OpulentInterior Spaces

Lavishly decorated rooms showcasing intricate architectural details, elegant furniture, and artistic elements, conveying a sense of grandeur and historical significance.

Lazio Viterbo Bagnaia Villa Lante44. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Room with chairs, mirrors, a fireplace with fireplace, a tapestry and a round bank for visitors in the middle; Halls of crafts 1962. The oval hall 178 seen in an east direction. At the back of a view to room 179.

Warsaw. Salomon's hall in a pane on the island of the Royal Azienki - a sight of the grandmother with the image of Marcello Bacciarelli entitled Solomon and Queen of Saba, bringing the Ark of the Covenant to the Jerusalem tabby; Nofok-Sowi Ski, Stanis Aw (Fl. Ca 1912-Ca 1916); before 5.08.1915 (negative); before November 30, 1916 (print) (1912-00-00-1915-00-00);Sala Salomon, Warsaw (Masovian Voivodeship), Polish architecture, Polish painting, palaces, interiors, Łazienki Królewskie (Warsaw)

Corner of room with two display cabinets with chinese porcelain, in between hang a portrait; Drucker expansion (room 364). .

Böttcher, Moorbadanstalt in Langenschwalbach (1903-1905): Interior view. Photo on cardboard, 33.6 x 42.7 cm (including scan edges) Böttcher : Moorbadeanstalt, Langenschwalbach

Rooms with busts, paintings and two ship lanterns. .

Description: Lounge showing ball room with doors open. Location: Hong Kong hongkong, asia, asiathroughalens

Lazio Viterbo Caprarola Palazzo Farnese441. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Room with mantelpiece and part of a ceiling with the four seasons. The ceiling can be seen here when it was still in the house on Schiekade 65-67 in Rotterdam. In 1905 it was transferred to the dome-shaped hall C-364 in the drucker buildings of the Rijksmuseum.

Lazio Viterbo Bagnaia Villa Lante44. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Flemish room in the evacuation in 1939; Evacuation of the Rijksmuseum Due to war threat, August - November 1939.The paintings are on the ground against the wall. In 1939 Evacuation of Many Cases Took Place in Connection with the War Threat. The museum was closed.

Hall 113 Seen to West with paintings, a laying eggshield and weapons; Interiors historical department, January 1963..

Hall 115 Seen to the southeast with portraits, a display case and a chair; Interiors historical department, January 1963. On the left the original passage to the stairwell of Toren VIII. Room 115 has been fully monitored to the church of the famous Cistercian abbey of Aduard, founded in 1192. The decorative paintwork has been derived from different churches. This original decoration here is out of sight, through the walls hanging along the walls and a suspended ceiling of tense fabric. The space is used here as a card chamber.

Warsaw. Ball Room in the Palace on the Isle in the Royal Łazienki Park - view of interior towards the fireplace with the sculpture of the Farnese Hercules by Giuseppe Angelini, 1790. Nofok-Sowiński, Stanisław (fl. ca 1912-ca 1916), photographer

, Lobkkowenz Space - Lobkkowowitrace Palace - Fixed Sausaal, Ateliers Neubaches Rairets Strike, Publishing House, Bruno Raunch Strange -, Photographs

Anonymous, the oak gallery in Hauteville House (dummy title), 1880. Maison de Victor Hugo - Hauteville House.

Angle of a room with furniture, a dressing table and a wall stress; Exhibition of Gothic to Empire: French masterpieces from the Musée des Arts Décoratifs in Paris. On the right is a dressing table with mirror made for Empress Marie Louise, manufactured around 1810.

Campania Caserta Caserta Palazzo Reale96. Hutzel, Max 1960-1990 Post-medieval: Architecture & architectural sculpture, sculpture, statues, paintings, frescoes, stuccoes, furnishings & decorative art General Notes: Discrepancy in number of prints & negatives. Hutzel notes 824 prints & negatives. Negatives for 1-62 of one batch seem to be missing (would make a total of 824) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

History at sea department around 1935. From room 112 via Hall 111 View from room M 110, south. The ship lanterns of the 'Zeven Provinciën' are drawn up in Zaal 110. The halls 112 and 111 contain cross-seals of yellow brick with profiled natural stone ribs and closing stones. The switching on the ribs are formed by natural stone consoles that are decorated with faces. In Zaal 112 the brickwork is clean in sight.

Room with paintings, cupboards, chairs and a passage in the middle; Exhibition von Pannwitz 1947. Beneden Oost.

Lazio Roma Castel Fusano Castello Chigi2. Hutzel, Max 1960-1990 Architecture: exterior views of the castle and interior views of entrance hall and main salon. Detailed shots of: maps, salon fresco cycle of New Testament, allegorical and mythological scenes, chapel altarpiece, and other works all by Pietro da Cortona. 3 marble busts. Antiquities: Roman sarcophagus in garden Object Notes: 4 negatives of an ancient Roman statue in a niche (of a goddess missing head and arms) that are catalogued with Castello Chigi may be misidentified. General Notes: Hutzel made 2 separate photo campaigns in Castel Fusano; new numbers have been assigned to the photographs. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well

Room with objects on a wall including cupboards and chairs; Exhibition von Pannwitz 1947.downstairs East Wing.

RVD / Royal House photo collection. Soestdijk Palace. White dining room main building. ZD}. Baarn, Utrecht

Hall 114 Seen to the southwest with links the passage to room 116; Interiors historical department, January 1963..

st, Burg - Schweizerhof - Interior views - Imperial Treasury, August Stauda -, photographer

Lazio Roma Rome S. Maria della Scala4. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, painting, decorative arts (furniture, objects d'art), manuscripts. Pharmacy of art of herbal-cure dating from 16th century still exists today; many publications with wood-cut illustrations on healing plants and other artifacts. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Frascati Episcopal Palace34. Hutzel, Max 1960-1990 Exterior views of the castle, formerly called Rocca, that is now the Episcopal Palace. Interior views of dining room and living room, along with paintings and frescoes. Antiquities: Assorted Roman and Etruscan antiquities in the courtyard, including two sarcophagi, statues, stele, an urn, busts. General Notes: There were two sets of prints made from the same set of negatives. One set is labelled Episcopio and the other Vescovado; they have now been integrated into a single numerical sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geo

Room with painting above a mantelpiece; Courtyard (west). .

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Elsevier photo collection. Royal palace dam. Interior (side board room). April 1931. Amsterdam, Noord-Holland

Room with a tapestry, a column, sculptures and a portrait. At the front is a table with volutes of leaf drinks as legs.

Arrangement of 'De Nymf Echo' between the poll and portraits room. Hall 214 (Portraitszaal) seen from room 225 (from the poll room). A monument for the De Witt brothers behind the image of echo. Both works manufactured by Ferdinand Leenhoff.

Face in a room of the Centraal Museum (Agnietenstraat 1) in Utrecht with some exhibited objects at the Oude Kunst exhibition in the city and province that was organized on the occasion of the 100th anniversary of the Stedelijk Museum van Oudheden.n.b. The exhibition was held from 2 July to 15 September 1938. The collection of the Stedelijk Museum is one of the collections that have been housed in the Centraal Museum since 1921.

Room 162 with furniture including cupboards and a puppet show; Refurbishment halls 1957. Extremely right the 17th century dollhouse of Petronella Dunois (with closed doors).

Room with table standing between two chairs and display cabinets; Willem III exhibition ..

View from the driveway on the front of the Doorn house in Doorn from the East.

Lazio Viterbo Bagnaia Villa Lante027. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Room with cupboards and showcases on tables, right a passage; Interiors Modern art. Ground floor Drucker extension.

Room in the town hall of Regensburg, Emil Herbst, 1886 cabinet photograph Regensburg paper. cardboard albumen print townhall. interior of the house Regensburg

Room with a portrait of a gentleman in the corner, surrounded by a carpet drapery; Belle van Zuylen exhibition ..

DOOR, INTERIOR OF THE HOTEL DE ROUQUARE (Former Ministry of Public Works), 246 Boulevard Saint-Germain, 7th arrondissement, Paris Door, interior of the hotel of Roquelure (former Ministry of Public Works), 246 Boulevard Saint-Germain, Paris (VIIth ARR.), 1905-1906. Photograph of Eugene Atget (1857-1927).

Interior with art objects, Laurens Lodewijk Kleijn (attributed to), c. 1865 - c. 1900 glass wet collodion negative decorations (interior of the house)

Kraków Sukiennice Exhibition of Muhammads, Asian and European ceramics; February April 1934 Światowida Photo Agency

Room 162 with furniture including cupboards, a puppet show and a showcase with dollhouse objects; Refurbishment halls 1957. Extremely right The 17th century dollhouse of Petronella Dunois (with closed doors), by an anonymous manufacturer.

Lazio Roma Rome S. Maria della Scala2. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, painting, decorative arts (furniture, objects d'art), manuscripts. Pharmacy of art of herbal-cure dating from 16th century still exists today; many publications with wood-cut illustrations on healing plants and other artifacts. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Anonymous. "Inner view of a museum exhibiting fans in a window". Gelatino-silver-bromide draw. Paris, Carnavalet museum. 123821-31

Ghezirah Palace Hotel, Shows the hotel lobby and grand staircase 1906, Travel albums from Paul Fleury's trips to the Middle East, Lékégian, G., Matte collodion printing-out paper (p.o.p.), photographed ca. 1890

Room with furniture, a bust, a mirror, a cupboard, a bank for visitors and a passage; Exhibition of Gothic to Empire: French masterpieces from the Musée des Arts Décoratifs in Paris. .

Portrait of Prince Johann Friedrich

Ducher et Cie, Palais de Fontainebleau, Mieusement, Médéric, Chateau de Fontainebleau, Galerie, Dite de François 1er - Détails divers, View of a wall with decorations in the Galerie François Ier of the Château de Fontainebleau, France, recto - printed, This photograph is part of a cover with thirty photographs and two text sheets., photograph, foto, foto's, photographically illustrated books, PL. 17., height 353 mm, width 250 mm, French, 1840 - 1905, photographer, 1870 - 1875, photographic paper, fotopapier, albumen print, albuminedruk, Publication (Event), Publicatie, publisher

High-relief of putti ceiling, 21 rue Richelieu, Hotel Dodin, Finance Controller, 1st Arrondissement, Paris High-relief of a putto ceiling, 21 rue Richelieu, Hotel Dodin, Finance Controller, Paris (IER ARR.), 1904. Photography of Eugene Atget (1857-1927).

Springs Gardens Gallery lantern slides, black-and-white slides

Room with paintings at the same height, a passage right; The Venetian masters. The large painting on the left is from Vittore Carpaccio. Against the rear wall, a painting by Marco Basaiti, entitled 'depends on the calling of the sons of Zebede', with a painted picture frame.

Interior of Carnavalet (Museum Protection) Interior of Carnavalet (protection of the museum) around 1914 ". Photography by Lucien Solignac.

Almost seen to the east in 1957. From the front hall view of the eastern cabinets. The walls of the front hall are wallpapered with want carpets. In the background a poster can be seen from the exhibition 'Van Gotiek to Empire' (July 6-July 6-3 October 1957) On the right a glimpse into the honorary of a painting by Hendrick ter Brugghen: 'The unbelieving Thomas'. Northeast. The polychromy is made quieter, making the more essential decorative decorations sparing. To make the church organ to be executed from Scheemda, some wall decorations have been removed from the eastwand. The floor was covered with linoleum in the 1920s. Some walls are equipped with lambrizes with letter panels.

Room with paintings, showcases with silver objects and a passage, a vitrine referred to in the middle as the Lutma display; Silver cabinet. .

Lazio Roma Rome S. Maria in Vallicella43. Hutzel, Max 1960-1990 Views of 16th church's facade by Fausto Rughesi(1605). Views of interior nave, altars, sacristy, and collection in private rooms. Extensive coverage of frescoes and paintings. Three views of an embroidery with a depiction of the Assumption of the Virgin. General Notes: Views of Oratorio dei Filippini are filed separately, but retain H-numbers within this monument's numerical sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Theater hall of the I.G., Wolfen: Foyer view

Photograph by Julius Leth showing the reception hall in Hernstein Castle near Baden, Lower Austria, printed on albumin paper around 1870, depicting interior architecture, furniture, and room layout.

st, Wallnerstraße - Palais Caprara Geymüller , Lower Austrian State Museum - Interior view - Empire -Salon , Pompejan Salon, Bruno Reiffenstein -, photographer

Sala Rotonda in the Vatican, James Anderson, c. 1857 - c. 1875 photograph This photo is part of an album. Vatican Museums paper albumen print permanent exhibition, museum. piece of sculpture, reproduction of a piece of sculpture Vatican Museums

Umbria Terni Amelia Palazzo Venturelli4. Hutzel, Max 1960-1990 Post-medieval: Palazzo built by Cardinal Venturelli in 15th century by Antonio da Sangallo on remains of a roman palace from 1st century B.C. Roman mosaic floor. Frescoes, stucco decorations. A few exterior views, several views of cellar that focus on mosaic floor and many views of Salon of the Venturelli Cardinals, including furniture, floors, ceiling, and frescoes. General Notes: No entry for Palazzo Venturelli in TCI; information from Hutzel's notes and attributions. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Ital

Room with wall and floor carpets, paintings, furniture and a staircase to a passage; Refurbishment halls 1957. Room 165 (the former Hall of Admirals) seen from the southwestern direction. At the end the passage to room 164.

Entrance of the HERGALERIJ seen from the front hall in a southern direction; Front hall. .

Anonymous, wall decor, Grand Salon, Hôtel de Crillon, 10 place de la Concorde, 8th arrondissement, Paris. (Dummy title). Albumin paper draw. Carnavalet museum, history of Paris.

Anonymous, the Red Show in Hauteville House (dummy title). House of Victor Hugo - Hauteville House.

Room with ornamented (empty) list, secretary and passage; Gaining room September 1961. The acquisition hall (room 249) seen to the northwest. The passage on the right leads to room 248 (Italian room). On the table scenes with soldiers during a battle or siege (). To the right of the list A secretary, glued with maple and satin wood and other types of wood and with plaques of Wedgwood, made by an anonymous furniture maker and the Wedgwood porcelain factory.

Exposure The Samaritaine in Luxury in January 1926. Anonymous photography, after 1926. Paris, Mus E Cognacq-Jay. 79621-10 Folles, year 1920 20, collection, exhibition, interior, exhibition hall, luxury samaritaine, interior view

Exhibition room. Photography Fair, Grand Palais des Beaux-Arts, avenue d'Antin, Paris (VIIIth arr.) "Photo club de Paris. Aristotype. 1901. Paris, Musée Carnavalet. 100471-26 BIG PALACE

Room with four-poster bed and furniture including chairs; Refurbishment halls 1957. Hall 164 seen from the southeast. On the left the passage via a staircase to room 165 (the earlier hall of Admiralen).

Room with tapestries, plants and images; Exhibition De Fransche Garden. Upper room drucker extension.

Southeastern corner of the front hall; Front hall. Only part of the original decoration paintings is left; Walls and vaults are largely worth. On the right the entrance to the petal with a view of a cabinet. Against the rear wall the organ of polychromed oak from the Dutch Reformed Church in Scheemda, built by Johannis Emedensis.

Emilia-Romagna Ferrara Ferrara Palazzina di Marfisa6. Hutzel, Max 1960-1990 Post-medieval: Extensive coverage of both interior and exterior, including views of well with Este coat of arms; decorative frescos; wooden armoire, late 16th century Venetian; paintings on canvas; fireplace with carved mantlepiece, Lombard school, 16th century; sculpture, 16th century Venetian () and Lombard; carved wooden cassone, Northern Italian, 15th century; ceiling and wall paintings: and one panel painting German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and

From the petal view of the cabinet 231 in 1958. From the HERGALERIA VIEW on the cabinet 231 where paintings of foreign schools can be seen. Large painting in the middle 'Christ and the adulterous woman' from tintoretto and the right of this portrait of a spiritual. Cabinet 231 of the honorary row before the renovation that will take place in this year. The gallery was redesigned in 1951 to the design of F.A. Eschaauzier. The passages to the cabinets are then reduced by hanging curtains. The display cases were replaced by low benches. These banks are removed in this year ('58). The columns, fries and vault degrees are provided with decoration paintings. Parket is located on the floor. In this year, the central floor was also reduced, which created a level difference between the center floor and the cabinets.

Lazio Viterbo Bagnaia Villa Lante20. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

st, castle - interior views - Amalienburg - Alexander apartment - room, Anton Karl also, Carl Schuster -, photographer

Interior of the Centraal Museum (Agnietenstraat 1) in Utrecht: Exhibition Hall in the Zolder floor, with objects from the collection of the Stedelijk Museum of Antiquities.

Lazio Roma Rome Villa Borghese Casino Borghese0. Hutzel, Max 1960-1990 General views of the park gardens, views of the facade of Casino Borghese, and views of the interior museum and gallery, with several views of Bernini's "Il Ratto di Proserpina." Owner: Galleria Borghese and Museo Borghese German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

st, castle - interior views - Leopoldine tract - Pietra -Dura room, Anton Karl also, Carl Schuster -, photographer

Lazio Roma Rome S. Maria della Scala7. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, painting, decorative arts (furniture, objects d'art), manuscripts. Pharmacy of art of herbal-cure dating from 16th century still exists today; many publications with wood-cut illustrations on healing plants and other artifacts. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

st, castle - interior views - Reich Chancellery - audience rooms v, Emperor Franz Joseph, Anton Karl also, Carl Schuster -, photographer

, Währinger Straße - - Czartoryskischlösschen - Interior view - music room, August Stauda -, photographer

Elsevier photo collection. Scenic arrangement Japanese decors Fort de Kock (Sumatra) T.G.v. charity festival Japanese Japanese victims earthquake Tokyo. 1923. Bukittingi, Fort De Kock, Indonesia, Indonesia, Japan, Dutch East Indies

Interior View of a Gallery, from an album compiled by Sir John Everett Millais, Artist Unknown

Lazio Roma Subiaco Rocca Abbaziale0. Hutzel, Max 1960-1990 Distant and close range exterior views of castle, portals, papal crests. Interior views of entry hall, chapel, Appartamento dei Colonna, Appartamento di Pio VI, and Camara di Pio VI, with many detail views of ceiling and wall frescoes. General Notes: Views 1-7 extracted and filed separately under General views. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Campania Caserta Caserta Palazzo Reale22. Hutzel, Max 1960-1990 Post-medieval: Architecture & architectural sculpture, sculpture, statues, paintings, frescoes, stuccoes, furnishings & decorative art General Notes: Discrepancy in number of prints & negatives. Hutzel notes 824 prints & negatives. Negatives for 1-62 of one batch seem to be missing (would make a total of 824) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Photograph of the photographic exhibition in Weimar captured by Karl Schwier in 1901, showing exhibits, visitors, and exhibition hall.

Room with paintings, couches and curtains In addition to a passage; Exhibition Burlington House. .

Hall with ten paintings, links a show by half a mill; Drucker collection (room 372). On the left the painting 'The cut mill' by Jacob Maris.

Armoury in the Matejko House museum exhibition from the early twentieth century Pawlikowski, Antoni (1862 1925)

Exposure The Samaritaine in Luxury in January 1926. Anonymous photography, after 1926. Paris, Mus E Cognacq-Jay. 79621-19 Folles, year 1920 20, collection, exhibition, interior, exhibition hall, luxury samaritaine, interior view

Anonymous. "Inner view of the Orleans Chancellery, Double door decorated with a sculpted decor of putti with a crown of flowers. 1st arrondissement, Paris". Silver gelatin-bromide draw. in 1907-1907. Paris, Carnavalet museum. 144161-13

Corner of a room with furniture, panels and painted wallpaper; Exhibition of Gothic to Empire: French masterpieces from the Musée des Arts Décoratifs in Paris. On the right, two fragments of painted wallpaper hang around 1780 in Paris. Links two painted panels, Paris fourth quarter eighteenth century.

Gontard Carl von (1731-1791), Marmorpalais, Potsdam (1920): dining room. Photo, 40.2 x 41.1 cm (including scan edges)

Warsaw. Stone vase in front of a mirror on the fireplace in the Ball Room (Dining Room) at the White House at the Royal Łazienki Park. Nofok-Sowiński, Stanisław (fl. ca 1912-ca 1916), photographer

Various objects including tapestry, canapé, armchairs and writing table, against background of pieces of dust or paper; Trial setups Western courtyard, February 1957..

Galerie Francois 1er. Unknown maker, French

The Tapestry Room. Artist: Unknown (British); Frederick H. Evans (British, London 1853-1943 London); Bookplate designed by Aubrey Vincent Beardsley (British, Brighton, Sussex 1872-1898 Menton); Bookplate designed by Frederick Colin Tilney (British, 1870-1951). Author: Ernest Radford (British, active late 19th century). Correspondent: Theodore Watts-Dunton (British, 1832-1914); Sir Sydney Cockerell (1910-1957). Date: 1896.Kelmscott Manor was the country home of William Morris (1834-1896), poet, craftsman, designer, socialist reformer, and founder of the English Arts and Crafts movement. He and his wife Jane shared the house with the Pre-Raphaelite painter Dante Gabriel Rossetti from 1871 to 1874, and it remained a country retreat for Morris and the artists and intellectuals in his circle until his death. At Morris' request, the bookseller and photographer Evans visited the old gray manor on the banks of the Thames in order to photograph it. This rare album, one of only two known to exis

Heregaller with cabinets; Heegall. Seen the honorary mallery in a southern direction. Cabinets are visible on both sides with padded banks for visitors. In the middle tables with sculpture on it. At the end two entrances are visible from the night vandel room.

Room with Oksal, Armchair, tapestry and images on base; Halls of crafts September 1961. Hall 248 (Italian room) seen in the southeastern direction. Central is the Oksaal (choir separation) from the church to Helvoirt.

Heath gallery Seen to the southwest in 1958. HEMALERY Seen to Nightwachter Hall after the restoration of the winter 1957-1958 where the space was completely worth. In the cabinets, paintings are shown and a large tapestry can be seen at the passage to the night vandel. There are three tight banks in the middle of the gallery. And two tripods on which small beatjes are placed. In 1958 the middle floor was reduced to the old level, with which the steps were restored. Also in the passages to the cabinets Iron portals were posted to design by Friedhoff. Columns were placed in the neges of these portals. At the end of the middle place two passes to the night vandel room. All original decorations are with white overmerfd.

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