Satirical Illustrations

A collection of satirical prints showcasing exaggerated characters and humorous situations, often reflecting societal commentary.

Honoré Daumier, Le roi des grecs , 19th century Le roi des grecs ...

The Beggars: The Beggar on Crutches, Wearing a Cap, c. 1623. Jacques Callot (French, 1592-1635). Etching;

Honoré Daumier, Le roi des grecs , 19th century Le roi des grecs ...

The Old System satire on the flight of Metternich in March , Unknown

Eh bien! Mon brave anglais ... Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

A French gentleman, of the court of Louis XVIth. A French gentleman, of the court of Égalité 1799 , Etiquette. James Gillray (1756-1815). Prints and Drawings

Exposition universelle: Section egyptienne. Dated: 1867. Medium: wood engraving. Museum: National Gallery of Art, Washington DC. Author: Julien Antoine Peulot after Honoré Daumier.

Contemporaries caricature for the revolution , Alphons von Boddien -, Lithographer, Eduard Gustav May -, publisher

Saint James the Greater Artist's working dates 1520-1550 Italy. In this etching copying Parmigianinoís Saint James the Greater, three-quarters of the upper margin has been trimmed away, leaving only the tip of the saintís standard emerging from the top. The form of the etching itself conjured up this alteration, and another impression, at the British Museum, which has also been altered in this fashion.. Etching in black on cream laid paper . Master F. P.

Santa Claus and Little Bo Peep (published in "Harper's Young People," December 23, 1879) originally published 1879 Thomas Nast Santa dressed in a fur suit and with a box strapped to his back offers a stocking filled with lamb's tails to Little Bo Peep, as well as tacks and glue. The shepherdess at right holds a crook and is surrouned by toy sheep on wheels that lack their tails. A fir tree hung with more tails is shown behind the figures. The related wood engraving was published in the 1879 Christmas issue of Harper's "Young People." In 1862 Nast combined European traditions of St. Nicholas with folk images of elves from his native Germany to create the enduring image of a jolly gift-giver that we now so firmly associate with Christmas. Initially conceived as a way to cheer readers during the American Civil War, here Santa converses with a Nursery Rhyme character to entertain children.. Santa Claus and Little Bo Peep (published in "Harper's Young People," December 23, 1879). Thomas Nas

The assassination of Thomas Becket in Canterbury Cathedral, 1170. Four knights in armour, Reginald FitzUrse, Hugh de Morville, William de Tracy and Richard le Breton, attack him with swords and mace. Murder of Becket. Copperplate engraving from M. A. Jones History of England from Julius Caesar to George IV, G. Virtue, 26 Ivy Lane, London, 1836.

Lute Boer, Anonymous, 1700 - 1799 print Lute farmer in a bare departure with a ton on the right on which a jug; A lute is against it. Behind the farmer a listening old woman. (To David Teniers) paper etching lute, and special forms of lute, e.g.: theorbo

Honoré Daumier, Le Gamin de Paris aux Tuileries, 19th century Le Gamin de Paris aux Tuileries

Title print for the five senses; Five sinen for sale; The five senses. A jester on its toes holds a piece of paper with the series of prints of the series of prints. A marot is clamped under the strap of the jester. The print is part of a series of six prints with the five senses.

Maria Anna Sartory around -, actress, Johann Hieronymus Delete Kohl -, publishing house

Humped beggar with a walking stick; Beggars; By t Geeve Bestaet our Leeve. .

Plate 67 from 'Los Caprichos': Wait till you've been anointed (Aguarda que te unten.) 1799 Goya (Francisco de Goya y Lucientes) Spanish. Plate 67 from 'Los Caprichos': Wait till you've been anointed (Aguarda que te unten.). Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). 1799. Etching, burnished aquatint, drypoint. Prints

Despite you Polignac & your loose cohort / your fate is fixed freedom prevail (IT)

Virtue noblers unknown

Ce bon M. Ratapoil leur a promis ... Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Mr. Samuel Reddish as Edgar in "King Lear.". Copperplate engraving from "Bell's Shakespeare" published by John Bell, London, from 1775. Drawn by Parkinson.

Dębicki Adam Allegory of the Persecution of Children in September

La Famille d'Arg... Pendant l'Orage Honoré Daumier (French, 1808-1879). , September 29, 1833. Lithograph on newsprint, 12 3/4 x 9 9/16 in. (32.4 x 24.3 cm). European Art September 29, 1833

Honoré Daumier, Allons bon! il parait chasse réservée, 1864 Allons bon!... il parait... chasse réservée

- Come, let's see ... I do not blame you .... / 415 (registered title) | News. (Title of the whole)

The prince looks into the magic mirror. (French story).

Sowing Tares by John Tenniel, cartoon, from 'Punch', 27 February 1886.

Les chasses ... ne se ressemblent pas. Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Does it take a lot of business ... I thought he was going to make my photograph! ... (title registered) | News. (Title of the whole)

Il Aboie! Mais il ne mord pas!. Cham (Count Amédée-Charles-Henry de Noé) (France, Paris, 1819-1879). France, 1864. Prints; lithographs. Lithograph

- Sire! Lisbon has been captured - aaaah!!.. and I dreamt that I had fought courageously!,” plate 304 1833 France. Lithograph in black on white China paper laid down on white wove paper . Honoré-Victorin Daumier

The soldier, seen from behind, stands slightly hunched over In his right hand he holds a spear, with his left arm he points to the left He carries a sword on his belt Below him, a man is lying on the ground He looks up at the soldier and points in a different direction, Soldier and seated man, print maker: Joannes Bemme, (mentioned on object), Monogrammist CVL., (mentioned on object), Cornelis Saftleven, (attributed to), Netherlands, 1809 - 1841, paper, h 340 mm × w 240 mm

Praying pair, Jan de Visscher, After Adriaen Brouwer, 1643 - 1709 print In a simple interior, two figures are praying at a table. The front figure is on a stew and has taken his hat. print maker: Northern Netherlandspublisher: Amsterdam paper etching prayer at table, saying grace. head-gear. foot-stove

TROUPER depressed ... / reading the large order of September 1, 1828 (IT)

Honoré Daumier, Les alliés s'appretent a pousser les opérations , 19th century Les alliés s'appretent a pousser les opérations ...

Mais malheureux fénian! Vous allez vous couvrir de honte! -Pourquoi me laissez vous çomme ça Faut bien que je me couvre avec quelque chose!. Cham (Count Amédée-Charles-Henry de Noé) (France, Paris, 1819-1879). France, 1865. Prints; lithographs. Lithograph

Honoré Daumier, Eh! Bien mon ami, a quoi penses tu , 19th century Eh! Bien ... mon ami, a quoi penses-tu ...

Docking the Macaroni-or the Butcher's Revenge ca. 1773 Anonymous, British, 18th century British. Docking the Macaroni-or the Butcher's Revenge 392580

Honoré Daumier, Bonne occasion pour vérifier , 19th century Bonne occasion pour vérifier ...

Deucalion en Pyrrha, c. 1701 Deucalion and Pyrrha throw stones behind their backs in people. In the background possibly the temple of the oracle. Page 47 Recto from a sketchbook with 63 sheets. paper. watercolor (paint). chalk brush Deucalion and Pyrrha throw stones behind their backs in people. In the background possibly the temple of the oracle. Page 47 Recto from a sketchbook with 63 sheets. paper. watercolor (paint). chalk brush

Le Vice suprême. Félicien Victor Joseph Rops (Belgium, Namur, 1833-1898). Belgium, 1884. Prints; etchings. Etching and aquatint

The crabs , Karl Giskra, Kuranda, Brestel, The Cispers from Kikeriki , Unknown

Ce que l'Angleterre appelle un trait-d'union. Dated: 1867. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Honoré Daumier, Se demandant si, le duel fini, ils ne vont pas etre plumes, 1866 Se demandant si, le duel fini, ils ne vont pas etre plumes

Gottfried IV, the huckling, Duke of Niederlothringen.

Le chevalier de la triste figure ,. Paul Gavarni (1804-1866). Lithographs and Other Works

A Blacksmith 1833 Eugène Delacroix French. A Blacksmith 337253

Print made by George Cruikshank, 1792-1878, British, Untitled, undated. Etching on moderately thick, slightly textured, beige wove paper.

Niemand kent zichzelf; Nadie se conoce; Los Caprichos.A masked man offers his hand to a masked woman. Sixth print from the Los Caprichos series.

The Tired Wigmaker 1775 Giovanni David Italian. The Tired Wigmaker. Giovanni David (Italian, Cabella Ligure 1749-1790 Genoa). 1775. Etching and aquatint. Prints

What will he die from, Francisco de Goya, 1797 - 1799 print A donkey is like a doctor at the bed of a dying man and feels his wrist. Fortieth print from the Los Caprichos series. Spain paper etching animals acting as human beings. ass, donkey. physician, doctor

Honoré Daumier, Comme on fait son lit on se couche, 19th century Comme on fait son lit on se couche

Contemporaries caricature for the revolution , Alphons von Boddien -, Lithographer, Eduard Gustav May -, publisher

Woman with speaking trumpet (Prulla), Pieter Langendijk (II), After Pieter Barbiers (I), c. 1770 print A small woman, known in Amsterdam as a trash, sings or talks through a speaking trumpet. In the margin a four -line verse in Dutch. Part of a series of prints of Amsterdam street figures around 1770. paper engraving megaphone, speaking-trumpet ~ acoustic signalling

Bismarck, Beust, The latest friendship that we only got, How the Kikeriki imagines these hugs caricature from Kikeriki, Unknown

Masquerade August 30, 1811, copy after After Thomas Rowlandson. Masquerade. After Thomas Rowlandson (British, London 1757-1827 London). August 30, 1811, copy after. Etching. Prints

Why the hell does Mars still have a weapon, from 'News of the day,' published in Le Charivari, March 27, 1868 March 27, 1868 Honoré Daumier. Why the hell does Mars still have a weapon, from 'News of the day,' published in Le Charivari, March 27, 1868. 'News of the day' (Actualités). Honoré Daumier (French, Marseilles 1808-1879 Valmondois). March 27, 1868. Lithograph on newsprint; second state of two (Delteil). Arnaud de Vresse. Prints

Cartoon on the Leidse Bakker Adriaan Trago, 1784, Joannes Hulstkamp, 1784 print Cartoon on the Oranjegezinde Leidse Bakker Adriaan Trago, 1784. Trago kneads the bread dough with an orange hat on his head. Luzac, Bilderdijk and Berkhey talk to each other in the background. On the leaf under the plate a ten -line verse. print maker: Northern Netherlandspublisher: Leiden paper etching / engraving / letterpress printing baker Leiden

News / Samson, DALILA / N ° 2

The political poster maker, poster would have made Ma Gnug´, go back to journalism, Caricature on Johann Quirin Finally, Francisque pseudonym, drawer

Political Satire, Joannes Hulst Camp, 1774 - 1786 print On the left a man with a text sheet in his hand: the political talk. On the right a woman who squeezes her nose and with a text sheet in her other hand: the political talk nut. At the bottom of the margin: read this once, Moer talls so talls up to riot // no guy 'tis not from the slogan I would like to be on my nose. Rotterdam paper etching political caricatures and satires. holding one's nose closed

Le Peage deTurn-pike. Artist: Unknown

Barbiers, Pieter (I), Langendijk, Pieter (II), Amsterdam street figures around 1770, Woman with speaking trumpet (Prulla), verso - stamped, A small woman speaks through a speaking trumpet. In the margin a four-line verse in Dutch., print, prent, prints, engravings, A small woman, known in Amsterdam as Prulla, sings or speaks through a speaking trumpet. In the margin a four-line verse in Dutch. Part of a series of prints of Amsterdam street figures around 1770., height 136 mm, width 116 mm, 1746-09-21 - 1800-12-30, print maker, printmaker, 1770 - 1770, paper, papier, engraving, engraving (printing process), Work conception, Noord-Nederlands, 1717 - 1780-09-17

Lorenz Froelich (1820-1908), Illustration to "Middle Agency and Solution", 1853

Honoré Daumier (French, 1808-1879), Ce pauvre Louis XIV n'en croyant pas ses yeux, 1871, gillotype on newsprint

Study sheet with a sleeping woman and a hunter, Jacob Ernst Marcus, 1808 print Amsterdam paper etching adolescent, young woman, maiden (+ lying). sleeping; unconsciousness. hunter

Tovenaar aan het werk; Appion stikte bijna van den stank dien hij achterliet.A man squeezes his nose close to the smoke plume that he has just raised in a circle with the signs of the zodiac. Many rolls of paper around him. Bottom right: Bladz. 16. Bottom left: Antique Helicon. At the top right: pl. I.

Cornelis Bega, The Three Drinkers The Three Drinkers

Italy, Rosa, Salvator, Pan, verso - stamped, Pan sitting with the pan flute in his right hand. Vines in the background., print, prints, height 269 mm, width 203 mm, Italian, 1615-06-20 - 1673-03-15, print maker, 1660 - 1660, paper, etching, Work conception, own design van

Sami people or Lapplanders in traditional costume, a man riding a sleigh pulled by a reindeer. Illustration from Andrew Swintons Travels into Norway, Denmark and Russia, 1792. Copperplate engraving by Dell'Acqua handcoloured by Lazaretti from Giovanni Battista Sonzognos Collection of the Most Interesting Voyages (Raccolta de Viaggi Piu Interessanti), Milan, 1815-1817.

Mr. Bumble Degraded in the Eyes of the Paupers, Print made by George Cruikshank, 1792-1878, British, Published by Richard Bentley, 1794-1871, British, 1838, Etching on medium, slightly textured, cream wove paper

A Beggar with TwoCrutches. Artist: Jan Georg Van Vliet, Dutch, ca. 1610-after 1635

Amsterdam, King, Wilhelmus, Northern Netherlands, Folkema, Jacob, Buysen jr., Pieter van, Bombario Actionist and the Spirit of Aesop, Le Moissonneur West Falois Vagabond, qui demende l'oracle des seignes, Slenderhenkius van Poepenland, or Aapse orakel vraager, Schlenderhenck von Popenheym, den affen nach den Rathaus fragen, The dwarf Slenderhenkius van Poepenland, 1720, The dwarf Slenderhenkius van Poepenland asks the ape for advice. In the caption verses in German, French and Dutch. Unnumbered (A 1 Part). Part of the second Dutch bound edition from 1720 (and related to the Windhandel in that year) of a series of caricatures with dwarfs, known as Het Dwergentooneel., print, picture, books, Frederik Muller Historieplaten, height 169 mm, width 105 mm, height 227 mm, width 170 mm, print maker, printmaker, 1718 - 1720, paper, papier, etching, engraving, engraving (printing process), Dutch, 1692 - 1767, intermediary draughtsman, after a drawing by, Publication (Event), Publication, - 1732,

Passing under the toise (registered title) | News. (Title of the whole)

Caricature. King of the robe over the g; Scholtz, Julius (1825-1893); 1850-1893 (1850-00-00-1893-00-00);Schlesisches Museum der Bildenen Künste (Wrocław - 1880-1945) - collection, Scholtz, Hanna (Flow. Ca 1912) - Dar, caricatures, kings, illustration projects, German drawings

Les inquiétudes du viticulture. Honoré Daumier (1808-1879). Lithographs

La Reconciliation. Dimensions: image: 18.5 x 25.3 cm (7 5/16 x 9 15/16 in.) sheet: 26.4 x 34.6 cm (10 3/8 x 13 5/8 in.). Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Horace Vernet.

M.FLOUMANN.. Artist: Paul Gavarni, French, 1804-1866

Lary on the bastille (ti)

DALI Salvador(1904-1989) Wait till you've been anointed Capricho-67 1977 Based on Capricho Francisco Goya's etchings etching 39x31

Children playing with Rolkar, Pieter de Mare, after Christina Chalon, 1777 - 1779 print Leiden paper etching hand-cart. children's games and plays

medicine physicians ""The Country Doctor"" drawing by Honore Daumier Francois Fabre ""Nemesis medicale"" Paris 1840 private collection,

Les Malheurs du chimiste Dumas. Dated: 1851. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Francisco de Goya (Spanish, 1746-1828). Si sabrá mas el discipulo (Might not the pupil know more), 1796-1797 (printed 1937). From Los Caprichos, no. 37. Etching, aquatint, and burin. Plate: 215 mm x 150 mm (8.46 in. x 5.91 in.). Third state.

More meat! So let's go! / 257

(No. 6) / A Christmas tree at Versailles. (Intimate party) (IT)

Unknown (-); , Summer mode, First Half 1800's

Two dwarfs and five dog studies, Giovanni Domenico Tiepolo, After Giovanni Battista Tiepolo, 1751 - 1755 print paper etching little people. dog

Number 1. / Still: Ya!

This trunk belongs no one, so it must be ours!, from 'News of the day,' published in Le Charivari, May 6, 1872 May 6, 1872 Honoré Daumier. This trunk belongs no one, so it must be ours!, from 'News of the day,' published in Le Charivari, May 6, 1872. 'News of the day' (Actualités). Honoré Daumier (French, Marseilles 1808-1879 Valmondois). May 6, 1872. Lithograph on newsprint; second state of two (Delteil). Prints

A Paris nous ne pouvions... aller a Versailles... Dated: 1871. Medium: gillotype on newsprint. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Print made by James Bretherton, ca. 1730-1806, British, I Will Pay No More Debts of Her Contracting, 1772. Etching on moderately thick, rough, blued white wove paper.

Hudubras and Ralpho Disputing (Seventeen Small Illustrations for Samuel Butler's Hudibras, no. 8) 1721-26 William Hogarth British. Hudubras and Ralpho Disputing (Seventeen Small Illustrations for Samuel Butler's Hudibras, no. 8) 396554

Honoré Daumier, Chinois causant politique, 19th century Chinois causant politique

The weird kick. Leaf with a big presentation of children looking in a viewing cupboard. Under the image a fresh in two columns.

Adgillis I Adgillus rex christianus Frisian rulers , print maker: Simon Frisius, publisher: Jan Lamrinck, print maker: Northern Netherlands, publisher: Franeker, 1622, paper, etching, letterpress printing, h 164 mm × w 74 mm

Playing card, Red and black ink, paper, At top: N 3 N; below central image: 1, Europe, ca. 1855, Playing card

A Gardener and a Gentleman. Dated: c.1745. Dimensions: sheet: 15.9 × 16.2 cm (6 1/4 × 6 3/8 in.) mount: 22.5 × 19.7 cm (8 7/8 × 7 3/4 in.). Medium: pen and brown ink on laid paper, laid down on an old mount. Museum: National Gallery of Art, Washington DC. Author: Abbé de Saint-Non Jean-Claude-Richard.

Quels affreux galets.... Honoré Daumier (France, Marseilles, 1808-1879). France, 1853. Prints; lithographs. Lithograph

The dance of death at Basel: death and the maiden. Lithograph by G. Danzer after H. Hess.

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