Santa Maria della Tromba. Dated: 1886. Dimensions: sheet: 46 × 34.7 cm (18 1/8 × 13 11/16 in.) plate: 37 × 23.7 cm (14 9/16 × 9 5/16 in.). Medium: etching on wove paper. Museum: National Gallery of Art, Washington DC. Author: TELEMACO SIGNORINI.

Santa Maria della Tromba. Dated: 1886. Dimensions: sheet: 46 × 34.7 cm (18 1/8 × 13 11/16 in.) plate: 37 × 23.7 cm (14 9/16 × 9 5/16 in.). Medium: etching on wove paper. Museum: National Gallery of Art, Washington DC. Author: TELEMACO SIGNORINI.
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Santa Maria della Tromba. Dated: 1886. Dimensions: sheet: 46 × 34.7 cm (18 1/8 × 13 11/16 in.) plate: 37 × 23.7 cm (14 9/16 × 9 5/16 in.). Medium: etching on wove paper. Museum: National Gallery of Art, Washington DC. Author: TELEMACO SIGNORINI. by Album/National Gallery of Art, Washington DC/Album Archivo is available for licensing today.

Visually Similar More from Urban Scenes in Art story

RM
6145-48674253
The mast , Mooring masts, Sitting, Sewing. James McNeill Whistler (1834-1903). Lithographs
RM
6145-45489995
Bliżej Kultury Wyczółkowski, Leon (1852 1936)
RM
6145-59456600
Market in a Belgian village, Willem Adrianus Grondhout, 1888 - 1934 print In the foreground figures on a market on a square. In the background a church with air arches. paper etching market. square, place, circus, etc.. church (exterior) Belgium
RM
6145-29868830
James McNeill Whistler, Clothes Exchange, NoII, c 1886 1888 Clothes Exchange, No.II
RM
6145-51787610
The Victoria Club, James McNeill Whistler (Lowell, Massechusetts, USA, 1834 - 1903)
RM
6145-30168572
The Bridge of Sighs 1883 United States. Etching, with drypoint, on cream China paper . Frank Duveneck
RM
6145-59456739
Verona, Willem Adrianus Grondhout, 1932 print A street market in Verona, Italy. Two gates above a street in the background. paper etching city-gate. market Verona
RM
6145-29833513
The Balcony 1879-80 James McNeill Whistler American. The Balcony 372585
RM
4409-17383126
Doorway and Vine. Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: Plate: 9 1/8 × 6 5/8 in. (23.2 × 16.9 cm)Rabbet: 9 1/8 × 6 5/8 in. (23.2 × 16.9 cm). Series/Portfolio: Second Venice Set ("A Set of Twenty-Six Etchings by James A. McN. Whistler," 1886). Date: 1879-80. Museum: Metropolitan Museum of Art, New York, USA.
RM
4409-17567699
The Piazzetta. James McNeill Whistler; American, 1834-1903. Date: 1879-1880. Dimensions: 254 x 180 mm (image, trimmed within plate mark); 257 x 180 mm (sheet). Etching and drypoint with foul biting in brown ink on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.
RM
6145-29950052
Auberge du Compass d'Or, Montorgueil Street. Edmond de Beauregard. Auberge du Compass d'Or, Montorgueil Street. FEATHER, BRUNETTE INK ON BEIGE PAPER.
RM
6145-52965234
Drawing by Ferdinand Boberg. Västmanland, G: la Norbergs Blg., Norbergs sn., Norberg Nordic
RM
6145-29786784
The Mast (The Venetian Mast) 1879-80 James McNeill Whistler American. The Mast (The Venetian Mast) 372575
RM
6145-30163148
Nocturne Palaces 1879-1880 United States. In developing this image, Whistler exploited plate tone (ink left on the unetched surface of the copper plate) to an extraordinary degree. Etched and incised drypoint lines were used as a framework for painterly inking and wiping of the plate, which allowed for endlessly varied impressions. In fact, each example of Nocturne Palaces is different, conveying distinctive interpretations of light, darkness, and atmosphere.The impressions represent different states (second and eleventh); ink colors (black and brownish black); and wiping (inky at top and bottom and more nuanced overall plate tone). The earlier, more dramatic impression emphasizes architectural details and the velvety darkness of sky and water, while in the later example building facades are cloaked in mist and the dampness of a Venetian night is palpable.. Etching and drypoint in black, with selective wiping of plate tone, on ivory laid paper . James McNeill Whistler
RM
4443-21180824
Vincenzo Mazzi (Italian, active 1748 - 1790), An Imaginary Prison, etching on laid paper
RM
6145-46803652
Bridge ofAlcantara. Artist: Joseph Pennell, American, 1857-1926
RM
6145-59023527
Lépine, Stanislas (n.1835-10-03-D.1892-09-28), sketch: women at La Fontaine and Arche du Pont Marie Recto). (Dummy title). Carnavalet museum, history of Paris.
RM
6145-59414181
At a village a woman was on the line, Léopold Haeck, 1878 - 1910 print paper etching prospect of village, silhouette of village. hanging the wash to dry
RM
6145-30161113
Cologne Published 1833 England. Lithograph in black on grayish-ivory chine, laid down on ivory wove paper . Samuel Prout
RM
6145-48521100
Kanonia Street in Warsaw. Łopieński, Ignacy (1865-1941), graphic artist
RM
4443-73182419
Ericsson, Henry, work, Lövö villa, etching, graphics, plate width 39.8 cm, ehti width 53.6 cm, ehti height 37 cm, Carl August Henry Ericsson, 1898 in St. Michel, Finland - 1933 in Borgå, was a Finnish graphic artist and decorative painter of Finland.
$24.99
Personal Use
$99.00
Website
$225.00
Magazines / Books / Educational
$300.00
Marketing Bundle
$440.00
Advertising Pack
$59.99
RM Personal Print 3 Pack
Save $14.98
$20.00
per download
Looking for a license?
Click here, and we'll help you find it! Questions? Just ask!
DETAILS
Image Number: 4409-17443449Rights ManagedCredit Line:Album/National Gallery of Art, Washington DC/Album Archivo/SuperStockCollection:Album ArchivoStory:Urban Scenes in ArtContributor:Album / National Gallery of Art, Washington DCModel Release:NoProperty Release:NoResolution:2818×4276
19th Century
2ND MILLENNIUM A. D.|
art|
Art Centre|
art gallery|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|