River Landscapes

Artworks portraying serene river scenes with boats and fishermen, highlighting tranquil waters and natural settings from historical perspectives.

Amsterdam, Blaeu, Cornelis, Johannes Willemszoon, Vlieger, Simon de, Savery, Salomon, Festivities during the visit of Maria de' Medici to Amsterdam in 1638, Spelevaart op het IJ, 1638, Spelevaart op het IJ. A large number of all kinds of vessels on the water, in the foreground a yacht with the queen and guests. At the top the old and the new coats of arms of the city of Amsterdam. Plate no. 15 in the illustrations in the description of the festivities during the visit of Maria de' Medici to Amsterdam, 31 August - 5 September 1638., print, engraving, book illustration, prints, engravings, Frederik Muller History plates, in the foreground a yacht with the queen and guests. Top left the coat of arms of the city, top right the city seal. Numbered lower right: 15. Plate 15 of the illustrations accompanying the description of the festivities surrounding the visit of Maria de Medici to Amsterdam from 31 August to 5 September 1638., height 295 mm, width 648 mm, Noord-Nederlands, 1594 - 1683-10

River view with landed sailing ships. Wooden house at a pier with landed sailing ships and right in the foreground a rowing boat with three men in it. Links below the show two sketchy etched figures.

River landscape with fishermen, fish baskets and sailing ships, draughtsman: Cornelis Pronk, (possibly), 1701 - 1759, paper, pen, brush, h 118 mm × w 167 mm

Utrecht, Melder, Gerard, River landscape with swimmers, verso - stamped, print, prints, height 123 mm, width 148 mm, 1693-07-17 - 1754-04-16, print maker, printmaker, 1703 - 1754, paper, papier, etching, etchings

View of Sloterdijk, near Amsterdam, Roelant Roghman, c. 1650, draughtsman: Roelant Roghman, Sloterdijk, c. 1650, paper, pen, brush, h 111 mm × w 221 mm

Harbor with a village on a cliff, Reinier Nooms, 1656 print Haven scene with a number of small boats and three large sailing ships. A village on the cliff on the coast. Netherlands paper etching coastal cliff or crag. harbour. village

Levant sunlight. (Robert-Dumesnil 15; MANNOCCI 15) Claude Gell�e (said Lorrain) (around 1600-1682). The rising sun. (Robert-Dumesnil 15, Mannocci 15). Etching. 1634. Museum of Fine Arts in the city of Paris, small palace.

Amsterdam, Blaeu, Cornelis, Johannes Willemszoon, Vlieger, Simon de, Savery, Salomon, Festivities during the visit of Maria de' Medici to Amsterdam in 1638, Spelevaart op het IJ, 1638, Spelevaart op het IJ. A large number of all kinds of vessels on the water, in the foreground a yacht with the queen and guests. At the top the old and the new coats of arms of the city of Amsterdam. Plate no. 15 in the illustrations in the description of the festivities during the visit of Maria de' Medici to Amsterdam, 31 August - 5 September 1638., print, engraving, book illustration, prints, engravings, Frederik Muller History plates, in the foreground a yacht with the queen and guests. Top left the coat of arms of the city, top right the city seal. Numbered lower right: 15. Plate 15 of the illustrations accompanying the description of the festivities surrounding the visit of Maria de Medici to Amsterdam from 31 August to 5 September 1638., height 295 mm, width 648 mm, Noord-Nederlands, 1594 - 1683-10

February; February; The twelve months, with village scenes. A boat on the water at stormy weather at Kampen in the Zuiderzee, representing the month of February. At the top of the stars belonging to this month: fish. Second print from a series of twelve.

Jan Josefoz Van Goyen (1596-1656). "View of the Le Merwede river near Dordrecht". Plume, black stone and gray wash, 1649. Museum of Fine Arts of the city of Paris, Petit Palais. 38162-12 Boat, merwede, river, sail, mill

Sailing ships and a sloop off Dordrecht On the Merwe off Dordrecht , print maker: Izaak Jansz. de Wit, (mentioned on object), intermediary draughtsman: Martinus Schouman, (mentioned on object), Haarlem, 1801, paper, etching, h 208 mm × w 235 mm

A mill on a pushber to river. A mill on a pushber to river

View of Church and Beach Van Scheveningen, Leendert Brasser, After Jan van Goyen, 1737 - 1793 print paper etching beach. sailing-ship, sailing-boat. fisherman Scheveningen

Hendrick Avercamp, Scene with a Tower to the Left, c 1620 Scene with a Tower to the Left

View of a village with a stone bridge, where there is activity on the quay and on the water, representing the month of April. On the left a woman with a flower seller, on the quay a fisherman and on the water a rowing boat with a couple and lots of household goods. At the bottom the astrological symbol of the constellation bull. Print from a series of twelve, Village scene with activity on the water: April Aprilis The twelve months (series title) Duodecim anni mensium (series title), print maker: Jan van de Velde (II), Jan van de Velde (II), Reinier Telle, Northern Netherlands, 1608 - 1618, paper, etching, h 162 mm × w 218 mm

Village by a river, draughtsman: Thomas Heeremans, 1679, paper, pen, h 190 mm × w 274 mm

. A Vlaardinger Hoeker while fishing by English hijackers the beach at Scheveningen hunted, January 7, 1781. The beach at Scheveningen with a furious crowd at the fishing vessel.

Face in Leiderdorp ..

Faces on Emmerik on the Rhine, 1736, Paulus van Liender, after Jan de Beijer, 1762 print Two faces on the German city of Emmerik, located on the Rhine. In the foreground lands with cattle and farmers. Two performances of one plate. paper etching landscapes with waters, waterscapes, seascapes (in the temperate zone). prospect of city, town panorama, silhouette of city Emmerik. Rhine

View of the village of Harlebeeck, Gilles Neyts, 1665 drawing parchment (animal material). ink pen prospect of village, silhouette of village Harelbeke

Claude Lorrain (French, 1604 - 1682). Seaport with a Round Tower, 1635-1636. Etching.

San Giorgio Maggiore sight; Marieschi, Michele (1710-1744); 1741-1742 (1st edition) (1741-00-00-1742-00-00);Smolikowski, Seweryn (1850-1920), Smolikowski, Seweryn (1850-1920)-collection, Venice (Italy), Italy (state), gift (provenance), genre scenes, WDUTY

Brooklyn (L.I.). 1801 - 1886. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. New York (State) , History, Brooklyn (New York, N.Y.)

View of the Spaarne, Jan Vincentz. van der Vinne, After Laurens Vincentz. van der Vinne, 1688 - 1690 print View of the Spaarne in Haarlem. In the foreground a moored rowing boat at a house. A man gives instructions for loading on the balcony. On the river three swans and another rowing boat with a company. Numbered in the bottom right: 9. Haarlem paper etching rowing-boat, canoe, etc.. river. index finger forwards, pointing, indicating Saving

Lulworth Cove, Dorset, William Bernard Cooke, 1778-1855, British, after Joseph Mallord William Turner, 1775-1851, British, 1812-1812, Line engraving and etching, engraver's proof on thick, slightly textured, cream, wove paper, with cream, chine colle, Sheet: 11 7/8 × 17 1/4 inches (30.2 × 43.8 cm), Plate: 8 1/8 × 10 5/8 inches (20.6 × 27 cm), Chine collé: 8 1/16 × 10 9/16 inches (20.5 × 26.8 cm), and Image: 5 11/16 × 8 9/16 inches (14.4 × 21.7 cm)

View of a river landscape where a barge, containing two figures, lies on the water's edge. In the background a mill and the outline of a church., Barge on the Waterfront, print maker: Hermanus Jan Hendrik van Rijkelijkhuysen, (mentioned on object), Utrecht, 1823 - 1883, paper, etching, drypoint, h 80 mm × w 120 mm

River landscapes. Plate 3. Untitled. prints, etchings, landscapes, works on paper

View of the Binnen -Amstel and the Amstelluizen, Jan van Call (I), 1694 - 1697 print Numbered in the bottom right: 8. paper etching city-view, and landscape with man-made constructions. canals, waters (in city). sluice, weir Binnen-Amstel. Amstelluizen

The Sunrise. Lorrain, Claude Le (1600 aut 1604-1682), graphic artist

View of Delft, Jan van Goyen, 1652, draughtsman: Jan van Goyen, 1652, paper, brush, h 119 mm × w 197 mm

Figures on the ice near Spaarnwoude, seen from the north-east. In the background on the right Haarlem with the St. Bavo church. Print from a series of eight, View of Spaarnwoude with ice skaters Oblong landscapes (series title), print maker: Jan van de Velde (II), Northern Netherlands, 1603 - 1641, paper, etching, h 150 mm × w 405 mm

View over the water of Dordrecht, Jan van Goyen (possibly), 1606 - 1656, draughtsman: Jan van Goyen, (possibly), 1606 - 1656, paper, brush, h 98 mm × w 177 mm

Village NearWater. Artist: Unknown After: Jan van Goyen, Dutch, 1596-1656

City on the water, Hendrik Abraham Klinkhamer, 1845 drawing paper. ink. watercolor (paint). pencil brush / pen river. prospect of city, town panorama, silhouette of city

Winter. Dated: 1649. Dimensions: sheet: 15 x 24.3 cm (5 7/8 x 9 9/16 in.) (cut to platemark). Medium: etching and engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Conrad Meyer.

Dordrecht from the Merwede, ca. 1790; Dordrecht van de Merwe to see / La Ville Dordrecht - Prise du Coté Dela Riviere Dite La Merwe.view of Dordrecht from the Merwede, ca. 1790. Part of a Sheet Metal from Approx. 1824-1825 With 74 (Unnumbered) Plates of the Most Important Topographic Faces and Various Morals and Habits in the United Kingdom of the Netherlands.

Coastal landscape with ruins, Cornelis Claesz van Wieringen (attributed to), 1590 - 1633, draughtsman: Cornelis Claesz. van Wieringen, (attributed to), draughtsman: Gerrit Willemsz. Horst, draughtsman: Gerard ter Borch (I), (rejected attribution), 1590 - 1633, paper, pen, h 148 mm × w 223 mm

unknown, Paris, Bonenfant, Antoine, Antwerp, Bril, Paul, Nieulandt, Willem van (II), Italian landscapes, Landscape with the expulsion of Hagar and Ishmael, verso - stamped, In an Italian landscape Abraham stands next to Hagar and Ishmael. Hagar has a jug in one hand and holds a cloth against her face with the other. In the background a bay with a rocky coast. Barges lie in the water. Print from a series of Italian landscapes., print, prints, height 226 mm, width 304 mm, Northern Netherlands, 1584 - 1635, print maker, printmaker, 1594 - 1635, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, 1554 - 1626-10-07, after a design by, Publication (Event), Publication, publisher, uitgever, Publicatie, granter van privilege

L'Embarquement des Marchandises (The Embarkation of Goods), from Paysages Gravés pour Jean de Médicis appelées aussi Paysages Dessinés a Florence, Vues de Florence, Paysages d'Italie, et Paysages Définitifs (Landscapes Engraved for Giovanni de'Medici, Landscapes Designed in Florence, Views of Florence, Landscapes of Italy, and Definitive Landscapes) ca. 1618 Jacques Callot French. L'Embarquement des Marchandises (The Embarkation of Goods), from Paysages Gravés pour Jean de Médicis appelées aussi Paysages Dessinés a Florence, Vues de Florence, Paysages d'Italie, et Paysages Définitifs (Landscapes Engraved for Giovanni de'Medici, Landscapes Designed in Florence, Views of Florence, Landscapes of Italy, and Definitive Landscapes). Paysages Gravés pour Jean de Médicis appelées aussi Paysages Dessinés a Florence, Vues de Florence, Paysages d'Italie, et Paysages Définitifs. Jacques Callot (French, Nancy 1592-1635 Nancy). ca. 1618. Etching; second state of three (Lieure). Israël Henriet (Frenc

Prieur, Jean-Louis (n.1759-D.1795-05-07), the port of Brest. The insurrection of the Leopard and America vessels, September 6, 1790. Drawing for the 44th board of the historical paintings of the French Revolution (1791-1817). (Dummy title), 1790. Lead mine, blur, enhanced in black ink and wash. Carnavalet museum, history of Paris.

A rowboat full of men in center, a group of men standing on shore at left, a ship full of men, one firing a pistol, at right, from 'Set of eight nautical landscapes' (Suite de huit Marines) 1639 Stefano della Bella Italian. A rowboat full of men in center, a group of men standing on shore at left, a ship full of men, one firing a pistol, at right, from 'Set of eight nautical landscapes' (Suite de huit Marines) 412394

View of Grave, Noord-Brabant, Barend Klotz (attributed to), 1674 drawing Grave paper. ink pen / brush prospect of city, town panorama, silhouette of city. church (exterior) Grave

Sunset above a mill on a river with ship, Matthäus Merian (I), 1603 - 1650 print paper etching watermill. watermill. landscapes with waters, waterscapes, seascapes (in the temperate zone). ships (in general)

Italian harbor with fantasy architecture, Abraham Storck, 1675, draughtsman: Abraham Storck, 1675, paper, pen, brush, h 172 mm × w 163 mm

On the sailboat are two figures. On the shore a palace or mosque. Sailing boat off Mansoura Massoure. Between Damiate and Cairo Egyptian-Geigns second six Egyptian-Geigns , print maker: Leendert de Koningh, (mentioned on object), Otto Baron Howen, (mentioned on object), printer: Steuerwald & Co., (mentioned on object), Egypte, printer: Dordrecht, 1828, paper, h 245 mm × w 330 mm

Fishermen with their rowing boat on the Spaarne near Haarlem, Allaert van Everdingen, 1648 - before 1652, draughtsman: Allaert van Everdingen, 1648 - before 1652, paper, brush, h 113 mm × w 168 mm

Hondius, Hendrick (I), Amsterdam, Baudous, Robert de, River view with ships, verso middle - stamped, River view with three ships and a rowing boat. People are walking along the water. In the background a village with mills. Below the print a Latin verse of two columns, each with two lines., print, prent, prints, prenten, height 218 mm, width 355 mm, 1574 - 1659, print maker, prentmaker, 1603 - 1603, first quarter 17th century, first quarter of the 17th century, paper, engraving, engraving (printing process), Publication (Event), Publication, Northern Netherlands, 1573-06-09 - 1650-10-25, publisher

Village Shrinking, draughtsman: Jan de Beijer, 11-Sep-1750, paper, pen, brush, h 129 mm × w 223 mm

Het Canal Grande Te Venetië, Dionigi Valesio, After Francesco Guardi, 1737 - 1766 print View of the Canal Grande with different gondolas and boats in Venice. print maker: Italyafter drawing by: Italyafter painting by: ItalyVenice paper etching landscapes. canal. hôtel, i.e. small palace in city Canal Grande. Venice

s Lands Zeemagazijn after the fire, 1791, Jan Bulthuis, 1791, Ruin of 's Lands Zeemagazijn at Amsterdam after the great fire on July 6, 1791. Design for a print., draughtsman: Jan Bulthuis, (signed by artist), Amsterdam, 1791, paper, pen, brush, h 182 mm × w 274 mm

Faces on Emmerik on the Rhine, 1736; The city of Emmerik van de Landzijde 1736 / Emmerik aan den Rhyn 1736. Two faces on the German city of Emmerik, located on the Rhine. In the foreground farmlands with cattle and farmers. Two representations of one plate.

Landscape with figures in a barge: September, Jan van de Velde (II), 1608 - 1618 print A landscape with figures with cargo in a barge pulled by a rider on a towpath, representing the month of September. A castle in the middle. At the bottom of the astrological symbol of the constellation Libra. Print from a series of twelve. Northern Netherlands paper etching landscape symbolizing September. Libra (zodiacal sign of September). tow-boat, towing-barge. towing path. landscape with tower or castle

Deux galériens debout et un troisième assis au bord de la mer. 1601 - 1700. Della Bella, Stefano, 1610-1664. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

The album of the views from Italy Hotel in The Villa of Rome in San Lucca. unknown

The Small Port. Dated: probably c. 1630. Dimensions: plate: 11.7 x 24.9 cm (4 5/8 x 9 13/16 in.). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

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Ships at a bridge in a city, Jacob de Vos (1735-1833), After Herman Saftleven, 1814 drawing paper. pencil brush village. ships (in general)

Johan Barthold Jongkind, Impressionist Landscape, Antwerp, 1868, etching.

Haven van Tarente, Giovanni de Grado, After Jacob Philipp Hackert, In or After 1789 print View of the port of Tarente, a city in southern Italy. Numbered below: No. 2. print maker: ItalyNaples paper engraving / etching city-view, and landscape with man-made constructions. river. harbour Tare

View of Cape Town, South Africa, 17th century illustration

February, Jan van de Velde (II), 1618 print A boat on the water in stormy weather at Kampen in the Zuiderzee representing the month of February. At the top of the constellation belonging to this month: fishing. Second print from a series of twelve. paper etching / pen ships (in general). landscape symbolizing February. Pisces (zodiacal sign of February) Match

The Port, Hamburgh, Print made by Robert Wallis, 1794-1878, British, after Robert Batty, 1789-1848, British, ca. 1840, Line engraving on medium, slightly textured, cream wove paper

Harbour scene with a lighthouse, 1638-1641, by Claude Lorrain, Claude Lorrain.

River view on the Vecht. Draughtsman: Jacob Esselens. Dating: 1636 - 1687. Measurements: h 76 mm × w 201 mm. Museum: Rijksmuseum, Amsterdam.

Reinier Nooms, called Zeeman, Nieuwmarkt with St Anthoniswaag (S Anthoni s Marckt met de Waegh) Nieuwmarkt with St. Anthoniswaag (S. Anthoni s Marckt met de Waegh)

Coastal face with the kidnapping of Europe, Richard Earlom, After Claude Lorrain, 1775 print London paper etching coast - HH - ideal landscapes. sea (seascape). Europa and her maidens play with the bull, and/or adorn it with flowers

Harbor Scene with a Lighthouse. Claude Lorrain; French, 1600-1682. Date: 1638-1641. Dimensions: 145 × 204 mm (sheet, cut within platemark). Etching on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

Winter landscape with skaters, draughtsman: Jacob Ernst Marcus, 29-Nov-1789, paper, pen, brush, h 167 mm × w 190 mm

Ships about land pulled and an ethnicity; L'Arte di render I Fiumi Navigabili, in Varij Modi, Con Altre Nuove Inventioni, E Varij Altri Segreti. Three representations of ships pulled over land to other water and a ship pulled over an oversome. Numbered upper left and top right: 30.

The Tower of London, William Miller, 1796-1882, British, after Joseph Mallord William Turner, 1775-1851, British, 1831, Line engraving, first published state on moderaely thick, moderately textured, cream, wove paper, with cream, chine colle, Sheet: 11 5/16 × 14 15/16 inches (28.7 × 37.9 cm), Plate: 4 7/8 × 7 7/16 inches (12.4 × 18.9 cm), Chine collé: 4 9/16 × 7 3/16 inches (11.6 × 18.3 cm), and Image: 3 × 4 5/8 inches (7.6 × 11.7 cm)

Rafters with crew will anchor in harbor Dordrecht The Netherlands, Carel Frederik Bendorp (I), 1785

Prospect of London from Whitehall to Whitefriars Stairs taken during the reign of James I, Richard Sawyer, active 1820-1830, after Claus Jansz Visscher, 1586-1652, Dutch, 1809, Engraving, Sheet: 12 5/8 x 10 3/16in. (32.1 x 25.9cm)

Sailing boats on the water for a Dutch town. Draughtsman: Nicolaas Wicart. Dating: 1758 - 1815. Measurements: h 201 mm × w 301 mm. Museum: Rijksmuseum, Amsterdam.

View of Oudeschild on Texel, Theodorus de Roode, after Pieter Jan van Cuyck, 1789 - 1800 print Face from the Wadden Sea on the contours of the village of Oudeschild on Texel. In the foreground different boats and on the right a road along the waterfront. print maker: Rotterdampublisher: Delft paper etching road, path. prospect of village, silhouette of village. sailing-ship, sailing-boat Oudeschild

Havenpoort van Harlingen, ca. 1790; De Haven Poort te Harlingen / Vue de la porte au port à harlingen - premier port dela Frise.Face in the port of Harlingen with portport and in the foreground The Frisian Statenkacht, ca. 1790. Part of a sheet metal from approx. 1824-1825 with 74 (unnumbered) plates of the most important topographic faces and various morals and habits in the united Kingdom of the Netherlands.

James McNeill Whistler (American, 1834 - 1903), Thames Police, 1859, etching and drypoint

Sailing ship on a river, probably the IJssel, 1833 Also studies of men's heads and horses. Leaf 24 Verso from a sketchbook with 41 sheets. paper. pencil river. sailing-ship, sailing-boat. horse. adult man. head (human)

River Scene. Artist: Anonymous, Dutch, 17th century. Dimensions: 3 3/4 x 6 1/16 in. (9.5 x 15.4 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), views of sea ports. Tour de Calais. Third issue of a series of 8 rooms. (A. de Vesme 796; dutuit 134) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Sketching draftsman on the Hoogendijk, outside the Haarlemmer Poort, Jan Hulswit, 1776 - 1822 drawing paper. ink pen / brush windmill in landscape. draughtsman at work - CC - out of doors Zandhoek. Amsterdam

Batterij te Ouderkerk, 1787. Afbeelding van de Vlot Batteryen en eenige losse stukken te Ouderkerk 1787 (title on object). Tekeningen van de batterijen rondom Amsterdam in 1787 (series title). Draughtsman: anonymous. Dating: 1787. Place: Northern Netherlands. Measurements: h 220 mm × w 303 mm. Museum: Rijksmuseum, Amsterdam.

Strasbourg. Artist: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Dimensions: Plate: 2 1/16 × 4 1/2 in. (5.2 × 11.4 cm). Series/Portfolio: German Views, Twelve plates. Date: 1629.A wooden bridge of two spans crossses a river on which two cabined barges are rowing. The cathedral can be seen in the distance thru the span on the left. Museum: Metropolitan Museum of Art, New York, USA.

View of the Chinese city of Tianjin, Petrus Schenk (Possible), 1702 print View of the port of Tianjin, with a few (European) sailing ships, and buildings in the background. paper engraving / etching reception ~ ambassador. guard of honour Tianjin

View of Dordrecht from the water. Draughtsman: Jan van Goyen (possibly). Draughtsman: Aelbert Cuyp (rejected attribution). Dating: 1647. Measurements: h 104 mm × w 160 mm. Museum: Rijksmuseum, Amsterdam.

Schaep, Henri Adolphe, Sailing ships and sloops at the quay near a village, verso - stamped, print, prints, height 138 mm, width 215 mm, Belgian, 1826-01-03 - 1870-06-06, print maker, printmaker, 1856 - 1856, paper, papier, etching, etchings

The Omval, Rembrandt van Rijn, 1645 print. fragment paper. ink etching / drypoint / pen Outfall, the

Port face. Port face with a tower and ships on the water. In the foreground a mated sailing ship and a group of figures on the land. Numbered at the bottom right: 14.

Bliżej Kultury H. Kleinmann & Co Haarlem, Bisschop, J. de (1646 1686)

Fishermen by Moonlight. Draughtsman: Hendrick Avercamp (mentioned on object). Dating: 1595 - 1634. Measurements: h 144 mm × w 195 mm. Museum: Rijksmuseum, Amsterdam.

Winter landscape with skating riders, Jacob Ernst Marcus, 1789 drawing paper. ink. pencil pen / brush ice ~ freezing weather. winter sports

William Miller, 1796-1882, British, The Tower of London, 1831. Line engraving, engraver's proof on moderately thick, slightly textured, cream, wove paper, with cream chine colle.

George Cooke, 1781-1834, British, Westminster from Vauxhall, 1827. Engraving.

Venice, Senate of Venice, Italy, Guardi, Francesco, Valesio, Dionigi, The Grand Canal in Venice, verso - stamped, View of the Grand Canal with various gondolas and boats in Venice., print, prints, height 401 mm, width 638 mm, Italian, 1730 - 1780, print maker, printmaker, 1737 - 1766, paper, etching, etchings, 1712-10-05 - 1792-01-01, intermediary draughtsman, after a drawing by, after, after a painting by, granter of privilege

Rhine, Rembrandt van, The Fall, fragment of the print, verso lower left - stamped, print, fragment, prints, Rembrant. 1645, lower right, height 93 mm, width 143 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1645 - 1645, second quarter 17th century, paper, ink, etching, etchings, drypoint, dry needle, pen, Work conception, after own design by

View of Nieuwendam during the flood in 1825, Anonymous, 1825 - 1830 drawing paper. ink brush / pen rescue work during a flood Nieuwendam

Waterloo, Antonie, work, Water-conducting ladder, (1000 - 2000), etching, graphic, 9.7 cm x 14.3 cm

James McNeill Whistler, Thames Police, 1859 Thames Police

Düsseldorf, Hartogensis, Joseph, Road along a river, verso - stamped, print, prints, height 73 mm, width 109 mm, Dutch, 1822-05-07 - 1865-07-16, print maker, printmaker, 1850 - 1850, paper, papier, chine collé, etching, etchings

Yacht Tavern, Erith. Francis Seymour Haden; English, 1818-1910. Date: 1865. Dimensions: 238 × 277 mm (image/plate); 260 × 388 mm (sheet). Etching from a zinc plate on ivory China paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

South Sea Fishers 1850 Charles Meryon French. South Sea Fishers 371654

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