Urban Vignettes

Lively urban scenes showcasing bustling streets, featuring carriages and pedestrians, captured in vibrant brush strokes, reflecting the dynamic atmosphere of city life.

Café in Paris by night, Korovin, Konstantin Alexeyevich (1861-1939)

Pisssarro Washington October 2016 1 Boulevard des Italiens, Morning, Sunlightlabel QS:Len,Boulevard des Italiens, Morning, Sunlight label QS:Lda,Boulevard des Italiens, morgen, solskin; Boulevard des Italiens, Morning, Sunlight, 1897 by Camille Pissarro, oil on canvas National Gallery of Art, Washington, D. C., online collection

Notre Dame no. III. Date: n.d. oil on wood. Museum: Smithsonian American Art Museum.

Boulevard de Clichy. Date: March-April 1887, Paris. Dimensions: 46 cm x 55.5 cm, 64 cm x 73 cm. Museum: Van Gogh Museum, Amsterdam. Author: VINCENT VAN GOGH.

Hammersmith Broadway, Rush Hour. Ruskin Spear (1911-1990). Oil on canvas. Dated 1953. 91.5 x 132cm

Suburb, oil on canvas. Author: ISIDRE NONELL I MONTURIOL.

Café in Paris by night, Korovin, Konstantin Alexeyevich (1861-1939)

Ludwik de Laveaux (1868-1894). Polish painter. A Street in Paris, 1892-1893. 19th Century Polish Art Gallery (Sukiennice Museum). National Museum of Krakow. Poland.

Boulevard des Italiens, Morning, Sunlight. Dated: 1897. Dimensions: overall: 73.2 x 92.1 cm (28 13/16 x 36 1/4 in.) framed: 100.3 x 92.1 x 7 cm (39 1/2 x 36 1/4 x 2 3/4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: CAMILLE PISSARRO.

St. Denis by Eugene Galien, Mixed Media, (1854-1941)

Clichy Square, Paris, 1874, by Giovanni Boldini (1842-1931), oil on canvas, 60x98 cm.

Place des Vosges, element of a triptych Gilbert Louis Bellan (1868-1938). The Place des Vosges, element of a triptych. Watercolor and Gouache, 1913.

La Madeleine, Paris. Jacques Lieven (late 19th century). Bodycolour. 17.8 x 30.5cm. It is generally thought that Lieven is a pseudonym for Eugene Galien-Laloue.

The Louvre, Afternoon, Rainy Weather, Camille Pissarro, 1900, National Gallery of Art, Washington DC, USA, North America

fine arts, Liebermann, Max, (1847 - 1935), painting, ""Feiertag"", (""holiday""), private property,

Alfred Sisley (Paris 1839 - Moret-sur-Loing 1899). The Flood at Port-Marly (1876). Oil on canvas. 50 x 61 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

François-Etienne Villeret (1800-1866). "Place de la Bastille". Oil on canvas. Paris, Carnavalet museum. 36703-4 Traffic, July column, place, 11th 11th 11th 11 arrondissement, 12th XII 12th 12 arrondissement

Statue of Henry IV, Paris. Jules Eugene Pages (1867-1946). Oil on canvas. 54 x 64.7cm

La Place Des Vosges, 1928 By Georges Leon Dufrenoy, Street scene, Cityscape, Art Movement, Post-Impressionism, Paris

Luigi Loir (1845-1916). "The rue des Nations at the 1900 Universal Exhibition". Oil on canvas. Paris, Carnavalet museum. 27110-3 Universal exhibition 1900, rue des Nations, Street Scene, Oil on canvas

Josep Amat, "Calle", 1934. Author: JOSEP AMAT I PAGÉS.

A Street Scene, Milan. Mose Bianchi (1840-1904). Oil on panel. 42.5 x 31cm

View from Vincent's Studio. Date: June 1886, Paris. Dimensions: 30.1 cm x 40.8 cm, 44.5 cm x 55.0 cm. Museum: Van Gogh Museum, Amsterdam.

Snow on the Road to St. Germain, Near Marly Alfred Sisley (1839-1899 French) E.G. Buhrie Collection, Zurich

EL SAGRADO CORAZON - PARIS S XX. Author: MAURICE UTRILLO (1883-1955). Location: MUSEO DE ARTE E HISTORIA. Genève. Switzerland.

Canal de Amsderdam. Óleo. 1908. Author: ERASME DE LASARTE.

Place De La Trinite. Pierre-Auguste Renoir (1841-1919). Oil On Canvas, 1893.

Thomas Shotter Boys, 1803-1874, British, Le Pont Royal, Paris, ca. 1828. Watercolor with pen and black ink and graphite on medium, slightly textured, blued white wove paper.

Prévost, Alexandre Céleste -Gabriel (n.1832 - D.1910), Place Saint Michel, 1885 (dummy title), 1885. Aquarelle. Carnavalet museum, history of Paris.

The Portal of Rouen Cathedral in Morning Light. Date/Period: 1894. Painting. Oil on canvas. Height: 1,003 mm (39.48 in); Width: 651 mm (25.62 in). Author: CLAUDE MONET.

Study for Le Pont de L'Europe, Gustave Caillebotte, 1876, Albright-Knox Art Gallery, Buffalo, New York, USA, North America

East River Park William Glackens (American, 1870-1938). East River Park, ca. 1902. Oil on canvas, 25 7/8 x 32in. (65.7 x 81.3cm). William Glackens found ample subject matter in the parks of New York and the city dwellers who frequented them. Here he depicted the natural features of the East River Park, and the pastimes of its inhabitants, in sharp contrast to the bustling industrial setting of Brooklyn's waterfront visible across the water. For the many immigrants living in small, cramped quarters, the urban parks of Brooklyn and Manhattan served as a refuge from the poor conditions and overcrowding of tenement life. American Art ca. 1902

Lauriergracht near to the Tweede Laurierdwarsstraat, Amsterdam, The Netherlands, George Hendrik Breitner, 1917 - 1918

The Boulevards Jean Beraud (1849-1935 French) Oil on canvas Musee Carnavalet, Paris, France

Palazzo da Mula, Venice, Claude Monet, 1908, National Gallery of Art, Washington DC, USA, North America

The Mall, looking forward Admirality Arch 1911. Sir Herbert James Gunn (1893-1964). Oil on canvas board. 23 x 29cm.

La Madeleine, Paris. Edouard Cortes (1882-1969). Oil on canvas. 33 x 46cm

Boulevard Montmartre - Camille Pissarro, 1897

Ignasi Mundó i Marcet / 'Suburbio de París', 1947. Museum: PRIVATE COLLECTION.

Beacon Street in Winter. Arthur Clifton Goodwin (1866-1929). Oil on canvas. 76.8 x 92cm

Boulevard des Italiens Paris morning light 1897

Avenue de Clichy. Five O'Clock in the Evening, Anquetin, Louis (1861-1932)

Victor Marec (1862-1920). "Boulevard de la Villette opposite rue Vicq d'Azir". Oil on canvas. Paris, Carnavalet museum. 34717-8 District XIXth 19th 19th 19, Boulevard Villette, Palisade, Panorama, rue Vicq d'Azir, Oil on canvas

La rue Saint-Ferreol a Marseilles. Albert Andre (1869-1954). Oil on canvas. Painted in 1917. 81 x 100cm.

Porcelain Works at Sevres, Sisley, Alfred

Footbridge at Argenteuil 1872 Alfred Sisley (1839-1899 French) Oil on canvas Jeu de Paume, Louvre, Paris, France

Moscow Street by Vinogradov, Sergei Arsenyevich (1869-1938) / Private Collection / 1922 / Russia / Watercolour on paper / Landscape /

East River Park. Date/Period: Ca. 1902. Painting. Oil on canvas. Height: 65.7 cm (25.8 in); Width: 81.3 cm (32 in). Author: William Glackens.

SPRING MORNING IN THE HEART OF THE CITY, by Childe Hassam, 1890-99, American painting, oil on canvas. Impressionist scene of Madison Square Park, with the classical portico of the elegant Fifth Avenue Hotel, with traffic of horse drawn cabs (BSLOC_2017_9_19)

Porte St. Denis, Paris. Edouard Cortes (1882-1969). Oil on canvas. 33.5 x 46cm

PIDELASERRA I BRIAS, Mariö (1877-1946). Yellow baths (Paris). 1900. Oil on canvas. Private Collection.

Venice, Palazzo Dario. Claude Monet; French, 1840-1926. Date: 1908. Dimensions: 66.2 × 81.8 cm (26 1/16 × 32 3/16 in.). Oil on canvas. Origin: France. Museum: The Chicago Art Institute, USA.

Notre Dame in the rain, 1910; by Albert Marquet a French Expressionist artist. Albert Marquet (27 March 1875 - 14 June 1947) was a French painter, associated with the Fauvist movement

Fifth Avenue, New York, Sloan, John, 1910.

Restaurant de la Sirene at Asnieres - 1887 - 54x65 cm - oil on canvas. Author: VAN GOGH, VINCENT. Location: MUSEE D'ORSAY, PARIS. Also known as: RESTAURANTE DE LA SIRENA EN ASNIERES.

Victor-Alfred-Paul Vignon, Snow Effect in the Suburbs, c. 1875-85, oil on canvas.

Santiago Rusinol (1861-1931). Paris, Ile Saint-Louis.

Vienna, Albrechtsplatz, Gerlach , Wiedling Buch- und Kunstverlag, Producer, after, Franz Kopallik -, drawer

Waterloo Bridge, Sunlight Effect, Claude Monet, 1903, Scharf Collection

Henry Ossawa Tanner, The Seine, c 1902 Henry Ossawa Tanner (American, 1859 - 1937), The Seine, c. 1902, oil on canvas, Gift of the Avalon Foundation 1971.57.1

Edouard Zawiski (active late 19th century, early 19th century). "The white square, the red mill, evening effect". Oil on canvas, 1902. Paris, Carnavalet museum. 36492-1 Cabaret, night, woman, yellow, electric light, walking, Montmartre, monument, Moulin Rouge, Music-Hall, work of art, Passing, Pieton, Place Blanche, Place Public, Rue, Performance, Scene of life, Urban scene, painting, nightlife, night view, city, 19th 19th 19th 19th 19th 19th century, oil on canvas, Illumination

Waterloo Bridge, Gray Weather 1900 France. If not for the fog, Claude Monet once remarked, ìLondon wouldnít be a beautiful city. Itís the fog that gives it its magnificent breadth.î While working on his London series, he rose early every day to paint Waterloo Bridge in the morning, moving on to Charing Cross Bridge at midday and in the afternoon. He observed both motifs from his fifth-floor window at the Savoy Hotel. The Art Instituteís two Waterloo Bridge paintings are dated 1900 and 1903, but both were likely begun in 1900 and dated only when Monet felt that they were finished. He worked on all of his London paintings in his studio in Giverny, refusing to send any of them to his dealer until he was satisfied with them as an ensemble.. Oil on canvas . Claude Monet

Venice, the Doge's Palace - 1881 - 21,4x25,7 cm - oil on canvas. Author: AUGUSTE RENOIR. Location: INSTITUTO DE ARTE. MINNEAPOLIS-MINESOTA.

July Fourteenth; Rue Daunou; 1910 Oil on canvas Childe Hassam American 1859-1935

The Rokin, Amsterdam, by George Hendrik Breitner, 1923, Dutch oil painting on panel. The Rotkin, a major street in Amsterdam, with horse drawn wagon and women pedestrians, in the snow (BSLOC_2016_2_45)

Fifth Avenue. Arthur Clifton Goodwin (1866-1929). Oil on canvas. 63.9 x 76.6cm

'Quai du Louvre, Summer', 1906. Artist: Albert Marquet

St Martin-in-the-Fields. Date/Period: 1888. Painting. Oil on canvas. Height: 1,435 cm (15.6 yd); Width: 1,181 cm (12.9 yd). Author: WILLIAM LOGSDAIL.

Boston in everyday twilight , Fine Art

Quai du Louvre, Summer', 1906 Artist: Albert Marquet. The quays along the Seine in the centre of Paris are a favourite subject in Marquet's(1875-1947) work before and during the Fauvist years. The artist's relationship with Fauvism never supposed absolute submission to its principles.

Painting titled 'Snow scene at Argenteuil' by Claude Monet (1840-1926) founder of French Impressionist painting. Dated 1875

The Garden of the Tuileries on a Winter Afternoon 1899 Camille Pissarro French Pissarro rented a large apartment at 204 rue de Rivoli in Paris for the first half of 1899. From its windows facing the Jardin des Tuileries, he painted six views of the garden (including this work and two others in the Metropolitan), in which the twin steeples of the church of Sainte-Clotilde punctuate the vast expanse of sky. Attentive to changes in light, atmosphere, and climate, as well as to the comings and goings of strollers, at different times of day and seasons of the year, Pissarro was able to extract a variety of pictures from a single site.. The Garden of the Tuileries on a Winter Afternoon. Camille Pissarro (French, Charlotte Amalie, Saint Thomas 1830-1903 Paris). 1899. Oil on canvas. Paintings

Le Moulin de la Galette. Elisee Maclet (1881-1937). Oil on canvas. 73 x 90.8cm.

Waterloo Bridge, Sunlight Effect 1903 France. If not for the fog, Claude Monet once remarked, ìLondon wouldnít be a beautiful city. Itís the fog that gives it its magnificent breadth.î While working on his London Series, he rose early every day to paint Waterloo Bridge in the morning, moving on to Charing Cross Bridge at midday and in the afternoon. He observed both motifs from his fifth-floor window at the Savoy Hotel. The Art Instituteís two Waterloo Bridge paintings are dated 1900 and 1903, but both were likely begun in 1900 and dated only when Monet felt that they were finished. He worked on all of his London paintings in his studio in Giverny, refusing to send any of them to his dealer until he was satisfied with them as an ensemble.. Oil on canvas . Claude Monet

A watercolour by British artist John Fulleylove titled 'Place de la Concorde', 1847-1908. Discoverd in the collection of the Victoria & Albert Museum, London.

Hôtel des roches noires. Trouville. Date/Period: 1870. Painting. Oil on canvas. Height: 810 mm (31.88 in); Width: 580 mm (22.83 in). Author: CLAUDE MONET.

Place de la Trinité, Paris. Jean François Raffaëlli; French, 1850-1924. Date: 1886. Dimensions: 73.7 × 71.7 cm. (29 × 28 1/4 in). Oil on canvas. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: Jean-François Rafaëlli.

Krystalgade, Copenhagen. Paul Fischer (1860-1934). Oil on canvas. 58.3 x 50.7cm

Going home. Date/Period: Ca. 1889. Painting,oil on wood panel. Height: 234 mm (9.21 in); Width: 136 mm (5.35 in). Author: TOM ROBERTS.

Russia, Saint Petersburg, State Russian Museum, Doss House, Vladimir Makovsky, 1889

View of the Seine during the floods of 1910 Frank Boggs (1855-1926). View of the Seine during the 1910 floods. Watercolor and charcoal.

Universal exhibition of 1900: old Paris Laure Antoinette Brouardel (1852-1936). Universal Exhibition of 1900: Old Paris, 1900.

Rostov Velikij, by Juon Konstantin Fedorovic, 20th Century, 1906, oil on canvas, cm 70 x 96

Moscow view by Nikolai Nikolayevich Gritsenko, oil on canvas, 1896, 1856-1900, Russia, Moscow, State Tretyakov Gallery, 73x54

EL BANCO - SIGLO XX. Author: MANUEL DE GRACIA.

Place Vintimille', Paris, 1908-1910 Artist: Edouard Vuillard. Vuillard moved into a house overlooking Place Vintimille (Place Adolphe Max today) in 1908. Between 1908 and 1910 he painted a series of four panels depicting various aspects of the square and its park.

The Apple Market 1875-1885 France. Oil on canvas . Stanislas Lépine

Santiago Estrany i Castany / 'Praga', 1992. Museum: PRIVATE COLLECTION.

Art, Isy Ochoa

Urban Nocturne. Paul Cornoyer (1864-1923). Oil on canvas. 69 x 50.5cm.

Rue de l'Épicerie, Rouen (Effect of Sunlight) 1898 Camille Pissarro French By the time of Pissarros fourth visit to Rouen in 1898, he was "already familiar with the motifs there." The artist depicted many of the same cityscapes that he had tackled previously, but also scouted out new scenes, such as this one. On August 19, he wrote to his son Lucien: "Yesterday I found an excellent place from which I can paint the rue de l'Épicerie and even the market, a really interesting one, which takes place every Friday." Pissarro painted the view three times, but the Metropolitan's picture is the only one that shows the market in progress. Listen to experts illuminate this artwork's story Listen Play or pause #6286. Rue de l'Épicerie, Rouen (Effect of Sunlight) Supported by Bloomberg Philanthropies We're sorry, the transcript for this audio track is not available at this time. We are working to make it available as soon as possible. Buy a print Custom framed to suit your space. Rue de l'Épicerie

Painting by Adolf Hitler painted in Munich just before World War One, 1914

Pablo Picasso / "Hall of the Prado", 1897, Painting on wood (oil on wood), 10 x 15.5 cm, MPB 110160. Museum: Museo Picasso de Barcelona (Barcelona, España).

San Marco, Venice Rafael Senet (1856-1926 Spanish) Christie's, London

Citylife by Jean Francois Raffaelli, oil on canvas, 1850-1924, Russia, Moscow, State A. Pushkin Museum of Fine Arts, 64x77

Wittelsbach Square in Munich at night; Gierymski, Aleksander (1850-1901); 1890 (1890-00-00-1890-00-00);Jahresausstetellung von Kścieńińerken Aller Nationen (Munich - You, Munich (Germany), young Poland (style), Wittelsbach Plac (Munich), awarded works, luministic effects, lanterns, nocturnes, urban landscapes, city squares, genre scenes in cities, city views , views of German cities, purchase (provenance)

Demolition work in Rue des Francs-Bourgeois-Saint-Marcel by Jongkind, Johan Barthold (1819-1891) / Gemeentemuseum Den Haag / 1868 / Holland / Oil on canvas / Landscape,Genre / 56,7x66,1

View of Paris from the Trocadero, Morisot, Berthe

Painting titled 'Oudezijdsch, Voorburgwal in Amsterdam' by Nico Jungmann. Nico Jungman (1872-1935) an Anglo-Dutch painter of landscapes and figural subjects. Dated 20th Century

Tretyakov Gallery, Moscow. Boris Kustodiev, Russian artist. February 27, 1917. Boris Mikhailovich Kustodiev (February 23,1878 - May 26, 1927) Leningrad. Russian Soviet artist. Academician of painting IAH (1909). Member of the Association of Artists of Revolutionary Russia (since 1923). Portrait painter, theatre artist, decorator.

The Big Parade. Frederick Childe Hassam (1859-1935). Oil on panel. Signed and dated 1917. 20.4 x 22.7cm

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