landscaping. There are views of the cloister, the fountain, and the loggia. There are views of the colonnade, the floor, and frescoes. There are general views of the cloister, the fountain, and the columns. There are interior views of the church altar, the valuted, frescoed ceiling, and comprehensive coverage of the two choir stalls. There are exterior views of the carved wooden door. There are

Farmhand with cows; Unger, Hans (1872-1936), Wilhelm Hoffmann AG Dresdner Druck- und Verlagshaus (Dresden; Publishing House; 1840-1930), Arnold, Ernst (Dresden, Leipzig; Publisher, Gallery; 1843-1951); 1895 (1800-00-00-1900-00-00);

Abydus - boeuf sacré. Photographs. 1840 - 1899. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection. Egypt, Bulls, Bas-reliefs , Egypt , Abydos (Extinct city)

Francisco de Zurbarán. The Apotheosis of the Holy Thomas van Aquino

Medallion (reverse), 1903. Jules Dupré (French, 1811-1889). Bronze; overall: 7.7 x 4.8 cm (3 1/16 x 1 7/8 in.).

Columbus in Chains. Rogers Bronze Door, Capitol. Columbus in Chains. Bronze door by Randolph Rogers in the U.S. Capitol. 1850 - 1930. still image. Stereographs, Photographs. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection. Washington (D.C.), Capitols , Washington (D.C.), United States , Capital and capitol, Columbus, Christopher, Bas-reliefs, Columbus Doors (United States Capitol, Washington, D.C.)

Decorative plate from Desvres, Artois, France, showing the crucifixion by Francois Caus, 1785. Angels catching blood spurting from his wounds. Hand-finished chromolithograph from Ris Paquot's General History of Ancient French and Foreign Glazed Pottery, Chez l'Auteur, Paris, 1874.

View of Nijmegen from the north, Jan van Call (I), 1688 - 1698 print View of the city of Nijmegen from the north. In the foreground the river with sailing ships. This print is part of an album. Netherlands paper etching river Nijmegen

Medallion (clipeus) with the representation of Iupiter-Ammon. 1st century AD. Provincial forum, Tarragona. Spain. National Archeological Museum. Tarragona. Catalonia, Spain.

Plaque with embossed painter's palette and brushes, plaque marble stone, Plaque with embossed painter's palette and brushes part mantelpiece from one of the halls of the Rotterdam drawing society This means Hooger located above the Vleeshal painting art attribute signage This makes Hooger Rotterdam Coming soon from one of the halls of the Rotterdam drawing society This means that Hooger is located above the Vleeshal.

Jean-Baptiste Carpeaux (1827-1875). Decorative panel of flowers, fruit and animals. Patinated plaster. Museum of Fine Arts of the City of Paris, Petit Palais. 79394-10 Flower, decorative panel, pattero patina, portrait, 19th 19th 19th 19th 19th 19th 19 century, animal, fruit

Window with climbing red lion with white cross on gold field, anonymous, 1700 - 1900 A window in which an oval painted weapon window with a climbing red lion with white cross on a gold field. glass. lead (metal). A window in which an oval painted weapon window with a climbing red lion with white cross on a gold field. glass. lead (metal).

World Exhibition , The fourteen emergency helpers, wooden group by Josef Byrer No, Oscar Kramer -, photographer, Viennese photographer association, publishing house

RABANUS, Maurus (c. 780 - 856). De universo or De rerum naturis. 842 - 847. Codex 132. Thermae. Edition of the 11th century from the original Carolingian manuscript. Romanesque art. Miniature Painting. ITALY. LAZIO. FROSINONE. Cassino. Archive of Monte Cassino's Abbey.

Costume design for the opera The Tale of Tsar Saltan by N. Rimsky-Korsakov by Shchekotikhina-Pototskaya, Alexandra Vassilyevna (1892-1967) A. Pushkin Memorial Museum, St. Petersburg 1936 Watercolour, Gouache on Paper 29,8x21 Russia Theatrical sceni

Medallion (reverse). Jules Dupré (French, 1811-1889). Bronze; overall: 6.4 x 4.8 cm (2 1/2 x 1 7/8 in.).

Triumphal Scene 1511-87 Lelio Orsi (called Lelio da Novellara) Italian. Triumphal Scene 334793

The Fugitives, modeled c. 1850 (casting date unknown), Honoré Daumier, French, 1808-1879, 14 1/2 x 30 x 2 3/4 in. (36.83 x 76.2 x 6.99 cm), Bronze, cast about 1893, France, 19th century

Mexico.Aguascalientes.Engraving of Jose Guadalupe Posada (1852/1913).

Cover shepherds in Bethlehem; Norblin de la Gourdaine, Jean Pierre (1745-1830); 1790-1795 (1790-00-00-1795-00-00);

Lincoln Memorial, Dissected Leaves.. Edward and Henry T. Anthony & Co. (American, founded 1862, merged 1902)

Bronze Plaquette fromHungary. Artist: F. Stiasny, Hungarian Medalist

A chromolithograph depicting a goblet sent as a gift from King Christian of Denmark in 1644. The artwork features a watercolor by Acad. F. Solntsev and was published between 1849 and 1853 in Moscow by Tip. A. Semena. The goblet is intricately designed, showcasing elements of Russian artistic style

Copper plaquette The Gossips”. Artist: André Pierre Schwab, French, born 1883

Lo Stregozzo. Marcantonio Raimondi (Italy, near Bologna, circa 1470/1482-1527/1534). Italy, 1515-1525. Prints; engravings. Engraving

Servants pouring wine into bowls held by two men, Roman mosaic, 2nd-4th cent. AD, Tunisia.

Brumidi's Alligorical Painting, in the Dome of the U.S. Capitol. 1850 - 1930. still image. Stereographs, Photographs. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection. Washington (D.C.), Capitols , Washington (D.C.), United States , Capital and capitol

Twelve loose tiles, hearing at a tile tableau. Twelve loose tiles, hearing at a tile tableau that originally consisted of sixteen tiles.

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