William Blake's Illustrations

Artworks by William Blake featuring poetic themes, showcasing detailed imagery and intricate designs, often integrating text with the visuals.

Prayend Family, Conrad Meyer, 1675 print In a room a woman sits on a chair next to a table. She does the three children who stand in front of her for how to fold the hands. On the right a child in a walking chair. Wall paintings with theme spring. Zurich (Stad) paper etching human life and its ages (young, adult, old, etc.). 0-10 years. (private) prayer; 'Oratione', 'Preghiere', 'Preghiere a Dio' (Ripa). family life. spring, 'Ver'; 'Primavera' (Ripa)

Print made by William Blake, 1757-1827, British, Songs of Innocence and of Experience, Plate 24, "The Divine Image" (Bentley 18), 1789. Relief etching printed in green with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper.

William Blake, 1757-1827, British, Plate 25 (page 46): 'Where sense runs savage broke from reason's chain', 1797. Engraving.

Appelplukkers, Conrad Meyer, 1675 print Zurich (Stad) paper etching human life and its ages (young, adult, old, etc.). agriculture, cattle-breeding, horticulture, flowerculture, etc.. fruit harvest. fowl (cock, hen, chicken, etc.)

Evility of people life. Around a poem in Dutch, medallions are grouped with representations in Bible texts about the vulnerability and shortness of a human life.

Prayend Family, Conrad Meyer, 1675 print In a room a woman sits on a chair next to a table. She does the three children who stand in front of her for how to fold the hands. On the right a child in a walking chair. Wall paintings with theme spring. Zurich (Stad) paper etching human life and its ages (young, adult, old, etc.). 0-10 years. (private) prayer; 'Oratione', 'Preghiere', 'Preghiere a Dio' (Ripa). family life. spring, 'Ver'; 'Primavera' (Ripa)

Songs of Innocence and of Experience: Earth's Answer ca. 1825 William Blake British. Songs of Innocence and of Experience: Earth's Answer 347959

Flood in Holland, 1702; Imagination of the essentially high wating flood in Holland, and polders and villages, and the great damage caused by that, between 5 and 6 April ao. 1702; Imagination of the spirit high wailing flood, and the great damage caused by that, Tussche den 5 and 6 April 1702.water Shorts in Holland, 5 and 6 April 1702. The Virgin of Holland with a North Holland Map on Which The Area Affected by the Floods is indicated. In The Background The Storm and Broken Dikes. On The Leaf Under the Plate A Fresh and A List of the Names of the Affected Villages and Farmlands.

America. A Prophecy, Plate 16, "In the Flames Stood....". Date/Period: 1793. Print. Green print, pen, black ink and watercolor on cream-colored paper (Color-printed relief etching in green-black with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper). Height: 238 mm (9.37 in); Width: 171 mm (6.73 in). Author: William Blake.

Extinguished candles and lion (Nobel) flanked by eagle, Bernard Willem Wierink, 1910 print paper fable of Reynard the Fox

De bubbel jonge op de jagt The hunting bubble boy. 1697 - 1720. Berge, Pieter van den, 1659-1737. Prints, Caricatures. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. South Sea Bubble, Great Britain, 1720, Political satire

Print made by William Blake, 1757-1827, British, Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There", 1797. Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper.

In Brabant Leeuw, Emperor Jozef II fails; Brabant Review, 1787-1790. The Austrian Emperor Jozef II on the ground is attacked by a wild Brabant lion. With one line caption. On the leaf under the plate A quote from five lines from the Electra play in Dutch. Part of a large group of prints related to the events of the Brabant Review and the period 1787-1790.

Young's Night Thoughts, Page 54, 'The vale of death! that hush'd cimmerian vale', Print made by William Blake, 1757-1827, British, ca. 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper, Spine: 16 3/4 inches (42.5 cm), Sheet: 16 1/2 x 12 5/8 inches (41.9 x 32.1 cm), and Plate: 15 5/8 x 12 5/8 inches (39.7 x 32.1 cm), children, feather, grass, literary theme, men, river, text, wings, women

Europe. A Prophecy, Plate 3, 'Preludium', Print made by William Blake, 1757-1827, British, 1794, Color-printed relief etching in dark brown with pen and black ink, oil and watercolor on moderately thick, slightly textured, cream wove paper inlaid to size, Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm), Plate: 9 3/8 x 6 3/4 inches (23.8 x 17.1 cm), and Spine: 15 3/8 inches (39.1 cm), backpacks, knife, men, nudes, religious and mythological subject, rocks (landforms), text, wings

Songs of Innocence and of Experience: The School Boy ca. 1825 William Blake British. Songs of Innocence and of Experience: The School Boy 348040

Giacomelli, Hector, Dalloz, Paul, Reproduction of a print of an owl and rats, with the poem Décembre by François Coppée, by Hector Giacomelli, photomechanical print, page, reproduction, photos, photographically illustrated books, height 310 mm, width 212 mm, French, 1829-11-18 - 1887-04-12, photographer, 1871 - 1876, paper, collotype, photoprint, chromolithography, cliché maker, Work conception, 1822-04-01 - 1904-12-01

Melancholic worshiper. Artist: Gesina ter Borch. Draughtsman: Gesina ter Borch. Dating: c. 1652 - c. 1653. Place: Zwolle. Measurements: h 313 mm × w 204 mm. Museum: Rijksmuseum, Amsterdam.

Los patinadores (The Streetcleaners). José Guadalupe Posada; Mexican, 1852-1913. Date: 1890-1899. Dimensions: 300 x 403 mm. Relief print on paper. Origin: Mexico. Museum: The Chicago Art Institute, Chicago, USA.

Print made by William Blake, 1757-1827, British, America. A Prophecy, Plate 6, "Appear to the Americans....", 1793. Relief etching printed in blue with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper.

William Blake, 1757-1827, British, Visions of the Daughters of Albion, Plate 4, "Visions , Enslav'd the Daughters.. ", 1793. Relief etching printed in green with watercolor on moderately thick, slightly textured, cream wove paper.

William Blake, 1757-1827, British, Plate 42 (page 93): 'If angels tremble, 'tis at such a sight', 1797. Engraving.

Print made by William Blake, 1757-1827, British, Songs of Innocence, Plate 18, "A Cradle Song" (Bentley 16), 1789. Relief etching printed in brown with watercolor on moderately thick, slightly textured, cream wove paper.

William Blake, 1757-1827, British, Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE', 1797. Engraving.

Louis in hell. (Ti)

Harper's Weekly: A Journal of Civilization, Volume VII For the Year 1863. published by Harper and Brothers (American, 1833-1942); Winslow Homer (American, 1836-1910); Thomas Nast (American, 1840-1902). Date: 1863. Dimensions: 398 x 287 x 60 mm. Book with wood engravings in black on cream wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA. Author: Harper and Brothers.

The Old Chartist ("Once a Week," vol. 6, p. 183). Artist: After Frederick Augustus Sandys (British, Norwich 1829-1904 London). Dimensions: Image: 4 1/8 × 4 15/16 in. (10.4 × 12.6 cm)Sheet: 9 3/8 × 6 1/8 in. (23.8 × 15.6 cm). Engraver: Joseph Swain (British, Oxford 1820-1909 London). Date: February 8, 1862. Museum: Metropolitan Museum of Art, New York, USA.

Ça ne prouve rien , Infants. Théophile Alexandre Steinlen (1859-1923). Lithographs

Print made by William Blake, 1757-1827, British, Songs of Innocence and of Experience, Plate 26, "A Cradle Song" (Bentley 16), 1789. Relief etching printed in green with pen and ink and watercolor on moderately thick, slightly textured, cream wove paper.

Jerusalem, Plate 19, 'His children exil'd from his breast....', Print made by William Blake, 1757-1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper, Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm) and Plate: 8 7/8 x 6 3/8 inches (22.5 x 16.2 cm), dead, literary theme, men, mourning, nudes, religious and mythological subject, sun, text, women

Ballonvaart van Blanchard, 1807. Zang, op de 62ste ongelukkige Lugtreis van den Heer Blanchart en deszelfs vrouw (title on object). publisher: Hendrik Moolenyzer (mentioned on object). Draughtsman: anonymous. Dating: 1807. Place: Netherlands. Measurements: h 320 mm × w 200 mm. Museum: Rijksmuseum, Amsterdam.

Print made by William Blake, 1757-1827, British, Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale", ca. 1797. Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper.

The Rights of Mensch and Van den Burger, 1795, Lambertus Antonius Claessens, 1795 print The 19 articles of the newly published civil rights are on two legislative tables. Above the dining father time, minerva and the personifications of lighting and equality around the all -seeing eye in a jet wreath. Under the show a Dutch verse in which the roles of the various figures are explained. Amsterdam paper etching / engraving Father Time, man with wings and scythe. (story of) Minerva (Pallas, Athena). the all-seeing eye, triangle with eye ~ symbol of God the Father

Print made by William Blake, 1757-1827, British, The First Book of Urizen, Plate 4, "Muster around the bleak desarts.. ." (Bentley 4), 1794. Color-printed relief etching in green with watercolor on moderately thick, slightly textured, cream wove paper.

Illustration with standing naked woman among trees at a lake Petit Air by Stéphane Mallarmé, Maurice Denis, 1894 print Paris paper female sex; woman. the (nude) human figure; 'Corpo humano' (Ripa). lake

Jerusalem, Plate 21, 'O Vala! O Jerusalem....', Print made by William Blake, 1757-1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper, Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm) and Plate: 8 1/2 x 6 inches (21.6 x 15.2 cm), kneeling, literary theme, men, nudes, religious and mythological subject, stars, text, whip, women

Songs of Innocence and of Experience: Infant Sorrow ca. 1825 William Blake British. Songs of Innocence and of Experience: Infant Sorrow. William Blake (British, London 1757-1827 London). ca. 1825. Relief etching printed in orange-brown ink and hand-colored with watercolor and gold. Prints

The restaurateur of France

Jenney the Pedler & Amorous Jockey (for Flute and Keybord Instrument), c. 1737 - c. 1740 print Sheet music for a love song for singing voice, Basso Continuo and Flute. Upstairs as an illustration on the right a affectionate couple and on the left a donkey loaded with music books and loose magazines. paper etching / engraving street-trader. print, e.g.: engraving, etching, lithograph. mule. couple of lovers

Print made by William Blake, 1757-1827, British, Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam", ca. 1797. Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper.

Songs of Innocence and of Experience, Plate 34, 'Introduction' (Bentley 30), Print made by William Blake, 1757-1827, British, 1794, Color-printed relief etching with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm) and Plate: 5 x 2 7/8 inches (12.7 x 7.3 cm), bed, blanket, clouds, historical subject, men, night, nudes, pillow, sky, stars, text

Nouvelle Suite de Cahiers de Desseins Chinois, numéro 1, created by Jean Baptiste Pillement in 1760. The artwork is a color etching measuring 7 5/8 x 5 3/8 inches (19.3 x 13.7 cm) on paper/sheet measuring 8 3/4 x 6 9/16 inches (22.2 x 16.7 cm). It features a stamp in red ink on the verso (Charles-Frédéric Mewès Lugt 4171)

Print made by William Blake, 1757-1827, British, Songs of Innocence, Plate 26, "Spring" (Bentley 23), 1789. Relief etching printed in brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper.

Print made by William Blake, 1757-1827, British, America. A Prophecy, Plate 7, "Albions Angel stood....", 1793. Relief etching printed in blue with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper.

The rights of man and from the citizen, 1795. The 19 articles of the new civil rights issued on two legal tables. Above the dining Father time, Minerva and the Personifications of Lighting and Equality around the all-viewing eye in a ray wreath. Among the show a Dutch verse in which the rollers of the different figures are explained.

Jerusalem, Plate 85, 'Became a Space & an Allegory....', Print made by William Blake, 1757-1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper, Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm) and Plate: 8 1/4 x 5 7/8 inches (21 x 15 cm), fruits, grapes, leaf, literary theme, men, moon, nudes, religious and mythological subject, roots, sinews, sitting, sky, stars, sun, text, vines, women

The restaurateur of France (IT)

Boney and Talley. The Corsican carcase-butcher's reckoning day. British Cartoon Prints Collection , Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8, no. 10091. Talleyrand-Perigord, Charles Maurice de,prince de Bénévent,1754-1838. , Napoleon,I,Emperor of the French,1769-1821. , International relations,1800-1810. , Butcher shops,France,Corsica,1800-1810.

Ster van Capellen Surrounded by Engelen, Reinier Vinkeles (I), After Christian Henning, 1751 - 1816 print Amsterdam paper etching / engraving / letterpress printing stars. angels. sceptre, staff (symbol of sovereignty)

Triviality

Print made by William Blake, 1757-1827, British, Songs of Innocence and of Experience, Plate 39, "London" (Bentley 46), 1794. Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper.

Cartoon on taking the French line, 1711, 1711 print Cartoon on taking the French line of the French Marshal de Villars by the Allies in 1711. With a consultation between Pasquin and Arlequin. Arlequin drives backwards on a donkey that draws a cart with Pasquin. In the cart the columns of Hercules with the inscription Non Plus Ultra. Part of a group of individual cartoons on Louis XIV during the Spanish Succession War, ca. 1701-1713. Northern Netherlands paper etching / letterpress printing political caricatures and satires

Badinguette

Print made by William Blake, 1757-1827, British, Jerusalem, Plate 8, "Rose up against me....", 1804 to 1820. Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper.

Always' ran to the ram! (Ti)

Jerusalem, Plate 8, "Rose up against me....". Date/Period: 1804 to 1820. Print. Orange print, pen, black ink and watercolor on cream-colored paper (Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper). Height: 222 mm (8.74 in); Width: 162 mm (6.37 in). Author: William Blake.

The Fairy Family - A Series of Ballads & Metrical Tales Illustrating the Fairy Faith of Europe, 1857. Sir Edward Burne-Jones. Bound volume with frontispiece, title page and tail-piece engraved from pen and ink drawings.

Before Ololon Milton stood..., 1804 - 1808, Publisher, Keynes, London, Blake, William, 1757-1827, 46 i.e. 49 f. col. illus. 25 cm., This artwork features themes of mythology, with elements such as serpents and dogs, rendered in etching style

The Nôtre-Dame Pump (small plate) 1854 Charles Meryon French. The Nôtre-Dame Pump (small plate) 371754

Saint Roch. Reproduction of a woodcut.

Pałnik; Z: "K Osy" 1877, No. 641 (11 PAMIKNIK), p. 233; Kossak, Juliusz (1824-1899), Gorazdowski, Edward (1843-1901), K Osy (Warsaw; magazine; 1865-1890); 1877 (1865-00-00-1890-00-00);

De Vrek, who has lost his treasure; La Fontaine Fabel; Imagerie Artistique / Série 8. Leaf with a large show from the Fable of Jean de la Fontaine, from the eager that has lost its treasure. A man is kneeling for another man. At the top right a text block with fresh rules. Numbered top left: Série 8. - No. 54.

Shepherd on a little hill, looking at his sheep. Artist: Gesina ter Borch. Draughtsman: Gesina ter Borch. Dating: c. 1654. Place: Zwolle. Measurements: h 313 mm × w 204 mm. Museum: Rijksmuseum, Amsterdam.

The Camp of the utaneous / Egypt / a harbor in Cairo. Leaf with 2 performances. Above left a representation of a Bedouin camp. At the bottom right of a representation of Egyptians and camels in Cairo. Top right and bottom left boxes with captions. The whole is surrounded by a decorative edge. Numbered at the top right: No 188.

SAINT GEORGE seen here on his white horse, with the unfortunate dragon in a separate panel below. Date: -

Songs of Innocence and of Experience, Plate 32, 'Earth's Answer' (Bentley 31), Print made by William Blake, 1757-1827, British, 1789 to 1794, Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/8 x 5 inches (18.1 x 12.7 cm), Plate: 4 5/8 x 2 7/8 inches (11.7 x 7.3 cm), and Spine: 7 3/8 inches (18.7 cm), branches, fruit, leaf, literary theme, serpent, snake, text, vegetation, vines

A rose and forget-me-notes, Elisabeth Johanna Koning, 1850 print Study of a cut rose, with a flower and a button, and forget-me-nots. Below the image is an eight -line verse. The Hague paper etching flowers. flowers: rose

Juliusz Kossak (1824-1899), January; from: "Kłosy" no. 607, vol. XXIV. Juliusz Kossak (1824-1899), draughtsman, cartoonist, Kłosy (Warszawa ; czasopismo ; 1865-1890), publisher, Gorazdowski, Edward (1843-1901), woodcutter

A Poison Tree. Songs of Innocence and of Experience by Blake, William (1757-1827) / Metropolitan Museum of Art, New York / ca 1825 / Great Britain / Etching, watercolour / Mythology, Allegory and Literature / 15,7x14,1 / Romanticism

THE HART AND THE VINE

Juliusz Kossak (1824-1899), February; from: "Kłosy" no. 607, vol. XXIV. Juliusz Kossak (1824-1899), draughtsman, cartoonist, Kłosy (Warszawa ; czasopismo ; 1865-1890), publisher, Gorazdowski, Edward (1843-1901), woodcutter

When on the highest lift..... Blake, William, 1757-1827. Blake, William, 1757-1827. Prints, Illustrations. 1804 - 1808. Rare Book Division. Dwellings

William Blake, 1757-1827, British, The Poems of Thomas Gray, Design 31, "A Long Story.", between 1797 and 1798. Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page.

The communities painted by themselves / assi

Book illustration, Die Geschichte von den schwarzen Buben, The Story of the Inky Boys, Der Struwwelpeter, Shaggy Peter, Dr. Heinrich Hoffmann, 1876

Lazio Viterbo Orte S. Silvestro Museo Diocesano d'Arte Sacra4. Hutzel, Max 1960-1990 Medieval: Romanesque architecture (12th century), architectural sculpture, 8th century mosaic, paintings on canvas and panel, including 13th century panel with scenes from the life of St. Francis, sculpture, carved wooden coffin, church furnishings. Post-medieval: Paintings on canvas and panel Antiquities: Fragments of sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Illustration for the song, "A l'Eau", by George Docquois appearing on the last page of October 23, 1896 publication of "Gil Blas Illustré": Gil Blas Illustré: At the Water's Edge (A l'Eau), 1896. Théophile Alexandre Steinlen (Swiss, 1859-1923). Color lithograph; sheet: 39.2 x 26.3 cm (15 7/16 x 10 3/8 in.); image: 33.3 x 17.4 cm (13 1/8 x 6 7/8 in.).

Landscape with a lock, Louis Adolphe Jacobs, 1865 - 1910 print paper etching sluice, weir

Adrià Gual / "Su lema". Institut del Teatre de Barcelona.

Artist: Nathaniel Hurd, American, 1730-1777, H-ds-ns (Hudsons) Speech from the Pillory, Line engraving, hand colored, 25.7 × 20.3 cm (10 1/8 × 8 in.), Made in United States, American, 18th century, Works on Paper - Prints

Title Page for New Suite of Chinese Arabesques. Dated: early 1760s. Dimensions: plate: 19.4 x 13.9 cm (7 5/8 x 5 1/2 in.) sheet: 22.1 x 17 cm (8 11/16 x 6 11/16 in.). Medium: color etching on laid paper, printed " la poup e". Museum: National Gallery of Art, Washington DC. Author: Anne Allen after Jean-Baptiste Pillement.

Hurrah for Christmas Postcard Private Collection

Abruzzo L'Aquila Celano Museum71. Hutzel, Max 1960-1990 Medieval: Manuscripts: Miniature nella Marsica; Trasacco - Antifonario; Tagliacozzo - Messale; Avezzano - L'Ecultet Metalwork--processional crosses Post-medieval: Vestments, metalwork, painting, frescoes, sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Tuscany Siena Montalcino Museo Civico6. Hutzel, Max 1960-1990 Medieval: Entire manuscript. Manuscripts. Post-medieval: Sculpture and ceramics from local workshops (2nd half 12th century; Sienese maiolica; 14th century weapons German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Petites scènes familières: Donkey Ride, 1893. Pierre Bonnard (French, 1867-1947). Lithograph; sheet: 35 x 26.8 cm (13 3/4 x 10 9/16 in.); image: 9 x 23.9 cm (3 9/16 x 9 7/16 in.).

Illustration by Cecil Aldin, Old Manor Houses -- opening of Chapter I, with medieval pages pulling back a curtain to reveal an old building. Date: 1923

Litografia a color de la partitura de la Marsch aus den Ruinen von Athen (Marcha desde las ruinas de Atenas), de BEETHOVEN. Publicada en Leipzig en 1885.

Sicilian, Seite 8

Bookplate of Maximilian Schmidt. Hollenberg, Felix (1868-1945), graphic artist

The maiden all forlorn ; the man all tattered and torn. Caldecott, Randolph (1846-1886). Illustrations. 1912. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Nursery rhymes, Cows, Milkmen & milkwomen, Crying, Stiles

Songs of Innocence and of Experience, Plate 2, Combined Title Page (Bentley 1), Print made by William Blake, 1757-1827, British, 1789 to 1794, Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/8 x 5 inches (18.1 x 12.7 cm), Plate: 4 1/2 x 2 3/4 inches (11.4 x 7 cm), and Spine: 7 3/8 inches (18.7 cm), bending, bird, branches, fire, flames, literary theme, men, nude, text, trees, vine, women

George Cumberland's Card. Dated: 1827. Medium: engraving in black. Museum: National Gallery of Art, Washington DC. Author: William Blake.

William Blake, George Cumberland's Card, 1827 George Cumberland's Card

Songs of Innocence and Experience, pl. 2: Innocence, Title Page: A woman in a chair shows a book to a boy and girl., unknown artist, after William Blake, 1757-1827, British, ca. 1808, Watercolor with pen and brown ink

THE LAZY HOUSEMAIDS

Warm hands.. Crane, Walter (1845-1915). Illustrations. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Nursery rhymes, Country life, Plowing

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