Old World Craftsmanship

Depictions of historical figures engaged in traditional activities, rich in detail, showcasing a warm palette and nostalgic themes of study and reflection.

Standing gentleman, seen from the back, leaning over a fence, draughtsman: Jordanus Hoorn, 1763 - 1833, paper, h 337 mm × w 279 mm

Old Man studies a scale, Piet Verhaert, 1876 print paper etching old man. dish, plate, saucer

Samuel William Reynolds, 1773-1835, British, Don Quixote, 1833. Mezzotint.

Monnik in Studecelel, Johannes Josephus Aarts, 1881 - 1934 print A monk dressed in a pure is sitting at his work table. His right foot rests on a stool. In the background, a cat looks outside from a windowsill. paper etching monk(s), friar(s). cat. study; 'studiolo'; library

Standing gentleman, seen from the back, leaning over a fence, draughtsman: Jordanus Hoorn, 1763 - 1833, paper, h 337 mm × w 279 mm

Three men consult with a large open book, Félicien Rops, 1858 print Paris paper. etching debate, discussion (~ meeting). book - MM - book open

The hearing: Singing man; The five senses. The hearing. A singing man with sheet music. A lute and a violin hang on the wall. The print is part of a series of the five senses.

INFAMIE! Europe does not look more than that to my coffee with milk! / 233

Poor but honest. / No. 3. (registered title) | The life of a journalist (title of all)

Le Saveier. (Titest Factice)

Woman Combing Her Hair (Femme se coiffant). Artist: Maximilien Luce (French, Paris 1858-1941 Paris). Dimensions: Image: 17 in. × 12 1/4 in. (43.2 × 31.1 cm)Sheet: 23 5/8 × 16 7/8 in. (60 × 42.9 cm). Publisher: André Marty (French, born 1857). Series/Portfolio: L'Estampe originale, Album VI. Date: 1894. Museum: Metropolitan Museum of Art, New York, USA.

The Family Record (from "Harper's Bazar," Vol. VIII) August 28, 1875 After Winslow Homer American. The Family Record (from "Harper's Bazar," Vol. VIII). After Winslow Homer (American, Boston, Massachusetts 1836-1910 Prouts Neck, Maine). August 28, 1875. Wood engraving. Harper & Brothers (American, New York). Prints

Collector of Prenten, Luc-Albert Moreau, 1940 print A collector of prints views a print through a magnifying glass. In front of him on the table are a print, a pipe, a book and a ruler. A bookcase in the background. paper print, e.g.: engraving, etching, lithograph. magnifying glass. art collector (+ graphic arts). pipe ~ tobacco

Oreste et Pilade seraient volontiers morts lun pour lautre…. Artist: Paul Gavarni, French, 1804-1866

Student at a Table by Candlelight. Dated: c. 1642. Dimensions: sheet: 15 x 13.5 cm (5 7/8 x 5 5/16 in.). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: HARMENSZOON VAN RIJN REMBRANDT.

Reading man with magnifying glass, Johann Gottfried Haid, After Giovanni Battista Piazzetta, 1720 - 1776 print paper etching reading. magnifying glass

Paganini moderne ... Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Marskramer under a tree, Jan Gillisz. van Vliet, 1632 print A Marskramer is leaning against a tree and shows his where by opening his basket. Leiden parchment (animal material) etching beggar. pedlar. container made of plant material other than wood: basket

Masked Man using a Lantern to Collect Discarded Pamphlets by a Tombstone, published in Le Charivari ca. 1830 Benard French. Masked Man using a Lantern to Collect Discarded Pamphlets by a Tombstone, published in Le Charivari 398658

Over the tea; Z: "Tygodnik Powszechny" 1884, No. 16 (April 20), p. 241 (title page); Fa AT, Julian (1853-1929), Tygodnik Powszechny (Warsaw; magazine; 1877-1885); 1884 (1883-00-00-1883-00-00);

Sitting man points to a cat on the table, César Geerinck, 1887 print paper etching cat. adult man. beard. table

The abbé-tise. (You)

The Blindness of Tobit: A Sketch ca. 1825 William James Smith. The Blindness of Tobit: A Sketch 391522

The Boat Studio, from series Voyage en Bateau, 1862 1861 Charles-François Daubigny French. The Boat Studio, from series Voyage en Bateau, 1862 337003

Sitting farmer with jug and pipe, Anonymous, David Teniers (II), 1626 - 1690 print A farmer is sitting on the left next to a table, with a jug and a pipe in his hands. Behind the table is a man. On the left a woman enters the space through the door. Antwerp paper etching drinking. pipe ~ tobacco. opening the door

Appeltel Petrus; Lacking lingering; Bijiblse picture figure oil; Opera painting by Giambattano returned by Marco for Marco . I am

Alcibiade Cliquet est charge de la redaction dune reclame…. Artist: Paul Gavarni, French, 1804-1866

Pencil portrait by Johann Nepomuk Passini of the church painter Leopold Kupelwieser, showing facial features, expression, and upper body on paper.

Portrait of Frederik Verachter to his desk in the archive. Portrait of the Antwerp city archivist Frederik Verachter, sitting at his desk in the archive. On the right in the corner is a picture of Rubens on a table. The coat of arms of the city of Antwerp are incorporated into the stained glass-in-lead.

La Dame blanche. Félicien Victor Joseph Rops (Belgium, Namur, 1833-1898). Belgium, no date. Prints; etchings. Etching

Schakende man. Overwinnend Holland (title on object). Draughtsman: David Bles. Dating: 29-Feb-1876 - 16-Mar-1876. Measurements: h 230 mm × w 298 mm. Museum: Rijksmuseum, Amsterdam.

Unknown Scholar seated at desk. Artist: Unknown

Ignacy Łopieński at the graphic workshop; Kamieński, Antoni (1860-1933); 1900 (1900-00-00-1900-00-00);

Business card of heliographical printing company Ducourtioux & Huillard in Paris, 1866 - 1918 print Interior with a man behind a table looking at a print, next to him a woman in front of a space screen. There are prints on the wall and there is a print standard in the foreground. paper print, e.g.: engraving, etching, lithograph. art collecting

Italie -Europe Se creusant la tête pour trouver la forme qui convient a cette botte là. Cham (Count Amédée-Charles-Henry de Noé) (France, Paris, 1819-1879). France, 1867. Prints; lithographs. Lithograph

Bliżej Kultury Kiebisiński, Kajetan Wincenty (1808 1849), Jaroczyński, Marian Jakub Ignacy (1819 1901), Żupański, Jan Konstanty (1804 1883)

'Non, je ne tromperai plus! - Je ne tromperai plus!' ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Une Soirée au corps de garde. Dated: 1847. Medium: lithograph on newsprint. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Faust - Faust in its cabinet - Delteil-Strauber 59 Eug�ne Delacroix (1798-1863). Faust in his cabinet. Lithograph on vellum.

Prince Paul Troubetzkoy I (Whole length). Anders Zorn; Swedish, 1860-1920. Date: 1908. Dimensions: 297 x 197 mm (image/plate); 446 x 312 mm (sheet). Etching on ivory laid paper. Origin: Sweden. Museum: The Chicago Art Institute, USA. Author: Anders Zorn.

...Ma siere épouse je vous - fait bien me complimens à vous insi que ma petite - je fait bien de complimens à mesoncles - etantes ea tou les enfans je fait vien - de complimens a ma mère ea tous mes freres - je fait vien de complimens à notre marene - je fait bien de compl... ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Model marker at work, Johann Jacob Haid (Possible), 1749 - 1767 print Numbered in the bottom right: 2. Augsburg paper draughtsman at work

A Literary Fellow Meditating. Artist: Eugène Delacroix (French, Charenton-Saint-Maurice 1798-1863 Paris). Dimensions: Image: 8 1/4 x 7 1/16 in. (21 x 18 cm)Sheet: 12 1/8 x 8 7/8 in. (30.8 x 22.6 cm). Date: 1821. Museum: Metropolitan Museum of Art, New York, USA.

Charlotte speaks with her husband about money, Daniel Nikolaus Chodowiecki, 1794 print With caption and page reference in German. print maker: Berlinafter own design by: Berlinpublisher: Leipzig paper etching money. closed window

Portrait of Alexis-Claude Clairaut at his writing table in the open air, Jean-Baptiste Delafosse, After Louis de Carmontelle, 1763 print The mathematician and astronomer Alexis Claude Clairult at the age of 40, writing at a writing table on a landing. The scholar is dressed in jacket, calf pants with long stockings and shoes with low heels. Tail wig on the head. View of a park landscape with a tower in the background on which a stargazer. France paper etching / engraving science and technology (+ portrait of scholar, scientist). writing-table, writing-desk. clothes, costume (+ men's clothes). wig

A coal drawing portrait by Hans Temple, showing facial features, posture, and compositional arrangement.

A S. Ex. Mons. Le Ministre desfinances…. Artist: Paul Gavarni, French, 1804-1866

A Study for the Card Players. Paul Cézanne; French, 1839-1906. Date: 1890-1892. Dimensions: 362 × 485 mm. Watercolor on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Etching 'Jan Six' by Rembrandt, 1647, showing a portrait of Jan Six with detailed facial features, drapery, and technical engraving elements.

De Jonge Violin Player, Steam Stone Printer Senefelder, 1903 - 1920 photograph Photo reproduction of painting the young violin player by Jacob Maris Netherlands paper collotype picture, painting. violin, fiddle

Un Décembrisé. Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

L'archéologue , Alphonse Legros (1837-1911)

George Blake's Letter - Drawn by Winslow Homer (The Galaxy, Vol. IX). Artist: Winslow Homer (American, Boston, Massachusetts 1836-1910 Prouts Neck, Maine). Dimensions: image: 6 1/2 x 4 1/2 in. (16.5 x 11.4 cm)sheet: 9 5/16 x 5 11/16 in. (23.7 x 14.5 cm). Date: January 1870. Museum: Metropolitan Museum of Art, New York, USA.

Japke Faber in a bedstede, Richard Nicolaüs Roland Holst, 1899 print In the foreground a burning petroleum lamp on a table and a sleeping cat on a chair. paper. built-in bedstead (Dutch: 'bedstee'). paraffin lamp. cat

Penelope. Dated: 1780. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Daniel Berger after Daniel Nikolaus Chodowiecki.

The Coat with the Fur Lining, 1869. Charles Samuel Keene (British, 1823-1891). Wood engraving;

Collector of prints, Alfred Prunaire, After Honoré Daumier, c. 1860 - c. 1902 print A man with a hat and a scarf browses through a folder prints. There are prints on the wall. paper art collector (+ graphic arts). print, e.g.: engraving, etching, lithograph

Kitchen maid with bellows sitting in front of the fireplace, Louis de Moni, 1708 - 1771, draughtsman: Louis de Moni, 1708 - 1771, prepared paper, brush, h 342 mm × w 285 mm

Sketchbook of Figure Studies 1810-20 Thomas Sully American Sully arrived home from a year's study in London on April 16 and precisely three months later purchased a fat sketchbook. The top of the first sheet in the book is inscribed Sketches from different Masters / TS / Philadelphia July 16, 1810.” This notation suggests that Sully intended to continue his study of European art at home. The hundreds of drawings on both sides of eighty-three sheets cover a wide variety of subjects. A site of inspiration and study, the book contains drawings after works by David, possibly Michelangelo, Reynolds, Rembrandt, Van Dyck, and other European masters, for the most part taken from prints. Sully was not slavish in using his sources; he took incentive from other artists and obviously felt free to rearrange compositional elements. Only a few of the drawings in the sketchbook can be linked to oils by Sully. Rather, they record his ideas and concepts--paths not always taken--executed to satisfy the

The Artist's Mother Crocheting. Artist: Umberto Boccioni (Italian, Reggio 1882-1916 Sorte). Dimensions: 14 5/8 x 12 1/8 in. (37.1 x 30.8 cm). Date: 1907. Museum: Metropolitan Museum of Art, New York, USA.

Caricature of Charles -Joseph Taviès de Villers, Benjamin, 1838 - 1842 print paper letterpress printing caricatures (human types). artist at work, in his workshop

The boat workshop Charles-Fran�ois Daubigny (1817-1878). The workshop boat.

Toutes ces bêtises-là ont dérangé ma constitution ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Endosseur de lettres de change et autres à cent sous la signature ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Caricature of a man suffering from colic La Colique L'imagination , print maker: Honoré Daumier, printer: Jean François Benard, (mentioned on object), publisher: Aubert & Cie., (mentioned on object), Paris, 1833, paper, h 290 mm × w 214 mm

To all appearances, it was a hand of flesh and blood just like my own 1896 Odilon Redon French. To all appearances, it was a hand of flesh and blood just like my own 369627

Rembrandt Etsende, Gerhardus Fredericus Eilbracht, after Petrus Theodorus van Wijngaerdt, 1837 - 1840 print Rembrandt is sitting at the table. Behind him is a large framed painting on a donkey. In front of him on the table is another painting that he draws on a etching plate. On the table a carafe, a cup and a sheet of paper. The painter wears a beret and a cloak lined with fur. The Hague paper artist at work, in his workshop. etching

Portrait of the Antwerp city archivist Frederik Verachter, seated at his desk in the archives. A statue of Rubens stands on a table in the right corner. The stained glass of the window incorporates the coat of arms of the city of Antwerp., Portrait of Frederik Verachter at his desk in the archives, print maker: Philippus Jacobus van Bree, Philippus Jacobus van Bree, Antwerp, c. 1833 - before c. 1871, paper, etching, h 157 mm × w 202 mm

Fortune Teller Hugh Botts American Published by WPA 1935-40

Jan Six 1647 Rembrandt (Rembrandt van Rijn) Dutch. Jan Six. Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). 1647. Etching, engraving and drypoint; fifth of five states. Prints

The Reader. Odilon Redon; French, 1840-1916. Date: 1892. Dimensions: 312 × 237 mm (image); 442 × 349 mm (sheet). Lithograph in black on ivory China paper, laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Portrait of the Antwerp city archivist Frederik Verachter, sitting at his desk in the archives. A statue of Rubens stands on a table in the right corner. The stained glass of the window incorporates the coat of arms of the city of Antwerp., Portrait of Frederik Verachter at his desk in the archives, print maker: Philippus Jacobus van Bree, (mentioned on object), Philippus Jacobus van Bree, Antwerp, c. 1833 - before c. 1871, paper, etching, h 140 mm × w 200 mm

Commerce des Muses. - Rien n'est beau comme le laid ,. Paul Gavarni (1804-1866). Lithographs and Other Works

ESTAMPA CAJA DE CERILLAS - CONFESIONARIO -. Location: FOSFORERA ESPAÑOLA. MADRID. SPAIN.

Le Dernier des Classiques. Félicien Victor Joseph Rops (Belgium, Namur, 1833-1898). Belgium, 1857. Prints; lithographs. Lithograph

Richard Redgrave, 1804-1888, British, School Master in Classroom But Knowledge to their eyes her ample page rich with the spoils of time did ne'er unfold. Elegy, 1847, 1847.

Rhine, Rembrandt van, The pharmacist Abraham Francen, verso lower left - stamped, print, prints, height 158 mm, width 205 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1655 - 1659, third quarter 17th century, Oriental paper, etching, etchings, plate tone, drypoint, dry needle, burin, Work conception, after own design by

Gray man on the window, Diederik Jan Singendonck, after Rembrandt van Rijn, in or after 1815 print An old man with a large beret and with fur sitting on a chair in front of a window. His arm rests on a pile of books on a table. With his other hand, he holds a book that lies on the armrest of the chair. Next to the chair is a globe, an hourglass and a skull on the table. Utrecht paper etching / engraving / brush historical persons not known by name. skull as symbol of 'Vanitas'. hourglass. book. globe

A Gazette Extraordinary from Berkerley Square, James Sayer, 1748-1823, British, 1794, Etching and aquatint, Sheet: 15 3/8 x 10 7/8in. (39.1 x 27.6cm)

Picture Seller. Artist: Etienne Fessard (French, Paris 1714-1777 Paris); Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692-1765 Paris); After Edme Bouchardon (French, Chaumont 1698-1762 Paris). Dimensions: image: 9 x 7 1/16 in. (22.9 x 17.9 cm)sheet: 9 5/16 x 7 1/16 in. (23.6 x 18 cm). Series/Portfolio: Études Prises dans le Bas Peuple où les Cris de Paris: Troisième Suite. Date: 1738. Museum: Metropolitan Museum of Art, New York, USA.

Charles Cundall, 1926. Francis Dodd (British, 1874-1949). Drypoint; sheet: 56 x 40.7 cm (22 1/16 x 16 in.); platemark: 47.3 x 31.8 cm (18 5/8 x 12 1/2 in.).

Reading man, draughtsman: Honoré Daumier, (mentioned on object), 1818 - 1879, paper, pen, brush, h 160 mm × w 200 mm

Girl reads a book by the light of a fire, 1755 - 1830 print paper etching open fire (in general). newspaper, news-sheet. book

The Artist Hoffman 1815 Johann Christoph Erhard German. The Artist Hoffman 368226

EMMANUEL CHABRIER (1841/1894) COMPOSITOR FRANCES. Author: DATAILLE. Location: MUSEO DE LA OPERA. France. EMMANUEL CHABRIER (1841-1894).

Manuel Castellano / 'Caricatural Figure'. 1850 - 1880. Pencil on paper. Museum: Museo del Prado, Madrid, España.

AM I SHARP ENOUGH PICTURE BY J. GIRARDOT, ENGRAVING 1876, GIRL, VIOLIN, INTERIOR, MUSIC

LEmpereur Guillaume sur son yacht (Kaiser Wilhelm on His Yacht), from La Guerre de 1914, first series, no.18. Artist: Auguste Lepère, French, 1849-1918

Alfons Stastný, Alfons Stastný, Czech politician and publicist, cut clerics in a bowl from Humoristické Listy , Unknown

Rijn, Rembrandt van, Portrait of Abraham Francen, Abraham Francen, apothecary, verso - stamped, print, prints, height 160 mm, width 211 mm, print maker, printmaker, 1657 - 1657, paper, papier, etching, etchings, Work conception, Northern Netherlands, 1606-07-15 - 1669-10-08

Kept in the Dark - When the Letter was completed she found it to be one which she could not send,1882. John Everett Millais (d.1896) and Joseph Swain (d.1909)

ATHENAIS.. Artist: Paul Gavarni, French, 1804-1866

Woman's upper house, sitting in bed (second design). Draughtsman: Richard Roland Holst. Dating: 1899. Measurements: h 216 mm × w 249 mm. Museum: Rijksmuseum, Amsterdam.

Mathias Höusermann. Artist: Franz Antoine (Austrian, 1814-1882). Dimensions: 36.9 x 32.3 cm. (14 1/2 x 12 3/4 in.). Date: 1850s-60s. Museum: Metropolitan Museum of Art, New York, USA.

Chilo Lacedaemonius, #3 from the series The Seven Wise Men ofGreece. Artist: Jacques de Gheyn III, Dutch, ca. 1596-1641 Publisher: Nicolas de Clerck, Dutch, active 1614-25

A woman in a prison raising one with one hand on a book and the other raised ca. 1880-1910 José Guadalupe Posada. A woman in a prison raising one with one hand on a book and the other raised. José Guadalupe Posada (Mexican, 1851-1913). ca. 1880-1910. Etching on zinc. Prints

The rabbi. Draughtsman: Jozef Israëls (mentioned on object). Dating: 1834 - 1911. Measurements: h 513 mm × w 358 mm. Museum: Rijksmuseum, Amsterdam.

Anders Zorn, Lawyer Wade, 1890 Lawyer Wade

Used to public sales. / The pending at public auctions. / 29 (title registered (letter)) | Physiological gallery (title of all)

Bliżej Kultury Hanfstaengl, Fr.

Playing Card; red and black ink, paper

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