Animal and Human Studies

Sketches of animals and figures, illustrating motion and posture, highlighting different artistic styles and periods in animal and human representation.

Standing easel, to the right, draughtsman: François Boucher, (possibly), 1713 - 1770, paper, brush, h 210 mm × w 321 mm

Standing easel, to the right, draughtsman: François Boucher, (possibly), 1713 - 1770, paper, brush, h 210 mm × w 321 mm

A fallen man. Draughtsman: J. Schenk. Dating: 23-Nov-1831. Measurements: h 53 mm × w 103 mm. Museum: Rijksmuseum, Amsterdam.

Plate 9 of the 'Tauromaquia': A Spanish knight kills the bull after having lost his horse. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 9 1/2 × 13 3/4 in. (24.2 × 35 cm)Sheet: 12 1/16 × 17 3/16 in. (30.7 × 43.6 cm). Date: 1816. Museum: Metropolitan Museum of Art, New York, USA.

Three antique statues of female figures without heads and two studies of a ram's head on a candlestick, Three statues and two studies of a ram's head on a candlestick, draughtsman: Maarten van Heemskerck, anonymous, 1532 - 1536, paper, pen, h 129 mm × w 206 mm

Sketches: Reclining Nude, a Horseman and Various Horses. Jean Louis André Théodore Géricault; French, 1791-1824. Date: 1818-1819. Dimensions: 224 × 283 mm. Graphite, on cream laid paper, perimeter mounted on cream wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Kilian, Georg Christoph, work, Kapteenit Bonbardon - Grillo (Ball number 13), (1000 - 2000), line etching, graphics, dimensions : plate width 9.2 cm, plate height 6.4 cm

Poelzig Hans (1869-1936): Sketchbook F1

Jan Harmensz. Muller pen drawing on brown ink on parchment depicting Hercules fighting the Hydra at the Herculean fountain in Augsburg.

Two Goats with Large Horns, from Various Animals. Nicolaes Berchem, the Elder; Dutch, 1621/22-1683. Date: 1601-1700. Dimensions: 100 x 110 mm (plate). Etching on paper. Origin: Holland. Museum: The Chicago Art Institute, USA. Author: Claes Pietersz. Bercham.

Thomas Handforth, Once a Cow, 1926, etching on paper.

Rock. Pierre (Pierre Henry Ferdinand Massignon, dit) (N.1855-08-02-D.1922-01-18), La Centauressse (main title), 1916. Gypsography, black draw. Petit Palais, Museum of Fine Arts of the City of Paris.

De Bokken. Print from album with twelve early lithographs produced by Dewasm-Pletinckx in Brussels to J.C. Dish, E.J. Verbokhoven, B.J. Van Hove and other contemporary masters in original band.

Drawing, Lunette with the Penitent Magdalene; Jan van der Straet, called Stradanus (Flemish, 1523-1605); Netherlands; pen and ink, brush and wash , black chalk on laid paper; 14.9 × 10.1 cm (5 7/8 in. × 4 in.)

Thomas Rowlandson, 1756-1827, British, Album Drawing, undated. Graphite and pen and ink on medium, slightly textured, cream wove paper.

Depicts the letter 'o' by Meister E.S., created as a copper engraving in the second third of the 15th century, showing typographic form and detailing.

Sawrey Gilpin, 1733-1807, British, Sketchbook Drawing, 1787. Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper.

Se defiende bien. (He Defends Himself Well.), pl. 78 from the series Los desastres de la guerra (The Disasters ofWar). Artist: Francisco Goya, Spanish, 1746-1828

Reitender Tod, chart 3. Gelbke, Georg Hermann (1882-1947), engraver, Richter, Emil (Drezno ; galeria sztuki, wydawnictwo ; 1848-1930), publisher

Bliżej Kultury Michałowski, Piotr (1800 1855)

RAMSKOP, left. Design for a print.

ALion. Artist: Unknown

The Centaur Nessus Abducting Deianira 1763-1809 Nicolai Abraham Abildgaard Danish. The Centaur Nessus Abducting Deianira 415532

Christian Wilhelm Ernst Dietrich depiction of lying and standing beef from the front, rendered with brush in gray and laved technique around 1733-1735.

Cripple with a Cap, from Varie Figure Gobbi. Jacques Callot; French, 1592-1635. Date: 1616. Dimensions: 50 × 75 mm (image); 51 × 86 mm (plate); 90 × 130 mm (sheet). Etching on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

DIBUJO PREPARATORIO - TAUROMAQUIA 16 - EL MISMO VUELCA UN TORO EN LA PLAZA DE MADRID - 1815-1816. Author: FRANCISCO DE GOYA. Location: MUSEO DEL PRADO-DIBUJOS. MADRID. MARTINCHO BASSON FRANCISCO. BASSON FRANCISCO ANTONIO.

Francisco de Goya (1746-1828), Moors carry out another trick in the arena and lure the bulls with their burnuses, 1815-1816

BORRICO QUE ANDA EN DOS PIES - ALBUM G, 20 - HACIA 1823-28 - CARBONCILLO - 191x147 mm. Author: FRANCISCO DE GOYA. Location: MUSEO DEL PRADO-DIBUJOS. MADRID. SPAIN.

Francisco de Goya y Lucientes / 'Another madness of his in the same ring'. 1815. Red chalk on ivory paper. Museum: Museo del Prado, Madrid, España.

Two prancing horses and a figure, Leo Gestel, 1891 - 1941 drawing paper. chalk standing figure. horse

Rider on a back horse. Draughtsman: Jan Jacobsz van der Stoffe. Dating: 1621 - 1682. Measurements: h 152 mm × w 178 mm. Museum: Rijksmuseum, Amsterdam.

The Miller ca. 1435-1491 Martin Schongauer German. The Miller 367030

The Buck's Death Wound, Print made by Samuel Howitt, 1756-1822, British, 1818, Etching on medium, slightly textured, cream wove paper

Bliżej Kultury Ferdinand Schenk Verlag für Kunst und Kunstfäwer, Vienna, Bertin, Nicolas (1668 1736)

A Centaur and a Satyr 1727-1804 Giovanni Domenico Tiepolo Italian. A Centaur and a Satyr. Giovanni Domenico Tiepolo (Italian, Venice 1727-1804 Venice). 1727-1804. Pen and brown ink, brush and brown wash, over graphite or lead. Drawings

Design for a yacht piece with dead wild and hunting dog, Elias van Nijmegen, 1677 - 1755 drawing Design for a painting. paper. ink. pencil pen / brush spoils of the hunt, game, venison

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), diversi animali. A lion standing. Sixth number of a suite of 24 rooms. (A. de Vesme 695; Dutuit 140) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Jug. Dated: c. 1937. Dimensions: overall: 22.5 x 28.9 cm (8 7/8 x 11 3/8 in.) Original IAD Object: Jug: 17" High 6 3/4" Dia(base) 2 3/4" Dia(top). Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Yolande Delasser.

Bliżej Kultury Wyspiański, Stanisław (1869 1907)

The Good Samaritan. Alphonse Legros (French, 1837-1911). Etching;

L'écurie.. 1848. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Horses, Stables

Trekta met after all.

Goya Ligereza y atrevimiento de Juanito Apinani en la de Madrid (cropped) Francisco de Goya, Ligereza y atrevimiento de Juanito Apinani en la de Madrid (The Agility and Audacityof Juanito Apinani in the Ring at Madrid), Spanish, 1746 - 1828, in or before 1816, etching and aquatint first edition impression, Rosenwald Collection

The Milkmaid Made 1510 Netherlands. Engraving in black on ivory laid paper . Lucas van Leyden

The White Ox Made 1905 United States. Etching in black on cream laid paper . Donald Shaw MacLaughlan

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), geography game. America. Fourth issue of a series of 52 pieces. (A. de Vesme 582; Dutuit 117) (main title), 1644. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

Tahitian Carrying Bananas, from the Suite of Late Wood-Block Prints. Paul Gauguin; French, 1848-1903. Date: 1898-1899. Dimensions: 161 × 275 mm (image); 183 × 276 mm (primary support); 186 × 276 mm (secondary support). Wood-block print in black ink on thin ivory Japanese paper, tipped on thin white Japanese paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

The Hind Legs of a Horse. Charles Le Brun; French, 1619-1690. Date: 1644-1690. Dimensions: 285 × 213 mm. Red and white chalk on brown laid paper, laid down on cream laid paper, with a blue laid paper border. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Gaal, Pieter, Netherlands, Jacobus Cornelis, Head of a bull, verso - stamped, print, prints, height 48 mm, width 53 mm, 1796 - 1866-12-20, print maker, printmaker, 1851 - 1851, paper, papier, etching, etchings, Noord-Nederlands, 1769-07-19 - 1819-01-18, intermediary draughtsman

Four horses. Draughtsman: Leo Gestel. Dating: 1891 - 1941. Measurements: h 133 mm × w 172 mm. Museum: Rijksmuseum, Amsterdam.

Drawing, A Grotesque Beast; Italy; red chalk, white heightening on paper

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Draped Figure Reclining. Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: Image: 7 1/16 × 10 3/16 in. (18 × 25.8 cm)Sheet: 8 1/4 × 12 7/8 in. (21 × 32.7 cm). Date: 1892. Museum: Metropolitan Museum of Art, New York, USA.

Grazende Koe, Leo Gestel, 1891 - 1941 drawing paper. chalk cow

Porcs couchés.. 1850. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Swine

OS at a gate.Leaf 25 Recto from a Collective album with 32 Sheets.

Four Men, Domenico Gargiulo, called Micco Spadaro, Italian, 1609 - 1675, Pen and ink, brush and bistre on paper, At top, two standing men with brimmed hats. The left is seen from the front, the right from behind. Below, two seated figures., Italy, 1630-1640, figures, Drawing, Drawing

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), Diversi Capricci. A peasant from back. Thirteenth number of a suite of 24 pieces. (A. de Vesme 140; dutuit 139) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

OS in shallow water, Frédéric Théodore Faber, after Balthasar Paul Ommeganck, 1805 - 1806 print print maker: Brusselsafter design by: Antwerp paper etching ox

Lithograph by Adolf Ferdinand Schinnerer showing Bavarian women for a Sema folder, created in 1912.

Fragment of a Hunting Scene, Tomb of Intef New Kingdom Nina de Garis Davies ca. 1479-1458 B.C. View more. Fragment of a Hunting Scene, Tomb of Intef. Nina de Garis Davies (1881-1965). ca. 1479-1458 B.C.. Tempera on paper. New Kingdom. From Egypt, Upper Egypt, Thebes. Dynasty 18

The son of Niobe still image. Periodical illustrations. 1852. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Sculpture, Horses, Niobe (Greek mythology), Mythology, Greek, Male nude in art, Horseback riding, Equestrian statues

Emilia-Romagna Ferrara Ferrara Museo Civico di Schifanoia85. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Sculpture of Romulus and Remus and De Wolf, in the Capitoline museums in Rome, James Anderson, After Anonymous, c. 1857 - c. 1875 photograph This photo is part of an album. Capitoline Museums paper albumen print piece of sculpture, reproduction of a piece of sculpture. Romulus and Remus are washed ashore and suckled by a she-wolf; 'Lupa Romana' Capitoline Museums

Caricature against Marie-Antoinette Caricature Against Marie Antoinette ", 1791. Anonymous. Estampe.

Saint George and the Dragon. Dimensions: overall (approximate): 24.5 x 20.3 cm (9 5/8 x 8 in.). Medium: brush and brown ink heightened with white over black chalk, incised with stylus. Museum: National Gallery of Art, Washington DC. Author: RAPHAEL.

Plate C from the 'Disparates': Animal Folly. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 9 5/8 × 13 3/4 in. (24.5 × 35 cm)Sheet: 10 13/16 x 15 1/8 in. (27.5 x 38.4 cm). Series/Portfolio: One of the four additonal plates prepared for but not published in the set titled Los Disparates (Los Proverbios). Date: ca. 1816-23 (published before 1877).one of the four additonal plates prepared for the set but not included in the posthumous first edition published by the Academia de San Fernando in Madrid in 1864 under the title 'Los Proverbios',. Museum: Metropolitan Museum of Art, New York, USA.

Children is now being charged / to buy 't Osje Boe / it is a Gild-Os Exelent / Gy can buy it for small money. Leaf with a large representation of a guild OS (also called fairground or prize), decorated with floral wreaths. The performance is caught in a decorative frame with tendrils, sphinxes, coats of arms, putti and flowers.

Paard, van achteren, bij een wagen. Staande werkpaarden (series title). Draughtsman: Moses ter Borch. Dating: 1660. Place: Zwolle. Measurements: h 143 mm × w 113 mm. Museum: Rijksmuseum, Amsterdam.

Drawing by François Perrier of the equestrian statue of Marcus Aurelius on the Capitoline Hill, executed with brush and wash.

Artist: Nicolaes Berchem the elder, Dutch, 1620-1683, 6 etchings from The Set of theGoats, Etchings, sheet: 10.48 × 13.02 cm (4 1/8 × 5 1/8in.), Made in The Netherlands, Dutch, 17thcentury, Works on Paper -Prints

Bullfights: Dreadful Events in the Front Rows of the Ring at Madrid and Death of the Mayor of Torrejon, 1816, printed 1876. Francisco de Goya (Spanish, 1746-1828). Engraving;

Hippopotamus amphibius (Hippopotamus). Draughtsman: Robert Jacob Gordon. Dating: c. 1778 - 1779. Measurements: h 660 mm × w 480 mm; h 240 mm × w 381 mm; h 181 mm × w 342 mm. Museum: Rijksmuseum, Amsterdam.

Le Coursier (The Race Horse). Dated: 1894. Dimensions: sheet: 24.1 x 19.6 cm (9 1/2 x 7 11/16 in.) support: 60.7 x 40.1 cm (23 7/8 x 15 13/16 in.). Medium: lithograph on chine applique; laid down on heavy wove paper. Museum: National Gallery of Art, Washington DC. Author: Odilon Redon.

Plate Eighteen of 38 from Oeuvres de J. B. Huet. Jean Baptiste Huet; French, 1745-1811. Date: 1796-1799. Dimensions: 480 × 350 mm. Etching on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: JEAN BAPTISTE HUET.

Chapour. Bas-relief E.. Flandin, Eugène, 1809-1876. Flandin, Eugène (1809-1876). Prints. 1851 - 1854. General Research Division. Iran, Iran , Antiquities

Table 1 from the primer; Biks (Fl. CA 1780-1820); around 1800 (1794-00-00-1805-00-00);

Studies; Klass-Kazanowska, Maria (1857-1898); End of the 19th century (1890-00-00-1898-00-00);Society of Encouragement of Fine Arts (Warsaw - 1860-1940) - collection

The water trough'. Engraving after a painting by Koch. La Ilustración Española y Americana, December 30, 1882.

Two Dogs Resting, from Die Zweite Thierfolge. Johann Christian Reinhart; German, 1761-1847. Date: 1800. Dimensions: 107 x 46 mm (plate); 133 x 176 mm (sheet). Etching on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Banknote vignette showing a zebra. Artist: Attributed to Asher Brown Durand (American, Jefferson, New Jersey 1796-1886 Maplewood, New Jersey). Dimensions: plate: 2 13/16 x 3 1/4 in. (7.2 x 8.2 cm)sheet: 4 3/8 x 4 3/4 in. (11.1 x 12.1 cm). Printer: Printed by A. B. & C. Durand & Company (American, active 1824-27); Printed by Durand, Perkins, and Company (New York). Date: ca. 1824-37. Museum: Metropolitan Museum of Art, New York, USA.

Head of a Young Bull, from Die Zweite Thierfolge. Johann Christian Reinhart; German, 1761-1847. Date: 1803. Dimensions: 105 x 75 mm (plate); 134 x 105 mm (sheet). Etching on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Edelfelt, Albert, work, Sketch book, drawing, 21.5 cm x 17 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Antoine Louis Barye (1795-1875) was a Romantic French sculptor. He is best known as a sculptor of animals (therefore, an animalier). This sculpture by Barye is titled Bull thrown to earth by a bear ("Taureau terasse par un ous") and belonged to the collection of the late Cyrus J. Lawrence, Esq.

Aristocracy and democracy Benjamin Roubaud, said Benjamin (1811-1847). Press cartoon. "Aristocracy and democracy". Board published in "caricature" of 27 November 1834. Lithography. Paris, House of Balzac.

Plate Twenty of 38 from Oeuvres de J B Huet 1796-1799 France. Etching on paper . Jean Baptiste Huet

An Eagle. Dated: 1560/1565. Dimensions: overall (upper corners cut): 9.3 × 9.3 cm (3 11/16 × 3 11/16 in.). Medium: pen and brown ink on laid paper; laid down on decorated mount. Museum: National Gallery of Art, Washington DC. Author: TITIAN.

Tinne, Chrétien Théodore, Amsterdam, Bakker, Barent de, Relief with reclining lion, print, prints, height 244 mm, width 213 mm, Northern Netherlands, print maker, printmaker, 1804 - 1804, first quarter 19th century, paper, papier, etching, etchings, intermediary draughtsman

Marcus Curtius leaps into Gulf. This relief is housed in the Villa Borghese. Marcus Curtius, a legendary hero ofancient Rome. According tolegend, in 362BCa deep chasm opened in theRoman Forum. The seers declared that the pit would never close until Romes most valuable possession was thrown into it. Claiming that nothing was morepreciousthan a brave citizen, Curtius leaped, fully armed and on horseback, into the chasm, which immediately closed..

Mosaic Floor Panel; 4th century A.D; Stone tesserae; 87.6 × 149.2 × 10.2 cm (34 1,2 × 58 3,4 × 4 in.)

Nuremberg, Solis, Virgil, Wild boar hunt with two trapped boars, verso - handwritten in brown ink, print, prints, verso - stamped, 32, height 33 mm, width 173 mm, German, 1514 - 1562-08-01, print maker, printmaker, 1540 - 1540, paper, papier, engraving, engraving (printing process)

Saint George And Dragon by Giuseppe Cesari, Black chalk and sanguine on paper, 1568-1640, Russia, Moscow, State A. Pushkin Museum of Fine Arts, 27, 4x19, 6

Abandoned: Marshes of the Danube. Artist: Adolf Schreyer (German, Frankfurt 1828-1899 Kronberg). Dimensions: 11 3/4 x 22 1/2 in. (29.8 x 57.1 cm). Date: before 1887. Museum: Metropolitan Museum of Art, New York, USA. Author: ADOLF SCHREYER.

Study of a skull, Alessandro Allori, 1545 - 1572 drawing paper. chalk

Speculum Romanae Magnificentiae: Wild Animals, from antique wall paintings, plate 1 1547 Anonymous This print comes from the museums copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of pri

Drawing of a tondo featuring a horse volume by Carl von Hasenauer, executed on paper with ink, spring, and watercolor, showing shape and design details.

Etching and aquatint by Francisco Goya from 'The Proverbs of Bestia', created 1816-1824, depicting moralistic scenes and figures, printed before the first edition in 1864.

Sculptuur van Lupa Capitolina on the tweeling , Romulus and Remus en Zoogr ; Rabid she-wolf suckled Romulus and Remus, was the image of the Capitol at Rome ; Antieke Sculpturen in Rome ; Are to be seen in the public places, and images were of the Ancient Rome, known as the city of statues . Onderschrift in het Engels . Prent maakt deel uit van list .

Black lithography by Edvard Munch from 1908-1909 depicting berries, showing botanical details and natural arrangement as part of his litho series.

Bliżej Kultury Wyczółkowski, Leon (1852 1936), Printing House Time

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