Rococo Genre Scenes

Richly colored oil paintings illustrating social gatherings, music, and romantic themes from the Rococo period, filled with elegant dress and lively interactions.

Maternity by Marguerite Gerard, Oil on canvas, circa 1800, 1761-1837, Russia, Moscow, State A. Pushkin Museum of Fine Arts, 49x37

Funny company by Jean Raoux, Oil on canvas, End 1720s - Early 1730s, 1677-1734, Moscow, Russia, State A. Pushkin Museum of Fine Arts, 58x72

'A Festival (The Bolero)', ca. 1785, Spanish School, Oil on canvas, 83 cm x 108 cm, P06732. Author: JOSE CAMARON BORONAT (1731-1803). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

Musician by Nicolas Lancret, oil on canvas, 1690-1743, Russia, Moscow, State A. Pushkin Museum of Fine Arts, 83x104

Judith and Holofernes, by Caliari Paolo known as Veronese, 16th Century, 1575-1580, oil on canvas, cm 195 x 176

The Love Lesson by Watteau, Jean Antoine (1684-1721) Nationalmuseum Stockholm 1716-1717 Oil on wood 44x61 France Rococo Genre Painting

PINTURA. Author: Jean Antoine Watteau. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Are They Thinking about the Grape (Pensent-ils au raisin ) 1747 France. Although he painted a broad range of subjects and executed designs for porcelain and tapestries, FranÁois Boucherís canvases of pastoral themes represent his most influential contribution to 18th-century French art. These idealized visions of rustic life, indebted to Jean-Antoine Watteauís images of fÍte galantes, or open-air courtship parties, typically feature shepherds and shepherdesses engaged in amorous pursuits. This work was inspired by a contemporary theater piece, which was first performed as a pantomime at a Parisian fair in 1745. The paintingís playfully coy title derives from that of an engraving of a similar image.. Oil on canvas . François Boucher

The lyre man, Cornelis Troost, 1743

Young lady and husband at the table; Musscher, Michiel Van (1645-1705); XVII/18th century (1690-00-00-1710-00-00);Fiorentini, Piotr (1791-1858), Fiorentini, Piotr (1791-1858)-collections, copies, Dutch painting, parks, sculptures, genre scenes, genre scenes against the background of landscape, outfits

Maternity by Marguerite Gerard, Oil on canvas, circa 1800, 1761-1837, Russia, Moscow, State A. Pushkin Museum of Fine Arts, 49x37

The Duchess of Burgundy and her Children - 18th century - oil on canvas - 216 x 268 cm - French Rococo - NP 2274. Author: PIERRE GOBERT (1662-1744). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. LEDA. MARIE ADELAIDE DE SAVOIE. BORGOÑA DUQUESA DE.

Lady Elizabeth Herbert and Son, Print made by John Dean, 1754-1798, British, after Sir Joshua Reynolds RA, 1723-1792, British, 1778, Mezzotint on medium, moderately textured, cream laid paper, Sheet: 19 3/4 × 14 inches (50.2 × 35.6 cm) and Image: 17 3/4 × 14 inches (45.1 × 35.6 cm)

Helen Brought to Paris. oil on canvas. Date: 1776. Museum: Smithsonian American Art Museum.

The Basket Maker. Artist: Louis Lang (1814-1893). Dimensions: 27 1/4 x 34 1/4 in. (69.2 x 87 cm). Date: 1853.One of a number of paintings that resulted from Lang's studies in Italy, "The Basket Maker" epitomizes the contemporary taste for sentimental scenes featuring idealized young women. Museum: Metropolitan Museum of Art, New York, USA. Author: Louis Lang.

Lady in the Garden Nicolas Lancret (1690-1743/French) Pushkins Museum of Fine Arts, Moscow, Russia

Helen Brought to Paris by West, Benjamin (1738-1820) Smithsonian National Museum 1776 Oil on canvas 143,3x198 The United States Classicism Mythology, Allegory and Literature Painting

Young Ramon Llull riding horse, in the Church of Santa Eulàlia, chasing a lady. Baroque altarpiece dedicated to Ramon Llull, Church of San Miguel, Mal...

Amorous couple by Charles Melchior Descourtis, copper engraving, watercolour, 1790s, 1753-1820, Russia, St. Petersburg, State Hermitage, 46, 2x37

Charles Melchior Descourtis after Jean Frederic Schall, L'Amant surpris L'Amant surpris

MARTIRIO DE SAN PEDRO ARBUES-L.92X67 CM-S XVII. Author: BARTOLOME MURILLO (1618-1682). Location: BANCO EXTERIOR-COLECCION. MADRID. SPAIN.

'Duchess of Devonshire and Child', c1786. Artist: Sir Joshua Reynolds.

The Echaud Merchant Jean-Baptiste Lebel (death around 1748-49). "The scattering merchant". Oil on wood, circa 1740. Paris, Cognacq-Jay Museum.

Company in the Outdoors, Jean Antoine Watteau, 1718-1721, Gemaldegalerie, Berlin, Germany, Europe

DON JUAN - OLEO SOBRE LIENZO. Author: Jean Antoine Watteau. Location: PRIVATE COLLECTION. MADRID. SPAIN. DON GIOVANNI TENORIO.

Rosebud, or the Judgement of Paris, Richard Westall, 1765-1836, British, 1791, Watercolor and gouache over graphite on moderately thick, slightly textured, cream wove paper, Sheet: 12 5/8 x 15 inches (32.1 x 38.1 cm), breeches (trousers), columns, costume, dog (animal), doublet, dresses, flowers (plants), goddesses, Greek mythology, man, parasol, plume, religious and mythological subject, ruffs, stockings, stool, the Judgement of Paris (without Mercury), undressing, vase, veils, women

'Portrait of Madam Cook with her Son William ( )'. Germany, 1748. Dimensions: 136x109,5 cm. Museum: State Hermitage, St. Petersburg. Author: Johann Kaspar Heuser.

L'assemble Galante' by Francois Octavien. (The Galante assembly). Francois Octavien (1695-1732), was a French baroque style artist

Company making music, Caspar Netscher, 1665

Portrait Blank, Antoni Jan (1785-1844); 1. PO. 19th century (1801-00-00-1844-00-00);children, portraits, female portraits, family portraits, artist family, romanticism (style), purchase (provenance), wives of artists

Marie-Anne de Cupis de CAMARGO, 1710-70, ballet star of Paris Opera, c. 1730. Watteau painted several portraits of Camargo, who was a Paris celebrity, influencing fashions and attracting rich aristocratic lovers. Strongly influenced by Watteau, Lancret painted in the new genre of fetes galantes, and also drew from contemporary theatre

'Gathering in a Garden', Mid eighteenth century, Oil on canvas, 69 x 48 cm. Author: JOSEPH FLIPART CHARLES (1721-1797). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

The Shy Lover - 1718 - 55x43 cm - oil on canvas. Author: Jean Antoine Watteau. Location: PALACIO REAL-PINTURA. MADRID. SPAIN.

'Portrait of Two Sisters in a Park'. Holland, 1680s - 1690s. Dimensions: 47x57 cm. Museum: State Hermitage, St. Petersburg. Author: Jan Weenix (follower of).

The holy Cacilie. 1639/40. (Peter Paul Rubens 1577 Siegen-1640 Antwerp)

Erichthonius found by the daughters of Cecrops, Hendrick Heerschop, 1650 - 1672 painting The daughters of Cecrops find Erechthonius. Two women kneel with the child in a wicker basket. The child has partly the body of a snake. A young and an old woman watch on the right. There is a bust on a stone pedestal. canvas. oil paint (paint) .

The revelation of Olivia's betrothal, from "Twelfth Night," Act V, Scene i The Revelation of Olivia's Betrothal A Scene from 'Twelfth Night,' V, i, c.1790, William Hamilton, 1751-1801, British

The indiscreet Louis Leopold Boilly (1761-1845). "The indiscreet", between 1795 and 1800. Oil on canvas. Paris, Cognacq-Jay Museum.

Nicolas de Largillière, portrait of Marguerite-Elisabeth Forest de Largillière and her son Nicolas, 1712, oil on canvas, National Museum of Fine Arts (MNBA), Buenos Aires, Republic of Argentina.

Painting titled 'Shepherd and Shepherdess Reposing' by French Artist Francois Boucher dated 1761

Hyems (Winter), Print made by Pieter Schenck, 1660-1719, Dutch, undated, Mezzotint on medium, slightly textured, blued white, laid paper, Sheet: 9 3/4 × 7 1/4 inches (24.8 × 18.4 cm) and Image: 9 1/4 × 7 1/4 inches (23.5 × 18.4 cm)

La Camargo Dancing. Dated: c. 1730. Dimensions: overall: 76.2 x 106.7 cm (30 x 42 in.) framed: 107.3 x 135.9 x 9.2 cm (42 1/4 x 53 1/2 x 3 5/8 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Nicolas Lancret.

HELENA FOURMENT Y SUS HIJOS - 1637 - O/T - 113x82 - BARROCO FLAMENCO. Author: PEDRO PABLO RUBENS (1577-1640). Location: LOUVRE MUSEUM-PAINTINGS. France. HELENE FOURMENT. CLARA JOANA RUBENS FOURMENT. FRANS RUBENS FOURMENT. RUBENS ESPOSA 2ª. RUBENS HIJOS DE.

Rembrandt and Saskia in the parable of the Prodigal Son. Date/Period: Ca. 1635. Painting. Oil on canvas. Height: 1,610 mm (63.38 in); Width: 1,310 mm (51.57 in).

(MAJAS Y MAJOS) - SIGLO XIX. Author: EUGENIO LUCAS VELAZQUEZ. Location: PRIVATE COLLECTION.

Granida and Daifilo by Honthorst, Gerrit, van (1590-1656) / Centraal Museum, Utrecht / 1625 / Holland / Oil on canvas / Mythology, Allegory and Literature / 144,7x179

Helen Fourment and Her Children, Claire-Jeanne and Francois, Rubens, Peter Paul, 1637.

A painting by French artist Jean-Honore Fragonard titled The Love Letter', c1770. It was discovered in the collection of the The Metropolitan Museum of Art, New York.

Jupiter, Disguised as Diana, Seducing the Nymph Callisto. Jacob de Wit specialized in decorative paintings for town and country houses. He designed entire ensembles, with large paintings and overdoors set in panels. He decided where the paintings were to be placed and adapted the compositions and the fall of light accordingly. This painting and its pendant (to the left of the mantelpiece) were made for the country house of an Amsterdam citizen situated along the River Vecht.

Portrait of the Ciardi family, by Guglielmo Ciardi (1842-1917).

The Laundresses 1779 Francisco Goya y Lucientes (1746-1828 Spanish) Oil On Canvas Museo del Prado, Madrid, Spain

'Spring', c1802, (1938). Artist: Marguerite Gerard.

Ladies and servants

Nicolas Lancret (1690-1743). French painter. La Camargo Dancing, first half of the 18th century. The State Hermitage Museum. Saint Petersburg. Russia.

Singing lesson. Haye, Reinier de la (ca 1640 - post 1695), painter

Woman with kids sitting on stairs by Carle Van Loo, oil on canvas, 1753, 1705-1765, Russia, Moscow, State A. Pushkin Museum of Fine Arts, 122x157

LA CAPA ROJA-DET PAREJA COQUETEANDO-MAJO Y MAJA-1867. Author: EUGENIO LUCAS VELAZQUEZ. Location: MUSEO NACIONAL DE BELLAS ARTES. LA HABANA. CUBA.

Lord John Hay and Charles, Master of Yester (later third Marquis of Tweeddale), Gilbert Soest, ca. 1600-1681, Dutch, active in Britain (by 1657), 1673, Oil on canvas, Support (PTG): 49 3/4 x 42 inches (126.4 x 106.7 cm), animals, armor, bird, boys, brothers, children, cupids, dogs (animals), greyhound, leash, men, parrot, pink (color), portrait, ribbons, robe, running, sandals, sash, sky, Spaniel, string, sunset

Finding of Moses by Andrea Celesti, oil on canvas, 1637-1712, Russia, Nizhny Novgorod, State Art Museum, 111, 6x179

'La Rose Prise', c1820-1840, (1913). Artist: Frederic Cazenave.

Portrait of Madame du Barry and the Page Zamore. Copy from late 18th century () after an engraving by Jean-Baptiste André Gauthier-Dagoty (1740-1786). Calouste Gulbenkian Museum. Lisbon, Portugal.

Allegorizing Group Portrait of the Children of Diederic Pietersz van Leyden van Leeuwen, Burgomaster of Leiden, and Alida Paets, Daniël Mijtens (II), 1679 painting Allegorizing portrait group of the children of Diederic Pietersz van Leyden (van Leeuwen), mayor of Leiden, and Alida Paets. Portrayed in a garden at a classic temple by age: Maria (born 1741) Left with a Lauwerertak, Alida (born 1660) Sitting with a Toom or Breidel, Theodora Catharina (born 1661) with a snake and a Globe, Bernardina (ca. 1662-1716) with a shield, helmet, spear and golden Kuras, Suzanna (1664-1712) with a sword above a fire, Adriaan Willem (1667-88) on the far left in Roman costume, Pieter (born 1666) and Lodewijk (1668-97) in the foreground with a book and an oil lamp, François Adriaan (1669-1726) with an hourglass and Philippina, who died as a child, in the air as putto with a palm branch and wreath. In the foreground, gourds, pumpkins or melons grow. canvas. oil paint (paint) children (first degree fami

The Frankland Sisters Oil on canvas; 1795 John Hoppner; British; 1758 - 1810

The Ladies Waldegrave by Reynolds, Sir Joshua (1732-1792) / National Gallery of Scotland, Edinburgh / 1780 / Great Britain / Oil on canvas / Portrait / 143x168,3

fine arts, Rembrandt Harmensz van Rijn 15.7.1606 - 4.10.1669, painting, ""The blessing of Jacob"", 1656, oil on canvas, 173 cm x 209 cm, state museum, Kassel, Germany, Europe, fine arts, baroque, 17th century, Ephraim, Manasseh,

Wall painting by Stefano Torelli: Allegorical figures of the virtues of the councillors

Psyche and love Fran�ois Boucher (after). "Psyche and love". Oil on canvas. Paris, Cognacq-Jay Museum.

Joseph Accused by Potiphar's Wife, Rembrandt Workshop, 1655, National Gallery of Art, Washington DC, USA, North America

Four Spanish Maidens Narcisse-Virgile Diaz de la Peña (French, 1807-1876). Four Spanish Maidens, 1844-1860. Oil on panel, 10 5/8 x 8 1/2 in. (27.0 x 21.6 cm). European Art 1844-1860

Nicolas Lancret, La Camargo Dancing, c 1730 La Camargo Dancing

Painting titled 'Portrait of the Artist with his Wife and Daughter' by Thomas Gainsborough (1727-1788) an English portrait and landscape painter. Dated 18th Century

Portrait of Rutger Jan Schimmelpenninck and his Family. Rutger Jan Schimmelpenninck was a Patriot from the very beginning and occupied important political offices in the Batavian Republic. He was president of the National Assembly in 1796, envoy extraordinary and minister plenipotentiary in Paris from 1798 to 1800 and the Batavian ambassador to France and to the United Kingdom in the following years. This portrait was painted in Paris.

Society of Encouragement of Fine Arts (Warsaw - 1860-1940) - collection

Rudolfine Wilhelmine Elisabeth von Stuerler, woman of Johannes Graf van den Bosch (2 February 1780) (28 January 1844) was a Dutch lieutenant-general and governor-general of the Dutch Indies, with her son Richard, c. 1840, after an artwork by Cornelis Kruseman, Historic, digitally restored reproduction from a 19th century original

Portrait of Clara Alewijn, Dirck Dircksz. Van Santvoort, 1644 painting Portrait of Clara Alewijn (1635-74), daughter of Abraham Alewijn and Geertruid Hooftman, as a shepherdin, sitting under a tree, a staff and flowers in hand. On the left a few sheep, in the foreground an arc and arrow sleeve. Pendant of SK-A-1310. canvas. oil paint (paint) historical persons - BB - woman. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.

The Generous Lady. Nathanial Schmitt (1847-1918). Oil on canvas. Painted in 1874. 78.7 x 59cm.

'The Vicar of Wakefield,' Vol. I, Chap. VIII: Dining in the Hayfields' (Surprised by Mr. Thornhill's Chaplain). Date/Period: 1786. Painting. Oil on canvas. Height: 279 mm (10.98 in); Width: 349 mm (13.74 in). Author: Charles Reuben Ryley.

Louise-Marie-A. de Bourbon, J.S.Duplessis - -

Adriaen van der Werff, Portrait of Cunera Olshoorn (1681-1722), portrait painting canvas linen oil painting, Standing rectangular portrait of biennial girl representing Cunera Olshoorn (daughter of Cornelis Olshoorn and Catharina Verbosch) the later wife of Abraham van Rijckevorsel (1677- 1755 marriage in 1703) Standing on the stairs of platform with playful doggy In the right hand budding rose and another rose on the ground. In the background park-like environment in which classic sculpture garden image (Flora Farnese) On the pedestal left (later updated) family coat of arms with three post horns; on this pedestal is an empty jardinière 23 left signature and year: Adriaen vander Werff. fec 1683; top left inscription in family coat of arms (three post horns): CUINERA OLSHOREN (later repainted) Erasmus Foundation Rotterdam City Center New Work Parklaan Heraldry Van Rijckevorsel Oltshoorn Oltshoren Verbrugge Verbruggen Valkenbosch youth innocence transience classic Kralingen Long-term lo

The Oliver and Ward Families, Francis Wheatley, 1747-1801, British

Allegorical portrait of Maria Mirska, Barbara Szumska and Adam Napoleon Mirski; Rust, Jan (1762-1835); around 1808 (1803-00-00-1813-00-00);Amor (Mitol.), Dowgiałłowa, Helena ( -1972)-collection, Mirska, Maria ( -1821), Mirska, Maria ( -1821)-iconography, Mirski, Adam Napoleon (1804-1861), Mirski, Adam Napoleon (1804-1861)-iconography, police (mitol), Szumska, Barbara ( -1840), Szumska, Barbara ( -1840)-iconography, Terpsychora (Mitol.), Academic (style), dear, empire (style ), musical instruments, classicism (style), columns, lyre, music, music, portraits, children's portraits, female portraits, portraits against the background of landscape, triple portraits, family portraits, family portraits, purchase (provenance)

Elizabeth Farren (born about 1759, died 1829), Later Countess of Derby. Artist: Sir Thomas Lawrence (British, Bristol 1769-1830 London). Dimensions: 94 x 57 1/2 in. (238.8 x 146.1 cm). Date: 1790.The Irish actress Elizabeth Farren made her London debut in 1777 as Kate Hardcastle in Oliver Goldsmith's She Stoops to Conquer. She was at the height of her career when this canvas was exhibited in 1790. Seven years later, she married the twelfth earl of Derby. This elegant portrait helped to secure for Lawrence the role of successor to the elderly Sir Joshua Reynolds (1723-1792). Museum: Metropolitan Museum of Art, New York, USA.

Germany, Munich, Alte Pinakothek, Self-portrait with Isabella Brandt Rubens by Peter Paul Rubens, oil on canvass, (1577-1640),

Marcellus Laroon the Younger, 1679-1772, British, Lovers in a glade, between 1750 and 1755. Oil on canvas.

Joan of Arc inspired by God sees her future glory, coloured engraving, 18th century.

Hagar and Angel by Carel Fabritius (1624/25 - 1654); Oil on canvas; circa 1643 - 45

Thomas (1740-1825) and Martha Neate (1741-after 1795) with His Tutor, Thomas Needham 1748 Sir Joshua Reynolds British. Thomas (1740-1825) and Martha Neate (1741-after 1795) with His Tutor, Thomas Needham. Sir Joshua Reynolds (British, Plympton 1723-1792 London). 1748. Oil on canvas. Paintings

"Magdalena Moons Begs her Fiancé Francisco Valdez to Postpone the Storming of Leiden another night, 1574. Scene from the Eighty Years' War ". Dating: 1840 - 1850. Measurements: h 78.3 cm × w 65.5 cm × t 1.5 cm; d 6.6 cm. Museum: Rijksmuseum, Amsterdam. Author: Simon Opzoomer.

A Group Portrait of a Lady and a Gentleman, in a Landscape, the Lady in a Blue Satin Dress, the Gentleman in Brown, holding a Flute. Benjamin Wilson (1721-1788). Oil on canvas, 111.8 x 83.9cm.

A Man and a Woman. Dating: 1678. Measurements: h 36 cm × w 30 cm. Museum: Rijksmuseum, Amsterdam. Author: Frans van Mieris (I).

Helena Fourment and Her Children, Claire-Jeanne and Francois 17th Century Peter Paul Rubens (1577-1640 Flemish) Musee du Louvre, Paris, France

The Sense of Sight, Philippe Mercier, 1689 or 1691-1760, Franco-German

Winter. Jean-Honoré Fragonard (France, Grasse, 1732-1806). France, circa 1755. Paintings. Oil on canvas

Charles Izard Manigault and His Family in Rome. Date/Period: 1831. Painting. Oil on canvas Oil on canvas. Height: 1,485.90 mm (58.50 in); Width: 1,257.30 mm (49.50 in). Author: Ferdinando Cavalleri.

The early 1900s caption reads: "Madame Vigee Le Brun and Child. Vigee Le brun painted another portrait of herself and her little girl-child; and she painted both, fortunately for her fame, when her skill was its increase. They stand out with all their limitations, pure and exquisite as the Madonna and Child of Italy's finest achievement; for they were painted by a woman of genius with the passionate love of a child that is the wondrous heritage of woman - none the less religious in that it apes no show of religion." Elisabeth Louise Vigee Le Brun (1755-1842), also known as Madame Le Brun, was a French portrait painter, especially of women, in the late 18th and early 19th centuries. Her artistic style is generally considered part of the aftermath of Rococo with elements of an adopted Neoclassical style. She gained renown in particular for her self-portraits and depictions of courtly women, especially Queen Marie Antoinet.

Don Baltasar Carlos with a Dwarf; 1632 Oil on canvas Diego Rodriguez de Silva y Velazquez Spanish; 1599-1660

The Birth, Urbino, Fiori da or Federico B, 1600.

The Drummond Family, Johan Joseph Zoffany, 1733-1810, German

Jean-Antoine Laurent (1763-1832). "The painter and his family in front of a country house, 1797-1798". Watercolor and gouache on cardboard partially doubled by two ivory plates. Paris, Cognacq-Jay museum. 35437-9 Campaign, horse, child, equipment, family, woman, girl, gouache, painter, ivory plate, pony, hen, watercolor, dog, house, miniature

Three Ladies Adorning a Term of Hymen. Date/Period: 1773. Painting. Oil on canvas. Height: 2,337 cm (25.5 yd); Width: 2,908 cm (31.8 yd). Author: Joshua Reynolds.

Captain Samuel Sharpe Pocklington with His Wife, Pleasance, and possibly His Sister, Frances. Dated: 1769. Dimensions: overall: 100.2 x 126.6 cm (39 7/16 x 49 13/16 in.) framed: 120.7 x 146.4 x 7.6 cm (47 1/2 x 57 5/8 x 3 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: George Stubbs.

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