Renaissance Portraits

An array of oil portraits capturing prominent figures from the Renaissance, various techniques showcasing intricate details and expressions.

Portrait of Girolamo Savonarola by unknown painter, oil on wood, circa 1500, Florentine School, England, London, National Gallery, 21,2x16,5

Bishop Altobello Averoldo. Dated: c. 1505. Dimensions: painted surface: 52.8 x 40 cm (20 13/16 x 15 3/4 in.) overall (with unpainted edges): 54 x 40.8 cm (21 1/4 x 16 1/16 in.) framed: 73.3 x 60.6 x 5.4 cm (28 7/8 x 23 7/8 x 2 1/8 in.). Medium: oil on poplar panel. Museum: National Gallery of Art, Washington DC. Author: FRANCESCO FRANCIA.

Juan Luis Vives (1492-1540), Valencian scholar and humanist. Location: PRIVATE COLLECTION. Sevilla. Seville. SPAIN.

Antonello da Messina (Messina 1430 - Messina 1479). Ritratto di giovane. 1478. oil on walnut board cm 20,4x14,5.

Portrait of a young man. Portrait of a young man. Bust, to the left, on the head a black hat. Fake in the way of Filippino Lippi.

Portrait of Engelbert II, Count of Nassau, Master of the Portraits of Princes, c. 1480 - c. 1490 painting Portrait of Engelbert II (1451-1504), count of Nassau, lord of Breda. Regent over all the Netherlands in the name of Philips de Schone. Halved, to the left, a falcon on the right hand. Around the neck the chain of the Order of the Golden Fleece. With integrated list. painter: Southern Netherlandspainter: Brussels (possibly) drager: panel. oil paint (paint) painting predatory birds: falcon. knighthood order of the Golden Fleece - insignia of a knighthood order, e.g.: badge, chain (with NAME of order). historical persons

Portrait or Frank van Borselen, Lord or Sint Maartensdijk and Stadtholder or Holland, Fourth Husband or Jacoba or Bavaria, Countess of Holland and Zeeland (Jacqueline, Countess of Hainaut), Anonymous, After c. 1480 painting Portrait of Frank van Borselen (dec. 1470). Fourth husband of Jacoba van Beieren. Stadholder of Zeeland. Halved, standing behind a wooden leaf, slightly to the left. Around the neck a chain with the cross of the Order of St. Antonius. The family crest. Sixteenth-century copy to the original from around 1435. Pendant of SK-A-498. Northern Netherlands panel. oil paint (paint) historical persons

Portrait of Girolamo Savonarola by unknown painter, oil on wood, circa 1500, Florentine School, England, London, National Gallery, 21,2x16,5

'Portrait of a Man Holding a Carnation'. Netherlands, 16th century. Dimensions: 39,8x32 cm. Museum: State Hermitage, St. Petersburg. Author: Netherlands artist. 16th century.

The cavalier. Dating: 1870 - 1900. Measurements: h 82.5 cm × w 66 cm. Museum: Rijksmuseum, Amsterdam. Author: Louis Mettling.

Francesco d'Este (born about 1429, died after July 20, 1486) ca. 1460 Rogier van der Weyden Netherlandish The son of Leonello d'Este, ruler of Ferrara, Francesco received his education at the court of Philip the Good, duke of Burgundy. The hammer and ring may be jousting prizes or symbols of power, and the unusual white background could refer to the Este familys livery colors (white, red, and green). Rogier van der Weyden was one of the most influential painters of the fifteenth century. The elegant, stylized lines of the sitters face and hands are among the qualities that established Rogiers supremacy as a court portraitist in the Netherlands.Reverse:The Este family coat of arms and crest on the reverse of the panel emphasize the heraldic quality of the portrait. The inscription, "v[otre tout…francisque" (entirely yours, Francesco), forms a dedication to the portraits recipient, perhaps a friend or member of Philip the Goods court. The "m" and "e" stand for "marchio estensis," t

Portrait of a Man Wearing the Order of the Annunziata of Savoy. Artist: French Painter (first quarter 16th century). Dimensions: 14 1/4 x 11 in. (36.2 x 27.9 cm). Museum: Metropolitan Museum of Art, New York, USA.

Portrait of an Unknown Man with a Letter. Date/Period: 1485/1489. Painting. Oil on panel. Width: 250 mm. Height: 350 mm. Author: Hans Memling Memling.

Sandro Botticelli, Italian (1446-1510), Giuliano de' Medici, c. 1478-1480, tempera on panel

Portrait of Philip the Good (1396-1467) by Weyden, Rogier van der, (Workshop) / Groeningemuseum, Bruges / after 1450 / The Netherlands / Oil on wood / Portrait / 22,4x32,6 / Early Netherlandish Art

Young man, 1475-1500, by Sandro Botticelli (1445-1510). Italian Renaissance. Louvre Museum. Paris. France.

JUAN I DE PORTUGAL- MAESTRE DE LA ORDEN DE AVIS -RETRATO SIGLO XV - OLEO SOBRE MADERA. Location: MUSEO DE ARTE ANTIGUO. LISBOA. PORTUGAL.

'Portrait of a Man'. Italy. Dimensions: 105x83 cm. Museum: State Hermitage, St. Petersburg. Author: Giulio Campi ( ).

RUBENS, Peter Paul (1577-1640). Thomas More. 16th c. Copy from Holbein's work. Flemish art. Oil on canvas. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Prado Museum.

Portrait of A Haarlem Citizen, Jan van Scorel, 1529 painting Portrait of a man. Bust, slightly to the left, in a black tabbard trimmed with fur, a black beret on the head. A note is painted under the list. Haarlem drager: panel. oil paint (paint) painting head-gear: cap (+ men's clothes). anonymous historical person portrayed

Anonymous portrait tradtionally attributed to Pedro Berruguete (15th c.). The obverse of the canvas has a representation of Lamenation over the Dead Christ. Renaissance art. Oil on wood. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Làzaro Galdiano Foundation.

Saint Cosmas (or Damian). Dating: 1460 - 1480. Measurements: h 49.5 cm × w 33 cm; d 5.5 cm. Museum: Rijksmuseum, Amsterdam. Author: Bartolommeo Vivarini (attributed to).

Matteo Olivieri (). Dated: 1430s. Dimensions: overall: 48 x 34.1 cm (18 7/8 x 13 7/16 in.) framed: 77.5 x 64.5 x 7 cm (30 1/2 x 25 3/8 x 2 3/4 in.). Medium: tempera (and oil) on panel transferred to canvas. Museum: National Gallery of Art, Washington DC. Author: Florentine 15th Century.

'Portrait of Mary of Hungary (governor of the Netherlands)'. Netherlands, 1530s. Dimensions: 38,4x27,8 cm. Museum: State Hermitage, St. Petersburg.

Sir Thomas More Hans The Younger Holbein C. 1497-1543 German

Portrait of Joris van Egmond. Portrait of Joris van Egmond (1504-1559). Dating: c. 1535 - c. 1540. Place: Utrecht. Measurements: support: h 57.2 cm × w 80.8 cm; frame: h 79 cm × w 101.5 cm × t 5.8 cm. Museum: Rijksmuseum, Amsterdam. Author: JAN VAN SCOREL.

Portrait of Engelbrecht II, Count of Nassau, Master of the Portraits of Princes, Anonymous, c. 1480 - c. 1490

Charles VII, King of France 1450, Fouquet, Jean, 1450.

Thomas Cranmore, Gerlach Flicke, 1545-1546,

Hans Memling, Portrait of a Man with an Arrow, c 1470 1475 Portrait of a Man with an Arrow

Portrait of a man reading. Date/Period: Ca. 1480. Painting. Oil on panel. Height: 45 cm (17.7 in); Width: 32.5 cm (12.7 in). Author: Hans Memling.

Portrait of Martin Luther (1483-1546), Cranach, Lucas, the Elder (1472-1553)

Portrait of Charles I by Rogier van der Weyden, Oil on wood, 1460, circa 1399-1464, Germany, Berlin, Staatliche Museen, 49x32

Attributed to Bartholomaeus Bruyn, the Elder, Portrait of a Man, c 1530 1540 Portrait of a Man

Portrait of Hans Tucher , Fine Art

Portrait of Philip I de Croy (1435_1511) by Weyden, Rogier, van der (ca. 1399-1464) / Royal Museum of Fine Arts, Antwerp / ca 1460 / The Netherlands / Oil on wood / Portrait / 49x30 / Early Netherlandish Art

'Martin Van Nieuwenhoven', 1487, (1927). Artist: Hans Memling

Federigo Gonzaga (1500-1540). Artist: Francesco Francia (Italian, Bologna ca. 1447-1517 Bologna). Dimensions: Overall 18 7/8 x 14 in. (47.9 x 35.6 cm); painted surface 17 3/4 x 13 1/2 in. (45.1 x 34.3 cm). Date: 1510.The great Renaissance collector Isabella d'Este, marquess of Mantua, commissioned this charming portrait of her son Federigo Gonzaga to console her when he was taken to the papal court in Rome as hostage. It was painted by Francia as the young heir passed through Bologna, and was so admired that Isabella had to reclaim it from some papal courtiers. Federigo's black hat and gold-embroidered gown were much in vogue, and his gaze is exceptionally sweet for a fifteenth-century portrait. Soon after Isabella finally received the portrait she gave it away in response to an unexpected gift from a gentleman in Ferrara who had sent her a magnificent book of sonnets. Museum: Metropolitan Museum of Art, New York, USA.

Dôrer, Albrecht (1471-1528) National Gallery, London Painting 51x40,3 Portrait The Painter's Father

Portrait of Grand Duke Piero the Unfortunate by Domenico Ghirlandaio, tempera on panel, 1449-1494, Private Collection

Portrait of a man. Dating: c. 1910 - c. 1935. Measurements: h 42.5 cm × w 32 cm; d 4 cm. Museum: Rijksmuseum, Amsterdam. Author: Melozzo da Forlì (manner of).

Hans Holbein the Younger (1497-1543) was anoutstanding artist of German Renaissance. He spent early half of life in Basel, where he was friends with Erasmus, whose Praise of Folly he iillustrated and of whom he painted many portraits. He became painter to Henry VIII in 1535. Among his best paintings are George Gisze, The Ambassadors, Jane Seymour, Anne of Cleves, Erasmus, and Sir Henry Wyatt. This painting, titled Sir Richard Southwell,is a striking portrait of one of Holbein's contemporaries. Itwas Sir Richard Southwell who did much to bring about the fall of Sir Thomas More. The paiting dates to 1536.

Portrait of Girolamo Benivieni (1453-1542) by Ghirlandaio, Ridolfo (1483-1561)/ National Gallery, London/ Between 1515 and 1520/ Italy, Florentine School/ Oil on wood/ Renaissance/ 70,5x56,2/ Portrait

Portrait of a young senator, ca 1485-1490, by Giovanni Bellini (1431-36 - 1516), oil on panel, 35x26.4 cm.

Portrait of Cardinal Bernardo Dovizi Bibbiena ca. 1514-1516 Raphael (1483-1520 Italian) Oil on canvas Palazzo Pitti, Palatina Gallery, Florence

Portrait of a Man, by DÙrer Albrecht, 16th Century, 1500-1510, board,

Baudoin de Lannoy, Eyck, Jan van, 1435.

Rafael Santi PortraT Kardynała Scarramuccia Trivulzio; Prado, Madryt. Karta No. 490 W: The galleries of Europe. Painting of old masters in the colors of the originals. Volume 6, publisher of E. A. Seemann, Leipzig 1910. Publisher by A.E. Seemann in Leipzig, Santi, Raffaello (1483 1520)

CHRISTOPHER COLUMBUS Italian navigator

The cosmographer Sebastian Munster. (1489-1552). 1552. (Chistoph Amberger; after 1500 -1561 / 62 Augsburg)

Portrait of a Donor. Dated: c. 1470/1475. Dimensions: painted surface: 25.7 x 20.6 cm (10 1/8 x 8 1/8 in.) overall (panel): 27.2 x 22.2 cm (10 11/16 x 8 3/4 in.) framed: 43.5 x 38.1 x 6.9 cm (17 1/8 x 15 x 2 11/16 in.). Medium: oil on hardboard transferred from panel. Museum: National Gallery of Art, Washington DC. Author: Follower of Dirck Bouts.

Portrait of Sir Richard Southwell, Holbein, Hans, the Younger, 1530.

Antonello da Messina (Messina 1430 - Messina 1479). Ritratto duomo. about 1470. oil on walnut board cm 30,5x26,3 .

Portrait of aMan. Artist, copy after: Albrecht Dürer, German, 1471-1528

Portrait of A Man, Perhaps Rembrandt's Father, Harmen Gerritsz van Rijn, Rembrandt van Rijn (Copy After), 1730 - 1774 painting Portrait of an old bald man, perhaps Rembrandt's father, Harmen Gerritsz van Rijn. Bust to the left, in a cloak with fur collar. panel. oil paint (paint) anonymous historical person portrayed. old man

EL CARDENAL TAVERA - SIGLO XVI. Author: ALONSO BERRUGUETE (1488-1561). Location: HOSPITAL TAVERA-HOSPITAL DE SAN JUAN BAUTISTA. Toledo. SPAIN. JUAN DE TAVERA. CARDENAL TAVERA. PARDO DE TAVERA JUAN.

Portrait of Frederick III, Elector of Saxony (1463-1525) by Albrecht Dürer (1471-1528) a painter, printmaker and theorist of the German Renaissance. Dated 16th Century

Portrait of a young man, 1475. By Sandro Botticelli (1445-1510). Italian School. Oil on canvas. Louvre Museum. Paris. France.

Saint Hieronymus. Dutch school. 15th-16th cenury. 48x43 cm. Madrid, Prado museum. Spain. Author: Jacob Cornelisz van Oostsanen. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. SAN JERONIMO CARDENAL.

Portrait of a Young Man. Artist: Hans Memling (Netherlandish, Seligenstadt, active by 1465-died 1494 Bruges). Dimensions: Overall 15 3/4 x 11 3/8 in. (40 x 29 cm); painted surface 15 1/8 x 10 3/4 in. (38.3 x 27.3 cm). Date: ca. 1472-75.One of the most sought-after Netherlandish portrait painters of his time, Memling's meticulous attention to detail is notable in the remarkable naturalism of the sitter's physiognomy and the texture of his velvet, fur-trimmed tunic. The young man was likely one of the many Florentine visitors to, or residents of, Bruges, several of whom commissioned portraits from the artist. It appears that shortly after it was painted, the panel was sent to Florence, where it provided inspiration to Italian artists, who deeply admired Netherlandish painting. A Madonna and Child (Louvre, Paris) painted about 1476-77 and variously attributed to Verrocchio and Ghirlandaio, includes the same landscape vista and classicizing columns. The Italianate columns, which indicate M

Portrait of a Man, by Lotto Lorenzo, 1543 - 1545, 16th Century, oil on canvas. Italy: Lombardy: Milan: Brera Art Gallery. Whole artwork. Half-length figure of a man black overcoat/overgarment headdress/headgear face bent to the left beard and moustache

RETRATO DE JUAN GUAS (/1495) - ARQUITECTO Y ESCULTOR ESPAÑOL. Location: INSTITUTO DE ESPAÑA. MADRID. SPAIN.

Portrait of Sigismund I the Old (1467-1548), king of Poland. Dürer, Hans (1490-1534/1535), painter

Head Saint Jost. Rogier van der Weyden (1399/1400-1464) Early Netherlandish painter.

Portrait of Frans Overrijn van Schoterbosch (c. 1484-). Dating: c. 1525 and/or c. 1620. Place: Northern Netherlands. Measurements: support: h 39 cm × w 29 cm; d 2 cm. Museum: Rijksmuseum, Amsterdam. Author: ANONYMOUS (COPY AFTER). Cornelis Engelsz. (attributed to).

Hans Memling, Portrait of a Man with an Arrow, Netherlandish, active c. 1465 - 1494, c. 1470-1475, oil on panel

Portrait of a Young Man', c1480-1485. Artist: Sandro Botticelli. Sandro Botticelli was an Italian painter of the Early Renaissance. He belonged to the Florentine School under the patronage of Lorenzo de' Medici.

Franciabigio (1482-1525) National Gallery, London Painting 60,3x45,7 Portrait Portrait of a Knight of Rhodes

Portrait of a Cardinal, by Raffaello Sanzio da Urbino, also Raffael da Urbino, Raffaello Santi, Raffaello Sanzio, Raffael, Italian painter, Italy, digitally restored reproduction of a work of art (public domain) from c. 1500, Europe

GONZALO FERNANDEZ DE CORDOBA - EL GRAN CAPITAN 1453/1515 - MILITAR AL SERVICIO DE LOS REYES CATOLICOS. Location: BIBLIOTECA COLOMBINA. Sevilla. Seville. SPAIN.

Porträt eines Bildhauers, Gemälde von Andrea del Sarto, eigentlich Andrea dAgnolo di Francesco di Luca di Paolo del Migliore, geb. 16. Juli 1486 in Gualfonda, Florenz gest. 29. September 1530 in Florenz, Maler der italienischen Renaissance, digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert, historisch

Filippino Lippi (1457-1504). Italian painter. Portrait of a youth, 1484-1485. Gemaldegalerie. Berlin. Germany.

Nicolas Copernicus (1473-1543) Polish astronomer. Heliocentric system of the universe. Anonymous 16th century portrait

Bartolomeo Veneto, Portrait of a Gentleman, c 1520 Portrait of a Gentleman

Portrait of a Young Man Holding a Medallion, Botticelli, circa 1480-1484, Metropolitan Museum of Art, Manhattan, New York City, USA, North America

FRAILE - DET DE LA CABEZA. Author: FRANCISCO DE ZURBARAN. Location: MUSEO DE CADIZ-BELLAS ARTES. Cadiz. SPAIN.

Jean CARONDELET, 1469-1544, Dutch clergyman, who accompanied the future Charles V into Spain, detail of diptych, 1517

The cavalier, Louis Mettling, 1870 - 1900

Portrait of a young man approx. 1480-1485, Portrait of a Young Man, paintings by Sandro Botticelli March 1, 1445 - 1510, one of the most important Italian painters and draftsman of the early Renaissance, historical, digitally restored reproduction of a template, Record date not stated

Portrait of Jan de Leeuw, by Jan van Eyck (1390-1441).

Portrait of Mercurino Gattinara, by Jan Cornelisz Vermeyen (c. 1530) Mercurino Arborio marchese di Gattinara (June 10, 1465 - June 5, 1530) was an Italian statesman and jurist. Gattinara was a Christian, humanist, imperialist, and conservationist. He was made a Cardinal of the Roman Catholic Church in 1529.

Portrait of Philipp Melanchthon. Date/Period: 1537. Oil on beech wood. Height: 35.9 cm (14.1 in); Width: 23.3 cm (9.1 in). Author: Lucas Cranach the Elder.

A Member of the de Hondecoeter Family obverse. Dated: 1543. Dimensions: painted surface: 24.5 x 18.8 cm (9 5/8 x 7 3/8 in.) overall (panel): 25.6 x 20.1 cm (10 1/16 x 7 15/16 in.). Medium: oil on panel. Museum: National Gallery of Art, Washington DC. Author: Probably Antwerp 16th Century.

'Head of Christ', 1491-1510, Oil on panel, 36,9 x 30,1 cm. Author: DIRK BOUTS (1410-1475) DIERIC. Location: CATEDRAL-CAPILLA REAL-INTERIOR. GRANADA. SPAIN.

MALEVICH , KASIMIR. PINTOR RUSO . 1878 - 1935. " AUTORRETRATO " , OLEO SOBRE LIENZO , AÑO 1933. MUSEO ESTATAL RUSO . SAN PETERSBURGO.

Desiderius ERASMUS, 1469-1536 Dutch humanist and Renaissance scholar, 1523

Portrait of Arent Franchkensz van der Meer, Lord of Pendrecht, Called Malicious Aertje; Portrait of Arent Franchkensz van der Meer, Lord of Papendrecht, Called Malicious Aertje.Portrait of Arent Franchkensz van der Meer (Dec. 1503), Mr. Van Pendrecht, Dijkgraaf and Baljuw van Delfland and the Schout van Delft, Nicknamed 'Quaet Aertje'. Bust, a stick in the right hand and a carnation in the left hand. At The Top Left The Family Crest. With Integrated List. Pendant or SK-A-4716.

Painting by Piero della Francesca, Pietro di Benedetto dei Franceschi, also known as Pietro Borghese (born around 1410-1420 in Borgo San Sepolcro. Buried 12 October 1492 in the same place), Italian painter of the early Renaissance, depicted is Federico da Montefeltro (born 7 June 1422 in Gubbio. June 1422 in Gubbio. 10 September 1482 in Ferrara), one of the most successful condottieri of the Italian Renaissance and Duke of Urbino, Historical, digitally restored reproduction from a 19th century original, Record date not stated

H.Pleydenwurff, Georg von Loewenstein - -

FRAY PEDRO DE OÑA OBISPO DE GAETA. Author: FRANCISCO DE ZURBARAN. Location: AYUNTAMIENTO. Sevilla. Seville. SPAIN.

'Portrait of Raphael', c1505, (c1912). Artist: Raphael.

Self-portrait 1558 Simon Bening Netherlandish Written in gold on a red background is an inscription that identifies this miniature as a self-portrait of the famous Bruges illuminator, Simon Bening: "Simon Bennik, the son of Alexander, painted this himself at the age of 75 in 1558."Simon Bening became one of the most famous illuminators of the sixteenth century. He spent his early years in Ghent or Antwerp, probably working under the tutelage of his father, the illuminator Alexander Bening. Simon moved to Bruges permanently in 1517, where over time he headed a large and flourishing workshop. Although Bening was much admired in his day and widely imitated, his artistic personality has yet to be thoroughly studied.This miniature painting has attracted considerable interest in art history as an early self-portrait of an artist. Bening portrays himself, spectacles in hand, seated before a wooden easel. The easel holds a drawing of the Virgin and Child; along its left edge, small ledges hold

Portrait of a man. (Domenico Puligo 1492 Florence by Florence in 1527)

Bernhard von REESEN, 1491-1521, Danzig merchant, Antwerp, 1521. Durer records in his diary that in March 1521, he 'made a portrait of Bernhart von Resten in oils', and was paid 8 florins. His young sitter died 7 months later of the plague

fine arts, renaissance, painting, middle class couple, unknown artist, casein coloures on wood, Uim 1479, Bavaria National Museum, Munich, Germany, portrait, people, fashion, 16th century,

Nicolas Copernicus, Polish astronomer, 16th century. Artist: Anon

FERDINAND II, 1452-1516 King of Aragon, painted 1859

Portrait of Paracelso. 17th c. Flemish copy of an original by Quintin Massys. Flemish art. Oil on canvas. FRANCE. LE-DE-FRANCE. Paris. Louvre Museum.

Portrait of King Richard III dated late 16th century

Henri d'Albret (1503-55), King of Navarre 1556 Léonard Limosin Léonard Limosin was the greatest enamel painter working in the style of the School of Fontainebleau, Italian Mannerists and French artists active at the French court from about 1530 to 1570. Limosin's enameled portraits are numerous, and he has been ranked, along with Jean Clouet (1486-1540) and Corneille de Lyon (before 1500-1574), as the best portrait painter of Renaissance France. This plaque, one of at least six based on a drawing attributed to Limosin (Bibliothèque Nationale, Paris), portrays the brother-in-law of the French king, François I (1497-1547), who ruled the independent kingdom of Navarre from 1518 until 1555.. Henri d'Albret (1503-55), King of Navarre. Léonard Limosin (ca. 1505-1575/1577). French, Limoges. 1556. Enamel, painted on copper and partly gilded. Enamels

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