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Religious Statues and Icons

Historic religious figures and statues, showcasing craftsmanship from various cultures and time periods, including representations of the Virgin and Child and evangelists.

The Virgin and Child with St Anne, Master of Koudewater (follower of), c. 1480 - c. 1490 She stands on a ground with the right leg slightly forward, holds the frontal Mary with the right hand against her and has an open book on the left. Head and can are focused on Maria. With the right hand, he holds the child sitting right and with the left his right foot. It has a grape vocker in his hands. Anna wears a child corner and a headscarf over a cap. A robe falling in vertical folds is top on the ground, but releases the right shoe point. The cloak hangs from the shoulders, which is absorbed under the left arm. Maria wears a cloak over a robe with embroidered neck, which partially covers the wavy hair and struck over the knees. On the hair is one must for a crown. A cloth about the child's loins. Northern Brabant oak (wood) She stands on a ground with the right leg slightly forward, holds the frontal Mary with the right hand against her and has an open book on the left. Head and can are fo

Evangelist. .

Mourning Virgin, c. 1250-1275. Spain, Kingdom of Castile and Leon, 13th century. Polychromed oak; overall: 151.2 x 33 x 21.6 cm (59 1/2 x 13 x 8 1/2 in.).

Virgin and Child. Culture: French. Dimensions: Overall: 36 x 10 1/2 x 7 1/4in. (91.4 x 26.7 x 18.4cm). Date: 14th century. Museum: Metropolitan Museum of Art, New York, USA.

Virgin and Child mid-15th century North Netherlandish Offering a bunch of grapes symbolizing the Eucharist, this Virgin and Christ child must have originally been set in the center of a tabernacle. More complete tabernacles including episodes of the life of Christ on the wings seem to have been a specialty of the vicinity of Utrecht.. Virgin and Child 467620

Saint Matthias () ca. 1500 North Netherlandish. Saint Matthias () 463839

The Virgin and Child with St Anne, Master of Koudewater (follower of), c. 1480 - c. 1490 She stands on a ground with the right leg slightly forward, holds the frontal Mary with the right hand against her and has an open book on the left. Head and can are focused on Maria. With the right hand, he holds the child sitting right and with the left his right foot. It has a grape vocker in his hands. Anna wears a child corner and a headscarf over a cap. A robe falling in vertical folds is top on the ground, but releases the right shoe point. The cloak hangs from the shoulders, which is absorbed under the left arm. Maria wears a cloak over a robe with embroidered neck, which partially covers the wavy hair and struck over the knees. On the hair is one must for a crown. A cloth about the child's loins. Northern Brabant oak (wood) She stands on a ground with the right leg slightly forward, holds the frontal Mary with the right hand against her and has an open book on the left. Head and can are fo

Saint Luke late 15th century German. Saint Luke 468781

Bodhisattwy Guanyin; Yuan era (1271-1368) (1271-00-00-1368-00-00);Awalokiteśwara, Bodhisattwa, Guanyin, Chinese Buddhism, mercy, statues, sculptures, Chinese art, purchase (provenance)

Virgin and Child ca. 1350 French The Virgin is shown with a crown and scepter as the Queen of Heaven. Her scepter, depicted as a rose branch, alludes to the homily of the Virgin as the rose without thorns (or without sin) or as the rose of Jericho that sprang up at the resting places of the Holy Family during the Flight into Egypt. The dove held by the Christ Child represents peace, purity and the Holy Spirit. This work, with its elegant proportions and horizontal, looping drapery folds, is related in style to a large sculpture of the Virgin and Child given to the abbey of St.-Denis in 1340 by Jeanne d'Evreux, the widowed queen of Charles IV. Her tiny book of hours can be found in The Cloisters Treasury.. Virgin and Child. French. ca. 1350. Marble with gilding. Made in Champagne, France. Sculpture

Monastic Saint. Culture: Netherlandish (). Dimensions: Overall: 39 x 10 1/2 x 7 3/4 in. (99.1 x 26.7 x 19.7 cm). Date: ca. 1480. Museum: Metropolitan Museum of Art, New York, USA.

Saint Ursula and her Virgins, Hendrik Douverman, c. 1520 With the weight on her left leg and the right, the holy is placed diagonally forward on a ground that is overgrown with grass. She reads in a pouch book that she holds in the left hand. She probably held an arrow in her other hand. At her feet are in two groups, of three and four, her cozets. The two outer figures pull the slips of Ursula's cloak around them. Right behind a seventh figure is hiding. Ursula wears a dress with a square necklace, including the pleated shirt; A scarf around the means. On the long, wavy hair a beret, decorated with two rows of beads and a large spring. The cozets wear about the same dresses. The woman on the far right in the left group has a headdress of braided branches. Gets up oak (wood) With the weight on her left leg and the right, the holy is placed diagonally forward on a ground that is overgrown with grass. She reads in a pouch book that she holds in the left hand. She probably held an arrow i

Virgin and Child late 15th century probably Italian, Florence Some variations of this figure have different bases, and sometimes the Madonna appears standing on a crescent moon, with a crow or halo over her.. Virgin and Child 207599

Two Bodhisattvas, anonymous, c. 1275 - c. 1350 Standing monk, one of the Judaideshi (a group of 10 monks of high rank, disciples of the Buddha Shakyamuni). Wood with residues of lacquer and linen. The hands and front of the feet are missing. Japan wood (plant material). lacquer (coating). linen (material) Standing monk, one of the Judaideshi (a group of 10 monks of high rank, disciples of the Buddha Shakyamuni). Wood with residues of lacquer and linen. The hands and front of the feet are missing. Japan wood (plant material). lacquer (coating). linen (material)

Virgin and Child, anonymous, before 1875 Maria with child. Netherlands oak (wood) Maria with child. Netherlands oak (wood)

Virgin andChild. Artist: Unknown

Virgin and Child ca. 1275-1325 East French or German. Virgin and Child 468341

St Bridget, Master of Elsloo (circle of), c. 1510 - c. 1520 She stands on a ground with the curved left leg forwards and with curved arms; She keeps their heads aside. Her long robe with wide sleeves hangs above the left trip; The cloak, which is absorbed under the left arm, falls over the knee. A bottom is visible at the wrists. She is wearing Kindoek and Veil, over which 'leather' with the five red discs (symbol of the five wounds of Christ) have been laid. Two legs of lost animal (pigeon) On her right shoulder. A tiara is standing in front of her in point shoes and tripping. Meuse-Rhine area oak (wood) She stands on a ground with the curved left leg forwards and with curved arms; She keeps their heads aside. Her long robe with wide sleeves hangs above the left trip; The cloak, which is absorbed under the left arm, falls over the knee. A bottom is visible at the wrists. She is wearing Kindoek and Veil, over which 'leather' with the five red discs (symbol of the five wounds of Christ)

Saint John theBaptist. Artist: Unknown

Columnar Figure of an Apostle, c. 1180. France, Champagne, Chlons-sur-Marne, 12th century. Limestone; overall: 97.8 x 24.1 cm (38 1/2 x 9 1/2 in.).

Probably French 19th Century, The Virgin of the Annunciation, 19th century The Virgin of the Annunciation

Virgin with Child, ca. 1500-1510. Carving in polychrome wood. Moszczenica, Poland. Silesian Museum. Katowice. Poland.

Saint Fiacre. Culture: British or French. Dimensions: Overall: 16 x 5 1/8 x 1 7/8 in. (40.6 x 13 x 4.8 cm). Date: mid-15th century.Holding a shovel in one hand, Saint Fiacre is presented as the patron saint of gardeners. According to the legend of this seventh-century saint, Fiacre earned the right to establish a hermitage and a hospice for the poor after single-handedly clearing an entire forest in one day. Famed for growing many different kinds of vegetables and herbs in his garden in Meaux, France, he made and dispensed many herbal remedies. Credited with miraculous cures, Saint Fiacre was particularly renowned for curing hemorrhoids. Devotion to the saint and his relics was predictably strong at the monastery he founded near Brie in the diocese of Meaux.While the English city of Nottingham was renowned for its production of alabaster carvings in the fifteenth century, the stone was also quarried in the same period at Meaux. Just before 1500, the city's bishop commissioned an alabas

Grafbeeld van een hoogwaardigheidsbeklede.A set group of figures was positioned just outside the burial chamber in Tang tombs. This consisted of two guardians, two earth spirits and two officials, such as this individual. The bird on his headdress may have indicated his rank. Tomb figures were always colourfully painted. Gilding was applied only to the most expensive examples.

Sculpture of a Deacon Saint. Ca.1300. Group of Saint-Bertrand-de-Comminges, France. Gothic style. Birch wood with polychrome remains. Probably from Parish Church of Sant Esteve de Tredos (Val Aran). National Art Museum of Catalonia. Barcelona. Catalonia. Spain.

Virgin of Sorrows. Gervais Delabarre (circle of) (France, Le Mans, circa 1570-1644). France, Le Mans, circa 1630. Sculpture. Earthenware with traces of polychromy

Statuette of Bodhisattva China. Statuette of Bodhisattva 61626

Saint Elizabeth of Hungary, c. 1515. Mätthaus Kreniss (German). Lindenwood with polychromy and gilding; overall: 131.8 x 53.3 x 28.3 cm (51 7/8 x 21 x 11 1/8 in.).

Virgin of Carmen with the Christ Child (Virgen del Carmen con el Niño Jesús). Unidentified artist. Peru, Huamanga, 18th century. Sculpture. Huamanga stone (alabaster), with residues of original gilding and polychromy

Men's figure of Faience, Anonymous, 1760 - 1785 FaaMence men's figure, representing an apostle (Andreas) that stands next to his cross. Multicolored painted. Delft . FaaMence men's figure, representing an apostle (Andreas) that stands next to his cross. Multicolored painted. Delft .

Apostle (St Andrew), anonymous, c. 1500 - c. 1525 Northern Brabant (possibly) oak (wood) Northern Brabant (possibly) oak (wood)

Virgin and Child 1650-1750 Flanders. Boxwood .

Virgin and Child ca. 1250 North French The affection displayed by Mother and Child became increasingly popular in northern Europe in the thirteenth century. In a variation of an iconic Byzantine image known as the Virgin Eleousa, the Virgin is portrayed receiving a tender touch on the chin. This statuette was originally set into a protective tabernacle.. Virgin and Child 464137

Jizô Bosatsu. unknown, craftsman

St. Catherine of Alexandria early 16th century German. St. Catherine of Alexandria 467607

SAN JOSE. Location: PRIVATE COLLECTION. MADRID. SPANIEN. SAN JOSE ESPOSO DE LA VIRGEN MARIA.

Saint Margaret. Brussels, early 16th century. Oak. Museum Schnu_tgen. Cologne, Germany.

Virgin and Child 19th century European (Medieval style). Virgin and Child 467509

Three Marys from the crucifixion group. Master of the Rimni Crucifixion, sculptor

Saint Peter as the First Pope. Pine partially covered with canvas, gesso and paint. Spanish, Catalonia, from the Parish Church of Bellpuig, Lenda. Carved before 1343. Identified by his papal tiara, the apostle Peter wears an ornately decorated ecclestaic vestment.

Virgin and Child ca. 1640-50 Circle of Pierre Biardeau. Virgin and Child 196435

Standing Virgin and Child probably early 20th century (late 13th century style) Italian. Standing Virgin and Child 467725

Statue of a Mourning Woman. Unknown

Virgin and Child, Jan van Doorne (III) (attributed to), c. 1650 Mechelen boxwood (hardwood) cutting Mechelen boxwood (hardwood) cutting

Virgin and Child with Saint Anne, 1500-1525. Andrea Sansovino. Sansovino was the leading Venetian sculptor of the Renaissance, though his fame was overshadowed by that of his contemporary, Michelangelo. The subject of St Anne with her daughter, the Virgin and the Christ Child in Italian Renaissance art is best known through several paintings by Leonardo da Vinci from which Sansovino's treatment is ultimately derived.

INMACULADA CONCEPCION LLAMADA LA CIEGUITA - 1629/1631 - CEDRO DE LA HABANA - ALTURA 164 CM - BARROCO ESPAÑOL. Author: Juan Martínez Montañés. Location: CATEDRAL-INTERIOR. Sevilla. Seville. SPAIN.

Saint Anthony the Abbot (251-356). Christian monk. Statue by Jaume Cascalls (active between 1341-1377), ca.1350. From the Church of Saint Anthony of La Figuera (Lleida province). National Art Museum of Catalonia. Barcelona. Catalonia. Spain.

Sitting bishop with opened book on the knees. His head is missing ...

Saint Mary Magdalen ca. 1350-75 Attributed to Jean de Liège Franco-Netherlandish Originally from a group of sculptures depicting the Holy Women at the Sepulchre, this figure exhibits a softer approach to the drapery and is less refined than carvings assigned to Jean de Liège.. Saint Mary Magdalen 466331

Italy, Amalfi, Duomo di San Andreas, wooden sculpture of St Elias

Devotional Statuette of the Virgin and Child ca. 1250-70 French As in the contemporary ivory statuettes displayed nearby, the tender exchange of gestures and glances indicates a remarkable intimacy in this group. The statuette was probably originally set into a protective tabernacle.. Devotional Statuette of the Virgin and Child 464597

St. James the Great ca. 1500 North Netherlandish. St. James the Great 463832

Vergoldete Statue der Jungfrau Maria in Graz, Österreich Gilded statue of Virgin Mary in Graz, Austria LicenseRF Copyright: xZoonar.com/ZvonimirxAtletix 23371206

French 14th Century, Seated Apostle, 14th century Seated Apostle

Saint John the Baptist - Figure from the Group of the Baptism of Christ

Our Lady of Sorrows from the Church in Rzepiennik Biskupi unknown

St Anne with the Virgin and Child, 1500-1550. German School. The theme of three generations of the Holy Family, grandmother, mother and child, was popular in Northern Europe and especially Germany in the 15th and 16th century. Christ is depicted as a plump young child with his hand raised in blessing. The pomegranate held by the child and the Virgin is a Christian symbol of the Resurrection, due to its classical association with Proserpine, the daughter of the corn goddess Ceres, who returned each spring to regenerate the earth. It also has associations with the Virgin's chastity.

Virgin And Child. Maria is slightly forward with the left knee. The head is slightly directed aside, to the child, that she wears on the right arm. The child is dressed in a long shirt and keeps his arms forward. Maria bears a band in the hair outstanding and falling over the shoulders. On the pleated and condensed, she carries a wider to the ground suspended mantle. This is held together by an agrave for the chest, has been led to the left and recorded on her right side, releasing the left shoe point.

Franciscan Nun (one of a pair) ca. 1765 Höchst Manufactory. Franciscan Nun (one of a pair). German, Höchst. ca. 1765. Hard-paste porcelain. Ceramics-Porcelain

Maria met kind, anonymous, c. 1500 - c. 1550 The image consists of four cast parts, which are framed or punched out: Mary, her left hand with the Christ child, her right hand and the crown. The standing Maria is the largest part. She wears a cover that is held together by a gords and a cloak. The figure is provided to hollow and lower and top of openings. The left hand with the Christ child and the right hand are connected to the Mary by means of a screw. The right hand enclosed a scepter, which has been lost. The loose crown is equipped with three holes, which correspond to the holes in the head of Maria. Northern Netherlands (possibly) brass (alloy) casting The image consists of four cast parts, which are framed or punched out: Mary, her left hand with the Christ child, her right hand and the crown. The standing Maria is the largest part. She wears a cover that is held together by a gords and a cloak. The figure is provided to hollow and lower and top of openings. The left hand with

SANTO TORIBIO (LLAMADO ALFONSO DE MOGROVEJO)- S XVII- ESCULTURA BARROCA-MADERA POLICROMADA. Author: GREGORIO FERNANDEZ. Location: CATEDRAL. ASTORGA. LEON. SPAIN.

Virgin and Child, Rombout Verhulst, c. 1655 Image of ivory of a madonna (Maria with child) on a black lacquered base of wood, decorated at the front with a leg -cut garland Amsterdam ivory. wood (plant material). bone (material). paint (coating) cutting / lacquering Image of ivory of a madonna (Maria with child) on a black lacquered base of wood, decorated at the front with a leg -cut garland Amsterdam ivory. wood (plant material). bone (material). paint (coating) cutting / lacquering

Image of the Blessed Virgin with the Christian. Image of the Blessed Virgin with the Christ Child. Only the front. Gypsum casting. The form is located in the municipal collection in Utrecht.

Virgin of the Annunciation. Culture: North French School. Dimensions: Overall: 7 9/16 x 1 13/16 x 1 13/16 in. (19.2 x 4.6 x 4.6 cm). Date: ca.1250-1300.This exceptionally elegant figure would have originally been accompanied by an angel within an architectural setting. Museum: Metropolitan Museum of Art, New York, USA.

A bodhisattva, anonymous, 618 - 906 Bodhisattva from the cave temples of Tianlongshan (cave No.14); Head, hands and feet are missing; Traces of painting in red. Tianlongshan sandstone Bodhisattva from the cave temples of Tianlongshan (cave No.14); Head, hands and feet are missing; Traces of painting in red. Tianlongshan sandstone

Saint Barbara. Culture: German. Dimensions: 50 1/4 × 17 × 13 1/4 in., 63 lb. (127.6 × 43.2 × 33.7 cm, 28576.613g). Date: ca. 1490.This well-preserved figure of Saint Barbara came from the central shrine of the high altarpiece of the church of Saint Mauritius on the east side of the Rhine River, south of Strasbourg. The central shrine was dismantled prior to the early seventeenth century, and the sculptures were consigned to the charnel house in Kippenheim. The now-dispersed figures and the painted wings have survived, allowing for the reconstruction of the altarpiece. Dedicated to the Virgin, the central and larger group of the Virgin and Child occupied a niche of extended height and was flanked by Saints Mauritius and Catherine on the left and Saints Barbara and Gregory the Great on the right. The outer wings represented the Annunciation and the Visitation, and the inner wings showed the Nativity and the Adoration of the Shepherds. This sculpture retains much of its original paint a

VIRGEN CON EL NIÑO - DETALLE - SIGLO XIV - TALLA EN MARFIL - CONJUNTO Nº 3413. Author: ESCUELA FRANCESA. Location: MUSEO LAZARO GALDIANO-COLECCION. MADRID. SPAIN. INFANT JESUS. VIRGIN MARY.

BARCELONA. MUSEO MARES. MADRE DE DIOS CON NIÑO. SIGLO XIII.

The Virgin Annunciate late 15th century After an original by Benedetto da Maiano Italian Formerly believed to be a sketch model for the Virgin in Benedetto da Maiano's marble altarpiece of the Annunciation in the Terranova Chapel in the Church of Monte Oliveto, Naples. Now believed to be a cast after this altarpiece rather than a study for it.. The Virgin Annunciate 192724

Virgin of the Annunciation ca.1250-1300 North French School This exceptionally elegant figure would have originally been accompanied by an angel within an architectural setting.. Virgin of the Annunciation 467745

Mary with the Child. unknown, author

Figurine a deity sitting in armor with a sword unknown

Virgin and Child. 15th century. Polychrome wood. Silesian Museum. Katowice. Poland.

Anonymous / 'Virgin of the Annunciation'. XIV century. Wood. Museum: Museo del Prado, Madrid, España.

Saint Giles and the Hind. In the Middle Ages, there were countless saints who could protect believers from every disease or disaster. Saint Giles, dressed and shorn like a Benedictine monk, was the patron saint of hunters, foresters, archers and cattle dealers. The hind (red deer) recalls one of his legendary deeds: he protected the animal from the arrows shot by a king out hunting.

Mourning Virgin from a Crucifixion Group 16th century Netherlandish. Mourning Virgin from a Crucifixion Group 207641

Virgin with child , Romanesque, 12th century, Diocesan Museum of Jaca, Huesca, Spain.

VIRGEN CON EL NINO. Author: Juan Martínez Montañés. Location: MONASTERIO DE SAN ISIDORO DEL CAMPO. SANTIPONCE. Seville. SPAIN. INFANT JESUS. VIRGIN MARY.

Standing Virgin and Child German 19th century (second half of 15th century style)

'Christ the Good Shepherd'. 1844. Dimensions: height: 106 cm. Museum: State Hermitage, St. Petersburg.

Kneeling angel with a candlestick. .

Virgin and Child. Pyrenees, c 1225. walnut with traces of polythromy. The Virgin is seated with the Christ Child on her lap. Here she is more than merely the mother of Jesus, she is the symbolic throne on which the child sits, the incarnation of divine wisdom; the sedes saplentlae. Together with carved Crucifixes, this is one of the earliest subjects of free-standing sculpture during the Middle Ages.

. Standing Daruma.

Portugal: An image of Santa Barbara (Saint Barbara) and her tower from Recolhimento das orfas de Nossa Senhora da Esperanca (Our Lady of Hope's Gathering of Orphaned Girls), now in the Museu da Misericordia do Porto, Porto. Saint Barbara was an early Christian Greek saint and martyr. She is often portrayed with a tower. As one of the Fourteen Holy Helpers, Barbara is a popular saint, perhaps best known as the patron of armourers, artillerymen, military engineers, miners and others who work with explosives because of her legend's association with lightning, and also of mathematicians.

Romanesque art in the National Art Museum of Catalonia,Barcrelona,Mother of God from the descent of Durro (second half twelfth century). Boí valley.

Double Headed Buddha. The Mongol period of Khara-Khoto, Mongolia. (1227-end of the 14th century). Clay, straw, traces of painting and gilding. The State Hermitage Museum. Saint Petersburg. Russia.

Angel of the Annunciation. Culture: Italian. Dimensions: Overall: 37 1/2 x 14 3/4 in., 155lb. (95.3 x 37.5 cm, 70307.5g). Date: 1430-40.This image of archangel Gabriel was originally paired with a depiction of the Virgin Mary, whom he addresses. Though its subject is impending birth, it may once have decorated a tomb. In Venice and Verona, the area from which this sculpture comes, a number of intact tombs include an angel of the Annunciation and the Virgin at either side, emblematic of the Christian story of salvation through Jesus. Museum: Metropolitan Museum of Art, New York, USA.

VIRGEN DEL SAGRARIO - SIGLO XIII - TALLA ROMANICA RECUBIERTA DE PLATA. Location: CATEDRAL-INTERIOR, TOLEDO, SPAIN.

Female Saint, anonymous, , c. 1520 Female saint. Brabant walnut (hardwood) Female saint. Brabant walnut (hardwood)

Netuske with Fox from the Kyōgen Play "Hakuzōsu" 19th century Japan. Netuske with Fox from the Kyōgen Play "Hakuzōsu" 60379

Relief from a Crucifixion Group 14th century () North French, British or Netherlandish (). Relief from a Crucifixion Group 464167

Padmapani.Sculpture of a standing padmapani (Avalokiteshvara) with back plate.

Yan dehui (n eN 1915). "Guanyin". Buis. Xxe s. Paris, Muse Cernuschi. Guanyin Asian art, statuette, 20th XXth XX 20th 20th 20th century

Blessing Bishop (Saint Nicholas of Bari) ca. 1350-75 Central Italian The bishop's chasuble, the principal vestment worn by a priest, is represented with a black orphrey ornamented with a series of quatrefoils. The top medallion shows Christ with his hand raised in benediction, while the others contain letters that spell AVE MARIA. The grandeur and nobility of this figure, a rare example of Gothic wood sculpture from Italy, results from the careful balance of the elements of the bishop's vestmentsthe tall miter and the long elliptical drapery foldswith the attenuated proportions, the frontality of the pose, the authority of the facial expression, and the refinement in the painted surfaces, especially on the face and beard.. Blessing Bishop (Saint Nicholas of Bari) 472312

Holy Pope, c. 1500 - c. 1520 The figure that ends at the medicine has bent the arms next to the body. The face shows a slightly crooked mouth, folds next to the eyes and a chin. He is wearing a tiara with hanging buildings, a choir shirt, above which the amict protrudes, and a choral cover in front of the chest held together. Utrecht oak (wood) The figure that ends at the medicine has bent the arms next to the body. The face shows a slightly crooked mouth, folds next to the eyes and a chin. He is wearing a tiara with hanging buildings, a choir shirt, above which the amict protrudes, and a choral cover in front of the chest held together. Utrecht oak (wood)

Standing Buddha ca. 8th century Korea. Standing Buddha 57371

Seated Figure of Guanyin on Rock Base with Carved Armrest China. Seated Figure of Guanyin on Rock Base with Carved Armrest 41967

Frans van Ursel, Wooden church statue: angel, sculpture sculptures oak wood, V. Ussel fecit (Van Ussel made this) church communion bank religion Roman Catholicism Roelofarendsveen Van Ussel The angels flanked the communion bench in the church of St. Petrus' Banden in Roelofarendsveen.

Santa Cruz La Laguna, Solola, Guatemala. Statue of a saint in a small church. (Editorial Use Only)

VIRGEN SEDENTE CON NINO-S XVIII-MADERA POLICROMAD. Location: MUSEUM OF FINE ARTS. Malaga. SPAIN. INFANT JESUS. VIRGIN MARY.

The Archiepiscopal Palace ; Built In 16th Century ; UNESCO World Heritage Site ; Old Goa ; Velha Goa ; India

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