Religious Art Etchings

A collection of etchings depicting various religious scenes including saints, the Eucharist, and allegorical figures related to biblical themes, characterized by intricate details and divine motifs.

Pino, Marco, Rome, Cort, Cornelis, Adoration of the Shepherds, verso - stamped, In the middle Mary and Joseph are kneeling before the Child who lies on a bundle of straw on the ground. Next to Christ lies a lamb. A group of shepherds are kneeling around it in adoration. The shepherd on the right plays a bagpipe. In the air angels on a cloud. On the left behind the columns of an ancient building. Right background, in a rolling landscape, the Annunciation to the Shepherds., print, prints, height 280 mm, width 185 mm, Work conception, Northern Netherlands, 1533 - 1578, after print by, 1568 - 1618, first quarter 17th century, paper, engraving, engraving (printing process), print maker, printmaker, Italian, 1525 - 1587

A saint at right, Saint John Nepomuk (), surrounded by figures, raising his hands towards angels at upper left 1670-1731 Anonymous. A saint at right, Saint John Nepomuk (), surrounded by figures, raising his hands towards angels at upper left. Anonymous. 1670-1731. Etching. Prints

The groom receives the five wise virgins, Crispijn van de Passe (i), After Maerten de Vos, 1589 - 1611 print The groom (Christ) receives the five wise virgins that are ready for the wedding party. In the background, the foolish virgins are looking for oil to refill their lamps. In the margin a four -line caption, in two columns, in Latin that refers to the virgins that are received in heaven and to the virgins that are excluded. Cologne paper engraving the wise virgins are let into the house with the bridegroom (Christ); the foolish virgins are shut out

Twist between the church fathers about the Holy Sacrament. The church fathers are in a church space and discuss the issue of the Holy Sacrament of the Eucharist. On the altar is a monstrans with a host, above the Holy Spirit floats in the form of a pigeon. In heaven the sky of heaven meets about the case. Christ is in the middle, on either side Mary and John the Baptist, behind him figures from the Bible. God the Father and the Engel Choir float above the clouds.

Mystical marriage of the Saint Catharina. Maria Tront with the Christ child on his lap. Christ is about to slide a ring on the finger of the Saint Catharina of Alexandria. A group of musicming angels in the foreground. Above right a group of floating angels and putti.

Truth tries the twist and envy in the presence of peace, Jan Luyken, 1691 print print maker: Amsterdampublisher: Rotterdam paper etching Truth; 'Verití' (Ripa). Disagreement, Discord; 'Discordia' (Ripa). Anger; 'Ira' (Ripa) ~ personification of one of the Seven Deadly Sins. symbols, allegories of peace, 'Pax'; 'Pace' (Ripa)

The Assumption and Coronation of the Virgin, from The Life of the Virgin 1510 Albrecht Dürer German. The Assumption and Coronation of the Virgin, from The Life of the Virgin 387873

Allegory in the church and the city of Liège, Michel Natalis, 1642 print The personification of the church, a female figure with papal tiara and staff, looks up. On the clouds, Maria and Kind, in the midst of four bishops of Liège: Maternus, Servaas van Maastricht, Lambertus van Maastricht and Hubertus. Opposite the personification of the church is the personification of the city of Liège, a woman with a staff in her hand. A putto with a miter in her hands in front of the church kneels in front of her. On the right a statue, on which six shields hang. In the background in the landscape the city of Liège. paper engraving the Church personified, 'Ecclesia', usually with chalice and banner. cities represented allegorically or symbolically. Madonna: Mary sitting or enthroned, the Christ-child in her lap (or in front of her bosom) (Mary sometimes represented half-length). archbishop, bishop, etc. (Roman Catholic) Shutter

Pino, Marco, Rome, Cort, Cornelis, Adoration of the Shepherds, verso - stamped, In the middle Mary and Joseph are kneeling before the Child who lies on a bundle of straw on the ground. Next to Christ lies a lamb. A group of shepherds are kneeling around it in adoration. The shepherd on the right plays a bagpipe. In the air angels on a cloud. On the left behind the columns of an ancient building. Right background, in a rolling landscape, the Annunciation to the Shepherds., print, prints, height 280 mm, width 185 mm, Work conception, Northern Netherlands, 1533 - 1578, after print by, 1568 - 1618, first quarter 17th century, paper, engraving, engraving (printing process), print maker, printmaker, Italian, 1525 - 1587

Maria mourns at the dead body of Christ with angels, Pieter de Bailliu (I), After Annibale Carracci, 1623 - 1660 print Maria mourns the dead body of Christ that is supported by angels. The caption refers to Mary's role as a mother and the sorrow she is wearing. paper engraving 'Pietà', 'Vesperbild', 'Marienklage' (no others present): Christ, either with or without crown of thorns, mourned by Mary

Adoration of the Kings, Raphaël Sadeler (I), After Jacopo Bassano, 1598 print Maria and Joseph show the Christ child to the three kings. The three kneels and offer the child their gifts. Two angels fly in the air. paper engraving / etching adoration of the kings: the Wise Men present their gifts to the Christ-child (gold, frankincense and myrrh) (+ angel(s))

Transfiguration: Beauty, Johann Sadeler (I), After Maerten de Vos, 1585 - 1588 print Christ shows his divine being to Peter, James the Multiple and John. He is surrounded by heavenly rays. Moses (left) and Elijah (right) appear next to him. The fifth print of an eight -part series with scenes from the life of Christ who depict his most important virtues. München paper engraving the Transfiguration: Moses and Elijah appear on either side of Christ on Mount Tabor (Matthew 17:1-13; Mark 9:2-13; Luke 9:28-36). the Sublime

The Last Judgment, from The Passion of Christ, plate 32 1664 Grégoire Huret French. The Last Judgment, from The Passion of Christ, plate 32 645361

St. Jerome Instructing his Disciples in the Desert, from Les Eglises Jubilaires (The Paintings of Rome, The Churches Jubilee), plate 11 1607-11 Jacques Callot French. St. Jerome Instructing his Disciples in the Desert, from Les Eglises Jubilaires (The Paintings of Rome, The Churches Jubilee), plate 11. Les Tableaux de Rome, Les Eglises Jubilaires. Jacques Callot (French, Nancy 1592-1635 Nancy). 1607-11. Engraving; second state of three (Lieure). Prints

Copper engraving by Philippe Thomassin depicting the presentation of Mary as a child in the temple, created around 1615.

The Visitation ca. 1649 Nicolas Mignard French. The Visitation 393510

Ascension of Maria. Maria sailing heavenly on a cloud. She is surrounded by angels. The twelve disciples and others are surprised by the empty grave.

. The praying Christ and the sleeping apostles in the garden of Getsemane. A light beam in the upper left corner. In the background, Judas enters with the soldiers Getsemane. The print has a Latin caption with a text from the Bible and is the second print of a fourteen-part series about the passion of Christ.

H. Family with Elisabet, Zacharias and the child Johannes de Doper, Jacob Matham, after Hendrick Goltzius, 1590 print The Holy Family resting in a landscape under a canopy, with Elisabet with the child Johannes and Zacharias who wears a basket with eggs. Haarlem paper engraving adoration of the Christ-child by Mary, Joseph, Elisabeth and John the Baptist (+ variant)

Italy, Piola, Domenico I, Genoa, Testana, Giuseppe Maria, Saint Clare of Montefalco, verso - stamped, In an interior Saint Clare of Montefalco receives the sacrament of Christ. In the lower margin four-line text in Latin., print, prints, 7, recto lower right - handwritten in brown ink, height 283 mm, height, 199 mm, Italian, 1648 - 1679, print maker, printmaker, 1658 - 1679, paper, papier, engraving, engraving (printing process), Work conception, 1627 - 1703-04-08

Sadeler, Johann (I), Vos, Maerten de, Antwerp, Sterfbed van Maria, verso bottom left - stamped, Het sterfbed van Mary. She is surrounded by the apostles. Around an ornamental border with flowers and four medallions in the corners. Depicted in the medallions: Caritas, Fides, Fortituto and Spes. At the top in the middle the Holy Spirit as a dove., print, prent, prints, prenten, height 260 mm, width 193 mm, Zuid-Nederlands, 1550 - 1600-08, print maker, prentmaker, 1576 - 1576, paper, papier, engraving, engraving (printing process), Work conception, 1532 - 1603-12-04, after a design by, Publication (Event), Publication, publisher

Passion Set: The Resurrection, 1596-98. Zacharias Dolendo (Dutch, 1561-1604). Engraving;

Christ in the court of Getsemane, Christoffel van Sichem (II), after Hendrick Goltzius, 1657 print Christ prays in the court of Getsemane and asks God if this cup can pass him by. An angel presents him the cup. Petrus, Johannes and Jacobus sleep in the foreground. In the background, Judas leads a group of soldiers through the gate. Amsterdam paper agony of Christ; three (or eleven) apostles sleeping

Maria with child and saints, Remoldus Eynhoudts, after Peter Paul Rubens, c. 1638 - c. 1680 print Maria shows her child to the surrounding saints, including Bonaventura, Mary Magdalena and Joris with in the foreground the dragon he defeated. Hieronymus sits with a Bible under his arm on a lion. In the air, putti hold a flower wreath above the Christ child. Antwerp paper counterproof / etching Madonna accompanied by saint(s)

The presentatie Van Christ on the Tempel; Officium.The Blessed Virgin Mary and Christ child is in the arms of Priest woman. Mary and Joseph kneel for woman.

Adoration by the Kings, Francesco Brizio (attributed to), after Ludovico Carracci, 1584 - 1623 print The three kings offer the Christ's child, seated on his mother's lap for a ruin of a temple, their gifts. Two camels in the background. Joseph is behind Maria. Italy paper etching adoration of the kings: the Wise Men present their gifts to the Christ-child (gold, frankincense and myrrh)

Vision of H. Francesca Romana; S. Francisca Romana. The Holy Francesca Romana, dressed in the habt of the Olivanicotlans, receives the Christ child of the Crowned Virgin Mary in a vision. She drops down on a cloud, surrounded by cherubs, with the child on his lap. An angel, with an olive branch in hand, looks in worship. In the margin a two-legged bible quote from PS. 72 in Latin.

Ascension and Coronation of Maria, Albrecht Dürer, 1510 print The apostles are around an empty grave and look up, where Mary is crowned in heaven by Christ and God. This print is part of a series of 20 prints, consisting of a title print and 19 prints with scenes from the life of Maria. Nuremberg paper assumption of Mary combined with her coronation

Maria crowned by Christ, Anonymous, After Master of the Dice, After Rafaël, in or after c. 1530 print Mary is crowned by Christ in the middle. In the foreground on the left the Holy John the Baptist and on the right the saint Hieronymus with lion. In the air God the Father and the Holy Spirit as a pigeon. after print by: Italyafter design by: Italypublisher: Rome paper engraving coronation of Mary by Christ. John the Baptist; possible attributes: book, reed cross, baptismal cup, honeycomb, lamb, staff. cupids: 'amores', 'amoretti', 'putti'. the monk and hermit Jerome (Hieronymus); possible attributes: book, cardinal's hat, crucifix, hour-glass, lion, skull, stone

Christ in the garden of Getsemane, Johann Sadeler (I), After Maerten de Vos, 1582 print The praying Christ and the sleeping apostles in the garden of Getsemane. A light beam in the top left corner. In the background, Judas enters Getsemane with the soldiers. The print has a Latin caption with a text from the Bible and is the second print of a fourteen -part series about the passion of Christ. Antwerp paper engraving Christ's prayer in the Garden of Gethsemane during the night

Saint Martina at the feet of Mary. The Saint Martina kneeling a book to Maria with the Christ child on her lap. In addition to Maria three other people and above her two putti. Under the show a caption in Latin.

Annunciation Scenes from the Old and New Testament (series title) Breviary romanum (series title), Maria is sitting on a chair. She is visited by the angel Gabriel. He tells her that she will give birth to a son named Christ. Several little angels up in the clouds. The Holy Spirit (a dove) descends from heaven. The print is part of a series with scenes from the Old and New Testament., The Annunciation: Mary, usually reading, is visited by the angel (sometimes a woman overhears the conversation), Theodoor Galle, Antwerp, c. 1612 - c. 1616, paper, engraving, h 294 mm × w 193 mm

The Adoration of the Trinity 1566 Cornelis Cort Netherlandish. The Adoration of the Trinity. Cornelis Cort (Netherlandish, Hoorn ca. 1533-1578 Rome). 1566. Engraving. Prints

Baptism of Christ ca. 1600 Cornelis Cornelisz van Haarlem Netherlandish. Baptism of Christ 374007

Adoration of the Magi Artist's working dates 1601-1647 Italy. Etching on paper . Sisto Badalacchio

. Visiting and taking care of the sick. In a corridor with beds on either side are the sick. A sick food is offered on the left. Left front is a man with a book on his lap. Turn right two women for a sick woman who sits on a chair. At the bottom of the margin a line of text in Latin. Print from a series about the works of mercy.

Maria with Saint Antonius and the Holy Niccolò Albergati. Maria on a cloud with cherubs. On the left the holy Antonius of Padua with the Christ child in his arms. On the right the Holy Niccolò Albergati. The arm of Cardinal Antonio Albergati in the undermarge.

Marina Re de Heilite Antonius in de Heilige Nicolò Alborgati hotel, 1692 - 1691 print Maria on a cloud with cherubin. On the left the Holy Antonius of Padua with the Christ child in his arms. On the right Saint Niccolò Albergati. The coat of arms of Cardinal Antonio Albergati in the lower margin. Italy paper etching Madonna accompanied by saint(s). the Franciscan monk Antony of Padua; possible attributes: ass, book, crucifix, flowered cross, flaming heart, infant Christ (on book), lily. cardinal

Mary with the Christ child on her lap in the center. Beside her two angels with flowers. Before her two kneeling angels, offering her garlands of flowers. Above her, the Holy Spirit hovers amidst two angels with garlands of flowers. To the right of Mary, St. Barbara kneels, holding her attributes sword and palm branch. On the left, St. Catherine kneels with a palm branch in her right hand and her attribute the wheel beside her., Veneration of Mary with the Christ Child by St. Catherine of Alexandria and St. Barbara., print maker: Raphaël Sadeler (I), (mentioned on object), Jan van der Straet, (mentioned on object), Cologne, 1591, paper, engraving, etching, h 212 mm × w 286 mm

Ascension of Maria, Adriaen Lommelin, after Peter Paul Rubens, 1630 - 1677 print Around the grave of Maria, apostles have gathered to pray for her soul. In the clouds above them, Mary is taken to heaven by Engelen. In the margin a rule of text in Latin. Antwerp paper engraving

Kruisafneming, Cornelis Cort, after Girolamo Muziano, 1568 print Christ is taken from the cross by Nicodemus and Joseph of Arimathea. There are four ladders against the cross. Maria Magdalena grabs Christ's feet. There are weeping women on the ground. paper engraving descent from the cross: Christ is taken down from the cross, usually by Nicodemus and Joseph of Arimathaea who are standing on the ladders (both arms of Christ detached)

Baptism of Christ. Christ is in the Jordaan with his feet and is baptized by John the Baptist. Angels stand on either side of the two. A little further on men and women are waiting for their baptism. In heaven God the Father and the Holy Spirit in the form of a pigeon surrounded by the angel choir.

Sadeler, Johann (I), Vos, Maerten de, Keulen, Acts of the Apostles, Peter is freed from prison by the angel, verso lower left - stamped, Peter is awakened in prison by an angel. In the background the angel leads him from the prison, past the sleeping soldiers. With a Latin caption with a Bible passage from the Acts of the Apostles (Acts 12). The fourth print of a five-part series., print, prints, height 241 mm, width 206 mm, Southern Netherlands, 1550 - 1600-08, print maker, printmaker, 1580 - 1580, paper, engraving, engraving (printing process), Work conception, 1532 - 1603-12-04, after a design by, Publication (Event), Publication, publisher

Worship of the shepherds. Maria, Joseph and a few shepherds worship the Christ child in a stable. Above the chestschild in the air, a group of angels float with a banderole. Four figures run towards the stable in the background.

Allegorical title page with patriarch Abraham and truth, 1728 - 1784 print Truth, a radiant sun above her head, sacrifices a lamb on an altar. In her hands she holds a sacrificial scale and a knife. In addition to her, the patriarch Abraham, who holds the chained vanity, idolatry and a man with a fee. Moderation kneels on his feet, with a horse toom on her arm. She grabs his winged foot. On the left in the background three shepherds with their herd of sheep. paper engraving story of Abraham. Truth; 'Verití' (Ripa). Temperance, 'Temperantia'; 'Temperanza' (Ripa) ~ one of the Four Cardinal Virtues. Frivolity. Paganism personified

Christ in the Garden of Gethsemane, Adriaen Huybrechts (I), Martin Schongauer, 1584.

Worship of kings. Maria and Joseph show the Christ child to the three kings. The three kneel and offer the child their gifts. Two angels fly in the air.

Peter is liberated from prison by the angel, Johann Sadeler (I), After Maerten de Vos, 1580 print Peter is awakened in prison by an angel. In the background, the angel leads him out of prison, past the sleeping soldiers. With a Latin caption with a Bible passage from the actions of the apostles (Acts 12). The fourth print of a five -part series. Cologne paper engraving the angel leads Peter past the sleeping guards. an angel appears, summoning Peter to wake up ~ Peter in prison

Maria with child worshiped by the patron saints of Bologna, Flaminio Torri, After Guido Reni, 1631 - 1661 print Mary with child on clouds are worshiped by the patron saints of Bologna, including Saint Ignatius Loyola, Saint Petronius and Saint Proculus. Italian text and coat of arms in STUDMARGE. Italy paper etching Madonna: i.e. Mary with the Christ-child. Madonna accompanied by saint(s). the founder of the Jesuit Order, Ignatius of Loyola; possible attributes: book (with 'ad majorem Dei gloriam'), demon, dragon under feet, flames, flaming heart, globe, IHS monogram, skull (with crown), tears in eyes, torch. saints

Adoration by the Kings, 1584 - 1588 print For a cave, Mary is sitting on her lap with the Christ child. Through a city gate behind the procession consisting of the kings and their entourage passes by. In margin under the print eight lines of Latin. paper engraving adoration of the kings: the Wise Men present their gifts to the Christ-child (gold, frankincense and myrrh)

H. Bernard kneeling for an appearance of Maria with child, Claude Mellan, After Jacques Stella, 1640 print print maker: Franceprinter: Parispublisher: Paris paper engraving the Virgin Mary, making a teaching gesture, appears to St. Bernard of Clairvaux writing at his desk ('doctrina')

Outpouring of the Holy Spirit, Jan Luyken, Anonymous, 1712

Grave of Christ, Crispijn van de Passe (I), After Federico Barocci, 1600 print Christ is placed in the rock grave by Joseph of Arimatea and Nikodemus. They are surrounded by mourning women, among whom Maria and Maria Magdalena. In the foreground are the crown of thorns, a tongs and nails. In the background the three crosses. The show is caught in an oval frame with an edge writing in Latin. Print from a series with the passion of Christ. Cologne paper engraving Christ's entombment (possibly by angels)

The Nativity Jacob Matham Netherlandish. The Nativity 398791

Christ in the Court of Getsemane, monogrammist SM (16th century), 1582 - 1592 print Christ prays in the court of Getsemane and asks God to let this cup pass him by. An angel presents him the cross and the cup. Johannes, Petrus and James are sleeping in the foreground. Judas arrives in the background with the soldiers who will capture Christ. München paper engraving agony of Christ: to comfort him one or more angels appear to Christ with chalice and/or cross. agony of Christ; three (or eleven) apostles sleeping

The holy family with two angels. Maria is sitting on a couch in a vaulted space and keeps the Christ child that is on her lap, an apple or pear. Two angels on her right side still keep them fruit. Joseph is behind his wife and child.

The Holy Family with St. Anne and Joachim, 1512. Hans Burgkmair (German, 1473-1531). Woodcut;

Rest on the Flight Into Egypt. Sacred family resting on the flight to Egypt. Maria with child sitting at palm tree with angels. Joseph with donkey in the background. Four lines of Latin text in undergarment.

Worship through the kings. The Christ child, which is on his shot, is worshiped by the three ways from the east. They have prepared their gifts for the child. The star is straight out of the sky that the Christ child is.

Rader, Matthäus, Kager, Johann Mathias, Munich, Sadeler, Raphael (I), Bavaria sancta I, Saints of Bavaria I, S. Bonifacivs archiep. Possibilities. M, Martyrdom of Saint Boniface, verso lower left - stamped, In the foreground Saint Boniface and his followers are murdered by the Frisians. In the background his tent in Dokkum. The print has a Latin caption and is the 28th print in a 60-part series on the subject of the saints of Bavaria., print, prints, width 156 mm, height, 220 mm, South Netherlands, 1560, print maker, printmaker, 1615 - 1615, paper, papier, engraving, engraving (printing process), etching, German, 1575 - 1634, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1561 - 1634-12-22, publisher

Christ predicts his death and resurrection; Dominica III. Post Passover. Christ tells his students: "Another short time and you no longer see me, but shortly thereafter you see me back." In the background through the window, the Ascension of Christ can be seen. At different elements from the show are letters that correspond to the legend in the margin.

Copper engraving print by Jan Collaert the Younger depicting two faith-related articles, showing objects and composition.

Print, The Adoration of the Magi, ca. 1640-1650; Italy; engraving on white paper; 43 × 35.3 cm (16 15/16 × 13 7/8 in.); Bequest of George Campbell Cooper; 1896-3-198

Allegorical show with an angel, Reinier Vinkeles (I), After Johannes de Bosch, 1765 print An angel provides a monk a roll of paper. In the foreground, an old man with a beard is writing a book, next to him a woman. In the background the figures with symbols of true faith. Amsterdam paper etching / engraving handwriting, writing as activity. angels. Faith, 'Fides'; 'Fede', 'Fede catholica', 'Fede christiana', 'Fede christiana catholica' (Ripa) ~ one of the Three Theological Virtues. beasts of prey, predatory animals: lion

Exit of the Holy Spirit, Cornelis Cort, After Giorgio Vasari, 1602 print Maria and the apostles are in a temple in a circle. Through a round opening in the roof, the Holy Spirit falls on them in the form of a pigeon, surrounded by a circle of angels. Rome paper engraving Pentecost: the Holy Ghost descends upon (Mary and) the apostles, sometimes Paul and/or representatives of the nations present (Acts 2:1-4) (+ angel(s))

. The shepherds worship the Christ child. Maria is at the manger. Engels music on the clouds.

Opwekking by Lazarus, Adriaen Collaert, After Maerten de Vos, 1583 - 1588 print Lazarus, just came out of his grave alive, is detached by his family from the burial cloths (Johannes 11: 1-44). The print has a Latin caption. The print is part of a series about the life of Christ. Antwerp Lazarus' shroud is removed

Adoration by the Kings, Paulus Pontius, After Gerard Seghers, 1631 print The Christ child, with Mary's lap, is worshiped by the three sages from the East who have been drawn up for the child with their gifts. In the background members of their entourage. One of them kneels before the Christ child and receives his blessing. In the clouds of cherubies and angels. In the margin an assignment in Latin. Antwerp paper engraving adoration of the kings: the Wise Men present their gifts to the Christ-child (gold, frankincense and myrrh)

Netherlands, Assumption of Mary, verso lower left - stamped, The twelve disciples bend over the empty tomb in amazement. In the clouds above them, Mary is carried away to heaven by angels., print, prent, prints, height 451 mm, width 344 mm, print maker, prentmaker, 1600 - 1699, paper, papier, houtsnede

Adoration of the shepherds, Crispijn van den Queborn, After Crispijn van de Passe, 1614 - 1652 print Maria, Joseph and some shepherds worship the Christ child in a stable. A group of angels floats with a banderole above the Christ child in the sky. Four figures run towards the stable in the background. print maker: The Hagueafter design by: Utrechtpublisher: Utrecht paper engraving adoration of the Christ-child by the shepherds; Mary and Joseph present

Holy Trinity, c. 1600 - 1652 print The Holy Trinity and Mary surrounded by saints and angels. The print is part of an album. paper engraving Trinity in which God the Father and Christ are represented as persons, the Holy Ghost as dove

Kruisafneming, Cornelis Galle (I), 1586 - 1650 print Joseph and Nikodemus remove the body of Christ from the cross. Johannes, Maria and Maria Magdalena support the body. Eleventh print from a series of 13, with representations from the suffering story of Christ. Southern Netherlands paper engraving descent from the cross: Christ is taken down from the cross, usually by Nicodemus and Joseph of Arimathaea who are standing on the ladders (both arms of Christ detached)

Giovanni David after Scarsellino, The Adoration of the Magi The Adoration of the Magi

Annunciatie, Ventura Salimbeni, 1594 print The angel Gabriel announces Mary that she will become pregnant. Maria is kneeling at a table. The Holy Spirit drops like a pigeon. Engelen floats among clouds above. Rome paper etching / engraving the Annunciation: Mary, usually reading, is visited by the angel (sometimes a woman overhears the conversation). angels. cupids: 'amores', 'amoretti', 'putti'

The Virgin Mary with the Christ Child and angels, with Saints Francis, Dominic, Monica and Mary Magdalene. Drawing by F. Rosaspina, 1830, after L. Carracci.

Italy, Saint with angels, verso - stamped, A male saint is kneeling and is flanked by two angels. Above him the Holy Ghost as a dove and more angels. On the right a papal tiara with a crucifix., print, prints, height 364 mm, width 219 mm, print maker, printmaker, 1600 - 1699, paper, papier, etching, etchings

Maria Met Kind En de Heilige Hieronymus en Maria Magdalena, Francesco Villamen, After Agostino Carracci, After Correggio, 1586 print The Christ child is on Mary's lap. An angel shows him a book. In the foreground on the left is the saint Hieronymus with a lion. On the right, Saint Mary Kneelt Magdalena and caresses her cheek along the leg of Christ. On the right a boy with an ointment pot. Latin text in two columns in the lower margin. print maker: Italyafter print by: Italyafter painting by: Italypublisher: Rome paper engraving / etching Madonna (i.e. Mary with the Christ-child) accompanied or surrounded by others. the penitent harlot Mary Magdalene; possible attributes: book (or scroll), crown, crown of thorns, crucifix, jar of ointment, mirror, musical instrument, palm-branch, rosary, scourge. the monk and hermit Jerome (Hieronymus); possible attributes: book, cardinal's hat, crucifix, hour-glass, lion, skull, stone

Rubens, Peter Paul, Bolswert, Schelte Adamsz., Lauwers, Conrad, Marriage of Mary, verso - stamped, Mary and Joseph are married by a high priest in the presence of a man and three women. The high priest puts the wedding ring on Mary's finger. Three angels scatter flowers in the air above Joseph and Mary. In the margin a line of text in Latin., print, prints, height 458 mm, width 345 mm, Dutch, 1632, print maker, printmaker, 1642 - 1685, paper, engraving, engraving (printing process), Work conception, South Netherlands, 1586 - 1659-12-12, after print by, 1577-06-28 - 1640-05-30

Adoration of the Mother of God Franquinet, Willem Hendrik (1785 1854), Dyck, Anton van (1599 1641), lithography villain

Woodcut from 1512 by Hans Burgkmair the Elder depicting the Holy Family with Saints Anna and Joachim.

The Holy Family with Two Angels in a Vaulted Hall Made 1503-1504 Germany. Woodcut in black on ivory laid paper . Albrecht Dürer

Entry of Christ in Jerusalem, Antonie Wierix (II), After Maerten de Vos, 1583 - 1587 print Christ is received outside the city gate of Jerusalem by a crowd of people who honor him. A man spreads his cloak on the floor. Christ enters the city on a donkey. Antwerp paper engraving entry into Jerusalem: people spreading their clothes before Christ on the ass, and waving palm branches (Matthew 21:1-11, 21:14-16; Mark 11:1-11; Luke 19:28-40; John 12:12-19)

. Abraham raises his sword to kill his son Isaac, who kneels before the altar. However, an angel stops him. In the background in the forest the RAM that Abraham can sacrifice. In the margin a four-line caption, in two columns, in Latin. Byond this a second caption from Hebrews in Latin.

Visitation Vita Deiparae Virginis Mariae (series title) Life of the Virgin Mary (series title), Mary visits her cousin Elisabet. She is followed by two angels. In the background in the doorway Zacharias and Joseph. The dove of the Holy Spirit descends from heaven on the pregnant Mary and Elizabeth. In the margin a six-line caption, in two columns, in Latin. The print is part of an album, Visitation (possibly Joseph and / or Zacharias present) (Luke 1: 39-56) (angel (s)), Holy Ghost represented as a dove (in flames), Jean Matheus (mentioned on object), Paris, 1590 - 1649, paper, engraving, h 101 mm × w 66 mm

Mass of Saint Gregorius with appearance of Christ, Mattheus Borrekens, After Abraham van Diepenbeeck, 1625 - 1670 print A mass in one of the niches of a church. The H. Gregorius is kneeling for the altar. Two altar boys hold candles behind him. Some monks are also present. One of them waves with the incense barrel. Kneeling in the foreground and left and right of the altar and some animals (a dog, a sheep and a donkey) seemed. Christ appears from heaven and falls down on the altar. Blood flows from the wound in his chest, which fills the chalice. Angels and cherubies accompany him. Above Christ, the Holy Spirit flies in the form of a pigeon. At the very top of God the Father. paper engraving the mass of St. Gregory the Great: Christ appears above the altar with the instruments of the Passion; maybe blood spouts from Christ's side. Christian religion (+ angels floating in the air). cherubs, i.e. children's heads with wings. Trinity in which God the Father and Christ are represented as

. Pontius Pilate shows Christ to the Jews for the courthouse. The high priests shout to enforce his crucifix. In the margin a fragment from Bible text John 19.

Ascension and Coronation of Maria, Anonymous, After Maerten de Vos, 1600 - 1649 print Mary is crowned by Christ, with crown and scepter, and God, with Tiara and Rijksappel. Above her the Holy Spirit and some Cherubin. Among her different angels. At the bottom right are the apostles around her empty tomb. At the bottom of the margin a five -line oratory text in Latin. print maker: Low Countriesafter design by: Antwerppublisher: Cologne paper engraving assumption of Mary combined with her coronation

The Virgin Mary with the Christ child in glory above, with John the Baptist, St Mark and St Francis below. Drawing by F. Rosaspina, c. 1830, after F. Albani.

The Martyrdom of St. Stephen, from Les Tableaux de Rome, Les Eglises Jubilaires (The Paintings of Rome, The Churches Jubilee), plate 1 1607-11 Jacques Callot French. The Martyrdom of St. Stephen, from Les Tableaux de Rome, Les Eglises Jubilaires (The Paintings of Rome, The Churches Jubilee), plate 1. Les Tableaux de Rome, Les Eglises Jubilaires. Jacques Callot (French, Nancy 1592-1635 Nancy). 1607-11. Engraving; second state of three (Lieure). Prints

Holy Family with John the Baptist.

The Birth of the Virgin. Dated: in or after 1630. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Saint Mary (the Blessed Virgin) with the Christ Child and angels. Woodcut by Örtel after A. Dürer, 1518.

The theological virtues Faith, Hope and Love surrounded by clouds. Moses stands beside them, showing the inside of his palms. In the foreground on the right under a tree a man embracing secular power. At his feet is a sack of money, Faith, Hope and Love with Moses Title page for H. Schyn, Obstacles to Spiritual Life, 1727, print maker: Frederik Ottens, (mentioned on object), Frederik Ottens, (mentioned on object), Frederik Ottens, (mentioned on object), Amsterdam, 1727, paper, etching, engraving, h 147 mm × w 88 mm

The worship of the Kings, 1593 - 1594 print Maria and Joseph show, seated in/near a ruin, their newborn child to the three kings or point from the east and their entourage. Four Latin verses under the performance. This print is part of a series of six prints with scenes from the early life of Maria. They are called the 'masterpieces', because Goltzius has simulated the work of various illustrious predecessors. paper engraving adoration of the kings: the Wise Men present their gifts to the Christ-child (gold, frankincense and myrrh)

Christ and the H. Catharina van Siena.de Saint Catharina van Siena Knelt Before Christ, she crossed her hands in front of her breast. On the ground a book and a lily branch. Christ shows Catharina his wounds and puts an encouraging a hand on her back.

Christ appearing to the apostle Thomas, who touches his stigmata. Engraving by G. Huret, 1664, after himself.

St Margaret of Cortona Kneeling before the Christ Child and Offering Him a Book, Pietro da Cortona, c. 1640, The Christ Child, seated on the lap of Mary and surrounded by the saints Mary Aegyptiaca, Augustine and Mary Magdalene, receives a book from the hands of St Margaret of Cortona. Design for a print., draughtsman: Pietro da Cortona, c. 1640, paper, h 409 mm × w 305 mm

Copper engraving and etching by François de Poilly the Elder from 1640-1693 depicting Saint Charles Borromeo in religious context.

Worship by the Kings, Karel van Mallery, 1581 - c. 1645 print In a landscape there is Mary under a shelter, with the Christ child on her lap. Joseph is next to her, with crossed arms in front of his chest and behind her the ox and the donkey. For her, the three kings kneel with their gifts. Two of them have laid their crowns on the ground. In the background a wide hilly landscape and in the air the star of Bethlehem. Under the performance three lines in Latin. Antwerp paper engraving adoration of the kings: the Wise Men present their gifts to the Christ-child (gold, frankincense and myrrh)

Maria with child and saints. Maria shows her child to the surrounding saints, including Bonaventura, Mary Magdalena and Joris with the foreground the dragon defeated by him. Hieronymus is sitting with a Bible under his arm on a lion. Putti holds a flower wreath above the Christ child in the air.

Maria's death bed. Maria is on her deathbed. Stand around the bed and kneel the apostles and praying women. Putti floats above the bed.

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