Historical Dagger Designs

Intricate designs for weapon sheaths and buckles featuring historical scenes and floral motifs, highlighting craftsmanship of historical engravings.

Statiekeeper of the Duke of Ossuna, 1713, Bernard Picart, 1714 print Embroidered dress for the top of the golden carriage with Venus in her chariot in the clouds. Part of a series of seven records with the Statiekaste of the Spanish envoy De Duke of Ossuna, used at his public entry in Utrecht for the peace negotiations in 1713. Amsterdam paper etching / engraving ornaments ~ art. four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach. embroidery (ornamentation) Utrecht

Design for a Dagger Sheath, with Executioner and Head of John the Baptist 1529 Heinrich Aldegrever German Horizontal panel with design for a dagger sheath, with a scene at top showing the executioner holding the head of John the Baptist in his left hand while stepping on the body below. Under this scene is a candelabrum with scrolling tendrils and strapwork.. Design for a Dagger Sheath, with Executioner and Head of John the Baptist 336303

Reverse Copy of a Design for a Buckle with an Owl 1580-1600 after Theodor de Bry Netherlandish Design for a belt with the buckle at right, showing an owl at center, flanked by birds and surrounded by tendrils. Trimmed from the top portion of a larger print with rings, brooches, and buttons.. Reverse Copy of a Design for a Buckle with an Owl 425033

Statiekeeper of the Duke of Ossuna, 1713, Bernard Picart, 1714 print Embroidered dress for the top of the golden carriage with Venus in her chariot in the clouds. Part of a series of seven records with the Statiekaste of the Spanish envoy De Duke of Ossuna, used at his public entry in Utrecht for the peace negotiations in 1713. Amsterdam paper etching / engraving ornaments ~ art. four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach. embroidery (ornamentation) Utrecht

Ornament with Genius and Two Blind-Folded Women. 1527. Beham, Hans Sebald, 1500-1550. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Frisian with the triumph of Neptunus, 1548 print Frisian consisting of three parts with an image of the triumph of the God Neptunus. Different fabeld animals are twisted together. On the left a mermaid, on the right the God Neptunus drives on a hippocampus. paper engraving (story of) Neptune (Poseidon). fabulous animals ~ fishes. fabulous animals ~ reptiles. merman - AA - mermaid, siren

FriezeOrnament. Artist: Unknown

Decoration of a frieze. Pen and brown ink, brush and brown wash on off-white laid paper, lined. Date: 1746-1809. Museum: Cooper Hewitt, Smithsonian Design Museum.

Kandelaber with leaf vines, cherubins, birds and mascarons, Lambert Hopfer, 1520 - 1530 print Flat decoration. At the bottom hangs a shield with the signature from Hopfer. On either side there is a horn of abundance from which a putto comes on horseback. Germany (possibly) paper etching

Rand decoration with two crickets at the top, after 1611 - c. 1656 print Passionate copy to prints (leaves 10 and 4) from the Severe Eenventige fruits and strikers. On the left is in the middle of a basket with flowers between two birds, a cat is depicted at the top right. From series of sheets on which two motifs can be seen next to each other, supplemented with birds, insects, flower pots and sometimes an ornamental edge with tifles and animals. France (possibly) paper engraving fantasy ornament. container made of plant material other than wood: basket. flowers. birds. insects: cricket. cat

Bladranken MET Grotesken, Heinrich Aldegrever, 1535 print Plat decoration consisting of leaf vines with grotesken. At the bottom is a woman, her lower body consists of leaf vines and a front leg. On her back is a child who holds her hair. Germany paper engraving foliage, tendrils, branches ~ ornament. anthropomorphic ornament

Two Children Wearing Helmets, plate three of Twelve Ornament Panels 1500-1520 Italy. Two artists in the circle of Andrea Mantegna produced a set of twelve ornamental columns (1937.100ñ03; 1937.105ñ06) which could be combined with other prints as framing devices. In true Renaissance form, the artists infused every inch of the image with a theatrical blend of mythology and antique ornament. Cupids gleefully urinate into one anotherís vases in one of Giovanni Antonioís columns, while half-armors and the spoils of war depicted throughout reinforce the Roman love of ancient history. The masked and hybrid creatures likely derive from grotteschi designs in Emperor Neroís sunken Domus Aurea in Rome, which had been rediscovered and excavated in the decades before these prints were made.. Engraving in black on ivory laid paper . Giovan Pietro Birago

Kandelaber with leaf vines and a cherub, anonymous, After Albrecht Altdorfer, 1512 print Plat decoration with leaf vines, and a candle slick with a cherub on top. Germany paper engraving ornament ~ candelabrum. cherubs, i.e. children's heads with wings

Design for panel with carved trophies, Gilles Paul Cauvet, French, 1731-1788, Pen and Chinese ink, black chalk, brush and watercolor, A crouching lion holds a sphere in its right forepaw at the foot of a palm tree, to which arms are fastened and topped by a legionary eagle., France, 1750-75, Drawing, Drawing

Panel with Sater and Putti, Jean Lepautre, After 1634 - Before 1667 print Putti playing with a garland of flowers. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Print, Plate, from Ornamenti o Grottesche (Ornaments or Grotesques); Designed by Stefano della Bella (Italian, 1610-1664); Italy; etching on off-white laid paper

Frisian with the upper body of a woman on the left and right, c. 1500 - c. 1535 print Shaded background. Germany (possibly) paper engraving

June. 1559. Brun, Franz (German draftsman and engraver, active ca. 1559-1596). Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Design by Master IB. Édouard Baldus (French, born Germany, 1813 - 1889)

Designs for the Decoration of Firearms ca. 1797-1805 Workshop of Nicolas Noël Boutet French. Designs for the Decoration of Firearms. French, Versailles. ca. 1797-1805. Pencil, ink, gray wash on paper. Versailles. Works on Paper-Drawings

Ornament with a mascaron and part of an ornament print with an Ossschedel, Anonymous, Hans Sebald Beham, 1546 - 1550 print paper ornaments ~ art. mask, mascaron ~ ornament

Decoration of a frieze, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Decoration of a frieze., Rome, Italy, 1746-1809, interiors, Drawing, Drawing

Ornament met een Mercuriusgezicht.Grotesken with Mercury's face in the middle with the petasus on the head. A trumpet and caduceus under the face.

Scene from the Bayeux Tapestry. Josef Albert (German, 1825 - 1886)

BattleScene. Artist: Unknown

Three Frisians with Rolwerk, Anonymous, After Rutger Kasemann, 1622 print Frisians, the middle one with a variant for the right half, with rolling work in which grotesken, masks and animals are included. Leaf F from the second edition of Series, consisting of 24 magazines. print maker: Germany (possibly)after design by: Germany (possibly)publisher: Paris paper etching

Aldegrever, Heinrich, Germany, Candelabrum with foliate scrolls, Ornament with candelabrum with foliate scrolls, held at the foot by a putto who holds a horn in his other hand., print, ornament print, prints, height 120 mm, width 23 mm, German, 1502 - 1561, print maker, printmaker, 1528 - 1532, second quarter 16th century, paper, engraving, engraving (printing process), Work conception, after own design by

Rocaille with the personification of architecture (architectura), 1719 - 1749 print The architecture or architectura is with a pyramid square and model. With three putti. One of them holds her an architecture drawing and the other two serve a pulley. In the foreground a broken column and capital and instruments from construction. At the top right 219 numbered. paper etching / engraving rocaille ornament. 'Architectura', symbolic representations, allegories and emblems ~ architecture; 'Architettura' (Ripa)

Frieze, from 'Ornament I Di Fregi', Stefano della Bella, Italian, 1610-1664, Etching on paper, Plate 11, Italy, ca. 1648, Print, Print

Sardinia Sassari Castel Sardo Ancient walls; general views. Hutzel, Max 1960-1990 Post-medieval: General views Antiquities: Remains of ancient wall German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Aldegrever, Heinrich, Germany, Design for a scabbard with David, Design for a dagger scabbard. The lower part is decorated with foliate tendrils. Above that David holding a sword in one hand and the head of Goliath in the other., print, prent, prints, prenten, height 165 mm, width 32 mm, width 19 mm, German, 1502 - 1561, print maker, printmaker, 1529 - 1529, second quarter 16th century, paper, papier, engraving, engraving (printing process), Work conception, after own design by

Panel Made 1675-1700 Germany. embroidered .

Böhmer Franz (1907-1943), official apartment of the Reich Foreign Minister Joachim von Ribbentrop in Berlin-Mitte (1941-1941): Stem Main entrance: Ornament 1:10. Pencil on transparent, 21.9 x 11.3 cm (including scan edges)

Augsburg, Hertel, Johann Georg (I), Habermann, Franz Xaver, Eichel, Emanuel, Designs of rocailles with flowers, Rocaille ornament with flowers, verso - stamped, Rocaille ornament in a landscape with flowers. Publisher number 120., print, ornament print, prints, ornament prints, height 203 mm, width 308 mm, 1717 - 1782, print maker, printmaker, 1731 - 1775, paper, papier, etching, etchings, Work conception, German, 1721 - 1796, after a design by, Publication (Event), Publication, 1695 - 1775, publisher

Lucae Richard (1829-1877), New Theater (Opera) in Frankfurt/Main (1871-1871): Fries details. Ink and pencil on cardboard, 52.9 x 117.7 cm (including scan edges) Lucae Richard (1829-1877): Neues Theater (Oper), Frankfurt/Main

Sense of Taste, Plate from Quinque sensum typi in usum aurifabroru exarati (Images of the Five Senses Engraved for the Benefit of the Goldsmith), Crispijn de Passe the Elder, Dutch, ca. 1565 - 1637, Heinrich Renbage, German, active ca. 1580 - 1590, Blackwork engraving on laid paper, Horizontal oval within horizontal rectangle. In an animal-grotesque field the medallion depcits a seated women eats a fruit in a garden., Germany, ca. 1580, ornament, Print, Print

Band, Embroidery using silk on plain weave linen, Embroidered band in black silk on plain linen., 10th-12th century, embroidery & stitching, Band

Ceiling with three vertical panels, Anonymous, Daniël Marot (I), After 1703 - Before 1800 print Ceiling with three vertical panels. Left and right with rosettes and medallions, in the middle with Mars and Venus. Passed copy to print from series with ceilings designed and published by Daniel Marot. Netherlands (possibly) paper etching

Amsterdam, Picart, Bernard, Ornament with leaf tendrils, verso - stamped, print, ornamental print, book illustration, prints, images, height 33 mm, width 173 mm, Northern Netherlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1683 - 1733, paper, papier, etching, etchings, letterpress printing

Decorative page header. From the book Knaresburgh and its Rulers, published 1907.

Aldegrever, Heinrich, Germany, Design for a scabbard with the whore of Babylon, Design for a dagger scabbard. The lower part is decorated with a candelabrum consisting of leaf tendrils and two dolphins, carried by a putto. Above it the whore of Babylon and the seven-headed monster., print, ornament print, prints, height 165 mm, width 31 mm, width 18 mm, German, 1502 - 1561, print maker, printmaker, 1528 - 1528, second quarter 16th century, paper, engraving, engraving (printing process), Work conception, after own design by

Bladranken.Lower part of a design for a dagger sheath with leaf raft and two volutes.

Lambert Hopfer, Ascending Ornament Ascending Ornament

Drawing, Project for the Decoration of a Frieze; Italy; graphite, pen and ink on paper

Fragment of Kandelaber with vases and leaf vines crowned by two putti with shields, Giampietrino Birago, 1500 print Italy paper engraving cupids: 'amores', 'amoretti', 'putti'. ornament derived from plant forms

Mirror lists; Mirror Rahmen / Chassis des Miroirs. Details of Rocaille Mirror lists. Publisher number 91.

Ornament met de Dood en een uil; Ornamenten en grotesken; Ornament o grottesche.An ornament with death. Sent on a drum. Between its wings a cloth is tense with a show of crowns. Under an owl with a ribbon in his mouth that a bell hangs.

Kopvignet with seahorses in 'art and society'. Sailors are loosely symmetrically placed within a frame. The artist does not leave piece of the paper untouched. He used aquatic plants to fill the rest of the surface. During this period, the belief prevailed that animal and vegetable forms were based on an aesthetically responsible decoration. That is why Dijsselhof also took (just as after Him Jessurun would do the Mesquita with Escher), students to the Amsterdam zoo (Artis).

This copper engraving by Meister FVB, circa 1480-1500, shows a cross filling on a light background, depicting ornamental design, pattern, and composition.

Domenico Bonavera (aka Domenico Bonaveri) (Italian, ca. 1640 - ca. 1700). Plate 4 from the set of Twelve Ornament Friezes, ca. 1670. Etching. Plate: 278 mm x 116 mm (10.94 in. x 4.57 in.).

Pierre, Pierrely Alexandere Avleine, After Jean Antoine Watteau, In or Beauty 1731 print In a landscape a man with a vine takes the hand of a woman. Around the show a ornamental frame with arabesks, a basket with flowers and a bagpipe. Paris paper etching Flattery; 'Adulatione' (Ripa). landscapes (+ landscape with figures, staffage)

Unknown photographer, photos of travel from Italy, France and Germany (without dat.): View. Photo on cardboard, 39.7 x 29.8 cm (including scan edges) unbek. Künstler : Fotos von Reisen aus Italien, Frankreich und Deutschland: Bronze-Relief, Siena

Dagger Sheath, Master of the Horse Skulls, German, Engraving on off-white laid paper, Vertical rectangle showing a design for the decoration of a sheath. At top, a bearded man with all'antica armor sheathes his sword, a beheaded figure at his feet. Below, a plant grows from a vase supported on the head of a harpy., Germany, early 16th century, metalwork, Print, Print

Fries with medallion awarded with helmet, after 1616 - Before 1689 print Vignette. The medallion is held on both sides by a putto, whose upper body sprouts from a leaf vank. There are two crossed palm leaves, a star and a half moon in the medallion. One of 18 magazines. Paris (possibly) paper engraving

This late 15th-century copper engraving from the Master of the Sforza Hours depicts ornament strips featuring Nerede and two children playing music.

Textile, Technique: mordant for black painted by brush, then dyed; chintz on plain weave, a) Insects, abstracted mounds, and sprays of flowers tied with ribbons scattered over the ground, with an elaborate scrolling border on the left side. (b) scrolling border only. In black on a white ground., India, 18th century, printed, dyed & painted textiles, Textile

Juli; Twaalf maanden.From a series of twelve prints, the imagination of July. Left three men with a scythm mowing the grass, in the middle the dried grass is hosted, right the constellation lion and a cartouche with the text: KEM Ein Das Hew, Liebs Megtelein, So Wolten Wir am Appands Sein.

Pair of dogs and butterfly beyond a garlanded portico. Oudry, Jean-Baptiste (French, 1686-1755) (designed after) painter Huet, Jean-Baptiste (French, 1745-1811) (designed after) painter c. 1775-1800 Tapestry Dimensions: H 8' x W 3'3" Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Aubusson Ownership History: French & Co. purchased from Schneider, received 7/26/1956; sold to V. Vigo & C. Charles Sternberg 1/31/1963. With suspended hunting trophy including fowl The black & white print suggests a late 18th century date for this tapestry. However, one can never be certain of a date from looking at a photograph alone; a close inspection would help, especially of the color & texture. These 2 crucial components of a tapestry may confirm our assumption, or to the contrary, possibly indicate a later production (Cavallo). The animals are after, or in the style of Jean-Baptiste Oudry, while the decorative framework was influenced by the sketches of Jean-Baptiste Huet (Caval

Design for textiles. Design for textile with fantasy flowers and leaves.

Girandole with Male and Zwijn, William Austin, After Thomas Johnson, 1755 print An ornamented girandole in which a wild boar, a dog and an owl. Awarded by an oriental looking man with umbrella. London paper etching / engraving chandelier, candelabrum. sitting figure. hoofed animals: boar

Four Frisians with Arabesken, 1550 - 1580 print There is a mascaron in the middle of the upper and the second frieze. One of 15 magazines from a series of 23 with title page. Netherlands (possibly) paper engraving

Antwerp, Ortelius, Abraham, Vredeman de Vries, Hans, Doetechum, Johannes or Lucas van, Theatrum Orbis Terrarum, Insular. Aliquot Aegaei Maris Antiqua Descripit, Cartouche of a map of islands in the Mediterranean Sea, Top of a cartouche with scrollwork, Top of a cartouche with scrollwork. The cartouche is a fragment of a map of islands in the Mediterranean Sea. The print is part of an album., print, ornamental print, album sheet, prints, height 52 mm, width 87 mm, print maker, printmaker, 1584 - 1584, paper, engraving, engraving (printing process), pasting, Work conception, after print by, South Netherlands, 1527 - 1607, after design by, 1527-03-16 - 1598-06-29, supervision

Lazio Roma Rome Palazzo Rondanini8. Hutzel, Max 1960-1990 Post-medieval: Architecture, sculpture, sculptural relief, stucco, painting, frescoes, mosaics, decorative arts (furniture, goldwork, clocks, etc. Object Notes: The palace was later called "Sanseverino" and is now the location of the Banca dell'Agricultura. The building dates from 1744-8. It was the former residence of Giuseppe Cesari (Cavaliere d'Arpino). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Ornament of leaf raft and birds.

Copper engraving by Israhel van Meckenem depicting a cross-fill design with parrots and other birds, first variant, created in the late 15th century.

Three vertical trophies with musical instruments; Panoplia SEV Armamentarium .... Three vertical trophies with musical instruments: tokel and string instruments, flutes, bagpipes, organ, zither and clavichord. From series, consisting of a title page and 16 sheets.

Speculum Romanae Magnificentiae: Della Valle Frieze. Artist: Anonymous. Dimensions: sheet: 13 1/2 x 19 1/8 in. (34.3 x 48.5 cm)plate: 11 7/16 x 17 1/8 in. (29 x 43.5 cm). Publisher: Antonio Lafreri (French, Orgelet, Franche-Comte ca. 1512-1577 Rome); Antonio Lafreri (French, Orgelet, Franche-Comte ca. 1512-1577 Rome). Series/Portfolio: Speculum Romanae Magnificentiae. Date: 1561.This print comes from the museum's copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri

Germany, Monogrammist RB, Frieze with grotesques, on the left are two winged tritons wearing masks, verso left - stamped, On the right are two sphinxes by a vase. Hatched background., print, ornament print, prints, ornament prints, height 24 mm, width 110 mm, German, print maker, printmaker, 1500 - 1600, 16th century, paper, engraving, engraving (printing process), Work conception, after a design by, Publication (Event), Publication, publisher

Tile ca. 1620-40 Dutch. Tile 191016

Performances of the four elements: Earth, Pieter van der Heyden, After Jacob Floris, 1566 print Leaf from series consisting of a title page and 15 of the 16 magazines with cartouches with biblical and mythological representations in a frame of rolling and grotesken. Netherlands (possibly) paper engraving

Abruzzo L'Aquila L'Aquila Palazzo Manieri5. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, interior moldings, paintings, wood panelling German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Upper Frisian is numbered at the top right and bottom right, the lower fries is numbered at the bottom left and bottom right 4.

Middle ages initial capital letter A. The Arts of the Middle Ages and at the Period of the Renaissance by Paul Lacroix, 1874

Germany, Monogrammist FG, Ornament with bird and standing man, verso below - stamped, Design for a scabbard. The lower part is decorated with leaf tendrils in which a bird sits at the top. Above it stands a man with a beard and a moustache., print, ornament print, prints, height 158 mm, width 33 mm, width 21 mm, German, print maker, printmaker, 1535 - 1535, second quarter 16th century, paper, engraving, engraving (printing process)

Family tree of Frederik and Ottheinrich van Palts -Neuburg (plate 14), Jakob Clauser, After David Kandel, 1535 - 1594 print Basel paper letterpress printing family lineage, pedigree, genealogical tree or table

Paris, Mariette, Pierre (II), France, Lepautre, Jean, Grotesques et moresques, Panel with an imperial bust, The bust stands in the middle in front of a drapery and under a canopy. Sheet from the second edition., print, ornamental print, prints, ornamental prints, height 220 mm, width 47 mm, French, 1618-06-28 - 1682-02-02, print maker, printmaker, 1634 - 1667, second quarter 17th century, third quarter 17th century, paper, etching, Work conception, after own design of, Publication (Event), Publication, 1634 - 1716, publisher

Lazio Viterbo Caprarola Palazzo Farnese50. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Sidewall, Embossed and gilded leather, VIning floral pattern on embossed gilded ground., Holland, ca. 1750, Wallcoverings, Sidewall

Chef de piece, Medium: cotton Technique: block printed on plain weave., Bottom of a polychrome design which shows speckled bird's eggs in a nest alternate with sprigs of flowers., Colors (blocks): two blues, two reds, black, olive and grey-brown., Nantes, France, 1770-85, printed, dyed & painted textiles, Chef de piece

Traite des Nègres (The Slave Trade) early 19th century Designed by Frédéric Etienne Joseph Feldtrappe Frederic Feldtrappe produced this textile in the early nineteenth century during a moment of intense debate in France over the viability and morality of the slave trade. Of the four narrative scenes, two reference earlier paintings by English artist George Moreland and contrast the brutality of European slave traders with the kindness of Africans who minister to a shipwrecked European family. The other two scenes, based on engravings by Frenchman Nicolas Colibert, juxtapose a happy African family with the appearance of European traders in Africa. Their cache of trade goods (including textiles) ominously foreshadows the horrors of the traffic in human beings.. Traite des Nègres (The Slave Trade). After a painting by George Morland (British, London 1763-1804 London). French, Alsace. early 19th century. Cotton, roller printed. After an engraving by John Raphael Smith (British, baptized De

Nuremberg, Solis, Virgil, Hare Hunt with Dogs, verso - handwritten in brown ink, print, prints, verso - stamped, 28, height 36 mm, width 173 mm, German, 1514 - 1562-08-01, print maker, printmaker, 1541 - 1541, paper, papier, engraving, engraving (printing process), etching

Minerve assisse dans un octagone décoratif, avec une figure à gauche et à doroite (la Nuit et le Jour) (Minerva seated within an octagonal border, wth a figure at the right and at the left (Night and Day), from Recueil de Différentes Compositions Frises et Ornements dessinées et gravées à la manière du lavis par La Grenée le Juene Se trouve chez l'Auteur, au Louvre et chez Basan, rue et Hôtel Serpente A Paris, in an album containing Recueil de Compositions par Lagrenée Le Jeune (Collection of Compositions by Lagrenée the Younger) 1784 Jean Jacques Lagrenée French. Minerve assisse dans un octagone décoratif, avec une figure à gauche et à doroite (la Nuit et le Jour) (Minerva seated within an octagonal border, wth a figure at the right and at the left (Night and Day), from Recueil de Différentes Compositions Frises et Ornements dessinées et gravées à la manière du lavis par La Grenée le Juene Se trouve chez l'Auteur, au Louvre et chez Basan, rue et Hôtel Serpente A Paris, in an album

France, Armorial trophies, Armorial trophy, The trophy consists of spears, arrows, sabres, an axe and in the middle a helmet with scales and a plume. The background is hatched. Lower left: I., print, ornament print, prints, ornament prints, height 64 mm, width 253 mm, print maker, printmaker, 1600 - 1699, 17th century, 17e eeuw, paper, papier, etching, etchings, Work conception, after a design by, Publication (Event), Publication, publisher

Bound Print (France)

Zodiac with the twelve Hemeltekens, Anonymous, 1600 - 1699 print Two circles with the signs of the zodiac, the sun, the moon and stars. In the corners, figures with flooded cheeks. Netherlands paper zodiac; the twelve zodiacal signs together. cheeks rounded

Border, Block-printed paper, Grisaille (greenish gray) torus with grains and fruit in simulated relief., England, ca. 1830, Wallcoverings, Border

Drawing, Design for a Vignette; Italy; graphite, pen and ink on paper

Facade (for Stage Setting) 16th century Anonymous, Italian, 16th century Italian. Facade (for Stage Setting) 342274

Cartoon for Printed Cotton: The Four Elements Les Quatre Elements, Hartmann et Fils, (Munster, France), B. M. Lebert, 1759-1836, Pen and black ink, traces of graphite on cream laid paper, mounted, A design is composed of four vignettes separated in pairs vertically in the center of the composition by a strip composed of trophies symbolizing the elements, and at the repeat, a similar unfinished panel along the upper left margin. The vignettes show: upper left, Juno seated in a chariot drawn over the clouds by peacocks accompanied by amoretti (personifying 'Air'); lower left, Vulcan forging armor (personifying 'Fire'); upper right, Saturn seated in a landscape holding a cornucopia and beside him a globe, quartered with four animals (personifying 'Earth'); lower right, Venus borne over the water on a shell drawn by dolphins, attended by amoretti (personifying 'Water')., Scale, in pen and black ink (according to Richard Wunder, by the artist's hand), lower margin., Munster, France, 1810-

Piece. Culture: British. Dimensions: L. 36 1/4 x W. 25 1/2 inches92.1 x 64.8 cm. Date: 1872-86. Museum: Metropolitan Museum of Art, New York, USA.

Lazio Viterbo Caprarola Palazzo Farnese154. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Andrea Zoan (active in Mantua, around 1475, and in Milan to the vicinity of 1520). "Arabic panel". Bartsch 26, Bartsch illustrated volume 25 (volume 13, 2nd part), page 166. Chisel. Museum of Fine Arts of the City of Paris, Petit Palais. 112278-6 16th 16th XVI 16th 16th 16 Center, engraving

Bound Print (France)

Family tree of Frederik and Ottheinrich van Palts -Neuburg (plate 17), Jakob Clauser, After David Kandel, 1535 - 1594 print Basel paper letterpress printing family lineage, pedigree, genealogical tree or table

Birago, Giampietrino, Italy, Ornament panels, Candelabrum with nereid with two children, verso below - stamped, Candelabrum constructed from nereid with two children in front of a plinth with vase surrounded by leaf tendrils. Above breastplate and two children with sticks and shields., print, ornament print, prints, verso middle - stamped, height 536 mm, width 87 mm, Italian, print maker, printmaker, 1505 - 1515, first quarter 16th century, paper, engraving, engraving (printing process), Work conception, after own design by

Design for Ceiling Decoration. Pen and brown ink, brush and brown wash on off-white laid paper, lined. Date: 1746-1809. Museum: Cooper Hewitt, Smithsonian Design Museum.

Acanthus motif, curl, 1610 print Italy paper engraving acanthus ~ ornament

Walking Courtesan, Possibly Sugawara of the Tsuruya House of Pleasure 1773-1779 Japan. Color woodblock print; wide hashira-e . Katsukawa Shunsho

Copper engraving by Sebald Beham showing a cross filled with a male figure and two female semi-figures, depicting detailed 16th-century religious iconography and figure study.

Print, Frieze; Print Maker: Jean Le Pautre (French, 1618-1682); etching on paper; 8.1 × 23.3 cm (3 3/16 × 9 3/16 in.)

Stencil Japan. Stencil 70026

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