Religious Engravings

Intricate engravings representing biblical stories and allegorical scenes, emphasizing spiritual themes and dramatic expressions.

Personification of the soul with faith, hope and love, Cornelis van Caukercken, after Anthony van Dyck, c. 1640 - 1680 print A woman, the personification of the soul, with three naked children who symbolize the cardinal virtues, hope and love. The children climb on her lap and back. Under the show a verse in Dutch. paper engraving the Three Theological Virtues

The Entombment. Cornelis Visscher; Dutch, c. 1629-1658. Date: 1650-1660. Dimensions: 369 x 282 mm (image); 415 x 293 mm (plate); 490 x 372 mm (sheet). Engraving on ivory laid paper. Origin: Holland. Museum: The Chicago Art Institute, USA. Author: Cornelis Visscher.

Allegory of France around the portraits of Louis XVI and Marie-Antoinette. (TF)

Aeneas and his family flights from Troy, Louis Desplaces, After Antoine Coypel, 1692 - 1739 print Paris paper etching / engraving 'Pius Aeneas': Aeneas, leading Ascanius, escapes from burning Troy, carrying his father Anchises with the Penates; his wife Creusa, who sets out with them, is lost on the way

Copper engraving by Gilles Rousselet depicting the Holy Family with an angel at a column, created between 1627 and 1686. The artwork illustrates figures, architecture, and sacred interaction.

Joseph and the wife of Potifar, Louis Surugue, After Rianio, 1691 - 1767 print paper etching / engraving Potiphar's wife catches Joseph by his robe, usually while lying in bed; Joseph escapes leaving his cloak behind in her hands (possibly with a naked child lying in a crib)

Bliżej Kultury Führrich, Joseph von (1800 1876), Manz, G.J.

Faust: Tragédie de M. de Goethe, translated into French by Albert Stapfer.: Illustrations for Faust: Marguerite at church, 1828. Eugène Delacroix (French, 1798-1863), Chez Ch. Motte, Éditeur, distributed by Chez Sautelet, Libraire. Lithograph;

Personification of the soul with faith, hope and love, Cornelis van Caukercken, after Anthony van Dyck, c. 1640 - 1680 print A woman, the personification of the soul, with three naked children who symbolize the cardinal virtues, hope and love. The children climb on her lap and back. Under the show a verse in Dutch. paper engraving the Three Theological Virtues

Woman on the toilet, 1699 - 1760 print paper etching / engraving washing another person's feet. making toilet

Emmanuel Jean Nepomucene de Ghendt, Les Heures du Jour: Le Soir, c. 1778, etching and engraving on laid paper.

Monogrammist I. R., The Virgin and Child with the Pear, 16th Century, engraving on paper.

Plate from, Nella Venuta 1764 France. Etching in black on ivory laid paper . Franz Edmund Weirotter

Hercules en Cerberus, Giles Sadeler (2), 1580 - 1629 print Hercules in the underworld. He leads Cerberus on a chain. unknown paper engraving (12) Cerberus captured and carried away by Hercules

Netherlands, Rowlandson, Thomas, England, Dutch night-mare of the fraternal hug returned with a Dutch squeeze, Napoleons Hollandse avond, 1813, verso - stamped, Cartoon on the fall of Napoleon, 1813. Napoleon lying in his imperial bed with a fat Dutchman seated on his chest. The Dutchman says 'Orange Boven' and wears a large orange ribbon and cockade on his hat. He clamps Napoleon's head between his legs and blows tobacco smoke from his pipe into the emperor's face. With two large bundles of arrows at the foot of the bed., print, picture, cartoon, prints, pictures, Frederik Muller Historieplaten, height 332 mm, width 245 mm, print maker, printmaker, 1813 - 1813, paper, papier, etching, etchings, Work conception, English, 1756-07-14 - 1827-04-22, after print by, Publication (Event), Publication, publisher

Young Father Distressed by His Growing Family 18th century Louis Joseph Watteau, called Watteau de Lille French. Young Father Distressed by His Growing Family 339853

Hercules and Cerberus, Aegidius Sadeler, Marcus Christoph Sadeler, 1580 - 1629

Scene U La Gerusalem Messa is Free, Infra Baldel ,FRE AREN Giovanni Battista Piazzetta, 1745 print Ornament edge with flowers, plants, cupidos and a fountain. paper etching (scenes from) specific works of literature: Tasso, Gerusalemme Liberata. fruits and vegetables ~ ornament. armorial bearing, heraldry

Weduwe van Ephese, Louis Desplaces, after Charles-Antoine Coypel, 1692 - 1739 print Paris paper etching / engraving the Widow of Ephesus

History writes History, Reinier Vinkeles (I), After Jacobus Buys, 1785 print Allegorical representation in which the personification of history writes sitting in a book, behind her the freedom, in the air a putti with a trumpet. Two more putti for the writing table. Amsterdam paper etching / engraving 'Historia'; 'Historia' (Ripa). Freedom, Liberty; 'Freedom' (Ripa). Cupids: 'Amores', 'Amoretti', 'Putti'

Female personifications of three divine virtues, Martin Speer, After Francesco Solimena, 1817 print Love (Caritas), Faith (Fides) and Hope (Spes) on a cloud party. Numbered below: I. paper etching the Three Theological Virtues

A copper engraving and etching by Louis Surugue between 1680 and 1762 depicting Abraham preparing to sacrifice his son, illustrating the biblical story.

The Virgin and Child with Distaff and an Angel 1610-1620 France. Etching in black on ivory laid paper . Jacques Bellange

De l'amitié dans ce jour Vous demandés la statuë, Et vous emportés l'amour. Laborde, M. de (Jean-Benjamin), 1734-1794. Prints. 1773. Spencer Collection. Bookbinding

Egeria mourns the death of Numa Pompilius, c. 1636 - 1670 print The Nymph Egeria mourns the death of her husband Numa Pompilius. Other nymphs try to comfort her in vain, after which she turns into a source. paper engraving Egeria changed into a fountain: when Egeria's grief at the death of Numa Pompilius can not be assuaged, she melts away in tears, and is changed into a fountain (Ovid, Metamorphoses XV 546)

Bonnet, Louis Marin, Boucher, François, France, La Sagesse et la Justice, Wisdom and Justice, verso bottom center - stamped, A woman seen from the back, personification of Wisdom, holding a mirror and a compass. A second woman, seen from the front, leaning on a column, holding a pair of scales. A boy with an open book and a scythe sits with the two women., print, prent, prints, height 305 mm, width 221 mm, 1736 - 1793-10-12, print maker, prentmaker, 1771 - 1772, third quarter 18th century, paper, papier, crayonmanier, kleurdruk, Frans, 1703-09-29 - 1770-05-30, after, after painting by, Publication (Event), Publication, publisher

Lot drunk led by his daughters, Willem Isaacsz. van Swanenburg, after Peter Paul Rubens, 1612 print Lot sits between his two daughters in front of a cave. The left daughter is embraced by him. She holds a drinking bowl that is filled with wine by the other daughter. On the right in the distance Sodom is burning. Under the performance is a four -line, Latin text in which the event shown is discussed disapprovingly. paper engraving Lot's daughters make their father drunk

Portrait of Muggia Arrigo and Fame Personification; Numismata virorum illustrium ex Barbadica Gente. Pedestal in the shape of a cartouche. On top a medallion with the portrait of the portrait of Arrigo of Muggia, the family father of the Barbarigo family. According to legend, Arrigo defended the city of Muggio against the Saracens. He cut his opponents off the beards and earned his nickname Barba-Arrigo. Arrigo is depicted in harness, with laurel wreath. To his neck a chain from Saracen beards. Arrigo slows down the beards on the back. Above the text: A Victoria Nomen. Above the pedestal, Fame signs the coat of arms of the Barbarigo family. An eagle holds the ink pot. With a palm branch in his other claw, the eagle is the symbol of power and victory here. The pedestal is flanked by two coats of arms. Links that of the city of Muggia. The print is part of an album.

Two Germanen kneels for Germanicus, Louis E.F. Garreau, After Jean Grandjean, 1783 print Two Germanic fathers kneel for Germanicus and his entourage. They beg the general to feel sorry for their sons, who caught Germanicus during his last battle. Numbered at the top right: XV. paper etching / engraving (story of) Germanicus. father-love. kneeling on both knees

Johanna de Kaanige in the corpse of Philip the clean. In a room, Johanna is the crazy, queen of Castile, on a bed at the dead body of her husband Philip the clean, Duke of Burgundy, 1506.

Copper engraving and etching by Jacques Firmin Beauvarlet around 1765 depicting a figure expressing sweet melancholy with compositional focus on emotion.

Allegory of the arts under Louis XV, Claude Antoine Littret de Montigny, After Charles Monnet, 1762 - 1775 print Two muses write on tablets the merits of King Louis XV, under whose government the fine arts could flourish. A third muse is in the hands with an open book. The muses are located for an epitaph with the portrait of Louis XV. paper etching historical persons. king. symbolic representations, allegories and emblems ~ art; 'Arte' (Ripa)

Venus and Vulcanus. Left is Venus on a bed and right is vulcanus at work in his blacksmith.

Luiten playing Lord and Dame, Bernhard Schreuder, After Karel van Mander (I), After David Vinckboons, 1772 - 1774 print Interior with a man and a woman who both play the lute. The print is loose in an album, see page 22. Amsterdam paper. chalk etching / drawing interior of the house. lute, and special forms of lute, e.g.: theorbo

Title print for Fatherlandsch Dictionary by Jacobus Kok: History writes history, 1785 print Allegorical representation in which the personification of history sits a dictionary, behind her the freedom, in the air fame. Used as a title print for Fatherlandsch Dictionary by Jacobus Kok. Netherlands paper etching 'History'; 'History' (Ripa)

Curious Psyche mid-1770's Giovanni David Italian The mortal princess Psyche was so beautiful that she was worshipped in place of Venus. Cupid, sent by his angry mother to make Psyche fall in love with the vilest man on earth, fell in love with her himself and installed her in his enchanted palace. David depicts the moment when Psyche's lamp reveals that her mysterious lover is Eros. Presently, the god of love will be awakened by a drop of oil and flee.David may have been the first Italian to take up the new medium of aquatint, which allowed him to imitate the subtle tonal effects of a wash drawing.. Curious Psyche. Giovanni David (Italian, Cabella Ligure 1749-1790 Genoa). mid-1770's. Etching and aquatint; corrected proof with notations in pen and brown ink. Prints

Bacchus in Love, Louis Decces, After Louis Silvestre (II), 1692 - 1738 print print maker: Parisafter design by: Parispublisher: ParisFranceParisFrance paper etching / engraving (story of) Bacchus (Dionysus), Liber. (story of) Cupid, Amor (Eros)

Narcissus, John Smith (print maker/ publisher) (attributed to), 1662 - 1742 print paper (story of) Narcissus

Mars and Venus, Pieter van Gunst, After Titian, 1659 - 1731 print Mars and the naked Venus sit together in bed. Venus looks in a mirror. Cupido is in the foreground. Amsterdam paper engraving (story of) Cupid, Amor (Eros). toilet of Venus

Prudence endeavoring to Retain Beauty from Following the Insinuation of Love, Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), after Giovanni Battista Cipriani RA, 1727-1785, Italian, active in Britain (1755-85), 1782, Engraving

Maria with the Christkind and the young Johannes de Baptist, Jean Baptiste Pierre Michiels, After Anthony Van Dyck, 1831 - 1890 print paper. etching Mary and the Christ-child with John the Baptist (as child)

Romeo and Juliet, Steel engraving on paper, Europe, Print, Print

Procris killed by an arrow which her husband Cephalus darted through the thicket while hunting. Greek myth. Copperplate engraving by W. Walker after an illustration by C. Monnet from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Ticket for the Benefit of Mr. Giardini, between 1769 and 1787. Etching and line engraving.

Hercules and omphal. Hercules with a tambourine and omphal with the lion skin and the club of Hercules, sitting on a party stones. In the background left Amor who looks like a wall to the couple from behind.

Allegory with man, the experience, the silliness and divine love, Reinier Vinkeles (I), 1777 print Amsterdam paper etching / engraving Human Being, Man in General. Charity, 'Caritas'; 'Carití' (Ripa) ~ one of the Three Theological Virtues. cupids: 'amores', 'amoretti', 'putti'. Experience, Mastery; 'Esperienza' (Ripa)

Etching by Giovanni Battista Franco depicting the miraculous fish catch on Lake Gennesaret and John and Peter healing a paralyzed man, created between 1530 and 1561.

Copper engraving by Cornelis van Dalen depicting the unbeliever Thomas, created around 1652, showing the figure and other surrounding figures in a biblical scene.

Theodorus van Kessel engraved 'The Abundance' between 1652 and 1660, depicting allegorical figures with fruits, animals, and harvest symbols in etching and copper engraving format.

Sculpture, Georg Leopold Hertel, After François Boucher, 1750 - 1778 print Allegory of sculpture. Two putti with attributes associated with sculpture, such as design drawings, a small model and parts of sculptures. Publishing number 190. Augsburg paper etching / engraving 'Sculptura', symbolic representations, allegories and emblems ~ sculpture; 'Scoltura' (Ripa). cupids: 'amores', 'amoretti', 'putti'

Rinaldo and Armida. The loved ones Rinaldo and Armida rest, surrounded by Putti, in Armida's garden. They look in the mirror to see their own loving sight in the eyes of the other. The two knights who were looking for Rinaldo watch the right behind from the bushes. Verses in French.

Photograph of print: Marcantonio Raimondi (c. 1470 or 1482 - 1527 or 1534), Les deux femme au Zodiaque ; sheet from: Notice sur la vie de Marc Antoine Raimondi Graveur Bolonais accompagnée de reproductions photographiques de quelques unes de ses Estampes . Blanquart-Évrard, Louis-Désiré (1802-1872), printing house, Delessert, Benjamin (1817-1868), photographer, Goupil & Cie (Paryż ; firma wydawniczo-fotograficzna ; 1850-1884), publisher, Colnaghi, D. & Co. (Londyn ; galeria sztuki ; 1760- ), publisher

Bust van Willem V, Prince of Oranje-Nassau, c. 1787 - 1851 print Bust of Willem V on a pedestal with a performance of a rising Phoenix. A number of allegorical figures and his weapon, decorated with the garter and the motto of the order of the garter. At the bottom right 'Proef pressure'. print maker: Northern Netherlandspublisher: Amsterdam paper engraving / etching knighthood order (GARTER) - insignia of a knighthood order, e.g.: badge, chain. piece of sculpture, reproduction of a piece of sculpture

Scene uit de eerste act van 'le Nozze di Figaro', Jean Baptiste Liénard, after Jacques Philippe Joseph de Saint -Quentin, 1792 - 1857 print paper etching theatre, theatrical performance. hiding, hiding oneself

Personification of the practice of the arts, Simon Fokke, 1722 - 1784 print A woman with a flame above her head holds an open book and a writing spring. Next to her a rooster, globe, winch and trumpet on the ground. In the background is a table with books, an ink jar and a beehorf. Amsterdam paper etching symbolic representations, allegories and emblems ~ art; 'Arte' (Ripa). bee-hive. globe. book. writing tools. lyre, cithara, psaltery. clarinet, bassoon, oboe, shawm. fowl (cock, hen, chicken, etc.)

Orpa leaves Ruth and Naomi; History of Ruth; Thesaurus Sacrarum HistoriaRu M Veteris Testame N Ti, Elega N Tissimis Imaginibus Expressu M Excelle N Tissimoru M in Hac Arte Viroru M Opera: now N C Primu M Luce M Editus. Naomi travels with her two daughters to Judah. Along the way she sends the women back to their parental home. Orpa leaves, but Ruth stays with Naomi. Ruth and Naomi are sitting on stones on the shore of a river. Orpa leaves her luggage under the arm. Under the show a reference in Latin to the Bible text in Ruth 1. This print is part of an album.

David playing his harp for a distraught Saul. Steel engraving by P. Vallot after A. Gros.

People making music around a table, Jan van Somer, 1655 - 1700

Zuzanna and old people Norblin, Jan Piotr (1745 1830)

Ses yeux son fermés au jour Comme son coeur à l'amour. Laborde, M. de (Jean-Benjamin), 1734-1794. Prints. 1773. Spencer Collection. Bookbinding

Jupiter and Danaë; Metamorphoses from Ovid. Danaë, the daughter of King Acrisius, lies on a resting bed. Jupiter drops on her from a cloud. He bathes in the light. A dog in front.

A Lover's Complaint 1825-40 Frederick Bacon. A Lover's Complaint. After Henry Corbould (British, London 1787-1844 Robertsbridge, East Sussex). 1825-40. Etching and engraving. Frederick Bacon (British, London 1803-1887 California). Prints

Allegory of War, Ludwig Gottlieb Portman, after Jacques Kuyper, 1787 - 1828 print History writes in her book about the war. Opposite her is Mars, the god of war. He points to the background where figures ride anxiously. North Netherlands paper 'History'; 'History' (ripe). (Story of) Mars (ARES)

Plate 24 of 38 from Oeuvres de J B Huet 1796-1799 France. Etching on paper . Jean Baptiste Huet

Figure, from Seconde livre de figures d'Academies gravées en Partie par les Professeurs de l' Académie Royale. Charles-Joseph Natoire (French, 1700-1777); printed by Gabriel Huquier (French, 1695-1772); published by Jombert Père (French, 18th century). Date: 1745. Dimensions: 283 × 190 mm (plate); 306 × 232 mm (sheet). Etching on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Copper engraving by Francois Robert Ingouf le jeune from 1796-1817 depicting a flood scene with rising water, submerged structures, and affected landscape.

Judith puts the head of Holofernes in a bag, Caspar Luyken, 1708 print Nuremberg paper etching Judith shows Holofernes' head to the people

E Guersant after Jean Honoré Fragonard, La chemise enlevee, 1782 La chemise enlevee

An etching and copper engraving by Jacques Bellange from the early 17th century depicting the Madonna with a spinning rock, an angel, and the child, featuring detailed composition and figures.

The Sulky Boy.

This copper engraving and etching by Abraham Blooteling, produced between 1656 and 1690, depicts a young shepherd couple, showing rural clothing, pastoral setting, and detailed figure work.

Dido on the stake. Dido on the stake with the bedding that she shared with Aeneas, with BELINDA besides her servant. Aeneas' ships leave in the background Carthage.

King Antiochus and the priestess of Diana; Antiochus Irato Mari Se Committere, Quam, Blandienti Amori Vela Pandere Tutius Existimavit; Representations of heroic deeds; Heroicae virtutis image (...). King Antiochus leans over a balustrade on the left. He looks at the priestess of Diana who kneels for an altar and is falling in love with storage. Two female servants provide hair of urns and vases. In the background right a picture of the goddess Diana. Title in Latin in undermarge. The print originally belonged to Liber 22 of the Atlas of Michiel Hinloopen (seem to book 10).

Clytia, Francesco Bartolozzi, After Annibale Carracci, 1772 print Clytia, the daughter of the Babylonian king, sits in a landscape with a sunflower in his hand. With a branch with thorns she pokes in the side of a putto with a burning torch. Numbered bottom left: Vol. II, No. 64. after painting by: Italypublisher: London paper etching / engraving Clytie changed into a sunflower: on account of Apollo's contempt the Oceanid Clytie changes into a sunflower (heliotrope) (Ovid, Metamorphoses IV 268)

Amsterdam, Roos, Cornelis Sebille (publisher), Kuyper, Jacques, Northern Netherlands, Claessens, Lambertus Antonius, Hy Leeft!, Allegory of the death of Hendrik Hooft Danielsz., 1794, verso - handwritten, Allegorical grave monument for Hendrik Hooft Danielsz., former mayor of Amsterdam, who died on 31 August 1794. The city maiden of Amsterdam grieving at the grave is comforted by an angel who points out to her the 'Immortalitas' in heaven that Hooft acquired., print, prints, Frederik Muller Historieplaten, verso - stamped, C: S: Roos, height 541 mm, width 415 mm, Noord-Nederlands, 1763-11-21 - 1843-10-06, print maker, printmaker, 1794 - 1794, paper, papier, etching, etchings, stippelets, 1761-06-29 - 1808-06-01, intermediary draughtsman, after drawing by, Publication (Event), Publication, Nederlands, 1754-01-10 - 1820-01-31, publisher

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Woman dying on a Bed, one Man and two Women mourn Her, 1787. Engraving.

Banditti Returning November 9, 1780 Etched and published by Robert Blyth British. Banditti Returning 408109

Christ hunts the money exchangers from the temple; The little passion; Passio Christi AB Alberto Durer Nurenbergensi Effigiata. Christ dispels the money exchangers from the temple with a whip. Print is part of an album.

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Cupid's Mabufactory. Engraving.

A copper engraving and etching by Johann Hainzelmann from 1656-1693 depicting the proclamation, showing figures, gestures, and textual elements.

Apelles describes Campaspe, Johann Gotthard Müller, After Govert Flinck, 1781 print While Alexander the Great is showing his mistress campaspe to Apelles, the artist is hit by the Arupido arrow. paper engraving Apelles paints Campaspe and falls in love with her; Alexander yields her to him

SYMPATHETIC MAGIC Greek hero Telephus, son of Herakles, is healed with rust from Achilles' spear which wounded him : so healing plant yarrow is named achillea

Un baiser de circonstance. Honoré Daumier (1808-1879). Lithographs

Education of Amor, Pierre François Basan, after François Boucher, 1733 - 1797 print print maker: Francepublisher: Paris paper engraving education of Cupid by Venus and Mercury. other birds: turtle dove

You can carry poverty more easily than wealth; Proverbs to Karel van Mander. A man wears an old woman on his back. The woman is lean and poor dressed. On the floor is a well-dressed, thick lady with a range to sleep in her hand. In the background a city gate. Under the show an explanatory verse in Latin by Franco Estius and a Dutch verse.

Jean Louis Delignon and Antoine Jean Duclos after Jean Honoré Fragonard, La matrone d'Ephese, 1793 La matrone d'Ephese

Portrait of a Turkish woman, Bernard Picart, After Gérard Jean Baptiste Scotin (I), 1683 - 1733 print A Turkish woman and her maid, in traditional clothing. The departure in which they are located is covered with carpets. The maid points the woman to a table on which a traditional teapot. Paris paper etching / engraving Asiatic races and peoples. tea-pot; samovar. folk costume, regional costume

The Troubadour Publisher Noël Frères French ca. 1815-30 View more. The Troubadour. ca. 1815-30. Stipple engraving. Noël Frères (French, active 1815-30). Prints

Jozef and the wife of Potifar, Robert Strange, After Guido Reni, 1769 print print maker: Londonafter drawing by: Naples paper etching / engraving Potiphar's wife trying to seduce Joseph

Meleager en Atalanta, Anonymous, after Cornelis Bloemaert (2), after Peter Paul Rubens, 1618 - 1680 print Melager gives his beloved to Atalanta the head of the Zwijn he killed. Atalanta was previously injured by this pig. Netherlands paper engraving Meleager gives the head of the boar to Atalanta

Venus and Adonis, Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), after Richard Cosway, 1742-1821, British, 1778, Engraving

Antoine Francois Dennel after Gabriel Jacques de Saint Aubin, La Comparison du bouton de rose, 1780 La Comparison du bouton de rose

Astrologie, anonymous, after Parmigianino, c. 1520 - c. 1590 print Personification of astrology. A woman sitting on a rock and tied a staff around it in her hand. Next to her a sphere with the constellations and a skull. A copy in mirror image. paper etching / drypoint 'Astrology' (Ripa)

Slapende Putto, Jean Baptiste Michel, After François Boucher, 1758 - 1804 print paper engraving / etching cupids: 'amores', 'amoretti', 'putti'. sleeping on the ground - BB - out of doors

Allegory of trade at sea. Draughtsman: Elias van Nijmegen. Dating: 1677 - 1755. Measurements: h 280 mm × w 205 mm. Museum: Rijksmuseum, Amsterdam.

An early 17th-century etching and copper engraving by Jacques Bellange showing the Madonna with a spinning rock, accompanied by an angel and the Christ child, highlighting detailed figures and composition.

Musica, Franz Cleyn, 1645 print paper etching education, science and learning. the liberal arts, 'Artes Liberales'. 'Musica' (~ quadrivium); 'Musica' (Ripa). musical instruments; group of musical instruments. harmonious sound, harmony, consonance

Two Gentlemen of Verona (Shakespeare, Act V, Scene IV). Artist: After Thomas Stothard (British, London 1755-1834 London). Dimensions: Image: 7 11/16 × 5 3/4 in. (19.6 × 14.6 cm)Sheet: 10 1/2 × 8 3/8 in. (26.7 × 21.2 cm). Engraver: William Henry Watt (British, 1804-1845). Date: 1823. Museum: Metropolitan Museum of Art, New York, USA.

l'Heureux Moment. Dated: 1736. Dimensions: plate: 23.2 x 18.1 cm (9 1/8 x 7 1/8 in.) sheet: 33.2 x 25.4 cm (13 1/16 x 10 in.). Medium: etching with engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Antoine Aveline after Jean Mondon.

The cloud of ducks obscures the sky so much that poor Europe does not know what road to take, from 'News of the day,' published in Le Charivari, October 22, 1867 October 22, 1867 Honoré Daumier. The cloud of ducks obscures the sky so much that poor Europe does not know what road to take, from 'News of the day,' published in Le Charivari, October 22, 1867. 'News of the day' (Actualités). Honoré Daumier (French, Marseilles 1808-1879 Valmondois). October 22, 1867. Lithograph and pen and brown ink on newsprint; third state of four, proof (Delteil). Arnaud de Vresse. Prints

Vouet, Simon .

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