Urban Scenes in Art

Lithographs capturing urban life and architecture, featuring streets, markets, and daily activities portrayed with expressive detail.

Market in a Belgian village, Willem Adrianus Grondhout, 1888 - 1934 print In the foreground figures on a market on a square. In the background a church with air arches. paper etching market. square, place, circus, etc.. church (exterior) Belgium

The mast , Mooring masts, Sitting, Sewing. James McNeill Whistler (1834-1903). Lithographs

Bliżej Kultury Wyczółkowski, Leon (1852 1936)

Market in a Belgian village, Willem Adrianus Grondhout, 1888 - 1934 print In the foreground figures on a market on a square. In the background a church with air arches. paper etching market. square, place, circus, etc.. church (exterior) Belgium

James McNeill Whistler, Clothes Exchange, NoII, c 1886 1888 Clothes Exchange, No.II

The Victoria Club, James McNeill Whistler (Lowell, Massechusetts, USA, 1834 - 1903)

The Bridge of Sighs 1883 United States. Etching, with drypoint, on cream China paper . Frank Duveneck

Verona, Willem Adrianus Grondhout, 1932 print A street market in Verona, Italy. Two gates above a street in the background. paper etching city-gate. market Verona

The Balcony 1879-80 James McNeill Whistler American. The Balcony 372585

Doorway and Vine. Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: Plate: 9 1/8 × 6 5/8 in. (23.2 × 16.9 cm)Rabbet: 9 1/8 × 6 5/8 in. (23.2 × 16.9 cm). Series/Portfolio: Second Venice Set ("A Set of Twenty-Six Etchings by James A. McN. Whistler," 1886). Date: 1879-80. Museum: Metropolitan Museum of Art, New York, USA.

The Piazzetta. James McNeill Whistler; American, 1834-1903. Date: 1879-1880. Dimensions: 254 x 180 mm (image, trimmed within plate mark); 257 x 180 mm (sheet). Etching and drypoint with foul biting in brown ink on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Auberge du Compass d'Or, Montorgueil Street. Edmond de Beauregard. Auberge du Compass d'Or, Montorgueil Street. FEATHER, BRUNETTE INK ON BEIGE PAPER.

Drawing by Ferdinand Boberg. Västmanland, G: la Norbergs Blg., Norbergs sn., Norberg Nordic

The Mast (The Venetian Mast) 1879-80 James McNeill Whistler American. The Mast (The Venetian Mast) 372575

Nocturne Palaces 1879-1880 United States. In developing this image, Whistler exploited plate tone (ink left on the unetched surface of the copper plate) to an extraordinary degree. Etched and incised drypoint lines were used as a framework for painterly inking and wiping of the plate, which allowed for endlessly varied impressions. In fact, each example of Nocturne Palaces is different, conveying distinctive interpretations of light, darkness, and atmosphere.The impressions represent different states (second and eleventh); ink colors (black and brownish black); and wiping (inky at top and bottom and more nuanced overall plate tone). The earlier, more dramatic impression emphasizes architectural details and the velvety darkness of sky and water, while in the later example building facades are cloaked in mist and the dampness of a Venetian night is palpable.. Etching and drypoint in black, with selective wiping of plate tone, on ivory laid paper . James McNeill Whistler

Vincenzo Mazzi (Italian, active 1748 - 1790), An Imaginary Prison, etching on laid paper

Bridge ofAlcantara. Artist: Joseph Pennell, American, 1857-1926

Lépine, Stanislas (n.1835-10-03-D.1892-09-28), sketch: women at La Fontaine and Arche du Pont Marie Recto). (Dummy title). Carnavalet museum, history of Paris.

At a village a woman was on the line, Léopold Haeck, 1878 - 1910 print paper etching prospect of village, silhouette of village. hanging the wash to dry

Cologne Published 1833 England. Lithograph in black on grayish-ivory chine, laid down on ivory wove paper . Samuel Prout

Kanonia Street in Warsaw. Łopieński, Ignacy (1865-1941), graphic artist

Ericsson, Henry, work, Lövö villa, etching, graphics, plate width 39.8 cm, ehti width 53.6 cm, ehti height 37 cm, Carl August Henry Ericsson, 1898 in St. Michel, Finland - 1933 in Borgå, was a Finnish graphic artist and decorative painter of Finland.

Up to the Woolworth , Skyscrapers, Cities & towns, Streets. Joseph Pennell (1857-1926). Prints and Drawings

The demolishers of the Sorbonne n ° 2: Victor Street Cousin (dummy title)

Via San Vitale, Bologna. Donald Shaw MacLaughlan; American, born Canada, 1876-1938. Date: 1904. Dimensions: 158 x 119 mm (image/plate); 186 x 149 mm (sheet). Etching in black on blue laid paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Méryon, Charles (n.1821-11-23-D.1868-02-13), Saint-Etienne du Mont (main title), 1852. Eau-tie. Petit Palais, Museum of Fine Arts of the City of Paris.

Cemetery (Kirchhof). Dated: 1916. Dimensions: plate: 38.1 x 25 cm (15 x 9 13/16 in.) sheet: 48.2 x 38.1 cm (19 x 15 in.). Medium: lithograph in black on laid paper. Museum: National Gallery of Art, Washington DC. Author: Lovis Corinth.

Topfkram; Ulbrich, Hugo (1867-1928); 1900 (1867-00-00-1928-00-00);Partage Plus, Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, Wrocław (Dolnośląskie Voivodeship), architecture, German graphics, trade, baskets, modernism (style), German (culture), urban landscapes, genre scenes, generic scenes, relay, streets

Toledo, Street of the Arch. Joseph Pennell; American, 1857-1926. Date: 1903. Dimensions: 255 x 190 mm. Oiled charcoal with stumping and erasing, heightened with white chalk, on cream wove paper, perimeter mounted on off-white wood pulp laminate board. Origin: United States. Museum: The Chicago Art Institute, USA.

Pencil illustration by August Xaver Karl von Pettenkofen showing a Gil Blas scene with multiple characters and gestures, emphasizing narrative composition.

Village view with a river, Rodolphe Bresdin, 1861 print Village face with a river. On the right on the shore houses are in a row along the river that runs into the village with a bend on the left. In the foreground are fishermen with rods in the shallow water. Above the print is the title of the literary magazine Revue Fantaisistist. Paris . etching village

James McNeill Whistler (American, 1834-1903), Rue Furstenberg, 1894, lithograph

The Barber Shop Made 1905 United States. Etching on ivory laid paper . Joseph Pennell

Limebrander, James Abbott McNeill Whistler, 1859 print Workshop with a man standing at two ladders and leaning against a ton. This is the worker and lime burner W. Jones. A port is visible through a look. Printed on Old Dutch paper with wide margins, supplied by Carel Vosmaer. paper etching lime-burner

Street Grenier on the water, 1886 (dummy title)

Sunday, Lyme Regis James Abbott McNeill Whistler (American, 1834-1903). , 1895. Lithograph, 9 7/8 x 7 3/16 in. (25.1 x 18.3 cm). American Art 1895

Joseph Pennell, Down and Up the Hills to the Bay, San Francisco, American, 1857 - 1926, 1912, etching

L'Escalier (The Staircase) 19th century Rodolphe Bresdin French. L'Escalier (The Staircase) 429783

Paris: la Rue de la Montagne-Ste-Geneviève. Louis Auguste Lepère; French, 1849-1918. Date: 1886. Dimensions: 313 × 145 mm (image); 367 × 203 mm (sheet). Wood engraving in black on grayish-ivory China paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

St. James's street. Whistler, James McNeill (1834-1903). 1878. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Back by WayCanal. Artist: Mortimer Menpes, British, 1855-1938

James S. Storer, 1771-1853, British, Crosby Hall. Engraving.

Egyptian Street Scene Made 1842-1847 France. Black ContÈ crayon, with red chalk, graphite and stumping, on cream laid paper . Charles François Eustache

Old Paris, 1932 (Title Title) | Old Paris, 1932 (title of all)

Hadrian Entering Salonica, 1918. William Walcot (British, 1874-1943). Etching;

SS Giovanni e Paolo, Venice prints, etchings, works on paper

Theme from the Motława River, fragment of the Długi Most Street. Pruszyński, Aureliusz (Kraków ; zakład artystyczny ; 1873-post 1930), printing house, Wyczółkowski, Leon (1852-1936), graphic artist

Van Armand Guillaumin (1841-1927). "Vanves". Black pencil on white paper, 1872. Museum of Fine Arts of the city of Paris, small palace.

See -through under a bridge with rowing boat and Reiger, Arnoud Schaepkens, 1831 - 1904 print paper. etching / drypoint bridge. shore-birds and wading-birds: heron. rowing-boat, canoe, etc.

The Long Gallery, Louvre. Whistler, James McNeill (1834-1903). Avery, Samuel Putnam, 1822-1904. Prints. 1894. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Venetian Courtyard. Artist: Sir David Young Cameron (British, Glasgow, Scotland 1865-1945 Perth, Scotland). Dimensions: Sheet: 7 3/4 × 9 1/8 in. (19.7 × 23.2 cm). Date: 19th-20th century. Museum: Metropolitan Museum of Art, New York, USA.

A MarketScene. Artist: Mortimer Menpes, British, 1855-1938

The Grand Piazza. Giovanni Battista Piranesi (Italy, Mogliano, 1720-1778). Italy, 1761. Prints; etchings. Etching

Souvenir de St. Denis, 1913. Auguste Louis Lepère (French, 1849-1918). Etching;

Street face with wall fountain; Artis perspectiva (...). Fountain for a bordes. The fountain consists of an elongated pelvis, supported by four sphinxes in rollerwork. There are four water squirting Hermen against the wall. In between there are three statues in Nissen. On the left on the street a woman with a child going on. The print is part of an album.

Victoria Club. James McNeill Whistler; American, 1834-1903. Date: 1879-1887. Dimensions: 206 x 134 mm (image); 234 x 156 mm (primary support); 487 x 360 mm (secondary support). Transfer lithograph in black with scraping, on cream chine laid down on ivory plate paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

The Bridge, Santa Marta 1879-80 James McNeill Whistler American. The Bridge, Santa Marta 372582

Forge of the Carmelites. Donald Shaw MacLaughlan; American, born Canada, 1876-1938. Date: 1900. Dimensions: 237 x 188 mm (image/plate); 241 x 188 mm (primary support); 285 x 227 mm (secondary support). Etching in black on tan laid paper, laid down on off-white wove paper. Origin: United States. Museum: The Chicago Art Institute, USA.

A Fragment of Piccadilly, 1886. James McNeill Whistler (American, 1834-1903). Etching;

Maunder's Fish Shop, Chelsea Made 1890 United States. Transfer lithograph in black with scraping, on cream Japanese paper . James McNeill Whistler

Copper engraving and etching by Jan Pietersz. Saenredam from 1618 depicting the parable of the lost son, showing figures, gesture, and composition.

James McNeill Whistler (American, 1834-1903), The "Adam and Eve," Old Chelsea, 1879, etching and drypoint

Piazza San Marco. Frank Duveneck; American, 1848-1919. Date: 1882-1883. Dimensions: 333 x 272 mm (image); 344 x 281 mm (plate); 475 x 407 mm (sheet). Etching, with drypoint, on cream wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Long Gallery at the Louvre, James McNeill Whistler (Lowell, Massechusetts, USA, 1834 - 1903) c. 1896

Marius enters the shadow (Ive Party, Book 13) Albert Morand. Marius enters the shadow (Ive Party, Book 13). Illustration project for Victor Hugo's novel, Mis�rables. Cont� Pencil or Industrial Black Stone on paper, circa 1920. Paris, Victor Hugo House.

The Butcher's Dog. James McNeill Whistler; American, 1834-1903. Date: 1895-1896. Dimensions: 190 x 131 mm (image); 284 x 201 mm (sheet). Transfer lithograph in black on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Figures and animals in an alley in Nuremberg; Slice in Nuremberg.links in the foreground a lamppost.

Old Paris taught "in the golden sun", 84 rue Saint Sauveur, 1896 Henri Chapelle (1850-1925), French draftsman. Old Paris. The sign in the golden sun, 84 rue Saint Sauveur. Feather, ink of China. Paris (ie Arr.), 1896.

The Long Gallery, Louvre Made 1894 United States. Transfer lithograph in black with stumping, on cream laid Japanese vellum . James McNeill Whistler

Drawing, Sketchbook Page: Study of Reno, Bologna; Verso: Architectural Details; Designed by Felice Giani (Italian, 1758-1823); Italy; pen and brown ink, brush and sepia wash over traces of graphite on cream laid paper; 12.7 x 10.9 cm (5 x 4 5/16 in.)

Le Maquignon 19th century John-Lewis Brown. Le Maquignon. John-Lewis Brown (French, Bordeaux 1829-1890 Paris). 19th century. Aquatint. Prints

Place de l'Opéra, plate seventeen from Le Long de la Seine et des Boulevards. Louis Auguste Lepère (French, 1849-1918); published by A. Desmoulins (French, active c. 1908-1910). Date: 1890. Dimensions: 119 × 202 mm (image); 233 × 300 mm (sheet). Wood engraving in black on cream Japanese tissue. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

The Lion, Chicago 1910 United States. Drypoint with plate tone on ivory laid paper . Joseph Pennell

La Rue Pirouette aux halles, Paris (Pirouette Street, Near the Markets, Paris). Dated: 1860. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: CHARLES MERYON.

The Bridge, Santa Marta 1879-1880 United States. Etching and drypoint with foul biting in black ink on off-white laid paper . James McNeill Whistler

The auto school , Schools, Automobile driving, Doors & doorways. Childe Hassam (1859-1935). Prints and Drawings

A coal illustration by August Xaver Karl von Pettenkofen showing a scene from the novel Gil Blas.

The Man on the Rack, plate 2 from Imaginary Prisons. Giovanni Battista Piranesi; Italian, 1720-1778. Date: 1761. Dimensions: 557 x 417 mm (image); 562 x 417 mm (plate); 788 x 583 mm (sheet). Etching and engraving on heavy ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

Two women by a sarcophagus serving as a fountain, on the left statues in niches, in the background a staircase, Two women by a sarcophagus serving as a fountain, draughtsman: Victor Jean Nicolle, 1787 - 1811, paper, pen, h 168 mm × w 124 mm

Sir David Young Cameron, 1865-1945, British, Porta del Molo, Genoa North Italian Set: No. 23, 1896. Etching.

A 1924 pencil sketch by Ludwig Rösch depicting a street scene with a concrete lantern.

Stadsplein with a round fountain, 1568 print Stadsplein with a round fountain surrounded by a balustrade with two entrances. The basin is worn by putti with a fish tail. This print is part of an album. paper etching ornamental fountain. civic architecture; edifices; dwellings

Fantasy - Study, Philip Zilcken, After Jacob Maris, 1867 - 1890 print paper etching / drypoint canals, waters (in city). urban housing Amsterdam

Rue des Marmousets (VieuxParis). Artist: Maxime Lalanne, French, 1827-1886Printer: Auguste Deltre, French, 1822-1907 Publisher: Alfred Cadart, French, 1828-1875

A pencil illustration by August Xaver Karl von Pettenkofen depicting a scene from the novel Gil Blas.

Le Drageoir aux épices by J. K. Huysmans: p. 53, 1929. Auguste Brouet (French, 1872-1941), J.K. Huysmans (French). Book containing 54 etchings; overall: 28.7 x 23.3 x 4.5 cm (11 5/16 x 9 3/16 x 1 3/4 in.).

Street face in Terneuzen, Carel Nicolaas Storm van 's -Gravesande, 1889 - 1902 print In the foreground, three women walk in traditional costume towards a staircase. There is a mill in the background. Netherlands paper drypoint sloping street; street with steps or stairs. folk costume, regional costume Terneuzen

WallStreet. Artist: William George Reindel, American, 1871-1948

Przeszo Przyszoci Norblin, Jan Piotr (1745 1830)

Bliżej Kultury Wyczółkowski, Leon (1852 1936)

The Lime-Burner, from the Thames Set (A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects). Artist: James McNeill Whistler, American, 1834-1903

Etchings of Paris: Tourelle, rue de l'Ecole de Médicine, 1861. Charles Meryon (French, 1821-1868). Etching;

'Saint-Germain des Prés'. France, Paris, 1980. Dimensions: 52,3x40,9 cm; 70x49,5 cm. Museum: State Hermitage, St. Petersburg. Author: Alexander Zhitomirsky.

Les toits de Saint-Severin. Dated: 1889. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Auguste Lepere.

Santa Maria della Tromba. Dated: 1886. Dimensions: sheet: 46 × 34.7 cm (18 1/8 × 13 11/16 in.) plate: 37 × 23.7 cm (14 9/16 × 9 5/16 in.). Medium: etching on wove paper. Museum: National Gallery of Art, Washington DC. Author: TELEMACO SIGNORINI.

Limebrander, James Abbott McNeill Whistler, 1859 print Workshop with a man standing at two ladders and leaning against a ton. This is the worker and lime burner W. Jones. A port is visible through a look. England Japanese paper etching lime-burner

Vision of the north of the Nighty city; Apple, Feliks (1865-1928); around 1925 (1920-00-00-1928-00-00);

View of a palace in Naples at setting sun, Anonymous, After Melchior Küsel (I), After Johann Wilhelm Baur, c. 1700 - c. 1710 The print is part of an album. print maker: Franceafter print by: Germanyafter design by: Germany paper etching Naples The print is part of an album. print maker: Franceafter print by: Germanyafter design by: Germany paper etching Naples

Hallway at Dr. Wister's. Dated: 1912. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Joseph Pennell.

Palazzo Contanni, Venice, 1920-1929. Andrew F. Affleck (British, 1874-1935). Etching and drypoint; sheet: 45.2 x 34.8 cm (17 13/16 x 13 11/16 in.); platemark: 35.2 x 19 cm (13 7/8 x 7 1/2 in.).

Frontispiece for the ladies of Fr. Villon (dummy title)

Le Pont Saint-Michel, plate twelve from Le Long de la Seine et des Boulevards. Louis Auguste Lepère (French, 1849-1918); published by A. Desmoulins (French, active c. 1908-1910). Date: 1890. Dimensions: 121 × 82 mm (image); 229 × 140 mm (sheet). Wood engraving in black on cream Japanese tissue. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Illustrationen Aus "Breslau"; Müller-Bernburg, Ernst (1874-1941); 1905 (1874-00-00-1935-00-00);

August Xaver Karl von Pettenkofen sketched an illustration for Gil Blas using pencil.

Sir David Young Cameron, 1865-1945, British, Montivilliers, 1903. Etching.

Francis Seymour Haden, Amalfi, in or before 1858 Amalfi

Jacques Callot, French (1592-1635), The Hospital, c. 1633, etching

The Embroidered Curtain. James Abbott McNeill Whistler (United States, 1834-1903). United States, 1889. Prints; etchings. Etching and drypoint

James McNeill Whistler, Grand' Place, Brussels, 1887 Grand' Place, Brussels

The Lime Burner James Abbott McNeill Whistler (American, 1834-1903). The Lime Burner, 1859. Etching on paper, Image: 9 7/8 x 6 7/8 in. (25.1 x 17.5 cm). American Art 1859

Three figures on a street. Drawing is part of an album.

Bloemenwinkel, James Abbott McNeill Whistler, 1892 - 1893 print The facade of the flower shop on the Rue des Beaux-Arts in Paris. paper etching / drypoint shop-window, show-window Rue des Beaux-Arts

A sketch sheet by Rudolf Weyr using pencil and watercolor, showing small studies of figures and objects with attention to line, form, and color.

Joust on the Grote Markt in Brussels, Willem de Famars Testas, 1891 drawing paper. pencil joust, tilt Large market

The Place des Martyrs and the Jailhouse Tavern Made 1885 France. Soft ground etching on paper . Félix Hilaire Buhot

Charles Meryon (French, 1821-1868), La galerie Notre-Dame, Paris (The Gallery of Notre Dame, Paris), 1853, etching on green paper

Cityscape with figures and cars at a crossroads, Jan Stobbaerts, 1861 print paper etching / letterpress printing cross-roads, bifurcation. city-view in general; 'veduta'. two-wheeled, animal-drawn vehicle

The Pont-Neuf. Louis Auguste Lepère; French, 1849-1918. Date: 1901. Dimensions: 172 × 310 mm (image); 209 × 320 mm (plate); 240 × 341 mm (sheet). Etching on cream wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

The Hague, Weissenbruch, Jan, View of the St. Martin's Church in Woudrichem, verso lower left - stamped, A few houses stand on a village square. On the right are some figures with baskets. In the distance, the St. Martin's Church can be seen., print, prent, prints, prenten, height 146 mm, width 199 mm, Dutch, 1822-03-18 - 1880-02-15, print maker, printmaker, 1849 - 1849, paper, papier, etching, etsen

Feather drawing with laved details by Hanuš Johann Peter Paul Schwaiger from 1891, part of a series of 40 drawings on 32 boxes depicting the Bremen City Musicians.

The Long Gallery, Louvre 1894 James McNeill Whistler American. The Long Gallery, Louvre 372906

Méryon, Charles (n.1821-11-23-D.1868-02-13), the old morgue (main title), 1854. Eau-tie. Petit Palais, Museum of Fine Arts of the City of Paris.

The Market - Place, Vitre James Abbott McNeill Whistler (American, 1834-1903). , 1893. Lithograph, 13 1/16 x 9 3/16 in. (33.2 x 23.3 cm). American Art 1893

Coon Alley Julian Alden Weir (American, 1852-1919). , 20th century. Drypoint on wove paper, Sheet: 5 7/8 x 4 1/4 in. (14.9 x 10.8 cm). American Art 20th century

DA-SC-86-06494. Country: Unknown

Basle Joseph Mallord William Turner (British, 1775-1851). Basle, 19th century. Etching on laid paper, 8 1/8 x 11 3/16 in. (20.7 x 28.4 cm). European Art 19th century

Design for Stage Set with a Circular Arcade (recto); Sketch for Stage Set with Circular Arcade (verso). Artist: Attributed to Giovanni Battista Natali III (Italian, Pontremoli, Tuscany 1698-1765 Naples). Dimensions: sheet: 4 5/16 x 3 1/16 in. (10.9 x 7.8 cm). Date: 1698-1765. Museum: Metropolitan Museum of Art, New York, USA.

Charles Meryon, Study for "L'arche du Pont Notre-Dame", before 1853, pencil on paper.

James McNeill Whistler, 1834-1903, American, active in Britain (from 1859), The Long Gallery, Louvre, 1894. Lithograph on moderately thick, smooth, beige wove paper.

Das Ende, board 6; Graf, Oscar (1873-1958), Bruckmann, Friedrich (Munich; Publisher; 1815-1898), F. Bruckmann AG (Munich; Publisher; Ca 1850-1937); 1914 (composition); 1915 (edition) (1914-00-00-1914-00-00);World War I (1914-1918), Germany, Schlesisches Museum der Bilden Künste (Wrocław-1880-1945)-collection, German graphics, German (culture), nocturnes, nocturnes, ruins, symbolic scenes, portfolio, world war (1914-1918)

James McNeill Whistler (American, 1834-1903), Gaiety Stage Door, 1879, lithograph in black on cream chine (Japanese paper) mounted on white plate paper

Allegory of Fortitude (), c. 1515/1520, engraving, sheet: 29.6 x 20.5 cm (11 5/8 x 8 1/16 in.), Hind 'Engravings', Vol. 5, p.285, no. 16, Master of 1515 (artist) Italian, 1483 - 1548

Marius enters the shadow (Ive Party, Book 13) Albert Morand. Marius enters the shadow (Ive Party, Book 13). Illustration project for Victor Hugo's novel, Mis�rables. Cont� Pencil or Industrial Black Stone on paper, circa 1920. Paris, Victor Hugo House.

Drury Lane Rags 1888 James McNeill Whistler American. Drury Lane Rags. James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). 1888. Transfer lithograph, drawn on medium-grain transfer paper, printed in black ink on cream laid paper; only state (Chicago). Prints

'Tour de l'Horloge, Vire', c1893. Artist: Bernard Partridge.

Illustration for elementary Latin language grammar J.M.F. Schulzy Chodowiecki, Daniel Nikolaus (1726 1801)

'Le Moulin Rouge Dead indeed is Pierrot's candle.', c1927, (1927). Artist: Henry Franks Waring.

Vedute altre prese da i luoghi altre ideate 18th century Designed by Canaletto (Giovanni Antonio Canal) Italian. Vedute altre prese da i luoghi altre ideate 347077

View of Munich with Marienkirche on right. Artist: Franz Kobell (German, Mannheim 1749-1822 Munich). Dimensions: sheet: 7 1/2 x 6 in. (19.1 x 15.2 cm). Date: late 18th-early 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Vienna, Liechtenstein palace, After, Eduard Ferdinand Hofecker -, Drawer, brothers Kohn KG B, producer

Widok Piazzetty San Basso. Marieschi, Michele (1710-1744), graphic artist

Jousting on the Grand Place in Brussels Belgium, Willem de Famars Testas, 1891

Joseph Pennell, By Products, 1916 By-Products

Sketchbook Page, Folio 64: Study after Bolognese Architecture and Sculpture; Verso: Geometric Designs, Felice Giani, Italian, 1758-1823, Pen and brown ink, brush and bistre wash over traces of black chalk on off-white wove paper, Left image shows Reno, bordered and crossed by houses; water pours from houses in foreground; right image: Mercanzia, shown from portico., Italy, 1811, landscapes, Drawing, Drawing

City View with Medieval Gate (perhaps York). Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: sheet: 4 1/2 x 7 1/4 in. (11.4 x 18.4 cm). Date: 1775-1827. Museum: Metropolitan Museum of Art, New York, USA.

Frederick Landseer Maur Griggs, 1876-1938, British, The Barbican, 1920. Etching.

Le Pont Neuf, Paris. Dated: 1853. Medium: etching on green paper. Museum: National Gallery of Art, Washington DC. Author: CHARLES MERYON.

Fish Shop, Chelsea, 1886. James McNeill Whistler (American, 1834-1903). Etching;

Bliżej Kultury Wyczółkowski, Leon (1852 1936)

The Street of the ThreeKings:. Artist: Herman Armour Webster, American, 1878-1970

Theft of Manneken Pis, 1817, Anonymous, 1817 print Great consternation on the street after the theft of the statue of Manneken Pis in Brussels, in the night of 4 to 5 October 1817. View of the intersection with the Nieuwstraat with many scantily clad -clad young women who are stripped of the theft. On the left a vendel shooters who makes himself happy about the event. In the caption three six -line verses in French, Dutch and English. paper city-view in general; 'veduta'. theft. piece of sculpture, reproduction of a piece of sculpture (+ damage and repair of work of art) Brussels. Manneken Pis

My Little Town. Félix Hilaire Buhot; French, 1847-1898. Date: 1872. Dimensions: 103 × 146 mm (image); 118 × 155 mm (plate); 217 × 288 mm (sheet). Etching, drypoint and aquatint on cream laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

The Tower Marketplace. Richard Parkes Bonington; English, 1802-1828. Date: 1822-1828. Dimensions: 200 × 138 mm (image); 388 × 277 mm (sheet). Lithograph on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Quiet Canal 1879-80 James McNeill Whistler American. Quiet Canal 372589

The Garrick Theatre. Joseph Pennell; American, 1857-1926. Date: 1903. Dimensions: 275 x 217 mm (image); 288 x 220 mm (sheet). Etching on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Design for a Stage Set at the Opéra, Paris. Artist: Eugène Cicéri (French, Paris 1813-1890 Fontainebleau). Dimensions: sheet: 8 11/16 x 5 1/4 in. (22.1 x 13.4 cm). Date: 1830-90. Museum: Metropolitan Museum of Art, New York, USA.

The Bridge of Sighs, Venice, Edward Francis Finden, 1791-1857, British, after Joseph Mallord William Turner, 1775-1851, British, 1832-1834, Line engraving, first published state on moderately thick, slightly textured, beige, wove paper, with gray chine colle, Sheet: 16 3/4 × 11 1/4 inches (42.5 × 28.6 cm), Plate: 9 1/4 × 7 inches (23.5 × 17.8 cm), Chine collé: 8 15/16 × 6 3/4 inches (22.7 × 17.1 cm), and Image: 3 3/4 × 3 1/4 inches (9.5 × 8.3 cm)

James McNeill Whistler, Quiet Canal, 1880 Quiet Canal

Edelfelt, Albert, work, 'Sandels hän Partalass' eineeläne just sits, worried about eating', 1897 - 1900, marker and white masking color on paper, first class : drawing, 38 cm x 22.6 cm, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Maximilian I., Roman-German Emperor.

Making a Turbine Engine. Dated: 1917. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Joseph Pennell.

Shows 'March Days II' (Opus IX, Blatt 9) by Max Klinger, created in 1883 using etching and aquatint, depicting symbolic narrative scenes.

St. Mark's Piazza, 1910. Mortimer Menpes (British, 1860-1938). Etching; sheet: 51.7 x 34.3 cm (20 3/8 x 13 1/2 in.); platemark: 42.8 x 27.8 cm (16 7/8 x 10 15/16 in.).

Coindre, Jean Gaston (n.1844-03-28-D.1914-02-21), rue de la Montagne-Sainte-Geneviève (title inscribed (letter)), 1891. Photomechanical process. Carnavalet museum, history of Paris.

Fish Market, Antwerp, Thomas Shotter Boys, English, 1803 - 1874, Charles Joseph Hullmandel, British, 1789-1850, color lithograph on paper, England, 1839, Print, Print

Cityscape with a peddler. Draughtsman: Adrianus Eversen. Dating: 1828 - 1897. Measurements: h 222 mm × w 162 mm. Museum: Rijksmuseum, Amsterdam.

Coenties Slip in 1891, 1905. on cover: Picturesque New York. Twelve photogravures from monotypes by C. F. W. Mielatz. Mielatz, Charles Frederick William (1860-). Eno, Amos F., 1836-1915. Prints. 1908. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Coenties Slip (New York, N.Y.) , 1890-1899, New York (N.Y.) , 1900-1909

Drawing, Palazzo Pubblico, Siena; Walter Shirlaw (American, b. Scotland, 1838-1909); USA; brush and watercolor, black crayon on wove paper; 29 × 22.9 cm (11 7/16 × 9 in.)

Le GrosChou. Artist: Lester George Hornby, American, 1882-1956

Covent Garden , Opera houses, City & town life. Joseph Pennell (1857-1926). Prints and Drawings

Lady on the balcony in Seville illustration of Alexander Wagner for the book Spain by Theodor Simons. A clip from a German magazine. Knesing, Theodor (1840 1927), Wagner, Alexander von (1838 1919)

Joseph Pennell, The Urns, Casting Big Shells, 1916 The Urns, Casting Big Shells

Harry Aiken Vincent, Santa Maria di Positano, 1874-1931, black chalk and Conté crayon on wove paper.

Earl Horter, The Dark Tower, 1919 The Dark Tower

Portal of the Gothic cathedral from the series of postcards; Noakowski, Stanis AW (1867-1928); 1914-1916 (1914-00-00-1916-00-00);Bronisław Krystall. Testament (Warsaw - exhibition - 2015/2016), Krystall, Bronisław (1887-1983), Krystall, Bronisław (1887-1983) - collection, architecture, gift (provenance), architectural fantasies, French (culture), Gothic (architect. ), cathedrals (archite.), Poland (culture), Polish drawings

'Zlata the little girl'. Czechoslovakia, 1979. Dimensions: 40,5x56 cm. Museum: State Hermitage, St. Petersburg. Author: Alexander Zhitomirsky.

Alley; Mycielski, Jan Kazimierz (1864-1913); 1902-1912 (1900-00-00-1913-00-00);Witke-Jeżewski, Dominik (1862-1944), Witke-Jeżewski, Dominik (1862-1944)-collection, Italy (state), gift (provenance), streets, induty, towers (archite.)

Giovanni Battista Piranesi (Italian, 1720 - 1778). The Arch with a Shell Ornament, 1761. From Carceri d'Invenzione di G. Battista Piranesi, Architetto Veneziano. Etching on laid paper. Plate: 407 mm x 551 mm (16.02 in. x 21.69 in.). Sixth of seven states.

, Singerstraße, Franz Alt , Artist

Sir David Young Cameron, 1865-1945, British, Yvon, 1911. Etching.

Night study, view of the ring , Karl Wiener -, artist

The work of the Temple Market Marie-Désirée Bourgoin (1839-1912). "The work of the Temple Market". Paris (3rd arrest), 1901. Watercolor on cream card stock.

Cemetery; Apple, Feliks (1865-1928); after 1909 (1910-00-00-1928-00-00);Young Poland (Style), Partage Plus, Cemeteries, Polish Graphics, Judaica, Kirkute, Maciewy, Poland (Culture), Purchase (provenance)

Lincoln Cathedral. Charles John Watson; English, 1846-1927. Date: 1896. Dimensions: 209 × 179 mm (image/plate); 262 × 220 mm (sheet). Etching and drypoint in black ink on cream laid paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

The Elinor Cross, in Front of Charing Cross Railway Station 1906 United States. Etching on ivory laid paper . Joseph Pennell

Joseph Pennell, The Great Hammer, 1916 The Great Hammer

Intérieur d'un Port. Dated: 1833. Dimensions: image: 31.1 x 23.8 cm (12 1/4 x 9 3/8 in.) sheet: 43 x 33.6 cm (16 15/16 x 13 1/4 in.). Medium: lithograph in black on chine coll. Museum: National Gallery of Art, Washington DC. Author: EUGÈNE ISABEY.

Walls , Karl Wiener -, artist

Six Marines: Interior of a Port, 1833. Eugène Isabey (French, 1803-1886), Morlot, Paris and McLean. Lithograph on chine collé; sheet: 56 x 36.3 cm (22 1/16 x 14 5/16 in.); platemark: 31.3 x 23.6 cm (12 5/16 x 9 5/16 in.).

. .

Cornelius Ploos Van Amstel, 1726-1798, Dutch, Church Interior after Pieter Saenredam. Etching, proof, colored.

Heuff, Herman, Ponte Vecchio in Florence, verso - stamped, print, prints, height 130 mm, width 198 mm, Dutch, 1875-07-09 - 1945-07-01, print maker, printmaker, 1914 - 1914, paper, papier, etching, etchings, plaattoon

Fourteenth Street Looking West Charles F. W. Mielatz (American, born Germany 1864-1919). , 1900-1911. Graphite on paper, Sheet: 11 3/4 x 8 13/16 in. (29.8 x 22.4 cm). American Art 1900-1911

Meryon, Charles, France, La Rue des Toiles à Bourges, Street Rue des Toiles in Bourges, verso bottom center - stamped, print, prints, verso bottom right - stamped, verso bottom right - handwritten, height 217 mm, width 121 mm, French, 1821-11-23 - 1868-02-14, print maker, printmaker, 1853 - 1853, third quarter 19th century, paper, papier, etching, etchings, drypoint, dry needle, intermediary draughtsman

The Girard Trust Company. Dated: 1912. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Joseph Pennell.

Illustration depicting damage caused during the First World War. Three women stand near the burned-out shell of a building with a sign advertising for female workers. By Henry Glintenkamp (1887-1946) well known for his anti-war illustrations. Dated 1916

Pavement St.Paul’s. Artist: Joseph Pennell, American, 1857-1926

Eugène Isabey (French, 1803 - 1886). Intérieur d'un port, 1833. Lithograph on India paper laid down. First state.

Félix Hilaire Buhot (French, 1847 - 1898). Winter in Paris (L'Hiver à Paris ou La Neige a Paris), 1879. Etching and aquatint. Intermediate between second and third states.

Lovis Corinth, Bismarckfeier, German, 1858-1925, 1915, transfer lithograph in black hand-colored with watercolor on laid paper

Ernest David Roth, Amiens, 1911-1915, etching on paper.

Dirigible Over New York. Works on Paper. Lithograph on paper. Height: 22.88 mm (0.90 in); Width: 15.75 mm (0.62 in). Author: Glenn O. Coleman.

In the Reichstag 1945 by Nechayev, Viktor Mikhailovich (1904-c. 1980)/ State Borodino War and History Museum, Moscow/ Russia/ Oil on canvas/ Soviet Art/ 65x55/ History

The Sign of White Horse, Parson's Green. Theodore Roussel; French, worked in England, 1847-1926. Date: 1906. Dimensions: 120 × 81 mm (image/plate); 164 × 129 mm (sheet). Etching in black on cream Japanese paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Joseph Pennell, The Stock Exchange, 1904 The Stock Exchange

Edward Lear, 1812-1888, British, S. Pietro Degli Agostiniani. Leonessa, 1844. Watercolor, graphite, brown wash, pen and brown ink on moderately thick, slightly textured, beige wove paper.

Lane des Gobelins Bottie ( -). Alleaway of goblins. Brown and watercolor ink, 1911.

Tour St. Laurent, Rouen. Donald Shaw MacLaughlan; American, born Canada, 1876-1938. Date: 1899. Dimensions: 217 x 116 mm (image/plate); 246 x 142 mm (sheet). Etching in black on cream wove paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Frederick Landseer Maur Griggs, 1876-1938, British, The Minister, 1918. Etching.

Lhiver à Paris (The Winter in Paris). Artist: Félix Hilaire Buhot, French, 1847-1898

Illustration by August Xaver Karl von Pettenkofen showing a ball game scene from Gil Blas, executed in bister and feather, emphasizing figures in action.

Vienna in front of the Naschmarkt , Hofkunsthandlung J, Velten, Karlsruhe, Producer, Nister, Lithograph

Bliżej Kultury Wyczółkowski, Leon (1852 1936), Cotty, Jan (print and lit.)

Yvon, Sir David Young Cameron, artist, 1911, etching,

France - Amiens - The Dewailly Clock on Gambetta Square with a bronze nude sculpture by Albert Roze known as Marie-sans-chemise (topless Mary). Date: circa 1913