Rococo Fireplace Designs

Intricate rococo fireplace designs featuring ornate decorations, globes, and armillary spheres, showcasing elegance in etching and engraving styles.

Chimney mantle, decorated with three shields with inscriptions, garlands and mascarons, anonymous, after jacques Androuet, 1520 - 1561 In the middle there is an oval with Fortuna on the plate. From a series consisting of a title page and 66 sheets with chimney mantles, decorated with columns, Hermen, Cartouches, Garlandes and Mascarons. All chimney mantels are equipped with hair IJs. print maker: France (possibly)after design by: France (possibly)publisher: Paris paper etching

Fireplace with globes and a poorilarium; Nouveau Livre des Chemines (...). A fireplace with rocaille ornaments, braid, a face, winged angel heads on either side of the serene title and in the middle two globes and a poorilla. On either side of the fireplace two windows.

Schouw with Globes and an Armillarium, Anonymous, After Johann Jakob Schübler, 1699 - 1726 print A fireplace with rocaille ornaments, braid work, a face, winged angel heads on either side of the series title and two globes and an Arillarium in the middle. Two windows on either side of the fireplace. Neurenberg (possibly) paper etching / engraving open hearth, fire-place. globe. armillary sphere, skeleton celestial globe

Model for Altar for Woodcarvers. Gottfried Bernhard Götz (German, 1708-1774). Engraving;

Cabinet with two doors; Les Cabinets. The doors are decorated with vases in octagonal panels. At the top is an emperor bustled by two women.

Drawing (Italy); pen and black ink with gray wash and traces of graphite support: off-white laid paper

Underbousa for a wall; Nouvelles Cheminée Faittes and Plusieur and Droits de la Hollande et Autres Prouinces. The mantelpiece is decorated with a bust. Left is a half door visible with a top door panel. From series of 6 sheets.

Graftombe for Matthias Hovius, Archbishop of Mechelen. Architectural setting with a barrel vault worn by corinthian columns. In the middle the sarcophagus with a picture of the sleeping Matthias Hovius with miter. There are an episcopal weapon on the sarcophagus.

Chimney mantle, decorated with three shields with inscriptions, garlands and mascarons, anonymous, after jacques Androuet, 1520 - 1561 In the middle there is an oval with Fortuna on the plate. From a series consisting of a title page and 66 sheets with chimney mantles, decorated with columns, Hermen, Cartouches, Garlandes and Mascarons. All chimney mantels are equipped with hair IJs. print maker: France (possibly)after design by: France (possibly)publisher: Paris paper etching

Design for a Fireplace Surmounted by Sphyxes and Cupid, Title Page from: Nouveaux dessins de cheminées à l'italienne ca. 1640-82 Jean Le Pautre French. Design for a Fireplace Surmounted by Sphyxes and Cupid, Title Page from: Nouveaux dessins de cheminées à l'italienne 399400

Design for a chimney with a hero horse; Nüü inventive Camine. Design for a chimney with a representation of a mythological hero, with sword in hand, on his horse. The mantelpiece is decorated with ornaments. In the middle of a scale. Print number 204.

Subsema in the form of grave monument, Jean Lepautre, c. 1656 - c. 1657 print The monument has been awarded a tomb on which Christ lies with next to him the grieving Virgin. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Honor gates at the entry of Willem V in Veere (no. II), 1766, 1766 - 1767 print De Erpoort founded in the Wijngaardstraat in Veere. At the top a performance of Telemachus and mentor. Part of a group of 10 plates of the decorations in Veere on the occasion of the inauguration of Stadholder Willem V as Markgraaf van Veere, 28 May 1766. Numbered at the top right: No. Ii. Northern Netherlands paper etching / engraving triumphal arch. Telemachus starts out with Mentor, in search of his father Veere

India; Les Indes; L Tables Grecques; Nouvelle iconology historique ou attributs hierogliphyques (...). An ornamented table with garlands and a crowned head with swords. Above a smoke vessel, a book, a caduceus, fruit, ears of corn and an oval medallion with a hive and a column. Print number 58.

Triumphal arch, from 'Éloges et discours sur la triomphante réception du Roy en sa ville de Paris ...' by Jean-Baptiste de Machault. Artist: Melchior Tavernier (French (born Flanders), Antwerp 1564-1641 Paris); Pierre Firens I (Flemish, Antwerp 1580-1638 Paris); After Abraham Bosse (French, Tours 1602/1604-1676 Paris). Author: Jean-Baptiste de Machault (French, 17th century). Dimensions: Sheet: 12 1/16 × 7 7/8 in. (30.7 × 20 cm)Plate: 11 1/8 × 7 3/16 in. (28.2 × 18.2 cm). Date: 1629. Museum: Metropolitan Museum of Art, New York, USA.

Grave monument of a general; Tombeaux Ou Mausolées. The coffin is placed on a high pedestal, on top of the image of a Roman general.

Graftombe of Willem Lodewijk, Count of Nassau, in the Grote Kerk in Leeuwarden, 1620. Graftombe of Willem Lodewijk, Graaf van Nassau, Died 31 May 1620, buried in the Grote Kerk in Leeuwarden on July 13, 1620. De Tomb is designed by Pieter Hendricksz. The keyser seen from the side and from the front and map. The count in armor kneeling between personnifications in force (Fortitudo) and caution (prudentia).

Imperial Court, Augsburg, Merz, Johann Georg, Middelburg, Grendel, Gerrit de, Neu inventirte Hollaendische Camine, Anderer Theil, Nouveau Livre de Chéminees Hollandoises, Second Livre, series T, Design for a mantelpiece with Mercury, Argus and Io, verso - stamped, Design for a mantelpiece with a representation of Mercury lulling Argus to sleep with his shepherd's flute. Behind Argus stands Io in the form of a cow. The mantelpiece is decorated with rocaille and shell ornaments. Publisher's number 19., print, ornamental print, title print, prints, ornamental prints, height 256 mm, width 123 mm, print maker, printmaker, 1704 - 1762, second quarter 18th century, third quarter 18th century, paper, papier, engraving, engraving (printing process), Work conception, after a design by, Publication (Event), Publication, German, 1694 - 1762, publisher, granter of privilege

Underbias; Cheminées à la modern. The architrava is a pedestal with a vase where flames come true. From third edition.

Subsema with Round Medallon, c. 1655 - c. 1657 print There are two Hermen next to the medallion. From the second edition. Paris (possibly) paper engraving

October. From a Series of Twelve Months of the Year ca. 1766 Johann Esaias Nilson Print representing the month October, from a series devoted to the twelth months of the year, divided in three sets of four prints. Each print consists of a rectangular frame showing scenes with activities related to the individual months. The associated star signs are included in small cartouches on the top of the frame. Below the frames there is a four line poem in French which characterize the month. The poem on this print refers to October as the harvest month for grapes, the sweet gift of Bacchus.. October. From a Series of Twelve Months of the Year. ca. 1766. Etching

Louis XIV (king of France), Paris, Mariette, Pierre (II), France, Lepautre, Jean, Nouueaux Dessins d'Autels à la Romaine, Altar, In the middle hangs an octagonal painting with the Lamentation of Christ., print, ornament print, prints, ornament prints, height 225 mm, width 145 mm, French, 1618-06-28 - 1682-02-02, print maker, printmaker, 1658 - 1670, third quarter 17th century, paper, papier, etching, etchings, Work conception, after own design of, Publication (Event), Publication, 1634 - 1716, publisher, uitgever, Frans, 1638-09-05 - 1715-09-01, granter of privilege

A monument with Ionic pilasters, triangular pediments, garlands, crowned coats of arms of France and Navarre, female personifications of the four cardinal virtues at the corners and an obelisk with an ornamented cross at the top. Around the monument an ornamented frame. The monument is placed on the spot where the house of the father of Jean Chtel stood until January 1595. Chtel attempted to assassinate King Henry IV of France in December 1594. Monument with obelisk and personifications of the cardinal virtues Portrait de la Pyramide Dress, print maker: anonymous, intermediary draughtsman: Jacob de Weert, publisher: Jean le Clerc, (mentioned on object), Paris, 1597, paper, engraving, h 478 mm × w 255 mm

School Met Putti, Emanuel Eyel (POSSIBLY), AFTER France xaver Hervelman, 1746 print Fireplace with rocaille ornaments, flower motifs, two winged putti and women's head with flowers upstairs. Publishing number 274. Augsburg paper etching / engraving Open Hearth, Fire-Place. Cupids: 'Amores', 'Amoretti', 'Putti'

Transverse Section, Proscenium, and Curtain, Teatro Filarmonico, Verona, Francesco Galli Bibiena, Italian, 1659-1739, Francesco Zucchi, Italian, 1692 - 1739, Saverio Avesani, Italian, b. 1690, Etching on paper, Horizontal rectangle. The upper part similar to 1938-57-1385. Shown are the elevation of the orchestra pit, sections of the boxes, and of the lower part of the attic. At left is the right edge of the paper sheet like in 1938-57-1439. There are letters at the ends of the lines, those of the last one bieng, 'rre;' 'tav: 111' is below the left section of the boxes., Europe and USA, Verona, Italy, 1731, theater, Print, Print

Choir gate; Choir gates and retabels. Choir fence with richly decorated door and bust for a drapery in a niche.

Above the tablet of the chimney mantel hangs a mirror framed by leaves, on the chimney mantel itself is a bust of Diana., Underbrush Verschyde Chimney Mantels (series title), print maker: Cornelis Danckerts (I), Pierre Bullet, printer: Justus Danckerts, print maker: Netherlands, (possibly), France, (possibly), printer: Amsterdam, publisher: Amsterdam, c. 1675 - c. 1686, paper, etching, h 248 mm × w 150 mm

Rubens, Peter Paul, Zuidelijke Nederlanden, Lanionum pegma, Triumphal arch with Hercules slaying a bull; entry of Ferdinand into Ghent in 1635 (no. 36), Southern Netherlands, reverse - stamped, Triumphal arch of the butchers with a representation of Ferdinand as Hercules slaying a bull. On top a bust of Ferdinand between Apollo and Diana. Placed in front of the Vleeshuis. Sheet no. 36 in a set of 42 plates illustrating the publication of the description of the entry of the Cardinal Infante Ferdinand of Austria into Ghent on 28 January 1635 as the new governor of the Spanish Netherlands., print, prent, prints, prenten, Frederik Muller Historieplaten, height 494 mm, width 410 mm, print maker, prentmaker, 1635 - 1636, second quarter 17th century, paper, papier, etching, engraving, engraving (printing process), Work conception, South Netherlands, 1577-06-28 - 1640-05-30

Copper engraving by Agostino Veneziano depicting the Altar of Eros, created between 1513 and 1536, illustrating classical religious iconography.

Design for an honorary bow for Archduke Leopold Willem, Theodoor van Thulden, 1646 - 1648 drawing Design for a triumphal arch. paper. chalk. ink pen / brush triumphal arch

Title page: Chaires the predicators; Chaires the predicators. Cancel of the front viewed with a hexagonal hanging body decorated with four allegorical images. From second edition.

Graftombe from Admiraal Maarten Harpertsz. Tromp in Oude Kerk in Delft, Cornelis van Dalen (II), After Jacob van Campen, After Rombout Verhulst, 1656 - 1664 print Graftombe from Admiraal Maarten Harpertsz. Tromp in Oude Kerk in Delft. Image of the fallen Admiral in Harness lying on Tomb with sea battle at Terheide on Frisian. Against the wall marble relief with putti with coats of arms and armor flanked by columns and militaria. On top of frame crowned with weapons shield held by griffins and flanked by Tritons or Meermannen. In the base of the Praalgraf, a verse in eight lines by Joost van den Vondel. Amsterdam paper engraving Battle of Scheveningen

Design for a chimney with Minerva; Nüü inventive Camine. Design for a chimney with a representation of Minerva, troning on a cloud surrounded by flags and with an eternity symbol in hand. A clock in the middle of the mantelpiece. Candles on either side. In the middle of a scale. Print number 202.

Underbias; Nouveaux Liure de Cheminées a la Hollandaise. The chimney attempt consists of two long consoles with a mirror and a turner with Chinese vases and jugs above it. From series of 6 sheets.

Medal cupboard with chair; Johann Jacob Schüblers Vierdte Ausgab Seines Vorhabenden Werchs, Warrings Vorgestellet became Neu-Inventirte Schreib-Tical (...). A cupboard with drawers, left a chair and right an opened door to another room. A three-legged German text in the sub-margin.

Furniture 1565-70 Jacques Androuet Du Cerceau. Furniture. Meubles. Jacques Androuet Du Cerceau (French, Paris 1510/12-1585 Annecy). 1565-70. Etching. Prints

Memorial to Orlando Humpreys from Barking Church, Daniel Lysons, 1762-1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 15 × 10 3/4 inches (38.1 × 27.3 cm), architectural subject, church, memorial, All Hallows-by-the-Tower, Barking, England, Greater London, London, United Kingdom

Arch with River Gods and HarvestScene. Artist: Charles Audran, French, 1594-1674

Titelblad: Italian chimneys, Jean Lepautre, c. 1658 - C. 1670 print Subsema flanked by large consoles of leaves with garbarian garlands, and crowned with a portrait medallion from a emperor, supported by a putto. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Three parts of cornices and part of mirror list; Nouveaux Liure d'Ornementes (...). The mirror list has been awarded a flower vase with a nymph on either side. Series of 6 blades with designs for sculptors and goldsmiths.

October. From a Series of Twelve Months of the Year. Artist and publisher: Johann Esaias Nilson (German, Augsburg 1721-1788 Augsburg). Dimensions: Sheet: 10 3/8 × 7 11/16 in. (26.4 × 19.5 cm) cut within plate mark. Date: ca. 1766.Print representing the month October, from a series devoted to the twelth months of the year, divided in three sets of four prints. Each print consists of a rectangular frame showing scenes with activities related to the individual months. The associated star signs are included in small cartouches on the top of the frame. Below the frames there is a four line poem in French which characterize the month. The poem on this print refers to October as the harvest month for grapes, the sweet gift of Bacchus. Museum: Metropolitan Museum of Art, New York, USA.

Wall panel with a performance of Moses found by the daughter of the Pharaoh, 1659 print Wall panel with an oval representation of Moses found by the daughter of the Pharaoh. Print is part of an album. Paris paper etching panelling. ornaments ~ art. the finding of Moses: Pharaoh's daughter comes to bathe with her maidens in the river and discovers the child floating on the water

Hercules as a child strangles a snake; Grotesque flat decorations with candelabels, mythological figures, fabulous arteries, leaf refrences and trophies. At an increase is a bed on which the young Hercules is struggling to strangle a snake. To the increase leads a staircase, flanked by two cariatides. Sheet from series of 9 sheets.

Italy, Leviores et ut videtur extemporaneae picturae quas grotteschas vulgo vocant, Fantasy building, supported at the bottom by two double herms, verso lower left - stamped, In the building stands a figure with a branch in its hand on a pedestal. From a series of 20 sheets., print, ornamental print, prints, ornamental prints, height 187 mm, width 116 mm, print maker, printmaker, 1530 - 1540, second quarter 16th century, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, after a design by, Publication (Event), Publication, publisher

Miscellany of 17th-century Ornament Print Series: Examples of Antique Chimneypieces, Cabinets, Gueridons, Tables and Mirrors, in addition to Italian Church Facades, by illustrious architects, or a sequel to S. Bosboom. Artist: After Abraham Bosse (French, Tours 1602/1604-1676 Paris); After Jean Le Pautre (French, Paris 1618-1682 Paris). Dimensions: 11 13/16 × 8 × 1/2 in. (30 × 20.3 × 1.3 cm). Publisher: Jan Barend Elwe (Dutch, active Amsterdam, 1777-1815). Date: 1786. Museum: Metropolitan Museum of Art, New York, USA.

Rubens, Peter Paul, Southern Netherlands, Arcus triumphalis primi frons, referens Ferdinandi in Belgium iter & adventum, Front of the triumphal arch Arcus Fernandi on the Vrijdagmarkt; entry of Ferdinand into Ghent in 1635 (no. 5), back - stamped, Front of the triumphal arch Arcus Fernandi on the Vrijdagmarkt. Triumphal gate decorated with historical and allegorical scenes and figures. Sheet no. 5 in a set of 42 plates illustrating the publication of the description of the entry of Cardinal Infante Ferdinand of Austria into Ghent on 28 January 1635 as the new governor of the Spanish Netherlands., print, prent, prints, prenten, Frederik Muller Historieplaten, height 390 mm, width 240 mm, print maker, prentmaker, 1635 - 1636, second quarter 17th century, paper, papier, engraving, engraving (printing process), Work conception, South Netherlands, 1577-06-28 - 1640-05-30

Print, Design for a Niche With a Painting; Print Maker: Jean Le Pautre (French, 1618-1682); etching on paper; Plate: 19.6 × 13.6 cm (7 11/16 × 5 3/8 in.) Paper: 20.7 × 14.9 cm (8 1/8 × 5 7/8 in.)

Coenotaphiorum (21). Artist: Hans Vredeman de Vries (Netherlandish, Leeuwarden 1527-1606 () Antwerp ()); Engraved by Johannes van Doetecum the elder (Netherlandish, active 1554-ca. 1600, died 1605); Engraved by Lucas van Doetecum (Netherlandish, active 1554-72, died before 1589). Dimensions: sheet: 9 1/16 x 5 13/16 in. (23 x 14.8 cm). Date: 1563.Architectural wall tomb consisting of two vertical tiers. The lower tier is characterized by a protruding avant-corps supported by cariatids. In between, a large coat of arms with several blank panels is placed. The upper tier shows the effigy of a deceased man, placed before a statue of the Risen Christ holding the cross in a round niche. Below the image a Latin inscription is added consisting of four lines, divided over two columns. Museum: Metropolitan Museum of Art, New York, USA.

Pulpit with volutes; Prece chairs. There is a dog for the flute player and is a sheep next to him. The Rocaille is intertwined with a tree. Two birds in the tree. Middle above 69 and at the top right 326 numbered.

Pulpit with medallion and triangle with beams; 3rd chair; V Permissals. A pulpit with flutes and shields, above a triangle surrounded by clouds and beams. On the crowning a medallion with women's portrait and profil surrounded by putty heads and clouds.

Altaar met twee engelen; Altäre.Two angels with a palm branch in their hand are left and right on an altar with rocaille ornaments. At the top two angels wear a flower arrangement in a vase.

Grave monument from Egbert Meussen Cortenaer in Rotterdam, Anonymous, 1690 print Bottom right: Fig: I. paper etching / engraving historical persons. grave, tomb. coat of arms (as symbol of the state, etc.) (+ nation; national). protective weapons: shield. helmet. armour. casting weapons: spear Large or Sint-Laurenskerk

Tomb of Maarten Harpertsz. Tromp; Tombe the Marten Harperse Tromp à Delft. Admiral Graftombe Maarten Harpertsz. Tromp in the new church in Delft. With French caption. Signed in the lower right corner "fig: F".

Augsburg, Hertel, Johann Georg (I), Habermann, Franz Xaver, Gardens in rocaille frame, Open garden in rocaille frame, verso - stamped, Open garden with hedges and fountain. In rocaille frame. Publisher number 121., print, ornamental print, prints, ornamental prints, height 301 mm, width 204 mm, print maker, printmaker, 1731 - 1775, paper, papier, etching, etchings, German, 1721 - 1796, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1695 - 1775, publisher

Design for and buckle, Heinrich Aldegrever, 1537 print Design for a buckle decorated with leaf vines. In the middle there is a medallion with a cherub. Arated background with horizontal lines. Germany paper engraving buckle

Grave monument with a man in Nis., 1557 print On a pedestal with a protruding central riserite is a double articulated wall, decorated with figures and grotesken, on either side of a niche. In the niche a sarcophagus on a pedestal, worn by three Caratives. There is a woman with a tablet on the lid. In the middle of cartouche: Beati Qui in / Domini Mori / Untur. Belongs to series consisting of a title page, a text top and 14 magazines with grotesken with rolling work, saters, garlands, trophies, animals and fantasy scenes. Netherlands (possibly) paper etching grave, tomb

Fireplace with putto at sea being; Schouwen; Camines Italienes / Italian Camine.Riscaille Fireplace With Putto With a Trident on a Sealant. Publisher Number 58.

Drawing, Doorway of San Salvatore in Lauro with Decoration for the Funeral of King Frederick August III of Poland, Rome, Italy; Designed by Carlo Marchionni (Italian, 1702-1786); Italy; brush and gray wash, graphite; border and inscription in pen and brown ink on off-white laid paper; 51.1 x 34.2cm (20 1/8 x 13 7/16in.)

Ancient Font in West Drayton Church, Middlesex, Daniel Lysons, (), 1762-1834, British, between 1796 and 1811, Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 14 7/8 × 10 3/4 inches (37.8 × 27.3 cm), architectural subject, church, memorial, England, Greater London, Hillingdon, London, St Martin's Church, United Kingdom, West Drayton

Augsburg, Hertel, Johann Georg (I), Habermann, Franz Xaver, Pulpits, Pulpit with John the Evangelist, verso - stamped, Pulpit with rocaille ornaments and John the Evangelist with eagle, book and feather. Publisher's number 304., print, ornament print, prints, ornament prints, height 289 mm, width 191 mm, print maker, printmaker, 1731 - 1775, paper, papier, etching, etchings, engraving, engraving (printing process), German, 1721 - 1796, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1695 - 1775, publisher

Design for a chimney with Mercury, Argus and IO; Neu Inventirte Hollaendische Camine, Anderer Theil, series T; Neu Inventirte Hollaendische Camine, Ander Theil / Nouveau Livre de Chéminees Hollandoises, Second Livre. Design for a chimney with a representation of Mercury who sust with his shepherd flute Argus. Behind Argus is io in the form of a cow. The mantelpiece is decorated with rocaille and shelled ornaments. Publisher number 19.

Ierland; Irlande et sa Religion; D Portes; Nouvelle Iconologie Historique Ou Attributs Hierogliphyques (...).A door with olive branches, lion heads, female figures and a medallion with a frontal portrait. On the left a rectangular table with a flag with a dragon, a crown, a cross, a water stream and burning hearts. Print number 44.

Deur puts putti in medallion, Jean Pelletier, after just Nathan François Boucher, 1772 - 1779 print A door with panels, above it a panel with two putti on either side of an oval medallion. Print number 152. Paris paper etching / engraving door. ornament ~ medallion. ornament ~ medallion

Paris, Chéreau, Jacques-François, Delafosse, Jean Charles, Nouvelle Iconology Historical Or Attributes Hieroglyphics, L Tables Grecques, l'Asie, Asia, verso - stamped, An ornamented table with garlands and a vase. Above it a book, a cornucopia and a frame with a man and a camel beside a tree. Print number 28., print, ornamental print, prints, ornamental prints, height 378 mm, width 231 mm, French, 1734 - 1791-10-11, print maker, printmaker, 1768 - 1771, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, after own design of, Publication (Event), Publication, 1742-10-14 - 1794-05-16, publisher

Copper engraving depicting the first of three views of Leopold I's Fundle in the Augustinian Church, Vienna, 1705, showing architecture, figures, and ceremonial arrangement.

Study of an altar frame with figural scenes: Mary with St. Anna and the Child, the Farewell of the Apostles, the Nativity, Annunciation, the meeting of Mary and Elisabeth and the Adoration of the Kings, Design for an altar table, with alternative solutions, draughtsman: anonymous, Beieren, 1550 - 1599, paper, pen, brush, h 440 mm × w 273 mm

Fontana Dell'acqua Felice; Fontana Felice; Modern and antique monuments and buildings in Rome; Ornamenti di Fabriche Antichi and Moderni Dell 'Alma Citta di Roma. Text in Italian under the show. The print is part of an album.

Half sideboard left and half cabinet right; Oficina Arcvlaria (...), Bovticqve Menvseries (...), Schriner Load (...), Schrinckers Winckel (...).

Building for fireworks at the marriage of Karel II of Spain with Maria Anna van Bavaria, 1690. Building in the form of a Temptto for lighting fireworks prepared in Brussels at the marriage of King Charles II of Spain with Maria Anna, Princess of Neuburg -Paltic on 14 May 1690. Decorated with allegorical and mythological representations.

Paris, Chéreau, Jacques-François, Delafosse, Jean Charles, Nouvelle Iconologie Historique Ou Attributs Hierogliphyques, D Portes, Irlande et sa Religion, Ireland, verso - stamped, A door with olive branches, lion heads, female figures and a medallion with a frontal portrait. On the left a rectangular frame with a flag with a dragon, a crown, a cross, a stream of water and burning hearts. Print number 44., print, ornamental print, prints, ornamental prints, height 377 mm, width 227 mm, French, 1734 - 1791-10-11, print maker, printmaker, 1768 - 1771, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, after own design of, Publication (Event), Publication, 1742-10-14 - 1794-05-16, publisher

Print, Decoration de Lambris pour un Cabinet (Decoration for Panelling for an Office); Designed by François de Cuvilliés the Elder (Belgian, active Germany, 1695 - 1768); Engraved by Carl Albert von Lespilliez (German, 1723 - 1796); Germany; engraving and etching on white laid paper; Sheet: 42.5 x 29 cm (16 3/4 x 11 7/16 in.) Platemark: 35.8 x 23.2 cm (14 1/8 x 9 1/8 in.)

Subsema with variant for right half, Cornelis Danckerts (I) (Possibly), After Lepautre, c. 1675 - c. 1686 print At the top is a large urn with flames, to the left is a garland and on the right is a putto. From series with Dutch copies to the Cheminées à la modern series and a print from Cheminées à la Françoise by Jean Lepautre. print maker: Netherlands (possibly)after design by: France (possibly)publisher: Amsterdam paper etching chimney-piece, mantelpiece

Surface Decoration, Grotesque with Strapwork, Burial Scene in the Tempietto, in the Bas Relief Esther before Ahasuerus from Veelderleij Veranderinghe van grotissen ende Compertimenten...Libro Primo. Artist: Johannes van Doetecum the elder (Netherlandish, active 1554-ca. 1600, died 1605); Lucas van Doetecum (Netherlandish, active 1554-72, died before 1589); after Cornelis Floris II (Netherlandish, Antwerp before 1514-1575 Antwerp). Dimensions: Sheet: 12 1/8 x 8 1/8 in. (30.8 x 20.7 cm). Date: 1556. Museum: Metropolitan Museum of Art, New York, USA.

Design of a fireplace with a medallion on top. unknown, graphic artist, Marot, Daniel (1661-1752 ; st.), graphic artist

Design for a Pulpit, Plate 2 from an Untitled Series of Pulpit Designs. Artist: Carl Pier (German, active Augsburg, ca. 1750). Dimensions: Overall: 8 7/16 × 13 3/4 in. (21.5 × 35 cm). Publisher: Martin Engelbrecht (German, Augsburg 1684-1756 Augsburg). Date: Printed ca. 1750-56.Ornament print with a design for a suspended pulpit shown in frontal elevation. The pulpit is characterized by a baldachin of rocaille ornaments covered by drapery held up by 5 cherubs. This print is bound in an album containing 27 series with a total of 122 ornament prints from the fund of the prominent Augsburg publisher Martin Engelbrecht. Museum: Metropolitan Museum of Art, New York, USA.

Design with skulls and vases, Balthasar Sigmund Setletzky, after Christian Friedrich Rudolph, 1724 - 1754 print Design for an altar or epitaaf with rocaille ornaments and on the underside skilled. Rocaille vases and a puto head with wings at the top. Augsburg paper etching / engraving Altar. Epitaph. Skull as symbol of "vanity. vase ~ ornament. Cupids: 'Love' '' Amoretti '' Putti '

Design for a Monumental Altar, Plate g from 'Unterschiedliche Neu Inventierte Altäre mit darzu gehörigen Profillen u. Grundrißen.'. Artist: Johann Michael Leüchte (German, active Augsburg, died 1759). Dimensions: Overall: 8 7/16 × 13 3/4 in. (21.5 × 35 cm). Publisher: Martin Engelbrecht (German, Augsburg 1684-1756 Augsburg). Date: Printed ca. 1750-56.Ornament print with a design for an altar in a late Baroque style, with a large architectural reliquary on the altar table crowned by the a statue of the Virgin and Child and flanked by two spiral columns. This print is bound in an album containing 27 series with a total of 122 ornament prints from the fund of the prominent Augsburg publisher Martin Engelbrecht. Museum: Metropolitan Museum of Art, New York, USA.

Daniel Lysons, (), 1762-1834, British, Ancient Font in West Drayton Church, Middlesex, between 1796 and 1811. Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper.

Design of Main Altar, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, The lower part is a variation of -1369, the round pedestals having a smaller diameter, the connecting walls being longer. Statues stand upon the pedestals. In the center of the retable is a picture of an Ascension. On either side are three columns, the central one is projecting. Above the entablature is a framed panel with a representation. Beside it are two sitting angels. On top of it is a base with two angels, adoring the cross, which is supported by a kneeling figure. Usual background., Rome, Italy, 1746-1809, architecture, Drawing, Drawing

Submash with porcelain on Obelisk, Anonymous, After Pieter Schenk (I), c. 1680 - c. 1700 print Submash with a tablet in the form of an architrave on which two consoles support an obelisk that has consoles on which Chinese porcelain stands. Amsterdam paper etching

Schouw with Rond Painting, Jean Lepautre, 1661 print In the painting is the worship of Christ. From a third edition. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Oak sideboard. Silliman, Benjamin, 1816-1885. Illustrations. 1854. Rare Book Division. Exhibition of the Industry of All Nations (1853-1854 : New York, N.Y.), furniture

Alcove with canopy supported by two women, Jean Lepautre, c. 1665 print There is a man who gives orders in the bed. From series of 6 magazines. print maker: France (possibly)after own design by: Francepublisher: Paris paper etching

Design for an Epitaph 1660 Jean Lenfant French Print with a design by the French sculptor Nicolas Blasset for a wall-mounted epitaph with a female bust and two pleurants in the shape of winged putti or angels. Various funerary monuments by Blasset have survived, but this design appears to be a generic model that could be appropriated for use by colleagues. In the center a large compartment is left clear where the inscription can be added, and below the compartment a blank shield indicates where a coat of arms could be placed. The print was acquired as part of a portfolio containing drawings and prints recording designs for funerary monuments and altars. While part of the drawings are sewn together in a quire, the group as a whole seems to have been compiled at a later date.. Design for an Epitaph 656749

Subsema with oval painting, Jean Lepautre, After c. 1665 - Before 1742 print Painting with Jupiter who takes Bacchus with them while Semele dies burning. With rebellion and side uprising, both with plans. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Fireplace with vases. Design for a fireplace with three vases on the left and a fireplace with a lion on the right.

Credens with crockery; Johann Jacob Schüblers Achtzehende Ausgabe Seines Vorhabenden Werchs, Warrings Vorgestellet became Sechserley Neu-Inventirte Credences, und Modern Caffé-Tical (...). An ornamented Craden or coffee table filled with crockery is in a corner between two windows. The furniture has left and right candlesticks and is awarded a vase. A five-line German text in the undermarge.

Wall Elevation with a Double Door, from 'Wandfüllungen' ca. 1748-70 Franz Xavier Habermann German Wall elevation in Rococo style with a double door in the center. Over the door there is an overdoor painting showing a landscape. The walls on either side of the door are decorated with rocaille ornaments which were presumably to be executed in (gilt) stucco.. Wall Elevation with a Double Door, from 'Wandfüllungen' 428504

Project for an Alter, Black chalk, pen and ink, brush and watercolor on paper, Elevation of an alter under an arch. At top, a broken pediment with a figural group on a cloud. Below, two angels frame a blank oval. Below, a vertical rectangle is flanked by double columns and sculptural figures., Italy, 1750-1775, religion, Drawing, Drawing

Pedestal with chain balls and guns; Footpoints; S Architecture Propre A Differens Usages Comme Poële Piedestal. A pedestal with a smoke vase, garland and a medallion with women's portrait and profil, above three upright cannon lovers and chain balls.

Burning fireplace with schedule, Georg Lichtensteger, after Johann Jakob Schübler, in or after 1724 print A burning ornamented fireplace with a grid and ash shelter. In the lower margin a six -line German text. Augsburg paper etching / engraving open hearth, fire-place. rocaille ornament

Design by Jean le Pautre. Édouard Baldus (French, born Germany, 1813 - 1889)

Speculum Romanae Magnificentiae, Antonio Lafreri, 1512-1577, French, 1546-1590, Line engraving on medium, slightly textured, cream laid paper

October, Johann Esaias Nilson, 1766 print In a rocaille frame with garlands a performance with grape pickers. A man and woman greet each other. Behind them is a man on a ladder, he picks grapes. In the foreground, a woman lifts a basket with grapes off the ground. In the lower margin a four -line French text. Augsburg paper etching / engraving October and its 'labours'. vintage, grape harvest. saluting

Subsema with Keizersbuste, Jean Lepautre, After 1665 - Before 1716 print The lower bosom is between two arches that offer a view of a gallery. From the second edition of series of sheets with lower bosoms and wooden paneling. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

States of Holland, States-General, Vondel, Joost van den, Verhulst, Rombout, Campen, Jacob van, Amsterdam, Dalen, Cornelis van (II), Tomb of Admiral Maarten Harpertsz. Tromp in the Old Church in Delft, verso - stamped, Tomb of Admiral Maarten Harpertsz. Tromp in the Old Church in Delft. Statue of the fallen admiral in armor lying on a tomb with the naval battle at Terheide on the frieze. Against the wall a marble relief with putti with coats of arms and armor flanked by columns and militaria. On top of the frame crowned with a coat of arms held by griffins and flanked by tritons or mermen. On the base of the mausoleum a verse in eight lines by Joost van den Vondel., print, prent, prints, prenten, height 648 mm, width 413 mm, Noord-Nederlands, 1638-12-28 - 1664-10-09, print maker, printmaker, 1656 - 1664, paper, papier, engraving, engraving (printing process), Work conception, 1595 - 1657-09-13, after a design by, 1624-01-15 - 1698-11-27, after an image by, 1587-11-17 - 1679-02-05, writ

Drawing, Design for a Fountain with Papal Keys; Italy; pen and black ink, brush and gray wash, traces of graphite on off-white laid paper

Copper engraving after 1617 depicting triumphal arches in Wroclaw honoring Emperor Ferdinand II during homage to the Silesian stands on September 21, 1617.

Fifteenth Worksbook of J. Meissonnier: Cabinet of Comtebielinski; Fifteenth Worksbook of J.A. Meissonnier.Fifteenth Worksbook of J.A. Meissonnier: Eerste Blad: Schoorsteen in Lambrizering in Count Count Bielinski (Fuhring 90)

Wszyscy Święci w MNK Weger, August (1823 1892), Łepkowski, Ludwik (1829 1905), Stwosz, Wit (Ca 1447 1533), Rzewuski, Walery (1837 1888)

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