Historical Textile Patterns

Intricate designs of textiles featuring floral and ornamental motifs from various historical periods, showcasing craftsmanship in fabric art.

Emilia-Romagna Ferrara Ferrara Palazzo dei Diamanti3. Hutzel, Max 1960-1990 Post-medieval: Many views of facade, sides, and courtyard of 16th c. structure, including detailed views of windows and architectural sculpture, portal leading into courtyard and colonnade, capitals, portals, and sculpture inside courtyard. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Stained glass windows, round, hemisphere and sail-shaped; Front hall. The print shows the upper part of a larger window with performances of a building master, weaver, potter, goldsmith and professions and representatives from sculpture.

Untitled. Wilhelm Morgner (Germany, Soest, 1891-1917). Germany, 1913. Prints; woodcuts. Woodcut on wove paper

Sidewall, Machine-printed paper, Anglo-Japanesque design composed of fountain, lake, pond, and waterfall scenes and depicting various types of architecture, i.e. Russian church, French chateau, Indian gazebo, Turkish mosque. Landscapes with tropical vegetation set in various rectangles, circles, and arches. Each space delineated in geometric framework. Printed in maroon, peach, olive, yellow and brown on olive ground., USA, 1879-1887, Wallcoverings, Sidewall

Jacques Callot (1592-1635). "The currencies. Second board" (Lieure 711-720, Meaume 606). Etching. 1st half of the 16th century. Museum of Fine Arts of the City of Paris, Petit Palais. 99608-30 Etching, engraving

Border, Block printed on handmade paper, Horizontal rectangle. Border paper with two and one-half repeats of foliageserpentine with recurring hydrangea blossom. Two black lines along one edge and black band with pink chevron along other edge., France, ca. 1800, Wallcoverings, Border

Border (France); block-printed and flocked; 48.5 x 8 cm (19 1/8 x 3 1/8 in.)

Umbria Perugia Todi S. Maria della Consolazione0. Hutzel, Max 1960-1990 Medieval: Sculptural fragments, sculpture. Post-medieval: Sculptural fragments, architectural sculpture, painting, frescos, sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Title page from Essai de Papilloneries Humaines par Saint Aubin. Artist: Charles Germain de Saint-Aubin (French, Paris 1721-1786 Paris). Dimensions: plate: 12 13/16 x 9 5/16 in. (32.5 x 23.7 cm)sheet: 15 5/8 x 10 9/16 in. (39.7 x 26.8 cm). Date: ca. 1756-60. Museum: Metropolitan Museum of Art, New York, USA. Author: Charles Germain de Saint-Aubin.

Border (Crete); silk embroidery on linen foundation

Renaissance ornament

Renaissance ornament

Italian ornament

Mantle ("The Paracas Textile") Nasca. Mantle ("The Paracas Textile"), 100-300 C.E. Cotton, camelid fiber, 24 5/8 × 58 11/16 in. (62.5 × 149 cm). This extraordinarily complex mantle, or cloak, is one of the most renowned Andean textiles in the world. It was most likely used as a ceremonial object. The ninety figures decorating the border, created by needle knitting, have been interpreted as a microcosm of life on Perus South Coast two thousand years ago, with a particular focus on agriculture. Many of the images illustrate native flora and fauna as well as cultivated plants. Costumed figures may represent humans impersonating gods and acting as intermediaries between the real and supernatural worlds. Severed human trophy heads are shown as germinating seeds, suggesting the practice of ritual sacrifice and the interconnected cycles of birth and death. Este extraordinariamente complejo manto, o capa, es uno de los textiles andinos más conocidos en el mundo. Fue usado probablemente como

Engraving depicting King John of Bohemia (1296-1346), with the crest of vultures' wings borne by him at the Battle of Crecy. Dated 14th Century

Gypsum Model for a Vault Decoration of the Louvre Palace by François Théophile Murgey. Share of meeting of the Tuileries at the Louvre 1852-1857, album 3.

Illuminated Border 1300-1500 Europe. Manuscript cutting in tempera, colored inks and gold leaf on vellum . Unknown illuminator

Watercolor painting by Maximilian Lenz depicting a man wearing a brown cowl, emphasizing figure, posture, and garment.

Lazio Roma Rome S. Paolo99. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture fragments, tomb sculpture fragments, sculptural fragments, inscribed tomb markers, sculpture, fresco painting, mosaics Specific Location: Basilica Antiquities: Architectural sculpture fragments, tomb sculpture fragments, sculpture fragments General Notes: the "tomb markers" need to be sorted and catalogued German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Victor Hugo (1802-1885), French writer. Chinese lounge, decor from Juliette Drouet's house in Guernsey, southern wall. Flower with a Chinese person holding a flower (from a set of three panels). Polychrome engraved wood. 1857-1864. Paris, house of Victor Hugo. 77437-15 Art craftsmanship, arts decoratives, serious wood, Chinese cabinet, chinoiserie, flower, oriental influence, floral motif, orientalism, wood panel, Chinese living room, 19th XIX 19th 19th 19th 19th century, engraving

Trophy. Culture: French. Dimensions: 17 3/4 × 37 3/8 in. (45.1 × 94.9 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Lazio Roma Rome Episcopal Complex (S. Giovanni in Laterano, Baptistery, Cathedral, Cloister)87. Hutzel, Max 1960-1990 Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn (16th c.), carved walls, ceiling and wall painting; of mosaics and bronze doors in Cappella del Battista; of altar and mosaics in Cappella di S. Venanzio; of mosaic and statue in Cappella di S. Giovanni Evangelista. Architecture, architectural sculpture, sculpture, sculptural fragments, fresco painting, painting, coffering, tiling, stucco. Views 756-886 are of the cathedral. Medieval: Architecture, architectural sculpture, sculptural fragments, architectural fragments, tombstones, mosaics, sculpture, fresco painting, sculptural relief. Object Notes: Hutzel includes guidebook in German on the site. prints matched to negs General Notes: Views 756 thru 886 are of the Baptistery. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s u

intermediate panel, Arthur & Robert, Block-printed on handmade paper, Arabesque intermediate panel. Contains butterfly, coiled snakes, peacock feathers, vase with floral bouquet, altar, and cameo motifs. Applied border on four sides., France, ca. 1790, Wallcoverings, Sidewall, Sidewall

Frisian with Borstkuras between a Neria (left) and a Triton (right), 1510 - 1550 print Flat decoration. Shaded background. Germany (possibly) paper engraving

Benevolence calendar before 1917, Richard Nicolaüs Roland Holst, in Or Before 1917 print. calendar A rectangular frame with three standing, naked men in the waves, in the middle the twelve signs of the zodiac, and at the bottom a kneeling figure in a habit. paper man (showing himself) undressed, quasi-nude. wave. zodiac; the twelve zodiacal signs together. habit, frock

West India Company's Gardens. Dated: c. 1936. Dimensions: overall: 29.4 x 22.9 cm (11 9/16 x 9 in.). Medium: gouache on paperboard. Museum: National Gallery of Art, Washington DC. Author: Helen Miller.

Fragment (Japan)

Tile Picture with a Roman Hero, anonymous, 1615 - 1640 Chimney pilaster of 33 tiles (11 x 3) with a blue painted Roman soldier with a helmet to the right used with a sword in his right hand standing under an arc. Netherlands earthenware. tin glaze majolica Chimney pilaster of 33 tiles (11 x 3) with a blue painted Roman soldier with a helmet to the right used with a sword in his right hand standing under an arc. Netherlands earthenware. tin glaze majolica

Drawing, Decorative Studies; Designed by Felice Giani (Italian, 1758-1823); Italy

Attic Red-Figure Stamnos Fragment. Kleophrades Painter (Greek (Attic), active 505 - 475 B.C.)

Lazio Viterbo Caprarola Palazzo Farnese16. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Border, Block-printed and flocked with gilt on machine-made paper, An intertwined cable of a ribbon and foliage against a deep red flocked background. The bottom edging consists of a bead and reel molding. Printed in gold, metallic gold, maroon flocking, blues, brown and gray., H# 88, France, 1840-60, Wallcoverings, Border

Mosaic detail from The Palazzo Barbarigo, a palace on the Grand Canal in Venice, Italy. The palazzo was built in the 16th century but the mosaics were added in 1886. Made from of Murano glass and inspired by the exterior mosaics on the facade of St Mark's Basilica.

Roßwein. Villa of the shoe manufacturer Carl Fuchs, at the station 1, dining room. Skylight

Apulian Red-Figure Lekanis. Attributed to a Follower of the Stoke-on-Trent Painter (South Italian (Apulian), active 330 - 310 B.C.)

Malagan Pole, c. 1910, Unknown, 101 x 10 x 6 1/4 in. (256.54 x 25.4 x 15.88 cm), Wood, pigment, Papua New Guinea, 20th century, In New Ireland, elaborate ceremonies called malagan commemorate the death of important members of society. Music, dance, the exchange of gifts, and the display of specially commissioned sculptures honor the deceased and enhance the prestige of surviving relatives. The sculpted images usually incorporate animals that are the clan symbols of the deceased.

Funeral Procession of William Lodewijk count of Nassau, July 13, 1620 in Leeuwarden ca. 1620 Pieter Feddes van Harlingen Dutch. Funeral Procession of William Lodewijk count of Nassau, July 13, 1620 in Leeuwarden 388934

Fragment (Dress Fabric) Made 1500-1550 Venice. Silk, warp-float faced 3 1 broken warp chevron twill weave with supplementary pile warps forming cut pile-on-pile solid velvet .

Purple tile pilaster, twisted column covered with vine, on which birds, insects, spiders and web, on pedestal of the column, couple, tile pilaster sculpture ceramic earthenware glaze wood, baked 2x glazed painted tile polish two broad twelve high.

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Vignette, Apollo and Cupid, undated. Engraving.

Decorative capital letter D. Old 19th century engraved illustration from Souvenirs de la Reformation en Italie 1883 by John Stoughton (1807-1897)

Abruzzo L'Aquila Castelvecchio Subequo S. Francesco, Museum. Hutzel, Max 1960-1990 Reliquaries, processional cross (15th century) statues- including a silver Madonna and Child with Angels, sculpture-including wooden statue of Christ, and frescoes Roman sculpture fragments, bronze sculpture, bronze plate, iron sword, roman coins German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome S. Agnese fuori le Mura8. Hutzel, Max 1960-1990 Medieval: Architecture, architectural fragments, sculptural fragments, sculpture. Post-medieval: Architectural sculpture, fresco painting Object Notes: Erected in 342 by Costanza, daughter or niece of Constantine on the site of the catacombs holding the remains of S. Agnese. Marble staircase dates from 1590. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Medieval ornament

Woman's Rank Badge with Wild Goose late 18th-early 19th century China. Woman's Rank Badge with Wild Goose. China. late 18th-early 19th century. Silk on silk. Qing dynasty (1644-1911). Textiles-Embroidered

King's bodyguards (IT)

Vanderbilt Mantelpiece date panel. Culture: American. Dimensions: 79 1/8 x 24 1/2 x 5 1/8 in. (201 x 62.2 x 13 cm). Maker: Augustus Saint-Gaudens (American, Dublin 1848-1907 Cornish, New Hampshire). Date: 1881-83.This carved and inlaid panel was created for the residence of Cornelius Vanderbilt II on Fifth Avenue at 57th Street (demolished 1925-27). Working for the architect George B. Post, the artist John La Farge created a lavish decorative program, to which Saint-Gaudens contributed many of the sculptural elements. The panel features the date of the Vanderbilt house's completion, 1882, in Roman numerals and flanked by beribboned wreaths. It was originally set in the ceiling of the dining room. Following extensive renovations between 1892 and 1894, the panel was moved to the second-floor billiard room where it was installed above the colossal mantelpiece of Saint-Gaudens's design (25.234) that was moved from the entrance hall. Museum: Metropolitan Museum of Art, New York, USA.

Border, 1790-1810; block-printed on handmade paper; 73 x 12 cm (28 3/4 x 4 3/4 in.)

The Savigny Arms 1533 Valentin Bousch French This window comes from a series of seven windows made for the choir of the Benedictine priory church of Saint-Firmin in Flavigny-sur-Moselle in the Lorraine region of France. The windows had been commissioned by the prior, Wary de Lucy (1510-1557) from Valentin Bousch, a glass painter in Metz who had already worked on a number of important projects including Metz cathedral. Bousch was occupied by the Flavigny-sur-Moselle project in the early 1530s. Three of the extant monumental windows from the series each bear a date (1531, 1532 and 1533). Bousch was one of the most significant master glaziers in north-eastern France in the sixteenth century and has long been recognized as an important participant in the stylistic and technical developments of the Northern Renaissance. Together, the windows presented a Biblical narrative reflecting the story of humanity, starting with the Creation and Fall of Man (until recently in a private collection, La

Lazio Frosinone Veroli S. Andrea Apostolo, Cathedral6. Hutzel, Max 1960-1990 Views of metalwork objects housed in Treasury of S. Andrea Apostolo, including busts, reliquaries, crosses, polittico, boxes. Antiquities: relief sculpture; busts General Notes: Museum, which contains Treasury, is located in the last chapel of the right nave. Thirteen views of (non-metalwork) sculpture from Museum have been assigned numbers at end of Treasury sequence, but there are no negatives corresponding to these prints, nor is there authoritative evidence that these objects are housed in the Cathedral Museum. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque

Panel from the Palace of Westminster. Culture: British. Designer: Designed by Augustus Welby Northmore Pugin (British, London 1812-1852 Ramsgate). Dimensions: Overall (confirmed): 24 1/4 × 9 1/4 × 9/16 in. (61.6 × 23.5 × 1.5 cm). Date: ca. 1847. Museum: Metropolitan Museum of Art, New York, USA.

Rectangular stained glass window; XVIIw. (1650-00-00-1785-00-00);

Border, Medium: linen Technique: knotting (macramé), Long strip with figures of animals and people with black bead eyes. Between two guard borders. Scalloped edge., Italy, 17th century, knotted, knitted and crocheted textiles, Border

Campania Salerno Cava dei Tirreni Museo8. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Leine Christian Friedrich von (1814-1892), Palais of the Crown Prince of Württemberg (Villa Berg) in Stuttgart (1845-1845): Stand vessels for the garden. Pencil on transparent, 66.1 x 54 cm (including scan edges)

Aleksandra Mir / 'Airplan', 2005, Fiber-tipped pen on paper.

Frontal de Sant Jaume de Frontanyà, siglo XIV. Museu Diocesà i Comarcal de Solsona.

Painting in grisaille with a trophy. Painting in a bow. On the right side of the Windows with a trophy hanging on a bow in the Herengracht Room 524.

Design for ex libris from WCTh. van der Schalk. Draughtsman: Richard Roland Holst. Dating: 1915. Measurements: d 277 mm. Museum: Rijksmuseum, Amsterdam.

Line drawing of the scenes that run around the edges of the Stone of Tizoc. The Stone of Tizoc a large, round, carved Aztec stone thought to have been a quauhxicalli, in which the hearts of victims of sacrifice were placed. Dated 18th Century

Interior detail, wallpaper, panel number 6 'Cupid and Psyche' , Wallpapers, Cupid Roman deity, Psyche Greek deity. Frank Cousins Glass Plate Negatives Collection

Fragment. United States. Date: 1876. Dimensions: 10.5 × 21.5 cm (4 1/4 × 8 1/2 in.). Cotton, plain weave; roller printed. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

One HundredImmortals. Artist: Wang Shenguo

Painted image on the glass for SkiopTikon / Laterna Magica.

Deraisme, Pierre -Georges (n.1859 - D.1932), comb (main title), 1902. Graphite, watercolor on transparent vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

Meissen. Goldsmith Black - Jewelry

Mother and Child. Auguste Rodin (France, Paris, 1840-1917)Sèvres Porcelain Manufactory (France, Sèvres, established 1756). circa 1880-1881. Sculpture. Glazed hard-paste porcelain; black and light gray glazes

Astragal frame. Culture: Italian, Veneto. Dimensions: Overall: 40 1/2 x 36. Date: early 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Coat of Arms of the Gómez de Cervantes y Altamirano de Velasco Family Mexican. Coat of Arms of the Gómez de Cervantes y Altamirano de Velasco Family, ca. 1802. Oil on canvas, 37 1/8 x 28 3/4in. (94.3 x 73cm). Even the wealthiest families in colonial Spanish America were compelled to legitimize their place within the imperial system. Elite individuals could obtain titles directly from the crown after proving noble lineage and so-called limpieza de sangre (purity of blood”), which in Spain excluded people of Jewish and Moorish heritage. Such titles were proudly displayed through coats of arms on portraits, dinner services, coaches, and town-house facades. The commission of this painted, full-scale coat of arms in about 1816—with the central, round Cervantes escutcheon uniting the family's many titles—may have made it unnecessary to include heraldry in contemporary family portraits, which would have hung nearby in the salón del dosel. Incluso las familias más ricas de la Hispanoamérica

Attic Black-Figure Dinos Fragment (comprised of 8 Joined Fragments). Attributed to Kyllenios Painter (Greek (Attic))

Lazio Roma Rome Museo degli Strumenti Musicali52. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Attic Red-Figure Kylix Fragment. Triptolemos Painter (Greek (Attic), active about 490 - 470 B.C.)

Annette Facing Front. Alberto Giacometti; Swiss, 1901-1966. Date: 1954-1955. Dimensions: 208 x 57 mm (image/plate); 429 x 217 mm (sheet). Etching on white wove paper. Origin: Switzerland. Museum: The Chicago Art Institute, Chicago, USA.

Band design for: Louis Couperus, Extaze: a book of happiness, 1894, Richard Nicolaüs Roland Holst, in Or Before 1894 drawing Stylized floral pattern in a rectangular frame. tracing paper. ink. pencil. deck paint pen / brush flowers ~ ornament

Pair of dolphins. Culture: Italian, Genoa. Dimensions: Each: H. 47-1/4 in. (120 cm). Date: first half 18th century.A series of four similar dolphins was carved by Filippo Maria Mongiardino for the Palazzo Spinola, Genoa, in 1736. Placed on the dado in the four corners of the Galleria degli Specchi (Gallery of Mirrors), those dolphins as well as the present pair reflect designs of the influential Genoese sculptor Filippo Parodi (1630-1702). Museum: Metropolitan Museum of Art, New York, USA.

To Commemorate the Centennial of the Austrian Empire Founded by Francis II, as Distinct from the Ancient Holy Roman Empire. Artist: Josef Tautenhayn (Austrian, Vienna 1837-1911 Vienna). Culture: Austrian. Dimensions: 9 1/8 × 7 in. (23.2 × 17.8 cm). Date: 1904. Museum: Metropolitan Museum of Art, New York, USA.

Constellation of Perseus

Plate ca. 1835-59 Possibly Thomas Dimmock & Co. British This black and white transfer-printed earthenware plate possibly made by the Staffordshire firm of Thomas Dimmock & Co. features a view of the ruins of the New York Merchant's Exchange following the "Great Fire of New York.". Plate. British (American market). ca. 1835-59. Earthenware, transfer-printed. Made in Staffordshire, Stoke-on-Trent, England; Made in Staffordshire, Stoke-on-Trent, England

Claes Tetrode, Isaac Vincentz. van der Vinne, c. 1681 - 1740 print Weapon in an oval of leaves. In the middle of a crown. In the middle of the coat of arms of the city of Haarlem. paper vignette. coat of arms (as symbol of the state, etc.). crown (symbol of sovereignty). coat of arms (as symbol of the state, etc.) (+ city; municipal) Haarlem

Campania Caserta Teano Cathedral0. Hutzel, Max 1960-1990 Medieval: Built 1116, remodelled by Andrea Vaccaro in 1630, restored in years following damage in second world war. Includes re-used Roman capitals. Architecture, architectural sculpture; sculpture including painted wooded crucifix (c.1330-31) and pulpit (13th century) with mosaic and relief. The Cripta di S. Paride acts as a small museum containing roman, medieval, and modern marble. Post-medieval: Choir stall (MCMLVII); paintings by Francesco de Mura in the Cappella di S. Paride; marble fragments from the Cripta di S. Paride Antiquities: spolia Object Notes: Originally dedicated to S. Terenziano, now dedicated to S. Clemente German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etr

Overdoor with Eagle and Laurel Wreath (one of a pair) ca. 1790 Design attributed to Giocondo (Giuseppe) Albertolli Italian These eagles with outstretched wings recall overdoor decorations carried out for the royal villa of Monza, near Milan, after designs by the architect Albertolli.. Overdoor with Eagle and Laurel Wreath (one of a pair). Italian, Piedmont. ca. 1790. Carved and gilded pine. Woodwork

Ornamental frieze with putti and intertwined snakes, from Recueil de Différentes Compositions Frises et Ornements dessinées et gravées à la manière du lavis par La Grenée le Juene Se trouve chez l'Auteur, au Louvre et chez Basan, rue et Hôtel Serpente A Paris, in an album containing Recueil de Compositions par Lagrenée Le Jeune (Collection of Compositions by Lagrenée the Younger) 1784 Jean Jacques Lagrenée French. Ornamental frieze with putti and intertwined snakes, from Recueil de Différentes Compositions Frises et Ornements dessinées et gravées à la manière du lavis par La Grenée le Juene Se trouve chez l'Auteur, au Louvre et chez Basan, rue et Hôtel Serpente A Paris, in an album containing Recueil de Compositions par Lagrenée Le Jeune (Collection of Compositions by Lagrenée the Younger) 424218

Skioptyconform with motifs from the Gothenburg exhibition 1923. Ilustrations regarding the sugar industry.

Plaque - "z Otnictwo"; Roty, Louis-Rar (1846-1911); 19th century (1801-00-00-1900-00-00);Christofle, Charles (1805-1863), PartaGage Plus, Roty, Louis-Ooss (1846-1911), plaques, male character (iconogr.), Secession (style)

Chimney fall with the Spiegel family crest (fragment), Tobias Schaep (Possible), c. 1624 - c. 1644 Chimney trap with the weapon of Spiegel flanked in the middle by a cat and a dog. Northern Netherlands Ketting: Linen (material). Entry: Wool. Entry: Silk tapestry Chimney trap with the weapon of Spiegel flanked in the middle by a cat and a dog. Northern Netherlands Ketting: Linen (material). Entry: Wool. Entry: Silk tapestry

Cotham Marble or Landscape Marble is a variety of Rhaetian (uppermost Triassic stromatolitic limestone from the Penarth Group, found in south Wales and southwestern England in the area around Bristol, possibly extending to the south coast in east Devon)

Neptune with trident on fish, coat of arms of the Greek-antique Taras, Taranto, Apulia, Italy, Europe

Color print by Alfred Roller from 1901 depicting the XII Exhibition of the Vienna Secession, showing artwork and exhibition design elements.

Birds eye view of Panama Canal, circa 1920

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