Ornate Classical Prints

Includes decorative prints with mythological themes, intricate borders, and religious imagery, reflecting a rich artistic heritage and detailed craftsmanship.

The erection of the copper snake in a frame of scrollwork with grotesques and mascarons. On either side of the scene is a hermit with a fruit basket on his head to which two small children are clambering. Shaded background. Sheet from series consisting of a title page and 15 of the 16 sheets with cartouches with biblical and mythological scenes in a frame of scrollwork and grotesques, Founding of the copper snake Comperimentorum quod vocant multiplex genus... (series title), print maker: Pieter van der Heyden, Jacob Floris, publisher: Hieronymus Cock, Netherlands, (possibly), 1566, paper, engraving, h 200 mm × w 132 mm

Title print with Roma, Minerva and Saturn, Anonymous, 1584 An oval cartouche with a performance by Roma, sitting next to the Lupa Capitolina that sits the twins Romulus and Remus. The cartouche is flanked by images from Minerva and Saturn. Above two putti and a cartouche with the title. Under a cartouche with text. Print is part of an album. print maker: Italypublisher: Rome paper engraving Rome An oval cartouche with a performance by Roma, sitting next to the Lupa Capitolina that sits the twins Romulus and Remus. The cartouche is flanked by images from Minerva and Saturn. Above two putti and a cartouche with the title. Under a cartouche with text. Print is part of an album. print maker: Italypublisher: Rome paper engraving Rome

Thiry, Léonard, France, Boyvin, René, Gods and goddesses, Proserpina, strewing flowers, At the bottom is a Latin text. From a series of 16 partly numbered sheets with flat decorations of gods and goddesses in a frame of grotesques with fantastic creatures, animals, garlands and mascarons., print, ornament print, prints, ornament prints, height 174 mm, width 108 mm, French, 1525 - 1598, print maker, printmaker, 1551 - 1580, third quarter 16th century, fourth quarter 16th century, paper, engraving, engraving (printing process), Work conception, South Netherlandish (before 1775), 1500 - 1550

TITELBLAD: Ornemens de Paneaux, Jean Lepautre, c. 1655 - C. 1657 print Panel in architectural frame with an oval medallion with the Blessed Virgin, Joseph and Christ in the middle; At the top of God the Father and at the bottom a cartouche with the title. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Design for Stained Glass. Artist: Hans Jakob Plepp (Swiss, Biel ca. 1557/60-ca. 1597/98 Bern). Dimensions: 14-1/2 x 11 in. (36.8 x 27.9 cm). Date: ca. 1590. Museum: Metropolitan Museum of Art, New York, USA.

Wingwater tray with Jonas and De Walvis, Jean Lepautre, c. 1657 - c. 1661 print In the left and bottom right, two Triton children support the holy water bin. Leaf 3 from series of 6 magazines, first edition. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Amsterdam, Aldewereldt, Pieter, Bleyswijck, François van, Title page for: Richard Steele, Boekzaal der Heeren, 1737, Interior of a library with History and Father Time, verso - stamped, A scholar stands in a library and points to a personification of History (Historia) who makes notes of all memorable events, assisted by Father Time and under the watchful eye of Minerva and Truth. The interior is enclosed in an architectural frame decorated with medallions suspended from bows. The medallions show subjects that are part of suitable male literature, these are listed on banderoles., print, engraving, title page, prints, height 149 mm, width 90 mm, Noord-Nederlands, 1671-05-24 - 1746-10-15, print maker, printmaker, 1737 - 1737, paper, papier, etching, graveren (drukprocedé), Work conception, after own design by, Publication (Event), Publicatie, publisher

Wenceslaus Hollar after Hans Holbein the Younger after Abraham van Diepenbeeck, Count, 1651 Count

Medallion with a man on a car, drawn by a rider; Iacobus Androuetius du Cerceau Inventor Ante Annos Non Paucos Conscripsit (...). Leaf from series with architectural fantasies and grotesken with fabber designs, garlands, candelabers and mascarons.

The erection of the copper snake in a frame of scrollwork with grotesques and mascarons. On either side of the scene is a hermit with a fruit basket on his head to which two small children are clambering. Shaded background. Sheet from series consisting of a title page and 15 of the 16 sheets with cartouches with biblical and mythological scenes in a frame of scrollwork and grotesques, Founding of the copper snake Comperimentorum quod vocant multiplex genus... (series title), print maker: Pieter van der Heyden, Jacob Floris, publisher: Hieronymus Cock, Netherlands, (possibly), 1566, paper, engraving, h 200 mm × w 132 mm

Wenceslaus Hollar after Hans Holbein the Younger after Abraham van Diepenbeeck, Monk, 1651 Monk

Orpheus plays for the animals. Landscape with orpheus playing the veud. He is surrounded by the animals that have come to his music. The show is caught in a cartouche with two dogs at the top and bottom of two monkeys. At the bottom of a three-legged caption in Latin. Left under numbered: 1.

Mars between Victoria and Minerva; Gods and Goddesses. At the bottom is a Latin text. From series of 16 partly numbered sheets with flat decorations of gods and goddesses in a picture frame of grotesken with fantastic beings, animals, garlands and mascarons.

Pallas Athene, René Boyvin (workshop of), after Léonard Thiry, 1551 - 1580 print At the bottom is a Latin text. From series of 16 partly numbered sheets with flat decorations of gods and goddesses in a frame of grotesken with fantastic creatures, animals, garlands and mascarons. France (possibly) paper engraving

Paris, Loir, Nicolas Pierre, France, Divers Ornemens, Trophées et Panneaux, Two women next to an urn, The women are sitting next to a smoldering urn which is standing on a mask. Sheet 4 from a series of 12., print, ornamental print, prints, ornamental prints, height 145 mm, width 108 mm, French, 1624 - 1679-05-06, print maker, printmaker, 1660 - 1670, third quarter 17th century, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher

Paris, Mariette, Pierre (II), France, Loir, Alexis (I), Nouveaux desseins d'Ornemens de Paneaux, Lambris, Carosse &c., Panel with Diana and two amoretten, On either side of the panel sits a sphinx. Sheet from the first edition., print, ornamental print, prints, ornamental prints, height 176 mm, width 248 mm, French, 1640 - 1713-04-15, print maker, printmaker, 1670 - 1680, third quarter 17th century, fourth quarter 17th century, paper, engraving, engraving (printing process), Work conception, after a design by, Publication (Event), Publication, 1634 - 1716, publisher

Oval with Perseus and Andromeda, c. 1610 print Design for oval medallion. Amsterdam paper engraving

Camee with the glorification of germanicus. A cameo (Gemma tiberiana) with a representation of the germanician's glorification. Emperor Tiberius and his mother Livia sit on a throne. The Roman Germanician says goodbye to them. Above them the bodies of deceased rise to heaven. Among them a group of barbarians captured by the Romans.

. At the top of a shield on which two putti sit down, at the bottom of a vase on which two putti are holding a cloth. From series of 12 magazines with ornamental panels made up of medallions, tablets, friezes, sarcophagus, vases, shields, garlands, climbing plants and putti, placed along a vertical axis. From first edition.

Saint John on Patmos. Dated: c. 1547. Dimensions: Overall: 19.6 x 15.3 cm (7 11/16 x 6 in.) support: 33.2 x 28.7 cm (13 1/16 x 11 5/16 in.). Medium: pen and black ink with brown wash over black chalk, corrected and heightened with white gouache, with border lines by the artist on laid paper. Museum: National Gallery of Art, Washington DC. Author: Geoffroy Dumoûtier.

The Arms of the Holy Roman Empire and of the City of Nuremberg 1521 Albrecht Dürer German. The Arms of the Holy Roman Empire and of the City of Nuremberg 389052

Battista Angolo del Moro after Parmigianino, Tomb of a Bishop, 1540s Tomb of a Bishop

Coat of arms with an eagle. Beham, Sebald (1500-1550), graphic artist

Look to a landscape with references to the book L'Astrée de Messire, Leonard Gaultier, 1619 print print maker: Francepublisher: Paris paper engraving (scenes from) specific works of literature: D'Urfé, Astrée. sheep

Michal helps David escape, Jan Goeree, 1710 print An ornamental framework. Michal, Saul's daughter, helps David escape from her father's soldiers. David climbs from her balcony through a rope down. Amsterdam paper engraving David escapes through a window; Michal lets him down with the help of a rope

Marot, Daniël (I), Epitaph, Tomb monument in niche, In front of the urn lies a naval hero, below it is a bas-relief with a naval battle., print, ornament print, prints, ornament prints, height 184 mm, width 140 mm, Work conception, 1663 - 1752-06-04, after a design by, 1706 - 1800, first quarter 18th century, second quarter 18th century, third quarter 18th century, fourth quarter 18th century, paper, etching, etchings, print maker, printmaker, Publication (Event), Publication, publisher

Melpomene and Euterpe open the Toneel cloth, Christoffel Lubienitzki, 1669 - 1729 print Melpomene (Treurspel) and Euterpe (music, lyric) open the Toneeld cloth together. On stage a woman sucks her child, left and right of her are two children. The woman's arm leans on a Bijenkorf, symbol for the Amsterdam Schouwburg. In the distance the winged horse Pegasus. paper etching Melpomene (one of the Muses); 'Melpomene' (Ripa). Euterpe (one of the Muses); 'Euterpe' (Ripa). feeding a baby. bee-hive. Pegasus, the winged horse

Wittenberg, Cranach, Lucas (I), Reliquary with the Temptation of Adam and Eve, verso lower left - stamped, Reliquary with the Temptation of Adam and Eve. On the reverse is a fragment of a reliquary, possibly with the nails of the cross of Christ., print, book illustration, prints, height 133 mm, width 67 mm, German, 1472 - 1553-10-16, print maker, printmaker, 1509 - 1549, first quarter 16th century, paper, woodcut

Libro Appartenente al Architettura Title Page. Dated: 1568. Dimensions: overall size (volume closed): 40.6 x 30.2 cm (16 x 11 7/8 in.) plate: 32.7 × 22.2 cm (12 7/8 × 8 3/4 in.). Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Italian 16th Century, after Antonio Labacco, published by Giovanni Boni.

Title print for press series De Maskerades, 1652 - 1690 print A Latin text in a cartouche, above which a skeleton comes out. This skeleton holds a mask for the faces of the two figures leaning against the left and right side of the cartouche. This print is part of a series of ten numbered prints: a title print and nine prints on which two or three masked and/or dressed figures are shown out. print maker: Leidenprint maker: Netherlandspublisher: Amsterdam paper engraving Death as skeleton. mask

Nuremberg, Bussemacher, Johann, Solis, Virgilius, Portrait of Childeric II, King of Austrasia, verso - handwritten in brown ink, print, book illustration, prints, verso - stamped, height 118 mm, width 79 mm, German, 1514 - 1562-08-01, print maker, printmaker, 1598 - 1598, paper, papier, etching, etchings, engraving, engraving (printing process), plate tone, Publication (Event), Publication, German - 1627, publisher

. Large coat of arms on which the title, with the bull Europe above it. The weapon is awarded by the bazuin blowing faMA and flanked by Pictura and Optics (naked women's figures) and Assidhus and Labor (Putti). At the bottom of the performance the text: fructus laborum. Title print of the first part of a series of 72 artists' portraits, of which 36 produced by Hendrick Hondius I, the other by Robert de Baudous, Simon Frisius and Andries Jacobsz. Stock.

Perseus with the Gorgon's Head. Printer's mark of Mace Bonhomme (fl. 1536-1569), printer and bookseller at Lyon. From the original edition of "Centuries", the Propecies of Michael Nostradamus, 1555. Sciences & Lettres au Moyen Age et a l'epoque de la Renaissance. Paris, 1877.

Coat of Arms of Wilhelm and Wolfgang Rogendorf Copy 1864 Germany. Albrecht D¸rer made this sizable coat of arms woodcut for the Rogendorf family, whom he met while en route to the Netherlands, where he had the two large blocks for the work cut. The print survives in only one damaged impression, now in the Germanisches Nationalmuseum in Nuremberg. This 19th-century facsimile in the then-new medium of lithography supplies the missing leafage in the lower right and imagines the colored print in black and white. In fact, the surviving sheetís lavish coloring enhances its heraldic significance two fields are blue with a golden star above a set of golden battlements; in the others, double-tailed lions appear rampant in red on silver.. Lithograph in black on ivory wove paper . Albrecht Dürer

Interieur van bibliotheek met Geschiedenis en Vader Tijd; Titelpagina voor: Richard Steele, Boekzaal der Heeren, 1737.A scholar is in a library and points to a personification of history (historia) who takes notes of all memorable events, helped by father's time and under the watchful eye of Minerva and Truth. The interior is absorbed by an architectural frame that has been decorated with medallions hung on bows. The medallions show topics that are part of suitable men's literature, these are stated on banderoles.

Rechtszaal; Titelpagina voor Willem van Loon, Eleythería sive De manumissione servorum apud Romanos, Utrecht, 1685.Prisoners are led in an antique courtroom by Roman soldiers for the judges. The five judges are on an increase, one of them browsing a book.

Allegorical title page with various references to the city of Rome, Matthijs Pool, after Arnold Houbraken, 1737 print An allegorical female figure mourns in the midst of all kinds of Roman antiqiute and weapon. At her feet is a crown and a bundle of arrows. In the foreground the Wolvin with Remus and Romulus. In the background a niche with statues and busts of Roman emperors and field lords. A soldier shifts a drapery on which the title Latin aside. print maker: Amsterdampublisher: The Hague paper engraving / etching cities represented allegorically or symbolically. Romulus and Remus are washed ashore and suckled by a she-wolf; 'Lupa Romana'. weapons. sculpture. medal (considered as a piece of sculpture, regardless of its specific function). ram's head ~ ornament Rome

Küenburg, Max Gandolf Graf .

Victories of King Willem III in Ireland, 1690; The Glorieuse campaign from William de III king of great Britannien Neffens some quantified actions of the events and confredpled in the year 1690. Large print on two blades in which the victories of King Willem III are celebrated in Ireland and the victories of the Allies in France in the year 1690. Upper half with centrally worked on the Boyne on July 11, 1690. With fame in the sky and at the front of the English unicorn and the Dutch lion. Six smaller scenes of the battle between Willem III and Jacobus II on either side. Lower half with the glorified almanac for the year 1691 under the struggle at Naples surrounded by six tokens. On both sides smaller scenes of the battle between Willem III and Jacobus II in Ireland and between the Allies and France, to the right the conquest of Canada by the English.

Title print with personifications of the Tiber and the Nile, female figures with fish tails, obelisks and columns, Louis Rouhier, 1651 print Rome paper etching column, pillar ~ architecture. piece of sculpture, reproduction of a piece of sculpture. Madonna on the crescent of the moon (sometimes called Queen of Heaven) (in mandorla) Peace column. Piazza di Santa Maria Maggiore

Albrecht Dürer, The Apocalypse: The Vision of the Seven Candlesticks, 1498, woodcut on paper.

Surface Decoration, Grotesque with Strapwork, including Double Wall Niche, at the Top the Christian Virtues Faith, Hope and Charity, at the Center the Laocoon from Veelderleij Veranderinghe van grotissen ende Compertimenten...Libro Primo 1556 Johannes van Doetecum I Netherlandish. Surface Decoration, Grotesque with Strapwork, including Double Wall Niche, at the Top the Christian Virtues Faith, Hope and Charity, at the Center the Laocoon from Veelderleij Veranderinghe van grotissen ende Compertimenten...Libro Primo 408530

Misverstand in hypocrisy, Jean Charles Delafosse, 1768 - 1771 print A Dessus-de-Porte with a smoking vessel, a book, snakes, a mask, a blindfolded figure and a list of a flying owl. Below that a designer-de-porte with miner-wrap, masks, frogs, snakes, a book, a barrel with coins and an octagonal list of Medusa with a torch. Print number 88. Paris paper etching / engraving Error: "Error" (bank). Dissimulation, hypocrisy; "Hippocresia '' simulation '(Ripa)

Architecture fantasy with a clarified warrior with shield; Grottesco: In divorce ways .... Warrior with shield, field sign and palm branch, leaning on a herme. From series from title page + 16 sheets with cartouches or architectural fantasies with a performance in a picture frame with fabric designs, animals, garlands, trophies and mascarons.

The Apocalypse: St. John Sees Seven Golden Candlesticks, 1546-1556. Jean Duvet (French, 1485-1561). Engraving;

Ave Maria, from Allegorical Scenes on the Life of Christ, from Christian and Profane Allegories. Artist: Hendrick Goltzius (Netherlandish, Mühlbracht 1558-1617 Haarlem). Dimensions: sheet: 9 7/16 x 7 1/2 in. (24 x 19 cm). Publisher: Philips Galle (Netherlandish, Haarlem 1537-1612 Antwerp). Museum: Metropolitan Museum of Art, New York, USA. Author: HENDRICK GOLTZIUS.

A cavalier and a lady on horseback, within an ornate border decorated with fruit and cornucopias ca. 1655 Stefano della Bella Italian. A cavalier and a lady on horseback, within an ornate border decorated with fruit and cornucopias 374057

Gloves with two naked men; Portraicure the Diverses Vases. A child holds a dragon on the right. From series of 6 sheets.

Italy, Giardini, Giovanni, Rome, Limpach, Maximilian Joseph, Disegni diversi inventati e delineati da Giovanni Giardini da Forlì, Various ecclesiastical objects, Candlestick with winged tritons, putti, lions and eagles, verso - stamped, Numbered top left: no. 67, print, ornament print, prints, ornament prints, height 280 mm, width 189 mm, Czech, print maker, printmaker, 1714 - 1714, paper, papier, etching, etchings, Italian, 1646 - 1722, intermediary draughtsman, after a drawing by, Work conception

Title page: Dispersible stucco and cirodes of Roermakers / Plusieurs Pieces et ornements d'Arquebuzerie; Various stucco and beljes from Roermakers / Plusieurs Pieces et ornements d'arquebuzerie. The title is in a cartouche surrounded by weapentrophies. Title page from series of 8 blades with Dutch copies to Claude Simonin.

Large coat of arms bearing the title, with the bull Europa above The coat of arms is surmounted by the trumpet-blowing Fama and flanked by Pictura and Optica nude female figures and Assidhus and Labor putti At the bottom of the representation the text: Fructus Laborum Title print of the first part of a series of 72 artists' portraits, 36 of which were made by Hendrick Hondius I, the others by Robert de Baudous, Simon Frisius and Andries Jacobsz Stock, Coat of arms and personifications Portraits of famous painters from the Low Countries Pictorum aliquot celebrium praecipuae Germaniae Inferioris effigies on object, print maker: Hendrick Hondius (I), publisher: Hendrick Hondius (I), (mentioned on object), unknown, (mentioned on object), The Hague, 1610, paper, etching, h 225 mm × w 148 mm

Title sheet: Versee Stucken and Cieren van Roermakers / Plusieurs Pieces et orningsds d'Arquebuzerie, Pieter Schenk (I), After Claude Simonin, 1692 print The title is in a cartouche surrounded by weapon trophies. Title page from series of 8 magazines with Dutch copies to Claude Simonin. print maker: Amsterdamafter design by: France (possibly)publisher: Amsterdam paper etching

Pieta. Artist: Jean Mignon (French, active 1535-ca. 1555); After Luca Penni (Italian, Florence 1500/1504-1557 Paris). Dimensions: Sheet (trimmed): 13 in. × 11 5/16 in. (33 × 28.7 cm). Date: 1535-55. Museum: Metropolitan Museum of Art, New York, USA.

Cartouche with tomb in a landscape, Jan Caspar Philips, 1736 - 1775 print Landscape with a tomb on a pedestal. Two women sweep their tears away with a handkerchief. The performance is caught in a cartouche that is decorated with symbols that refer to the transience of life. Amsterdam paper etching / engraving grave, tomb and other grave-forms and grave-markers. wiping away tears. 'Vanitas' symbols

Furie is trying the Tables of the Law, Caspar Luyken, 1705 print The image of Furie is caught in an ornamental frame, made up of objects that relate to warfare and two panters. Amsterdam paper etching Furies, diae (erinyes), euminedes; 'Furie' (ripa). The New Tables of the Law (Exodus 34). (military) equipment and supply. Beests of prey, predatory Animals: Panther - FF - fabulous Animals (sometimes those called 'grotesques'); 'MOSTRI' (RIP)

Portret van keizer Matthias in allegorische omlijsting.Bust to the right of Emperor Matthias with a laurel wreath in an oval frame from oak branches. On the ten medallions branches with portraits of predecessors. Under the Rijksadler kneel on the left are subjects and on the right the Turks. In the middle of a woman with a stone table on which the name and title of the person portrayed. Left envy and on the right a tied man with donkey ears. As symbols for the moderation of the emperor and victory, Pegasus is tampered and killed a dragon on the right. With her bazuin, fame proclaims the triumph of the emperor. At the top Let the three gratients come down from their horns of abundance fruits and riches, the good of the earth. Above it has putti with a crown and a scepter. Under the show a two-key, Latin text with an extensive signature.

OFRECIMIENTO DE LA CORONA AL REY - GRABADO. Author: VASI CORLEON J. Location: CONGRESO DE LOS DIPUTADOS-BIBLIOTECA. MADRID. SPAIN.

Mars and Venus as loved ones. Mars and Venus lie on a bed, Venus is naked and mars dressed in full armor. Next to Venus is amor. Two pigeons, a cat and a dog in the foreground. On the left in the background is in a window frame a figure with a feathered body and bird legs. Italian text in two columns in undermarge.

Ornamental Panel Surmounted by Two Putti and a Vase. Dated: 1647. Dimensions: sheet: 45 × 23.2 cm (17 11/16 × 9 1/8 in.) plate: 24.6 × 8.7 cm (9 11/16 × 3 7/16 in.). Medium: etching with engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: after Simon Vouet Michel Dorigny.

Frederick II., King of Prussia Eraser: Nilson, Johannes EasaiAgnecker: Nilson, Johannes EasaiSverleger: Nilson, Johannes Esaiasbleger: Rosselin, (1736) Dating: 1751/1788 publishing: Paris

Title print for a series of graves and gravingen from Holland, Zeeland and West Friesland; Principles / Hollandiæ, / Zelandiæ et Frisiæ, / (...) / Petri SCRIVERII; Graves and gravingen of Holland, Zeeland and West Friesland; Principles Hollandiæ, Zelandiæ et Frisiæ. Title print for a series of 38 graves and gravingen of Holland, Zeeland and West Friesland. In the middle is the Dutch virgin on a cannon in the Dutch garden. She has a ship in her hand and let her arm rest on a globe. Behind her is the Dutch lion. Left in the foreground lies Neptunes with its trident in the waves. The title, some crowns and various coats of arms are kept in the air by many putti.

First / Magnificent hinders / de / Monsignor / Le Duc / D 'Ossuna / Extraordinary Ambassador / and first / Plenipotentiary / de Soy Catholic / Philippe: V. for peace. / facts / for the public entry / of its / excellence / A utrecht. / M.D.C.C.XIII

Januari, Etienne Delaune, 1599 - 1647 print Interior of a dining room with two figures at a table in front of a fire with a group of servants. Outside figures around a frozen river. The scene is framed by an ornamental list of two figures with a bunch of wood and a torch on either side and at the top of Janus's head. publisher: ParisFrance paper engraving January and its 'labours' (+ with zodiacal signs). Janus' head, two-faced head. torch

Occo, adolf.

Sassoferrato, Bartolo from.

Titelblad: friezes and diferant ornaments at Ljtaliene, Jean Lepautre, 1657 - 1667 print In Frisian at the top a medallion with an allegory of hope. Page 1 from series of 6 () Blades. Second edition. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Oval cartouche, bottom left and bottom right is a sater pair.; Ceilings and cartouches in a picture frame with grotesken, garlands and mascarons; Small cart shower to example in Fontainebleau. At the top a garland depends with fruits, hanged on three rings. From series of 32 sheets. The cartouches are partly derived from the prints of Antonio Fantuzzi to the decoration of François gallery by Giovanni Battista Rosso. The series is also known under the title Petits cartouches the Fontainebleau ..

. In an oval frame decorated with ornaments a representation of an old man who gives two young people admonishing. In his hand a stick and a rosary. The two young people have fools and run towards a frozen river. On the left in the background an owl. The print has a Latin and French caption.

Lower part of a retable with the worship of the three kings; Fountains, water wells, chimney jackets, capitals, windows and retabels; Title page and 11 sheets of "Architectura und Auftsheilung der V Senln (...)" 1593. One of 20 blades from a series (Architectura. Von Ausztheilung, Symmetria und Proportion of Fünff seul ...) consisting of 193 sheets and 5 title sheets , divided into five books. This is a second, extensive edition of the series described under Orn Cat I-319.

Maximilianus van Pongau en Leopold III van Oostenrijk; Titelpagina van: J.J. Courvoisier, L'Autriche Saincte.The two patroness of Austria Maximilianus from Pongau and Leopold III of Austria are next to a cartouche with the title of the book. Under the coat of arms of Austria, on both sides of them two lying lions with sword, scepter and rich appel.

Allegory on the human nature, Jan Saenredam, After Cornelis Ketel, 1580 - 1607 print Beneficentia, the personification of beneficency, sits on a chair and is stabbed from behind by evil in the form of a naked man. A knee of the man leans on a skull and a snake that bites in his own tail as a symbol of eternity, hangs around his right leg. On the right is a coffin. With her left hand, Beneficentia gives the sun to the naked man. She gives the moon to the woman for her. Between them lies a tied lion that licks a dog. A mouse gnaws at its rope. A few obelisks in the background. The show has an ornamental frame. On the left, the personification of fertility is a child who is brought to life as a symbol of the good as a symbol of the good. On the right a child is gestured that receives his breath from evil. At the top left, a woman breasts a child. At the top right, a woman feeds a child with a spoon. paper engraving Bad, Evil, Wrong. Good, Right. beasts of prey, predatory animals: lion. m

A young man is chained by two devils on a tree, Cornelis Galle (I), After Maerten de Vos, c. 1610 - in or after 1635 print A young man, dressed with a cloth, is tied to a tree by a male and a female devil with a rope. A rocky landscape in the background. Three skulls with bones at the man's feet. Southern Netherlands paper engraving devil or demons attacking mortals

Bakering Van Paulus, Pietro Sante Bartoli, After Giovanni Lanfranco, 1665 print A painting with the conversion of Paul, in an ornamental frame with putti and eagles. Paul is on the ground. He fell because he was shocked by the appearance of Christ in the sky. Print is part of an album. paper etching cupids: 'amores', 'amoretti', 'putti'. on the way to Damascus Christ appears to Saul, who falls from his horse and is blinded by the light

The Resurrection of Christ. Albrecht Altdorfer; German, c.1480-1538. Date: 1512. Dimensions: 233 x 180 mm (image/block/sheet). Woodcut in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Colen, P., Erasso, Joanni d', Northern Netherlands, Schaep, M., Dicatÿs, TD, Antwerp, Wael, Cornelis de, Noord-Nederland, Harbor scenes, Slaves and Asian figures on either side of a cartouche, verso lower right - stamped, The cartouche in the middle contains a dedication in Latin and is decorated with a coat of arms and two winged female busts. On either side of the cartouche sits a slave. Behind each of them stands an Asian man with a musical instrument. The left man plays a trumpet and the right a drum. In the background various flags., print, engraving, title print, prints, engravings, verso middle - stamped, height 119 mm, width 147 mm, print maker, printmaker, 1649 - 1649, paper, papier, etching, etchings, Work conception, Zuid-Nederlands, 1592-09-07 - 1667-04-21, after a design by, writer, Publication (Event), Publication, publisher, unknown

Lucht, Philips Galle (attributed to workshop of), after Marcus Gheeraerts (I), 1547 - 1622 print The personification of air, surrounded by ornamental decorations. A few birds including a peacock and an ostrich stand around her. In the four corners of the print the four oversticks. The print is part of a series about the four elements. print maker: Antwerpafter design by: Brugespublisher: Antwerp paper engraving ornament ~ arabesque. air (one of the four elements)

Allegorical thesis print with various figures, set in an architectural structure 1608 Philippe Thomassin A classicizing architectural monument acts as a stage for eight allegorical characters placed to either side of the church doctor and theologian Thomas Aquinas, who appears in the niche at center. The coat of arms indicates that this print was used at a thesis defense dedicated to the Roman cardinal Giambattista Leni (1573-1627). Allegorical figures were well suited to thesis prints, as they presented students the challenge of identifying them via their attributes. The figures likely represent four virtues and four vices, but only Peace (far right), who stands on a flaming heart, is unequivocally identifiable. Indeed, the prints iconographic ambiguities allowed it to be used with texts for at least two different thesis defenses.. Allegorical thesis print with various figures, set in an architectural structure. Philippe Thomassin (French, Troyes 1562-1622 Rome). 1608. Engraving

Title print of François Halma's 'stage of the Neighthe Nederlanden and dependent landscapes'; Francois Halma's scene of the Secretary Nederlanden and dependent landscapes. Title print for François Halma's 'stage of the Neighthe Nederlanden and dependent landscapes'. Allegorical show with the personification of the country sitting on raised throne surrounded by the personnifications of the seven provinces.

Title page: Tabernacles d'cars a l'italiene; Tabernacles Dautels A l'Talienene; Tabernacles d'cars a l'Italiene. Tabernacle with monstrans under a canopy. From second edition.

Design by Jean le Pautre. Édouard Baldus (French, born Germany, 1813 - 1889)

Monument for Louis XIII, king of France; A l'Heroquque et l'Eternelle Memoire de Louis Le Iuste. Monument to Louis XIII, king of France, with the right Minerva and Links Hercules.

Trots van Romulus, Louis de Châtillon, After François Tortebat, After Annibale Carracci, 1659 print paper etching / engraving Romulus as king of Rome

Skrel with composition of weapons; Title page for Jacobus Damianus, Synopsis Primi Saeculi Societatis Iesu, 1641. On a base (on which the title) contains two angels at a composition of harnesses and shields. Various weapons and trumpets protrude behind the shields. The base is flanked by the necessity from envy (left) and a woman with a transit.

Title print for part 1 of 'mirror of state' by Romeyn de Hooghe; Mirror of the unified Dutch. Personification of faith with a book on his lap. In addition, Minerva (fought freedom) that defeated bye. In the background Personifications in force and justice.

Portrait of Agostino Barbarigo and the Personifications of Science, State Speech and Care; Numismata virorum illustrium ex Barbadica Gente. Pedestal in the shape of a cartouche. Then a medallion with the portrait of Agostino Barbarigo with Dogehoed on the front. On the back the female personification of Venice, surrounded by weapons and with a sword in the hands. In addition to the lion of Saint Marcus. The base is surrounded by three more personifications. Links Science, a young man sitting for an open book at a lamp. A rooster behind him. In addition, State Day (Reason of State) dressed in a kuras with a skirt decorated with eyes and ears. With a stick breaks his a few moon heads (sleeping bulbs) of their stems. Her left arm rests on the head of a lion. On the right it stands the female personification of care with a branch thyme in her right hand. In her left hand an almond branch and a mulberry roof. A rooster at her feet. The print is part of an album.

Title print with the personification of Götaland, Johannes Jacobsz van den Aveele, 1701 Allegorical title print for the series entitled: Suecia Antiqua et Hodierna. On a pedestal the female personification of Götaland, the southernmost part of Sweden. In her hands a palm branch and Victoria. Faam keeps a laurel wreath above her head. In the foreground weapons and reports enemies. The print is part of an album. Stockholm paper etching / engraving Götaland Allegorical title print for the series entitled: Suecia Antiqua et Hodierna. On a pedestal the female personification of Götaland, the southernmost part of Sweden. In her hands a palm branch and Victoria. Faam keeps a laurel wreath above her head. In the foreground weapons and reports enemies. The print is part of an album. Stockholm paper etching / engraving Götaland

Wenceslaus Hollar after Hans Holbein the Younger after Abraham van Diepenbeeck, Paradise Lost, 1651 Paradise Lost

Allegorie op oorlog en vrede met keizers; Brunnemannus in Codicem Repetitae Pralectionis; Titelpagina voor: Johann Brunnemann, Commentarius in duodecim libros codicis Justinianei, s.a..A two-headed eagle with crown, sword, rich appel and cartouche with title in the middle. Stand on either side, in architectural frame, Emperor Theodosius II and Emperor Justinianus. Above and among cartouches with different symbols of war and peace.

Antwerp, Galle, Cornelis (II), France, Lepautre, Jean, Varie soffiti, Ceiling, At the bottom a cartouche with a triton can be seen, with a variant for the right half. From a series of 6 sheets., print, ornamental print, prints, ornamental prints, height 220 mm, width 147 mm, Southern Netherlands, 1615 - 1678-10-18, print maker, printmaker, 1650 - 1678, third quarter 17th century, fourth quarter 17th century, paper, papier, etching, etchings, Work conception, French, 1618-06-28 - 1682-02-02, after a design by, Publication (Event), Publication, publisher

Antwerp, Cock, Hieronymus, Floris, Frans (I), unknown, Cort, Cornelis, The story of Jacob, The return of Jacob to Canaan and The meeting of Jacob and Rachel at the well, in cartouche above representation - engraved, Ornament for dish rim. Upper half: Jacob and his family riding on donkeys, returning to Canaan. Lower half: Jacob and Rachel embrace at the well of Haran. Rachel was watering her father's sheep. Jacob's men remove the stone from the well for her. With Latin text in cartouches., print, ornament print, prints, H. Cock excu., upper half: lower right - engraved, 1563, Jacob cum uxoribus, filijs, et iumentis opibusque, facultatibus suis redit ad patrem suum Isaac., in cartouche below representation - engraved, FFloris inventor, lower half: bottom left - engraved, Jacob offendit Rahel ad puteum, et osculatus est, eamque in uxorem ducit., height 269 mm, width 220 mm, Northern Netherlands, 1533 - 1578, print maker, printmaker, 1563 - 1563, third quarter 16th century, paper, engravi

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), thesis ornament in honor of Blessed François Solano (A. de Vesme 79. Dutuit 66) (Main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

The Commandment to Love One Another 1599 Gillis van Breen Netherlandish. The Commandment to Love One Another 383694 Artist: Gillis van Breen, Netherlandish, active 15951622, Artist: After Karel van Mander I, Netherlandish, Meulebeke 15481606 Amsterdam, Publisher: Published by Claes Jansz. Visscher, Dutch, Amsterdam 15861652 Amsterdam, The Commandment to Love One Another, 1599, Engraving; second state, Sheet: 7 5/8 x 11 3/8 in. (19.4 x 28.9 cm). The Metropolitan Museum of Art, New York. The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 (49.95.1779)

Sheet from the set, 'Recherche de Plusieurs Beaux Morceaux d'Ornamens', Jean Le Pautre, French, 1618-1682, Etching on paper, Europe, France, 1661, Print, Print

Ferdinand Maria, Elector of Bavaria.

Title print with two figures with banderoles; Christ, Maria and the twelve apostles; Il Sacrato Collegio Apostolico. Title Print with a cartouche in the middle with the title and a coat of arms, flanked by two figures with banderoles. Above the cartouche a cherub, a cross and the Holy Spirit as a pigeon.

unknown, Haarlem, Soutman, Pieter Claesz., Visscher, Cornelis (II), Principes Hollandiæ, Zelandiæ et Frisiæ, Counts and Countesses of Holland, Zeeland and West Friesland, PRINCIPES, HOLLANDIÆ, ZELANDIÆ ET FRISIÆ,, PETRI SCRIVERII, Title print for a series of counts and countesses of Holland, Zeeland and West-Friesland, verso - stamped, Title print for a series of 38 counts and countesses of Holland, Zeeland and West-Friesland. In the middle the Dutch Maiden sits on a cannon in the Dutch garden. She has a ship in her hand and rests her arm on a globe. Behind her is the Dutch lion. On the left in the foreground Neptune lies with his trident in the waves. The title, several crowns and various coats of arms are held aloft by many putti., print, title print, prints, height 423 mm, width 324 mm, Noord-Nederlands, 1629 - 1658-01-16, print maker, printmaker, 1650 - 1650, paper, papier, engraving, engraving (printing process), etching, Publication (Event), Publication, Northern Netherlands, 160

Allegory at the marriage of Willem V and Wilhelmina van Pruisen in 1767 and the birth of Prince Willem Frederik in 1772, 1772 print Allegory at the marriage of Willem V and Wilhelmina van Pruisen in 1767 and the birth of Prince Willem Frederik on August 24, 1772. Two performances: at the top an allegory in which the princess stands on a pedestal the sealed book of wedding happiness is given of wisdom (Minerva ). Hereby also the Deugd and the Stedenmaag of The Hague. The princess is crowned by piety. In a smaller performance at the bottom, seven half -naked women, provincial layers (), For Prince William V on the occasion of the birth of the Prince Willem Frederik. On the magazine under the plate the assignment to the magistrate of The Hague in a verse of fourteen rules. The Hague paper etching / engraving / letterpress printing fertility. marriage, married couple, 'matrimonium'. specific aspects, allegorical aspects of Minerva; Minerva as patroness. personification of a city, town-patr

Albrecht V., Duke of Bavaria Stecher: Weinher, Peter

'Design of a Stained-Glass Panel with the Coat of Arms of Herald Zurlauben'. Switzerland, 1598. Dimensions: 41,5x31,5 cm. Museum: State Hermitage, St. Petersburg. Author: Christoph Maurer.

Judgment of Paris 1575-1618 Flanders. Engraving on paper . Adriaen Collaert, II

Two women with weapon trophy, c. 1660 - c. 1670 print The women are on a pedestal. Leaf 12 from series of 12. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

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