Religious Copper Engravings

Historical copper engravings illustrating significant moments from Christ's life, depicting detailed figures and religious narratives.

Verering Van Maria in Kind Door Carolus Borromeus in Ignatius van Loyola, Nicolas Dorigny, after Carlo Marathta, 1662 - 1746 print print maker: Francepublisher: Paris paper etching / engraving Charles Borromeo, cardinal of Milan; possible attributes: cardinal's hat, crucifix, rope round his neck, skull. the founder of the Jesuit Order, Ignatius of Loyola; possible attributes: book (with 'ad majorem Dei gloriam'), demon, dragon under feet, flames, flaming heart, globe, IHS monogram, skull (with crown), tears in eyes, torch. Mary sitting or enthroned, the Christ-child on her knee (Christ-child to Mary's left) - FF - the Christ-child to Mary's right

Copper engraving by Grégoire Huret from 1664 depicting the burial of Christ, showing figures around the tomb and detailed elements of the scene.

Depicts the Crossing of Christ, created as a copper engraving print by Cornelis Galle the Elder between 1596 and 1650, illustrating religious narrative and figures.

Copper engraving by Coenradus Lauwers from 1652-1685 depicting Christ associated with spring, showing religious figure, gestures, and seasonal symbolism.

Christ in the court of olives; Life and the passion of Christ and of the Virgin Mary. Christ prays to God in the court of olives. His students sleep next to him. An angel appears in the clouds to comfort it. In the background, Judas rejects the soldiers where Christ prays. The print has a Latin Bible quote as a caption and is the sixth print of a fifteenthous series about the life of Christ and the Virgin Mary.

Copper engraving by Adriaen Lommelin from 1630-1675 depicting Saint Catharina, showing the saint with traditional symbols, religious iconography, and detailed figure.

Return of the scouts from Canaan, Gilliam van der Gouwen, after Gerard Hoet (I), 1728 print The scouts who had sent Moses to Canaan return with an abundance of fruit, including a large bunch of grapes (Num. 13: 23-26). Moses and Aaron receive the gifts. The print has a Hebrew, Latin, French, English, German and Dutch caption. print maker: Amsterdampublisher: The Hague paper engraving / etching the spies take away some of the fruits of Canaan and return, usually carrying a large bunch of grapes on a pole

Copper engraving by Coenradus Lauwers from 1650-1685 depicting Blessed Catherine of Siena, showing her figure, religious habit, and attributes.

Triumph of faith, Leo Paulus Johannes Stracké, after Willem Isaacsz. van Swanenburg, after Abraham Bloemaert, 1869 print A woman is as a personification of faith and piety in two stone dining with the ten commandments on it. A ray wreath can be seen around her head and in her right hand she has a palm branch. There are some books behind her. A putto crowns her with a laurel wreath and with her foot she travels another putto that lies with a bag of money. Netherlands paper engraving Faith, 'Faith'; "Fed ',' Fede Catholic ',' Feddre Christian ',' Fedde Christian Catholic Church '(Ripa) ~ One of the Three Theological virtues. devotion, piety; "Distotional" (Ripa)

Verering Van Maria in Kind Door Carolus Borromeus in Ignatius van Loyola, Nicolas Dorigny, after Carlo Marathta, 1662 - 1746 print print maker: Francepublisher: Paris paper etching / engraving Charles Borromeo, cardinal of Milan; possible attributes: cardinal's hat, crucifix, rope round his neck, skull. the founder of the Jesuit Order, Ignatius of Loyola; possible attributes: book (with 'ad majorem Dei gloriam'), demon, dragon under feet, flames, flaming heart, globe, IHS monogram, skull (with crown), tears in eyes, torch. Mary sitting or enthroned, the Christ-child on her knee (Christ-child to Mary's left) - FF - the Christ-child to Mary's right

Copper engraving by Aegidius Sadeler the Younger, created in 1593, showing the grave of Christ with surrounding figures and religious elements.

Copper engraving representing the Annunciation to Mary, showing the angel Gabriel delivering the message with gestures and symbolic elements. Created between 1590 and 1629, emphasizing religious narrative and detailed figures.

A copper engraving by an unidentified engraver depicting the grave of Christ, created between 1590 and 1627, showing the entombment with figures from the New Testament.

Saint Paulinus Preaching, Giovanni Battista Tiepolo, Italian, 1692 - 1770, Giovanni Domenico Tiepolo, Italian, 1727 - 1804, Etching, First state, before the number, Italy, 1750-1780, Print, Print

Jakob blesses his sons / funeral of Jakob, Pieter Tanjé, 1791 print Two biblical performances. Upstairs: Jakob blesses his twelve sons from his bed. Below: Jakob is buried by his sons in Machpela in Canaan. Among the performances a reference to the Bible texts and the titles in Dutch and French. Amsterdam paper etching / engraving Jacob blesses his sons. Jacob is buried in the cave of Machpelah

De Kruisafneming, Paolo Toschi, After Daniele da Volterra, in or Before 1843 print The body of Christ is taken off the cross by a group of men on ladders. At the foot of the cross, the Maria's mourns. Title in Italian in STUDMARGE. print maker: Italyafter painting by: Italypublisher: Mannheim paper. etching / engraving descent from the cross: Christ is taken down from the cross, usually by Nicodemus and Joseph of Arimathaea who are standing on the ladders (both arms of Christ detached)

Copper engraving by Jacob Peterus around 1590 depicting the Holy Family accompanied by musicians. The artwork shows Mary, Joseph, infant Jesus, musicians, gestures, and symbolic religious elements in late 16th-century European style.

A steel engraving by Josef von Führich from 1854 depicting the first confirmation in Samaria, showing figures, gestures, and a biblical narrative scene.

Edelman with two monks, Louis Michel Halbou, After Sigmund Freudenberger, 1781 - 1782 print In the foreground a nobleman with two monks. Right on the ground a dead nobleman. Bern paper etching nobility and patriciate; chivalry, knighthood. monk(s), friar(s)

Copper engraving by Cornelis Cort illustrating the twelve-year-old Jesus preaching in the temple, dated 1562.

Etching by Pietro Testa depicting the Holy Family with angels, created between 1628 and 1650, showing Mary, Joseph, Jesus, and angelic figures in a devotional scene.

Girolamo Frezza engraved 'Adoration of the Kings' between 1700 and 1748, depicting the three Magi presenting gifts to infant Jesus with Mary and Joseph in copper engraving and etching format.

Copper engraving by Jacob Matham from the first half of the 17th century depicting the adoration of the kings, showing human figures, gestures, and gifts.

1608 copper engraving print by Lucas Kilian depicting the life and teachings of Christ through detailed biblical scenes and figures.

David says goodbye to Michal, Simon Fokke, 1766 print With torchlight and surrounded by bystanders, David says goodbye to his mourning first wife Michal in army clothing. Amsterdam paper etching David's flight from Saul after his marriage with Michal (1 Samuel 19)

David says goodbye to Michal; Vyfde book; David and Saul. At Fakkelicht and surrounded by bystanders, David says goodbye to his grieving first wife Michal in army clothing.

Copper engraving and etching by Carl Ludwig Wüst titled 'The Holy Family,' created around 1754, depicting religious figures of the Holy Family with detailed composition and 18th-century artistic style.

The patient in front of the altar of Ixory is waiting for the grace of healing and a patient in agony treated with cow's urine (two illustrations); Picart, Bernard (1673-1733); 1728 (1728-00-00-1728-00-00);

Crossing, Anne Claude Philippe Caylus, After Anthony Van Dyck, 1702 - 1765 print Numbered at the top right: 99. France paper etching carrying of the cross: Christ bearing the cross, alone or with the help of others (e.g. Simon the Cyrenian). Christ meets Veronica, who has a cloth to wipe Christ's face

Copper engraving by Raphael Sadeler the Younger created between 1600 and 1634 depicting Jesus and Mary with Franciscan Order brothers, showing human figures, gestures, and religious narrative in early 17th-century style.

Copper engraving by Jan Harmensz. Muller depicting the Last Supper, showing Jesus with his twelve apostles, created between 1590 and 1628.

A 17th-century copper engraving by an unknown artist depicting the Adoration of the Kings, with biblical figures presenting gifts to Christ.

Maria hands the Christ child to Franciscus, Michel Lasne, after Peter Paul Rubens, 1600 - 1633 print paper engraving the Virgin Mary handing over the infant Christ to St. Francis of Assisi

Saul at the witch of Endor, Quiryn Fonbonne, After Bernard Picart, c. 1690 - c. 1757 print paper engraving / etching the ghost of Samuel appears to the witch of Endor; Saul falls prostrate to the ground

Graflegging van Christus, Jeremias Falck, after Jacopo Bassano, after Caravaggio, 1655 - 1677 print In the light of a torch, Joseph of Arimatea and Nikodemus lift the body of Christ in a rectangular grave. Maria Magdalena and two other women mourn his death. In the foreground, next to the grave, there are balm supplies and some passion tools. In the background waving with the three crosses. print maker: Amsterdamafter painting by: Italyafter painting by: Italy paper engraving Christ's entombment (possibly by angels)

Copper engraving and etching depicting the Transfiguration of the Lord, created by Abraham Girardet between 1784 and 1823, showing Christ with apostles in a religious scene.

A copper engraving print by Orazio de Santis from 1572 depicting the Crucifixion of Jesus, showing the cross, figures, and surrounding setting.

This copper engraving by Lucas Vorsterman, created between 1615 and 1675, depicts the Pietà with two angels, illustrating the Virgin Mary mourning over Christ in a detailed and expressive composition.

Photo production of an engraving of the cross -decline by Lucas Vorsterman, to the painting by Peter Paul Rubens, Jean Louis Bargignac, after Lucas Vorsterman, after Peter Paul Rubens, c. 1853 - in or before 1858 photograph Brussels photographic support albumen print descent from the cross: Christ is taken down from the cross, usually by Nicodemus and Joseph of Arimathaea who are standing on the ladders (both arms of Christ detached)

. Two biblical performances. Above: Paul speaks with the Jews in his own home in Rome, where he is guarded by a soldier. Below: A Christ sent by Christ appears to Johannes on Patmos. Among the performances a reference to the Bible texts and the titles in Dutch and French.

Copper engraving by Adriaen Collaert depicting scenes from the life of St. Teresa of Avila, created in 1613. The print illustrates key events in her religious and mystical experiences.

Copper engraving by Gerard Seghers depicting the Annunciation to Mary. Produced in the 17th-18th century, it shows religious figures, gestures, and Christian iconography.

Laban and Jakob make a covenant, Jan van Vianen, After Gerard Hoet (I), 1720 - 1728 print Laban and Jakob make a covenant and hold a meal with the collected stones, as witnesses of the agreement. Illustration of the Bible text Gen. 44: 54. Under the show the title in Hebrew, English, German, Latin, French and Dutch. publisher: Amsterdampublisher: The Hague paper etching / engraving the partnership with Laban ~ story of Jacob (Genesis 30:25-43)

Copper engraving by Nicolas Henri Tardieu depicting the twelve-year-old Jesus in the temple, produced between 1690 and 1749.

Shadrach, Meshach and Abednego in the fiery oven, Matthijs Pool, After Bernard Picart, 1720 - 1728 print The Babylonian King Nebuchadnezzar, surrounded by soldiers, sees how Shadrach, Meshach and Abednego in the burning oven are miraculously assisted by a fourth figure, which makes the king decide to give the order to their salvation. In the background many kneeling figures around the golden statue, founded outside the city of Babylon, that the three refused to worship. Illustration of the Bible text then. 3. Under the show the title in Hebrew, English, German, Latin, French and Dutch. print maker: Amsterdampublisher: Amsterdampublisher: The Hague paper etching / engraving to his astonishment King Nebuchadnezzar sees four men (one of them usually represented as an angel) in the furnace; the king commands them to come forth

An etching by Christian Wilhelm Ernst Dietrich created between 1727-1818 depicting a baptism in a chamber, showing figures, gestures, and religious context.

Pope and Prellates around a diabolical preacher. In the middle a demonic preacher in religious clothing with a snake for his waist in a cloud of smoke. In his left hand, he has a burning torch and a double cross in his right hand. A mask on his head. It is surrounded by the Pope and Prellates. A major fire rages in the distance.

Copper engraving by Adriaen Collaert, circa 1598, showing the life of Jesus with scenes including teaching, healing, and public gatherings in biblical settings.

Crispin van de Passe engraved copper prints in 1608 depicting the works of mercy, showing figures, gestures, and allegorical symbols in devotional composition.

Etching and copper engraving by François de Poilly the Elder, 1640-1693, showing the mystical marriage of St. Katharina with symbolic and religious details.

Etching by Ercole Lelli depicting Saint Cajetan, created between 1722 and 1766, showing religious iconography and figure study in devotional context.

Moses at the burning bush bush Enmozes, Aaron and the Egyptian wizards, Simon Fokke, 1791 print Two biblical performances from ex. 3 and 7. Numbered below: 26. Amsterdam paper etching Moses taking off his sandals. Moses and Aaron before Pharaoh; Aaron performs the miracle of the rod changing into a snake

Maria with child, angels and three saints, Francesco Bartolozzi, After Antonio Balestra, 1739 - 1780 print Maria sits on a cloud that is worn by angels. Next to her sits on a cloud the Polish holy Stanislaus Kostka with the Christ child in his arms. Saint Francis Borgia and Saint Louis Gonzaga are kneeling on the ground. In the foreground on the left putti. print maker: Italyafter painting by: Italypublisher: VeniceVenice paper etching / engraving Cupids: 'Amores', 'Amoretti', 'Putti'. Madonna Accompanied by Saint (S)

A 1792 copper engraving and etching by Antoine Cardon illustrating St. Theresa's visions with religious iconography and figures.

Copper engraving by Franciscus van den Wyngaerde from 1630-1679 depicting Christ praying in the Garden of Gethsemane, showing figure, posture, hands, face, and surrounding landscape.

Copper engraving and etching by an unknown artist from 1580-1720 depicting the four Latin church fathers, showing figures, attributes, gestures, and ecclesiastical symbolism.

Copper engraving by Jan Wierix, 1584, depicting the Holy Family in a domestic setting with detailed figures and religious symbolism.

Copper engraving by Cornelis Galle the Younger II from 1638 depicting the Holy Eucharist, showing detailed figures, gestures, and religious ceremony.

Copper engraving by Philipp Galle illustrating the Passion of Christ, produced between 1580 and 1587, including scenes of crucifixion, suffering, and religious narrative.

Copper engraving and etching by Joseph Théodore Richomme circa 1822 depicting the Holy Family in a religious composition.

Copper engraving by Johann Sadeler the Elder from 1570-1600 depicts scenes from the life of Jesus, showing figures, gestures, and biblical narrative in period attire.

Two biblical performances from ex. 16 and 17. The Israelites turn the manna off the ground that rains from a cloud, and Moses strikes with its water water from a rock so that the Israelites can drink. Two representations of one plate, each with a title in Dutch and French. Numbered at the bottom right: 29.

Prayer card for Alexandre Louis and Aloïs Stanislas Lion, Julius Wagner (attributed to), 1857 - 1889 print paper etching Madonna (i.e. Mary with the Christ-child) in the air, or on the clouds. weeping. mourning the dead. gravestone, tombstone

Sick for the God Ixora brought / sick with his face in the urine of a cow; Malade Que L'On Presente à Ixora Pour Obtenir SA Guerison / Malade Agonisant Qui Reçoit Sur Son Visage l'Urine d'Une Vache. Sheet with two performances of religious use in India. Above: A sick person is brought to a portable for the image of the Indian God Ixora. Below: a sick person is held with his face behind a cow so that the cow in his face urines. In the background a corpse is bathed in the Ganges.

Copper engraving by Hans Collaert from 1576 depicting the encounter of Annas and Joachim at the Golden Gate and the birth of Mary, with detailed religious imagery and traditional engraving techniques.

Resurrection of Christ, 1643 print Christ rises from his grave with a banner in his hand. The soldiers who lie around the grave wake up and flee. On the left in the background the arrival of the three holy women at the grave. Under the show a four -line verse in Latin. Under the show a four -line verse in Latin. At the bottom right the letters: kk. This print is part of an album. Amsterdam paper engraving Christ, usually holding a banner, arises from the grave; often combined with sleeping and/or frightened soldiers. the holy women (the three Maries) on their way to or at the tomb, to anoint Christ's body

Copper engraving print by Johann Sadeler the Elder from 1600 depicting a saint, showing figure, gesture, and religious iconography.

Copper engraving published by Cornelis Galle the Elder depicting the Resurrection and Ascension of Christ, circa 1614, as a book illustration.

Christ denied by Peter, At a country estate, Peter is interrogated by a soldier and a maid. They ask him if he is not one of the disciples of Christ. Peter denies that he knows Christ personally (Matt. 26:69). The print has a Greek, Latin, French, English, German and Dutch caption, Peter denies Christ, usually before a girl servant and some soldiers, Gilliam van der Gouwen (mentioned on object), 1728, paper, etching, w 214 mm × h 350 mm

Adoration of the child by two shepherd girls ..

Copper engraving and etching by Jean-Baptiste Marie Pierre from 1756 showing the Adoration of the Shepherds.

. In a landscape, Manoach and his wife are at an altar they have just brought a sacrifice. An angel appears to them that takes off in the flame of their sacrifice. This print is an illustration at the tenth chapter of the fifth book of 'All the works of Flavius Josephus'.

Hieronymus Wierix after Denys Calvaert, The Holy Kinship, before 1611 The Holy Kinship

Copper engraving by Philipp Galle from 1571 depicting the Last Supper, showing Jesus and the twelve apostles at the table, with 16th-century engraving details and figures in interaction.

Copper engraving and etching by Luca Ciamberlano from 1599 depicting St. Francis of Assisi receiving the stigmata, showing religious symbolism and detailed figure.

Worship by the shepherds; Old and New Testament to Castiglione. Maria and Joseph are next to the manger with the Christ child. Above them a group of angels floats. On the left the shepherds with chickens and sheep. One of the shepherds plays on a flute. On the left the donkey and on the right the OS.

Copper engraving by Cornelis Danckerts I from 1620-1656 depicting the four Latin church fathers, showing figures, attributes, gestures, and ecclesiastical symbolism.

Copper engraving by an unidentified artist depicting humanity awaiting the Last Judgment according to Matthew Chapter 24, created in the 16th-17th century, illustrating European religious art and biblical scenes.

Holy Servatius van Maastricht worn by angels to heaven, Theodoor Schaepkens, 1837 print paper etching Servatius, Bishop or Tongeren and Maastricht; Possible attributes: Clog (Wooden Shoe), Dragon, Eagle, Key

Copper engraving and etching by Nicolaes Lauwers from 1600-1680 depicting Saints Peter and Paul, showing figures, gestures, and religious symbolism.

Copper engraving by Adriaen Collaert showing scenes from St. Teresa of Avila's life, created in 1613. The print emphasizes her religious practice, devotion, and mystical visions.

Copper engraving and etching by Lucas Vorsterman II (1637-1666) depicting Leopold Wilhelm of Austria in front of the Virgin Mary with the Christ child, showing figures, gestures, and attire.

Unbelief from Tomas. Christ extends his hand to the Apostle Tomas to show him his wounds. Other apostles watch. Illustration of the Bible text Joh. 20:27. Under the show the title in Hebrew, English, German, Latin, French and Dutch.

Copper engraving by Jacob Matham, 1615, depicting Jesus praying in Gethsemane with apostles, landscape, and emotional gestures.

Copper engraving by Schelte Adamsz. Bolswert depicting the resurrection of Christ, created between 1630 and 1645.

Copper engraving by Philippe Thomassin depicting the Adoration of the Kings, created in 1613.

John the Evangelist serves the communion. Maria is kneeling and receives her last communion from Johannes de Evangelist. The Latin text under the oval show describes this event.

M. John Vhopuk and Pavid Vanied Van detems, Jakob Matholua having JOBobs Nieces, joined France Anton Hloge, August 24 - 1770 print A man lies on his deathbed, surrounded by figures. In the sky Saint Johann's Nepomuk, surrounded by angels, of whom a crucifix holds, in a pleading attitude. Two columns in the foreground. paper etching / engraving the martyr John Nepomuk; possible attributes: book, crucifix, nimbus or crown of five stars, padlock, palm, tongue

The angel appears to Hagar and Ismael in the desert, Charles François Hutin, c. 1750 - c. 1775 print paper etching an angel appears and reveals a well of water to Hagar

Copper engraving by Cornelis Galle the Younger II from 1615-1678 depicting the Resurrection of Christ, showing figures, gestures, and composition.

Christ Carrying the Cross, plate nine from the Passion of Christ 1596-1598 Netherlands. Engraving in black on buff laid paper . Hendrick Goltzius

Institution of the Order of the Spirit. / January 1, 1579 (IT)

Resurrection of the dead, Louis Surugue, After Bernard Picart, 1691 - 1733 print paper etching / engraving resurrection of the dead ~ Last Judgement. Ezekiel's vision of the valley of the dry bones (Ezekiel 37:1-10)

Copper engraving by Grégoire Huret from 1664 illustrating the mocking of Christ, showing figures, gestures, expressions, and the surrounding environment in a biblical context.

Jesus of the robe exposed; Želisko, Vendelín (1802-1868), Führich, Joseph von (1800-1876); 1830 (1801-00-00-1900-00-00), 1836 (1836-00-00-1836-00-00);

Sanherib's army reports. An angel of God, with a bundle of fire in every hand, flies above the tenting camp of the Assyrian army in which women, soldiers and horses panick.

Photo production from a print to a painting, representing the cross, Anonymous, After Albrecht Dürer, c. 1859 - in or before 1869 photograph photographic support albumen print Christ is laid down ~ descent from the cross

Copper engraving by Grégoire Huret from 1664 depicting Christ instructing not to touch him, with figures, gestures, and detailed attire.

IMENTAL STORM IN THE OLD CHURCH IN AMSTERDAM, 1566, 1780 - 1795 print Beauty storm in the Oude Kerk in Amsterdam, 1566. The wife Weyn Ockers throws her slipper to a crucifix. Netherlands paper etching iconoclasm Old church

Copper engraving by Egbert van Panderen depicting the risen Christ appearing to Mary, created 1595-1637. The print shows Jesus and Mary in a post-resurrection scene.

Christ appears at Lake Galilee, Jacob Folkema, After Charles Le Brun, 1702 - 1767 print Christ appears to seven of his disciples at Lake Galilee. Biblical show from 21 Joh. With the title of the performance in the six languages in the margin. paper etching / engraving appearance of Christ at the Lake of Gennesaret (Sea of Galilee, Sea of Tiberias): miraculous draught of fishes (after the Resurrection)

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