Historical Etchings and Aquatints

A collection of 18th and early 19th-century etchings depicting various scenes, including group gatherings, children playing, and allegorical figures, showcasing rich historical contexts.

Pl. 2. Canvassing for votes , Taverns Inns, Bribery, Political elections. William Hogarth (1697-1764). Prints

Photo production of the fresco The conversion of Renier from Pisa to Andrea da Firenze in the Camposanto in Pisa, Italy, Fratelli Alinari, After Andrea da Firenze, 1857 - 1900 photograph Pisapublisher: Florence cardboard. paper albumen print picture, painting Campaign

Bullfights: A Moor Caught by a Bull in the Ring, 1816, printed 1876. Francisco de Goya (Spanish, 1746-1828). Engraving;

Rijn, Rembrandt van, The Three Crosses, verso lower left - stamped, print, prints, height 385 mm, width 449 mm, Noord-Nederlands, 1606-07-15 - 1669-10-08, printmaker, 1653 - 1653, third quarter 17th century, paper, papier, drypoint, dry needle, burin, plaattoon, Work conception, after own design by

Around the album "The graves and monuments of Polish kings in Krakow" (edition II); Fajans, Maksymilian (1825-1890), Fredro, Felicjan Maksymilian (1820-1874), Lemercier, Rose Joseph (Paris 1851 (1851-00-00-1851-00-00);

Francisco de Goya (1746-1828), Saar Helder faster than rapid speech, 1815-1824

Bliżej Kultury Franz Hanfstaengl Kunstverlagsanstalt (Monachium), Hanfstaengl (Hanfstängl), Franz (1804 1877)

Prisoners on a Projecting Platform, plate 10 from Imaginary Prisons 1761 Italy. Etching and engraving on heavy ivory laid paper . Giovanni Battista Piranesi

Jupiter and Mercury at Philemon and Baucis, c. 1807 - c. 1815 print paper etching (story of) Philemon and Baucis

Christian Merge in the Colosseum (board from the series "Chudo -Konnejnyj Listok"); Brese, N., Borell, P. (18 ..- 1901), Flavicki, Konstantin Dmitryjewitsch (1830-1866), Henkel, W. E. (St. Petersburg; Publisher; CA 1860-1870); 1868 (1868-00-00-1868-00-00);

Party company with a drinking man with crown, Louis Jaugey, after Jan Havicksz. Steen, 1850 - 1899 print paper etching periodic celebrations, popular feasts. feasts of saints (and their relics)

Etching and aquatint by Francisco Goya titled 'Exhortations,' part of Los Proverbios series, created around 1810-1815, illustrating moral and advisory scenes.

Die Fahrt Ins Neue Jahrhundert; Welti, Albert (1862-1912); 1900 (1895-00-00-1905-00-00);New Century (Allegory), New Year (ceremony), Partage Plus, Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, allegories, modernism (style), New Year wishes

Ya no hay tiempo (There Isnt Time Now), Plate 19 from Los desastres de la guerra (The Disasters of War). Artist: Francisco Goya, Spanish, 1746-1828

Lazio Roma Rome S. Ignazio di Loyola7. Hutzel, Max 1960-1990 Church was built 1625-50, based on a project by Maderno. Exterior photos of facade, rooftops and portal, with details of capitals. Interior views of the nave; however, the majority of the photos are of the paintings in the vaults and chapels. Frescoes include the Entry of S. Ignatius into Heaven and the Four Parts of the World. There are also frescoes of Samson, David, Judith and Joel. In the transept are frescoes relating to St. Louis and to the Glory of S. Ignatius. Other, unidentified rooms in the complex are also photographed. Object Notes: Hutzel photo campaign notes are undated. See also Marburger Index, no. 395. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etrusca

Rijn, Rembrandt van, Baillie, William, L'Histoire touchante, Interior with a man reading, A simple interior with a young man reading by lamplight to a person opposite him. The print is part of an album., print, album leaf, prints, height 215 mm, width 270 mm, Irish, 1723-06-05 - 1810-12-22, print maker, printmaker, 1767 - 1767, paper, papier, pasting, mezzotint, etching, etchings, Noord-Nederlands, 1606-07-15 - 1669-10-08

Photo production of the Mars painting receives the weapons of Venus and Vulcanus by Thomas Willeboirts Bosschaert, Anonymous, After Thomas Willeboirts Bosschaert, c. 1885 - c. 1900 photograph paper. cardboard albumen print picture, painting

Grandville (Jean Ignace Isidore Gérard Dit, 1803-1847). "The metamorphoses of the day. He is enough of a two -feet jel like him, who often adorns the remains of others and which is called plagiaries". Colored lithography, 1829. Paris, Maison de Balzac. 34929-14 Copy, humorous, lithography colored, morality, personification, plagiarism, plagiar, cheating, animal, caricature, scene

Photograph of print: Marcantonio Raimondi (c. 1470 or 1482 - 1527 or 1534) according to a bas-relief on Trajan's Column in Rome, Trajan entre la Ville de Rome et la Victoire ; sheet from: Notice sur la vie de Marc Antoine Raimondi Graveur Bolonais accompa. Delessert, Benjamin (1817-1868), photographer, Blanquart-Évrard, Louis-Désiré (1802-1872), reproduction atelier, Goupil & Cie (Paryż ; firma wydawniczo-fotograficzna ; 1850-1884), publisher, Colnaghi, D. & Co. (Londyn ; galeria sztuki ; 1760- ), publisher

The Hundred Guilder Print Artist's working dates 1626-1669 Holland. Etching on paper . Rembrandt van Rijn

Méditerranée. André Dunoyer, de Segonzac; French, 1884-1974. Date: 1934. Dimensions: 355 × 480 mm (plate); 487 × 635 mm (sheet). Etching on tan wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

COURBET. After-dinner in Ornans Gustave Courbet (1819-1877). After-dinner in Ornans. Black and white projection plate. 1900-1930. Photograph of Jacques-Ernest Bulloz (1858-1942).

Lazio Rome Palazzo Mattei di Giove4. Hutzel, Max 1960-1990 Post-medieval: Painting, fresco painting, stucco, architecture. Antiquities: Roman sculptural and architectural fragments. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Coopers 1790 Jean Jacques de Boissieu French. The Coopers. Jean Jacques de Boissieu (French, Lyons 1736-1810 Lyons). 1790. Etching with drypoint and roulette; fifth state of seven (Perez). Prints

Peter the Great's First Interview with Catherine, by A.L. Egg, A.R.A.. Caldesi & Montecchi (British, active 1850s)

Album-premium of illustrated chronicle / kings.

A scene from a large cell; around 1908 (1903-00-00-1912-00-00);poster, gift (provenance), occasional prints, Islamic art, Turkish art

Swiss Funeral, James Skene of Rubislaw (Aberdeen, Scotland, 1775 - 1864) 1821

Plate 3: a group street musicians, from the series of customs and pastimes of the Spanish people 1850 Francisco Lameyer y Berenguer. Plate 3: a group street musicians, from the series of customs and pastimes of the Spanish people. Francisco Lameyer y Berenguer (Spanish, 1825-1877). 1850. Etching. Prints

Les chantres Espagnols , Choirs Music, Singers, Alphonse Legros (1837-1911)

Etching and aquatint from 1810 by Goya showing victims being taken to the cemetery, illustrating funerary procession and wartime mortality in 'The Disasters of War'.

Kazimierz Wojniakowski (1772-1812), stage in the park; around 1910 (1905-00-00-1915-00-00);

Reproduction of a title page with putti, Anonymous, Joseph Maes (Possible), After Christoffel Plantijn, c. 1875 - in or before 1880 photomechanical print Antwerp paper photolithography title-page. Cupids: 'Amores', 'Amoretti', 'Putti'

Harvey, George (Sir), Bromley, Frederick, Annan, Thomas, Photographic reproduction of an engraving of Covenanters Preaching, after the painting by Sir George Harvey, photograph, photo, reproduction, page, photographs, photographically illustrated books, height 174 mm, width 226 mm, Scottish, 1829 - 1887-12-11, photographer, 1865 - 1870, photographic paper, albumen print, Work conception, English, after a print by, 1806-02 - 1876-01-22

Spring Blossoms - Drawn by Winslow Homer (Harper's Weekly, Vol. XIV). Artist: Winslow Homer (American, Boston, Massachusetts 1836-1910 Prouts Neck, Maine). Dimensions: image: 9 1/8 x 13 7/8 in. (23.2 x 35.2 cm)sheet: 10 11/16 x 15 15/16 in. (27.1 x 40.5 cm). Publisher: Harper's Weekly (American, 1857-1916). Date: May 12, 1870. Museum: Metropolitan Museum of Art, New York, USA.

Francisco de Goya y Lucientes / 'War Scene'. 1810 - 1814. Grey-brown wash, Red chalk on dark yellow laid paper. Museum: Museo del Prado, Madrid, España.

Reproduction of a painting: Brodowski, Antoni (1784-1832), Sauls rage against David; excerpt from a magazine. unknown, publisher

Large group of boys runs out through the gate of the Royal Academy in Antwerp, Edouard Dujardin, 1842 print paper etching monumental door, porch, 'aediculum'. returning home from school Antwerp

Le repas de paysans.. 1844. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Eating & drinking

Alinari, Fratelli, 12254., PISA, Fresco The Presentation of St. Ephysius to the Emperor Diocletian by Spinello Aretino in the Campo Santo in Pisa, PISA - Camposanto. La presentazione di S. Efeso all'Imperatore Diocleziano. (Spinello Aretino)., photograph, foto, foto's, height 189 mm, width 246 mm, Italian, photographer, 1850 - 1890, third quarter 19th century, fourth quarter 19th century, paper, photographic paper, photo paper, cardboard, albumen print, albumendruk, Publication (Event), Publication, publisher

Tuscany Siena Radicondoli Collegiate church7. Hutzel, Max 1960-1990 Six exterior views of 16th c. church, including facade, clock tower, 17th c. portal, right and left flanks. Interior views of nave, altars, altar paintings, and painting details. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Rijn, Rembrandt van, Christ shown to the people: horizontal plate, verso lower left - stamped, print, prints, Rembrandt f 1655, middle right, T, verso upper right - red chalk, height 360 mm, width 455 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1655 - 1655, third quarter 17th century, Oriental paper, drypoint, dry needle, plate tone, Work conception, after own design by

Lazio Roma Rome S. Stefano Rotondo0. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, fresco painting, sculpture, architectural fragments, sculptural fragments. Post-medieval: Sculpture, fresco painting, painting, architectural sculpture Antiquities: Sculpture Object Notes: Called the "second Pantheon of Rome", this church dates from the 5th century A.D. Alberti worked on the restoration in the 15th century. These photographs date from March, 1984. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

'THE FEAST OF ROSES' PAINTED BY H. TIDEY, IN THE EXHIBITION OF THE NEW SOCIETY OF PAINTERS IN WATER COLOURS

A scene of destruction with an overturned coach, screaming people and a bonfire; representing night. Engraving by T. Cook after W. Hogarth.

Umbria Perugia Norcia S. Giovanni9. Hutzel, Max 1960-1990 Exterior views of facade, flanks, and two portals; interior views of altars, ceiling, sculpture, crucifix, paintings, and ciborium. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Great week in the countryside in Galicya; Z: "K Osy" 1882, No. 875 (April 6), p. 216; Fa 1882 (1883-00-00-1883-00-00);

At the Café des Ambassadeurs. Edgar Degas; French, 1834-1917. Date: 1879-1880. Dimensions: 265 × 294 mm (image/plate); 326 × 492 mm (sheet). Etching, softground, drypoint, and aquatint in black on cream wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

WILLEM IV, 1752, plate 27, Jan Punt, after Pieter Jan van Cuyck, 1755 print Members of the stadholder's household followed by two tends of horses with the hearse and the carriers. In the margin a caption in Dutch, French and English. The print is part of an album. paper etching / engraving cortege, funeral procession. royal household; courtiers, retinue, train. funeral carriages Delft

The actor and a street urchin, from 'Dramatic sketches,' published in Le Charivari, April 18, 1864. Artist: Honoré Daumier (French, Marseilles 1808-1879 Valmondois). Dimensions: Image: 9 9/16 × 8 13/16 in. (24.3 × 22.4 cm)Sheet: 11 7/16 × 10 13/16 in. (29.1 × 27.5 cm). Printer: Destouches (Paris). Publisher: Aaron Martinet (French, 1762-1841). Series/Portfolio: 'Dramatic sketches' (Croquis dramatiques). Date: April 18, 1864.The actor: - He was your lover Madame! (bravo! bravo!) and I killed him! (bravo! bravo!). Prepare to die! (bravo! bravo!) and I will kill myself on top of your two corpses! A street urchin: - For heaven's sake, NO, who would be left to come to the funeral. Museum: Metropolitan Museum of Art, New York, USA.

Francisco Goya (1746-1828). "Los disparate - feminino disparate". Museum of Fine Arts of the City of Paris, Petit Palais. The nonsense - feminin nonsense Ane body man, body, cloth, donkey, sauté, feminin, feminine, femininity, feminite, femme, play, jumping jack, pantin, play, round, round, sheet, sheet, man, woman

Saint Ursula , The Saint Ursula , according to the original painted of the older Jacob Palma Palma Vecchio , in the Kaiserl, Royal Covered gallery , Jacopo Antonio Negretti Palma Il Vecchio , Artist, Josef Kriehuber -, Lithographic Institute, Printer

The Academicians of the Royal Academy, 1772, by John Sanders (1750-1825), watercolor and ink, 19x27 cm.

Processsion, state II. Jasiński, Feliks Stanisław (1862-1901), graphic artist, Porcabeuf, Alfred (1867-ca 1946), printer of graphic prints

The old , Karl Wiener -, artist

The mysteries of Paris / the frank carpet. / This is equal ... it must be honest ...- Said blossom / pl. 1

Placard from the Young Turk Revolution period - garbage scene. unknown, graphic artist

The Horrors of War: What More Can Be Done. Francisco de Goya (Spanish, 1746-1828). Etching;

Les Noces de Psyché; Jasi Ski, Feliks Stanis , Arthur Tooth & Sons (London, Paris, New York; Publisher; Fl. 1868-1901); 1900 (1900-00-00-1900-00-00);Psyche (Mitol.), Studziński, Franciszek (1895-1967), Studziński, Franciszek (1895-1967)-collection, French (culture), French graphics, Polish graphics, reproductive graphics, Polish (culture), purchase (provenance)

Toy manufacturing in Val di Rose, Italy, drawing by Riccardo Pellegrini, from L'Illustrazione Italiana, Year XXXIII, No 52, December 30, 1906.

LaBergerie. Artist: Charles-Émile Jacque, French, 1813-1894

Farewell to De Engel, Jacques de Gheyn (II) (Attributed to), after Karel van Mander (I), 1580 - 1596 print Archangel Rafaël says goodbye to Tobias and Tobit. The men are surrounded by vases and crates with coins; Gifts that Tobias and Tobit offered the traveling companion as a sign of thanks. On the right in the background the angel disappears in the air. In the lower margin a four -line Latin text. Amsterdam paper engraving Tobias and his father offer gifts to the angel

Photo production of the painting 'De Nachtwacht' by Rembrandt Harmensz. Van Rijn; Musée d'Amsterdam. Rembrandt. - La Ronde de Nuit .. Part of leporellolatbum with photo productions from paintings from the Rijksmuseum.

Abruzzo L'Aquila L'Aquila Museo Nazionale d'Abruzzo38. Hutzel, Max 1960-1990 Tabernacle from S. Maria delle Grotte in Fossa with scenes of the Presentation at the Temple, the Flagellation, the Annunciation, and the Betrayal by Judas. Museo Nazionale housed in Castle: several exterior views (The Archeological Museum is one gallery (Sala IV) of the Museo). Remaining views of museum collection, including paintings, processional crosses, reliquaries, chalices, ceramics, textiles, manuscripts, and a number of eighth century Abruzzan Madonna sculptures. Works from the church Madonna del Soccorso also stored in Museo. Museo Nazionale d'Abruzzo Roman inscriptions, sculpture and relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans

Within a Tyrolean house, vintage engraved illustration. Magasin Pittoresque 1845.

Arts et métiers. 1. Le brodeur au tambour; 2. Le fabricant de feutres. Issued in Paris by Impr. impériale, 1817. The artwork depicts two artisans a tambour embroiderer and a felt maker. 70 x 50 cm

Reproduction of a painting from the collection of the Zachęta Fine Arts Society: Henryk Siemiradzki (1843-1902), Christian Dirce, oil, canvas, 1897 (currently in the collection of the National Museum of Warsaw). Leonar (fl. ca 1930), publishing house, Towarzystwo Zachęty Sztuk Pięknych (Warszawa ; 1860-1940), publisher

Miniatur; Miniatur.. Prints. 1912. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection

Carnavalada, Asturias Evaristo Valle (Spanish, 1873-1951). Carnavalada, Asturias, 1922. Oil on canvas, 33 5/8 x 41 3/8 in. (85.4 x 105.1 cm). European Art 1922

Gunner's Piece The Gunner's Supper. The same print as A 2481, but less worked a.o. in the sky white spots, print maker: Johann Wilhelm Kaiser (I), after: Bartholomeus van der Helst, publisher: Frans Buffa en Zonen, 8-Nov-1848, paper, etching, engraving

People in shock by Honore Daumier, watercolor, gouache, ink and pen on paper, 1864, 1808-1879, Russia, St. Petersburg, State Hermitage, 29, 6x39, 8

I. Oriental. Krippenfiguren; II. Oriental. Krippenfiguren; III. Oriental. Krippenfiguren.. Prints. 1912. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection

Midfielder print from 1773 by Richard Earlom depicting the members of the Royal Academy in 1768, showing individual members, portraits, and interior setting.

Funeral Product of Archduke Albrecht (Plate XXVIII), 1622, 1623 print Musicians in the funeral procession. Plate XXVIII in the series of the funeral of Archhertog Albrecht of Austria in Brussels on March 12, 1622. Southern Netherlands paper etching cortege, funeral procession Brussels

Tile 1757-61 John Sadler. Tile. British. 1757-61. Earthenware, transfer-printed. Made in Merseyside, Liverpool, England

A Philosopher giving a Lecture on the Orrery in which a lamp is put in place of the Sun, Wright of Derby, Joseph (1734-1797)

A Philosopher Shewing an Experiment on the Air Pump. Valentine Green (English, 1739-1813); after Joseph Wright of Derby (English, 1734-1797); printed by John Boydell (English, 1719-1804). Date: 1769. Dimensions: 448 × 585 mm (image/plate); 457 × 590 mm (sheet). Mezzotint with traces of engraving in black on ivory laid paper. Origin: England. Museum: The Chicago Art Institute, USA.

Photo collection Government information service. Pieter Aertsen (1508-1575), 'De Vlearsste'. Upsala, Art Collection of the University. undated. Upsala, Sweden

Ball scene, greeting on the stairs with Emperor Franz Joseph, Wilhelm Gause -, artist

Die Heimfahrt der Braut auf einem See in bayr. Hochgebirge. The journey home of the bride across a lake in the high bavarian mountains.. Müller, Carl Friedrich Moritz (German painter, 1807-1865). Prints. 1837 - 1842. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Painting , Germany , Munich, Lithography, German, Boats, People, Torches

Photograph, Photograph of Mural Design; Francis Augustus Lathrop (American, 1849 - 1909); USA; photograph on sensitized paper, mounted on paper; 1914-38-228-b

Reproduction of a painting: Henryk Siemiradzki (1843-1902), Pracownia artysty Sztuka ; Pod niebem Grecji Artist’s Workshop; Art; Under Greek Skies; from: `Tygodnik Ilustrowany` 1892, no. 129 (June 18th), p. 393-394. G. Heuer & Kirmse X. A. (Berlin ; zakład graficzny ; fl. ca 1880-ca 1900), printing house, Tygodnik Ilustrowany (Warszawa ; czasopismo ; 1859-1939), publisher

Ball house

Karl von Piloty. The death of Alexander the Great

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