Mythological Transformations

Etchings depicting scenes from 'The Metamorphoses,' showcasing transformations and allegorical figures in mythological contexts.

Etching by Costantino Cumano showing St. Hieronymus in a wasteland, depicting the saint with symbolic objects and barren landscape, created between 1760 and 1803.

An etching by Johann Wilhelm Baur from 1641 showing illustrated scenes from 'The Metamorphoses', representing mythological transformations.

Etching by Christian Winck from 1755-1797 depicting an allegory of arts and sciences with a sky filled with allegorical figures representing gods.

Copper engraving and etching by Charles Nicolas Cochin d.J. illustrating the title page of the Memoirs of the Royal Academy of Surgery, created between 1761 and 1774.

A copper engraving by Aegidius Sadeler the Younger, 1590-1629, depicting an allegorical scene titled 'Apostrophe to Come' with figures and symbolic elements.

This etching by Hessel Gerritz, created in 1606, depicts a nest plundering scene, showcasing the artist's skill in capturing dynamic natural events.

"Etching by Gabriel Huquier showing a pastoral scene with shepherds, animals, and landscape features, highlighting interactions and compositional structure between 1720 and 1772."

Woodcut by Albrecht Dürer after 1508 and 1569 depicting the burial of Christ, showing figures, gestures, tomb, and surrounding landscape.

Etching by Pierre Brebiette from 1618-1650 depicting mythological representations, including gods, heroes, and classical scenes.

Etching by Costantino Cumano showing St. Hieronymus in a wasteland, depicting the saint with symbolic objects and barren landscape, created between 1760 and 1803.

Copper engraving by Maarten van Heemskerck from 1555 depicting Abigail in front of David, showing figures, gestures, and biblical interaction.

"Copper engraving by Johann Sadeler the Elder from 1570-1600 depicting John the Baptist and St. Antonius, showing figures, attributes, gestures, and compositional layout."

A 1656-1660 etching by Jan van Ossenbeeck showing the biblical scene of the Escape to Egypt and the martyrdom of St. Sebastian, highlighting figures, gestures, and setting.

This etching by Jean Pelletier, created between 1750 and 1790, depicts the mythological abduction of Europe, showing classical figures and the bull representing Zeus.

Etching by Romeyn de Hooghe depicting allegorical elements related to shipbuilding on a title sheet, created between 1665 and 1708.

Etching by Matthäus Merian the Elder showing the deeds of Emperor Charles V, created between 1615 and 1650.

Copper engraving by Hendrik Hondius the Elder, created in 1642, showing individuals affected by epilepsy, depicting medical observation and human anatomy in detail.

Copper engraving and etching by Francois Spierre from 1665 depicting Hercules in the Garden of the Hesperides alongside a portrait of Pope Alexander VII, combining mythological and papal imagery.

Copper engraving and etching by Cornelis Bos showing the brazen snake, created in 1539.

Etching by Bartolomeo Biscaino illustrating the birth of Christ, produced between 1650 and 1657.

Etching by Johann Wilhelm Baur from 1641 illustrating scenes from 'The Metamorphoses,' depicting figures, transformations, and mythological elements for a book illustration.

Carl Gustav Amlings copper engravings and etchings (1670-1703) depict allegories, illustrating symbolic figures, narrative actions, and early modern European printmaking style.

Etching by Camillo Procaccini from 1580-1629 depicting the Holy Family resting during the flight to Egypt, emphasizing biblical narrative and composition.

Etching by Remoldus Eynhoudt depicting Saint Sebastian, created between 1630 and 1680, showing the saint bound and pierced by arrows.

Etching by Pieter Serwouters depicting a title page illustrating hunting scenes, created in 1612.

The 'Holy Family' is an etching produced between 1620 and 1656 by an unidentified engraver, depicting the Virgin Mary, Joseph, and infant Jesus with detailed composition and figures.

Etching by Dirck Volkertszoon Coornhert, 1551, illustrating Susanna and the elders with detailed figures, gestures, and setting.

Copper engraving and etching by Johann Sadeler the Elder depicting a peasant scene and Abrahams calling, showing figures, landscape, and biblical narrative from 1570 to 1600.

Etching by Battista Agnolo del Moro depicting Vulcan, Perseus, Mercury, and Athena, produced between 1515 and 1573.

This etching by Jacopo Palma, created between 1600 and 1636, depicts Pope Damasus I, St. Hieronymus, and an angel, emphasizing religious figures, iconography, and narrative composition.

This etching by Jan Alexander Janssens, created around 1700, depicts scenes from the life of Achilles, illustrating key moments such as his pursuit of Hector and his interactions with Thetis. The work is executed in copper engraving, characteristic of the period's printmaking techniques.

Depicts Sylvia, Chloe, and Ino in an etching by Bernhard Rode, showing three figures with gestures, poses, and interactions between 1748 and 1797.

Etching and copper engraving by Matthys Pool depicting Jupiter and Amaltheia, created between 1690 and 1727, illustrating 17th-18th century mythological subjects and European engraving techniques.

Copper engraving and etching by Jean-Baptiste Tilliard illustrating 'The Freed Jerusalem' by Torquato Tasso, created between 1784 and 1786, depicting figures, battles, architectural elements, and literary scenes.

Etching by Simone Cantarini da Pesaro dated 1630-1648 depicting the Holy Family resting during the Flight into Egypt, showing figures, landscape, and gestures.

Etching by Simone Cantarini da Pesaro dated 1630-1648 depicting the Holy Family pausing during the Flight into Egypt, showing landscape, figures, and gestures.

A copper engraving by Hendrick Goltzius illustrating scenes from Ovids Metamorphoses, created in 1615, depicting mythological transformations and figures.

Etching by Pietro Testa depicting the martyrdom of St. Erasmus, created between 1628 and 1650, showing the saint in suffering and religious context.

Etching by Georg Friedrich Schmidt from the 18th century depicting a woman transformed into a bat in heaven and a duel on horseback, showing figures, gestures, and dynamic composition.

An etching by Adolf van der Laan created between 1717 and 1775 depicting a title leaf, showing decorative text and ornamental design elements.

Copper engraving and etching by Pierre Alexandre Aveline, 18th century, depicting an allegorical scene with the Three Graces, Apollo, and the Genius of Music, focusing on classical figures and symbolic composition.

Copper engraving by Pieter van Schuppen depicting the expulsion from Paradise, created between 1647 and 1702, showing Adam, Eve, and angels in a biblical narrative scene.

Etching by Jonas Umbach from 1639-1693 illustrating New Testament scenes with biblical figures, events, and narrative composition.

Etching by Lorenzo Lolli depicting Mary Magdalene and Saint Hieronymus in a wasteland setting, created between 1630 and 1691.

1631 book illustration etching by Matthäus Merian the Elder depicting a scene from the New Testament, featuring biblical characters and events.

Woodcut by Virgil Solis the Elder showing the baptism of Christ by John the Baptist in the River Jordan with surrounding figures and angels from 1569.

Copper engraving from Jacob de Gheyn II's workshop depicting cavalry exercises at a riding school, created between 1599 and 1600, illustrating mounted soldiers in training.

Etching by Giulio Carpioni created between 1640 and 1678 depicting the Holy Family, showing religious figures in a devotional composition.

Etching by Carlo Maratta depicting a proclamation scene, created between 1645 and 1660, showing figures delivering a public announcement with compositional detail.

Etching by Gabriel Huquier created 1729-1731 depicting two figures titled The Hunter and The Fool in detailed 18th-century style.

Copper engraving and etching by Philipp Galle depicting Christ and the adulteress, created between 1550 and 1612, illustrating 16th-century biblical narrative and moral lesson.

An etching by Franz Karl Palko from 1740-1770 depicting the biblical scene of the creation of Adam and Eve, showing divine figures, human forms, and compositional arrangement.

Etching by Matteo Borboni from 1630-1678 depicting inhabitants around St. Benedict bringing holy gifts, showing religious figures and ceremonial activity.

Copper engraving by Johann Sadeler the Elder depicting Cain striking Abel, created in 1576.

An etching by Cornelis de Wael (1640-1650) illustrating multiple genre scenes including domestic and outdoor activities.

Etching by Pier Leone Ghezzi depicting various biblical scenes, created between 1694 and 1755, showing figures, gestures, and religious narrative.

Etching by Léon Davent created between 1543 and 1544 depicting a warrior in combat using a kite, showing historical military equipment and human figures in action.

Charles Monnet produced a copper engraving and etching illustrating key episodes from Telemach, reflecting European literary and artistic culture between 1755 and 1816.

Copper engraving by Crispin van de Passe showing a draft emblem for a ceiling picture, featuring two angels holding grapes, created between 1584 and 1637, illustrating decorative and religious motifs.

Johann Sadeler the Elder's copper engraving depicts Mary Magdalene, highlighting her expression, pose, and traditional attributes between 1570 and 1600.

Copper engraving by Hieronymus Wierix depicting Archangel Michael, created between 1573 and 1619. The print shows the archangel in armor with a sword and scales, symbolizing divine justice.

Aquatinta and etching by Cornelis Brouwer depicting a rock landscape with a waterfall and two shepherds on the water, created between 1760 and 1806, illustrating 18th-century European landscape and pastoral scenes.

Copper engraving by Philipp Galle depicting the four evangelists, created in 1562, illustrating 16th-century European religious iconography and biblical figures.

Etching by Johann Elias Ridinger from 1768 depicting hunting scenes with animals and hunters, showing forest landscape and interaction.

This 1641 etching by Johann Wilhelm Baur illustrates a mythological scene from 'The Metamorphoses', focusing on figures, action, and book illustration.

Etching and copper engraving by Frederick Bloemaert around 1635 depicting root trees and farmhouses, showing detailed landscape elements and naturalistic composition.

Copper engraving by Pieter de Jode showing the allegorical fight between good and evil shoots, depicting figures, symbolic elements, and composition, created between 1590 and 1634.

A woodcut by Albrecht Dürer depicting a knight and a Landsknecht soldier, created after 1498. The work emphasizes military figure, armor, and composition.

Copper engraving by Pierre Woeiriot between 1555 and 1596 depicting the miracle of manna and Moses holding the tablets of the law, showing figures, gestures, and biblical narrative.

Etching by François Perrier from 1610-1650 depicting John the Baptist preaching in the desert, showing a figure with robes, landscape, and religious context.

A copper engraving and etching by Dirck Volkertszoon Coornhert from 1550 depicting human figures expressing the hope for wealth, showing gestures, attire, postures, and mid-16th-century Dutch printmaking style.

A copper engraving by Jan van der Straet created around 1582 depicting scenes from the Acts of the Apostles, illustrating early Christian figures and events with detailed 16th-century engraving techniques.

Print, Design for a Book Illustration with Children Playing with a Canon; Designed by Michael Hartwagner (German, d. 1776); Engraved by Franz Xaver Andreas Jungwierth (German, 1720-1790); Published by François de Cuvilliés the younger (German, 1731 - 1777); Germany; etching and engraving on off-white laid paper; Platemark: 21.5 x 11.6 cm (8 7/16 x 4 9/16 in.) Sheet: 44 x 28.6 cm (17 5/16 x 11 1/4 in.)

Copper engraving and etching by Aegidius Sadeler depicting wooden structures on water, evening landscapes, and architectural ruins, produced between 1590 and 1660.

Copper engraving and etching by Jean Dambrun created between 1784 and 1786 illustrating scenes and characters from Tasso's 'The Freed Jerusalem,' including architecture and figure composition.

Etching by Giovanni Pietro Possenti from 1640-1660 depicting Amor, Venus, and a satyr, illustrating mythological interaction and detailed figure work.

Etching by Johann Elias Ridinger from 1756 depicting hunting scenes, showing animals, hunters, and landscape elements.

Copper engraving print by Johann Sadeler the Elder from 1580-1600 depicting multiple scenes from the life of John the Baptist, including figures, gestures, and narrative composition.

Etching by Jean Le Pautre between 1625 and 1682 showing mythological figures and scenes, emphasizing gestures, drapery, and classical elements.

Copper engraving by Matteo Florimi depicting Saint Jerome, a prominent Christian scholar and translator of the Bible, created between 1581 and 1613.

Etching by Charles Nicolas Cochin père around 1723 depicting Sancho Panza in a hunting-related scene, reflecting Cervantes' literary character.

Copper engraving and etching by Cornelis van Dalen (17th century) depicting children representing the four seasons: Spring (Ver), Summer (Aestas), Autumn (Autumnus), and Winter (Hyems), showing figures, symbolic gestures, and seasonal elements.

Etching by Marie Madelaine Igonnet depicting Little Beuriere and a small household scene, created between 1744 and 1760.

This copper engraving and etching by Harmen Jansz. Muller from 1566 depicts the four temperaments, representing symbolic human traits and figures in detailed composition.

Etching by Jost Amman from the second half of the 16th century depicting rulers with coats of arms, showing figures, heraldic shields, and symbols of authority.

Engraver Cornelis Galle the Elder created a copper engraving around 1596 depicting oyster fishing and coral divers at work.

Copper engraving print by Gerard de Jode depicting the story of Joseph, made between 1535 and 1591.

Depicts a scene from The Messiah, created as a book illustration between 1805 and 1843, showing human figures, gestures, and composition.

Etching by Giuseppe Diamantini from 1650-1700 depicting an allegory of night with Venus and Amor, showing symbolic figures, night motifs, and classical ornamental details.

Copper engraving by Charles Le Brun from 1645-1655 depicting an afternoon scene, showing classical figures, landscape, and light effects.

Etching by Franz Innocenz Josef Kobell from 1775 depicting a hermit in landscape and a separate scene of Hagar with her son, showing figures and natural surroundings.

Copper engraving and etching by Hans Rottenhammer from the 16th-17th century depicting the establishment of the brazen snake, showing figures and biblical symbolism.

An etching by Anthonie Waterloo from 1629-1690 depicting the mythological figures Alpheus and Arethusa.

A copper engraving by Hieronymus Wierix, 1583, depicting the Sermon on the Mount and scenes illustrating the misery of war with figures and narrative elements.

Copper engraving and etching by Adriaen Collaert depicting three choirs of angels and the sacred Trinity. Created between 1560 and 1618, illustrating Christian iconography and religious figures.

Copper engraving and etching by Claude Augustin Duflos between 1720 and 1786 depicting a pastoral love scene with figures in nature.

Etching by Bartolomeo Pinelli illustrating scenes from Virgil's Aeneid, produced in 1811, depicting characters and episodes from the epic poem.

Giovanni Battista Franco's etching 'Engelpietà' portrays the Virgin Mary holding the dead Christ, a poignant depiction of the Pietà theme.

Copper engraving by Jan Pietersz. Saenredam created around 1595-1599 depicting Lying Venus and Diana with Callisto, showing human figures, nude forms, and mythological composition.

Etching by an unknown engraver from 1630-1700 showing a dancing satyr family during the Festival of St. Martin in a rural setting, including human and mythical figures, landscape, and buildings.

Copper engraving by Jacob Matham depicting the mythological figures Amor and Psyche, created in 1607.

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