Historic Landscape Prints

Etchings depicting dramatic landscapes and narratives, intertwining nature and storytelling with detailed characters in pastoral scenes.

A fisherman stands on the bank of the river. In the water a net for catching fish. He waves to a woman driving her flock through the river., Fisherman by River Various genre scenes (series title), print maker: Jan Baptist de Wael, 1642 - 1669, paper, etching, h 84 mm × w 128 mm

Landscape with a dead god man, lion and donkey; Italian landscapes. The died god man from Judah on the road. Next to him are the lion and the donkey. The Godsman had gone against the mission of God by eating and drinking in Betel. When he came from it, he was attacked and killed by a lion, but not devoured. To the Bible story from 1 could. 13: 23-28. Print from a series of Italian landscapes.

La Paysan Accroupi (The Peasant Squatting), from Les Caprices Series B, The Nancy Set 1617-20 Jacques Callot French. La Paysan Accroupi (The Peasant Squatting), from Les Caprices Series B, The Nancy Set. Les Caprices Series B. Jacques Callot (French, Nancy 1592-1635 Nancy). 1617-20. Etching; first state of two (Lieure). Prints

Leaf -shaped cartouche with an angel, Christoph Jamnitzer, 1573 - 1610 print The angel sits on a hill with a burning torch in hand. Leaf from a series of flat decorations with grotesken, cartouches, oval, mascarons, putti and fantastic creatures. The series consists of three title magazines, two text magazines with the assignment and the preface and 60 magazines, spread over three books. Germany (possibly) paper etching

Rider and walkers on a road near Lisse Landscapes (series title), print maker: Esaias van de Velde, (mentioned on object), Esaias van de Velde, publisher: Hendrick Hondius (I), Haarlem, 1615 - 1616 and/or 1645, paper, etching, engraving, h 88 mm × w 173 mm

Konijnenjacht; Jachttaferelen.A Lord on horseback drives his servants and dogs over a forest path. One of the servants brings out to a rabbit on the side of the road with a stick. Another gentleman and a lady on horseback overlook an open space in the forest, where a drive takes place.

A fisherman stands on the bank of the river. In the water a net for catching fish. He waves to a woman driving her flock through the river., Fisherman by River Various genre scenes (series title), print maker: Jan Baptist de Wael, 1642 - 1669, paper, etching, h 84 mm × w 128 mm

Fishes, Albert Flamen, Jacques Lagniet, Lodewijk XIV (koning van Frankrijk), 1648 - 1670

Duck Hunt, Philip Galle, 1578

Wood engraving prints, wood engravings

Jacob, pl. 7 of 30 from the series Sylvae Sacrae (Hermits in Landscapes):Jacob. Publisher: Johann Sadeler I, Flemish, 1550-1600 After: Maarten de Vos, Flemish, 1532-1603 Publisher: Rafael Sadeler I, Flemish, 1560-1628

Gust of Wind (Un coup de vent). Medium: drypoint. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), hunting for different animals. The boar directed to the right. Fifth issue of a suite of 9 rooms. (A. de Vesme 736; Dutuit 180) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Willem III lands on the English coast, 1688; Syn Kon: Hoogheyt Lant to Exmouth Bay den 15 November: 1688; Englants Schoustenel imagending the glory is voined with the croons of William III and Maria II to king and queen of Great Brittany and Vrankryk and Yrlant, etc. II part .. Prince Willem III comes to land at Exmouth Bay in England, November 15 1688. Part From the 'Engeants stage' series over the Glorious Revolution 1688-1689 (second part). With captions in Dutch and French.

Death carrying an infant, from 'The five deaths' (Les cinq Morts). Artist: Etched by Stefano della Bella (Italian, Florence 1610-1664 Florence). Dimensions: Sheet: 7 5/16 × 5 7/8 in. (18.6 × 15 cm). Series/Portfolio: 'The five deaths' (Les cinq Morts). Date: ca. 1648. Museum: Metropolitan Museum of Art, New York, USA.

Giovanni Domenico Tiepolo (Italian, 1727 - 1804). The Holy Family Being Ferried across the River, 1750-1753. From Picturesque Ideas on the Flight Into Egypt. Etching on laid paper. Plate: 177 mm x 237 mm (6.97 in. x 9.33 in.).

The Reading of a Criminal Action Againt Renard from Hendrick van Alcmar's Renard The Fox 1650-75 Allart van Everdingen Dutch. The Reading of a Criminal Action Againt Renard from Hendrick van Alcmar's Renard The Fox 429614

Actaeon attacked by his dogs; Metamorphoses from Ovid. Prince Actaeon has changed in a deer by Diana because he saw her naked. ACTEON kneels on the shore. His hunting dogs are about to attack him.

London, Vivares, François, Nilson, Johann Esaias, Hemerich, Cornelius Heinrich, Caffe The und Tobac Zierathen, Chinese man and woman, verso - stamped, In a landscape with rocaille ornament sits a Chinese man with a cup and saucer next to a Chinese woman., print, ornament print, prints, ornament prints, height 80 mm, width 107 mm, German, print maker, 1731 - 1780, paper, etching, engraving, engraving (printing process), Work conception, 1721-11-02 - 1788, after design van, Publication (Event), Publication, French, English, 1709-07-11 - 1780-11-26, publisher

Woman with children of Tierra del Fuego, 1599. Woman with children of Tierra del Fuego or Patagonia, December 1599. A naked woman and her two children devour a bird raw. Copies to the original illustrations in the trip of the journey through the street Magellaan to East India by Sebald de Weert under Mahu and the Cordes in 1598-1600. No 6.

Four puts, leaf from the "Neuw Grottensken book". .

Later, Anthony de, Bloemaert, Abraham, Barra, Johan, Parable of the weeds among the wheat, Sower and servants sleep while Satan sows weeds, verso bottom center - stamped, A sower or farmer lies asleep with his servants after their work in the field. While they rest, Satan sows weeds among the wheat. Below the image is a Latin quotation from the Bible text Matthew 13:24-30., print, prent, prints, prenten, height 324 mm, width 408 mm, 1581 - 1634, print maker, prentmaker, 1591 - 1634, fourth quarter 16th century, first quarter 17th century, second quarter 17th century, paper, papier, engraving, engraving (printing process), Work conception, Noord-Nederlands, 1566-12-25 - 1651-01-27, after a design by, Publication (Event), Publicatie, publisher

Amor as a gardener / drowned horse; Love emblems. Two representations of one plate. Left: Amor has laid down his arrow and bow and draws a fruit of a tree. Right: a farmer, whose heart is pierced with the arrow of Amor, buries with a scoop his drowned horse in a pit. Amor flies in the air. The prints are part of a series of prints with love emblems.

Moses sees Saul's victory over the army of Amalek from a hill, Anonymous, After Hans Holbein (II), 1522 print paper Saul's war against the Amalekites (1 Samuel 15)

Figures around a campfire, Gillis van Scheyndel (I), 1631 - 1656 print There are a few figures around a campfire on the banks of a lake, at night. Three fishermen are at work in the water. The print is part of a series of seven landscapes. Print Maker: Haarlem Publisher: Amsterdam paper etching / engraving lake. fisherman. camp-fire; watch-fire. night

Landscape with a bridge over a frozen stream, Johann Caspar Ulinger, 1713 - 1768 print Switzerland (possibly) paper etching ice ~ freezing weather. landscapes with waters, waterscapes, seascapes (in the temperate zone). landscape with bridge, viaduct or aqueduct

A monstrosity, part man and part tree, floats on two fishing boats on a river in a vast landscape containing a deer and several birds, including a stork and an owl. The figure carries a jug on his head. From the jug, two men are climbing using a ladder. Through a hole in the creature's torso, a group of people eating and drinking can be seen around a table. Sticking out of the hole is a flag with a crescent moon, the symbol for infidelity. To the right, a group of people look on. In front a man with painting supplies, a woman with a fox and a man with mathematical tools.', Boommens, print maker: anonymous, Jheronimus Bosch, Pieter Bruegel (I), (rejected attribution), print maker: Low Countries, Den Bosch, 1550 - 1575, paper, etching, d 210 mm

Vignet with the Titanide Phoebe. The Titanide Phoebe walks through a forest with a burning torch. On her head, a crescent moon can be seen to show that she had gotten power over the moon from Eurynome. Under the show a saying band with a Latin sentence.

Het Slagnet, Adriaen Matham (Possible), 1610 - 1660 drawing A naked woman caught a man like a birdwatcher under a net, of which she holds the draw killings in her hand; An Amoretje that comes in a cloud focuses his arrow on him. parchment (animal material). ink pen marriage as trap, snare, etc.. pernicious influence of women, 'femmes fatales'. Cupid shooting a dart. Love: 'Frau Minne' and other allegories. (story of) Venus (Aphrodite)

Young Soldier with Philosopher and Seated Woman, from the series VariCapricci. Artist: Giovanni Battista Tiepolo, Italian, Venice, 1696-1770

Johannes de Baptist with lamb in a landscape, Valentin Lefèbvre, After Titian, 1682 print Landscape with Johannes the Baptist as a child, sitting on the left in the foreground with a lamb in his arms. On the right a path runs along the river, a city in the background. The print is part of a 53-part series of prints to paintings by Titian and Veronese. paper etching story of the birth and youth of John the Baptist (Luke 1:5-25, 1:57-80). landscapes with waters, waterscapes, seascapes (in the temperate zone)

Plate 5: two pilgrims with hats rest to the left, seen from behind, a horseman rides towards the background to the right, from 'Various Figures' (Agréable diversité de figures). Artist: Stefano della Bella (Italian, Florence 1610-1664 Florence). Dimensions: Sheet: 3 1/16 × 4 3/16 in. (7.7 × 10.7 cm). Publisher: Israël Henriet (French, Nancy ca. 1590-1661 Paris). Series/Portfolio: 'Various Figures' (Agréable diversité de figures). Date: 1642. Museum: Metropolitan Museum of Art, New York, USA.

Bilam and De Ezel, Willem van Nieulandt (II), After Paul Bril, 1594 - 1635 print Bileam urges his donkey to drive, but it is stopped by an angel with a sword. To the Bible story in Num. 22: 21-23. Print from a series of Italian landscapes. Antwerp paper etching an angel holding a sword bars the way and causes Balaam's ass to turn aside; the angel is invisible to Balaam. landscapes in the temperate zone

Daphne turns into a laurel tree, 1728 When the Nymph Daphne was chased by Apollo, who had fallen in love with her, she begged her father and river god Peneus for help. He ensured that his daughter escaped her attacker by turning her into a laurel tree. The moment Apollo wants to grab her, Daphne's arms turn into leafy branches. In the background on the right the scene that precedes this story. Apollo creates about killing the Python and insults Cupdio. He finds him out of revenge with his arrow and lets him fall in love with Daphne. Two times two verses in Latin under the performance. The print is part of an album. print maker: Haarlemafter design by: Haarlempublisher: Amsterdam paper engraving When the Nymph Daphne was chased by Apollo, who had fallen in love with her, she begged her father and river god Peneus for help. He ensured that his daughter escaped her attacker by turning her into a laurel tree. The moment Apollo wants to grab her, Daphne's arms turn into leafy branches. In t

Woman playing guitar in a landscape. .

Abruzzo L'Aquila L'Aquila Museo Nazionale d'Abruzzo08. Hutzel, Max 1960-1990 Tabernacle from S. Maria delle Grotte in Fossa with scenes of the Presentation at the Temple, the Flagellation, the Annunciation, and the Betrayal by Judas. Museo Nazionale housed in Castle: several exterior views (The Archeological Museum is one gallery (Sala IV) of the Museo). Remaining views of museum collection, including paintings, processional crosses, reliquaries, chalices, ceramics, textiles, manuscripts, and a number of eighth century Abruzzan Madonna sculptures. Works from the church Madonna del Soccorso also stored in Museo. Museo Nazionale d'Abruzzo Roman inscriptions, sculpture and relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans

Astraea (Justice) and Pax (Peace), Samuel Bottschild, 1693 print paper etching symbols, allegories of peace, 'Pax'; 'Pace' (Ripa). (story of) Dike (Astraea), goddess of Righteousness and Justice. cupids: 'amores', 'amoretti', 'putti'. 'Cornucopia', Horn of Plenty. sitting or standing on clouds

Apollo plays the flute while he hats the herd of admetus.

The bitch breastfeeding his little one (Bartsch 4) Ducq, Jan. The bitch breastfeeding his little (Bartsch 4). Etching. 1661-1661.

July; Julius; Twelve months. Design for a print.

Bresdin, Rodolphe, L'Apparition, Angel and woman in landscape, verso middle - stamped, print, prints, height 49 mm, width 84 mm, French, 1822-08-13 - 1885-01-14, print maker, printmaker, 1841 - 1841, second quarter 19th century, paper, etching, etchings, Work conception, after own design by

Drawing (Italy)

River landscape with a dead person being robbed, Anonymous, After Jan van de Velde (II), 1603 - 1652 print A dead on the banks of a river is robbed. A sailing ship on the river and a plume of smoke on the horizon. Third print from a series of six. Amsterdam paper etching river. robber. the corpse. smoke-stack

. Two staters. They float a herd of goats in a mountain landscape.

The Cyder Feast, Print made by Edward Calvert, 1799-1883, British, 1828, Wood-engraving on thin, smooth, cream Asian paper, Sheet: 3 7/16 x 5 1/2 inches (8.8 x 13.9 cm) and Image: 3 1/16 x 5 1/16 inches (7.7 x 12.8 cm), animal art, apparatus, apples, baskets, bulls (animals), celebration, cider mill, cider press, cows, dance, dancers, dancing, dresses, equipment, feast, food, forest, fruit, genre subject, ladder, landscape, leisure, light, machine, man, mill, millstone, oxen, pleasure, pouring, star, sun, sunlight, trees, vats, wheel, women, yoke (animal equipment)

Peace between the lion and the eagle; Paix Entre Le Lion et l'Aigle; Brabant Review, 1787-1790. Allegorical representation of peace reaches between Austria and the Southern Netherlands. The personification of justice standing between the Austrian eagle and the Brabant lion. With five-line French caption. Hereby the date January 23, 1791 written by hand. Part of a large group of prints related to the events of the Brabant Review and the period 1787-1790.

Landscape with two figures at a rock, Reinierus Albertus Ludovicus Baron van Isendoorn à Blois, After F. Bosch, 1833 print A man leaning on a stick next to a man who points to the rock. Bossages left and a rock. Vaassen paper etching landscapes (+ landscape with figures, staffage). index finger forwards, pointing, indicating

Parijs, Lesueur, Eustache, Amsterdam, Cootwijck, Jurriaan, Hagar in de desert, Paris, verso cardboard and verso print - stamped, Hagar lies on the ground in a mountainous landscape. An angel points her to a source of water. On the right lies Ishmael, the child of Hagar, hidden under a bush., print, prent, prints, prenten, height 144 mm, width 185 mm, Northern Netherlands, 1714-05-10 - 1798-01-16, print maker, printmaker, 1759 - 1759, paper, drawing, carbon copy, French, 1617-11-19 - 1655-04-30, intermediary draughtsman

Jona spit out by the fish; From the prophet ionas; History of Jonah; Den Grooten Figuer Bibel (...). After surviving three days and nights in the belly of the fish, the Vis Jona spits out on the land. Under the show a reference in Latin to the Bible text in Jonah 2:10. This print is part of an album.

Erysichthon; Metamorphoses from Ovid. Mountain landscape with ruins and a creeping excluded Erysichthon. After Erysichthon has cut the Boom van Ceres, Ceres sends a nymph with her dragon wagon to Scythia as a revenge to sort hunger. Under the show the text from the metamorphoses of Ovidius, book 8, fresh rules 799-801.

. River landscape in which a young man meets a horse to leads. In the middle is a man on the shore, in the distance are houses. The print is part of a 53-part series of prints to paintings by Titian and Veronese.

Siren between two ships; Monastery life in emblems. Presentation of a siren that, swimming in the water, blows into a shell in a shell. This magazine is part of the emblem series 'monastic life in emblems'. In addition to an illustrated title page and 26 emblems, the second state of this series contains a title page and a blade with assignment, both in letterpress without image.

House with the signboard: Dutch school; Cartoon on the defeats of the French in 1813. Cartoon on the conscription of the Dutch farmers sons for the French army. For a house with the signboard: Dutch school have collects old and lame men and children. A woman warns of children's children. Suitable young men flee for the prescription officials from the French army.

Southern Netherlands, Brabant Revolution, 1787-1790, Les Etats en Exercice, Cartoon on Hendrik van der Noot and Petrus van Eupen, 1790, verso - stamped, Cartoon in which Hendrik van der Noot and Petrus van Eupen sit on the back of a naked woman. They are linked with chains to the blindfolded Brabant lion and are lured by a young woman (Madame Pinau) causing the blind lion to step into a pit. In the sky the Austrian eagle with shackles in its mouth. In the background a devil on a donkey in a cave. With four-line French caption. Here the date April 3, 1790 is written by hand. Part of a large group of prints relating to the events of the Brabant Revolution and the period 1787-1790., print, cartoon, prints, Frederik Muller Historieplaten, height 212 mm, width 170 mm, print maker, printmaker, 1790-04 - 1790-04, paper, papier, etching, etchings, engraving, engraving (printing process)

Coolen pulls the team, ca. 1820-1850, 1850 - 1950 drawing Coolen pulls the team just like a carbauw. Part of a group of twelve separate magazines from a sketchbook with drawings about the life of Coenraad Laurens Coolen, evangelist on East Java, ca. 1820-1850. Each magazine has a drawing on the right half, with a caption in Indonesian. Indonesia paper. pencil. chalk East Java

T: Teseo uince il minotauro et inganna Arianna Alphabeto, Paulini, I., fl. 1570, Engraving, ca. 1570 or later

Man and wife in conversation, Cornelius Heinrich Hemerich, after Johann Esaias Nilson, 1731 - 1780 print In a landscape with rocaille ornament, a man is talking to a sitting woman. London paper etching / engraving conversation, dialogue; conversation piece

Merciful Samaritan, Anonymous, After Jan Brueghel (I), After Jan Brueghel (II), After Crispijn van de Passe (I), 1646 print In a wooded river landscape, the wounded traveler is provided by the merciful Samaritan. Behind him is his horse. There is a city in the distance. To the Bible story in Luc. 10: 25-37. This print is part of an album. paper engraving a Samaritan tending the wounds of the traveller. forest, wood

Sloth, after the 'Seven Deadly Sins' ca. 1550-55 Léon Davent French. Sloth, after the 'Seven Deadly Sins' 337641

Balthasar Moncornet, Saint George and the Dragon Saint George and the Dragon

Venus and Amor in a cityscape with a bridge, 1562 print Cityscape with a bridge on which two carriages and a number of riders are driving. A man is fishing at one of the bridge pillars. Boats with rowers sail on the river. Someone tries to cross the river on horseback. In the distance there are houses and a turret. On the right is Venus Motherly Bent over Amor, under a cloth that serves as a canopy. In the background, women descend the bridge to remove water from the river. paper engraving Venus suckling Cupid. bridge in city across river, canal, etc.

Book Illustration 1773-1828 England. Wood engraving on paper . Thomas Bewick

Rudolf II of Habsburg (German Emperor), Clement VIII, Sadeler, Raphael (I), Johann (I), Vos, Maerten de, Venice, Trophaeum vitae solitariae, The virtuous life of hermits, Saint John of Bithynia as a hermit, verso lower left - stamped, Saint John of Bithynia, a Greek hermit from the 9th century, sits praying in a cave on the beach. In the background a shepherd., print, prints, width 203 mm, height, 164 mm, South Netherlands, 1550 - 1600-08, print maker, printmaker, 1598 - 1598, paper, papier, engraving, engraving (printing process), 1532 - 1603-12-04, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher, uitgever, Publicatie, 1560, 1536 - 1605, verlener van privilege, 1552-07-18 - 1612-01-20

H. Hubertus, Cornelis van Noorde, 1768 - 1769 print Saint Hubert is kneeling on the ground for a Hertebok, who has a crucifix between his antlers. Behind him his horse and his hunting dogs. The show is caught in a frame with hunting horn, dead hares and pheasants and is crowned by two guns. In the middle of the coat of arms of the city of Haarlem. Probably a vignette for a hunting club in Haarlem. Haarlem paper etching the hunter Hubert(us), bishop of Maastricht and Liège; possible attributes: hounds, hunting horn, key, stag with crucifix, (bishop's) stole - male saint as patron, protector, intercessor. hoofed animals: deer

A Farmer and a Villager, from Das Bossenbüchlein. Artist: Mathais Beitler (German, Ansbach, active ca. 1582-1616). Dimensions: Sheet: 2 3/8 × 3 5/16 in. (6.1 × 8.4 cm). Publisher: Stephan Herman (active 1568-96). Series/Portfolio: Das Bossenbüchlein. Date: ca. 1582.A female famer at left holds onions in her left hand, while a villager at right holds a pitchfork. From a set of 12 plates of vessel designs. Museum: Metropolitan Museum of Art, New York, USA.

The Triumph of Divinity or Eternity from The Triumphs of Petrarch. Artist: Attributed to Dirk Volckertsz Coornhert (Netherlandish, Amsterdam 1519/22-1590 Gouda). Dimensions: Plate: 9 1/16 x 6 15/16 in. (23 x 17.7 cm)Sheet: 13 7/16 x 10 3/8 in. (34.1 x 26.4 cm). Date: ca. 1548-49. Museum: Metropolitan Museum of Art, New York, USA.

Rocaille Met Vogels, Antoine Aveline, François-Thomas Mondon, 1736 print This series is numbered in the top left with a letter A. print is part of an album. paper etching rocaille ornament. birds

Cento Favole Morali (100 moral fables) 1570 Giovanni Maria Verdizotti Italian The author of these rhyming fables, Verdizotti, is also identified in the publisher's preface as the designer of its illustrations, which he drew directly on the woodblock for the cutter. Apart from these woodcuts and one signed pen drawing not else can be securely attributed to Verdizotti, who is mentioned admiringly by Vasari, Ridolfi, and Dolci as an intimate friend and gifted student of Titian (and possibly his secretary after the death of Aretino). The noble Venetian practiced poetry and drawing as an amateur and is said to have painted a number of small landscapes enlivened by little figures, which were rare even in his lifetime and can no longer be identified. It is possible to get some idea of what these paintings were like from many of these illustrations, in which landscape plays such an important role.In the fable with an illustration on page 35, the crow, driven by hunger, has seized upon the serp

An etching depicting a soldier on horseback alongside another soldier on foot. The artwork dates from approximately 1601 to 1700. It has a plate mark measuring 2 3/16 x 3 1/4 inches (5.5 x 8.3 cm) and is printed on paper with dimensions of 3 11/16 x 5 11/16 inches (9.4 x 14.5 cm). The piece is stamped in brown ink with the signature of A. Freiherr von Lanna (Lugt 2773) and is printed on cream laid paper

Landscape, from a series of six landscapes titled "Observationib.Astronom.Regiae.Paris.Scient. Acad...1736" 1736 Quentin Pierre Chedel. Landscape, from a series of six landscapes titled "Observationib.Astronom.Regiae.Paris.Scient. Acad...1736". Quentin Pierre Chedel (French, Chlons-en-Champagne 1705-1763 Chlons-en-Champagne). 1736. Etching. Prints

Landscape with three putti playing a ball game, Christoph Jamnitzer, 1573 - 1610 print Leaf from a series of flat decorations with grotesken, cartouches, oval, mascarons, putti and fantastic creatures. The series consists of three title magazines, two text magazines with the assignment and the preface and 60 magazines, spread over three books. Germany (possibly) paper etching

Agricultural workers at work, Hendrik Numan, 1746 - 1788 print Haarlem paper ploughing. reaping, picking, mowing ~ harvest. harrowing. sowing

The lost son as a pig powder; Parable of the lost son; Thesaurus Novi Testamenti Elegantissimis Iconibus Expressus Continens Historias Atque Miracula Doni Nostri Iesu Christi. The lost son has wasted his legacy and works at a farmer as a pig powder. He kneels at the pigs and eat with them from the crib. On the right in the background the lost son is hunted from the brothel, because his money is on. Under the show a reference in Latin to the Bible text in Luc. 15. This print is part of an album.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), four pagan gods mounted each on his tank: four pieces after Raphaël, March. Third piece. (A. de Vesme Cvii (third section, questionable pieces and pieces whose engraving or drawing is tackly attributed to Della Bella), Dutuit 34) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Jacques Callot, Two Knights, 1628 Two Knights

cultivating cactus; From Physique sacree, ou Histoire-naturelle de la Bible, 1732-1737, by Johann Jakob Scheuchzer (1672 - 1733), a Swiss scholar born at Zurich

Navigation by Odysseus; Les Travaux d'Ulysse; Odysseus works. Odysseus and his men, dressed in armor, on the ships. The print is part of an album.

. Landscape with a sleeping Venus, whose death points his arrow. Next to Venus a fire pot and a hourglass. At the bottom of a rule in Latin and a verse in Dutch about life that can suddenly be over.

Man at a well. Draughtsman: Jan van Goyen. Dating: 1631. Measurements: h 155 mm × w 273 mm. Museum: Rijksmuseum, Amsterdam.

Shepherd Boy, Gillis van Scheyndel (I), 1605 - 1653.

Augsburg, Wolf, Jeremias, Schönfeld, Johann Heinrich, Ehinger, Gabriel, Music-making shepherds with sheep in a rustic landscape, recto attachment sheet - stamped, Numbered in the middle below: 2., print, prints, verso attachment sheet - stamped, 0065, height 132 mm, width 188 mm, 1652 - 1736, print maker, printmaker, 1673 - 1736, paper, papier, etching, etchings, Work conception, German, 1609-03-23 - 1684, after a design by, Publication (Event), Publication, 1673 - 1724, publisher

Photography of a fragment of engravings Erik Dahlberg from the day of Samuel Pufendorfaz with the presentation of Bydgoszcz (1657) from the collection of Dominik Witke-Je Ewski in 1914; Trzci Ski, Stanis Aw (1867-1939); 1914 (not after 17.12.1914) (1914-00-00-1914-00-00);

Postbode drives along the beach, Joost van Geel, Jan de Visscher (Rejected Attribution), in or after 1666 print The postman drives on his horse along the beach. He gives a signal to a passing ship. Numbered in the middle: 9. Rotterdam paper etching postal service. postman. beach

Couple with fish utensils in a rocaille, 1719 - 1749 print Three rocailles with performances. Under a man with a stick and just over his shoulder next to a woman with a bag. A dog runs for them. In the upper rocailles water birds, including two swans and possibly a heron. At the top left 281 numbered. paper etching pastorals, Arcadian scenes. rocaille ornament. angling. water-birds

Die Weltesche Yggdrasil, Historical illustration from Otto von Leixner, Illustrated history of German literature, Leipzig and Berlin 1880, First volume, Germany, Europe

Poster from the period of the Middle of the Republic of Poland - hell on the dignitaries; around 1908 (1903-00-00-1912-00-00);Semerau-Siemianowski, Władysław (1849-1938)-collection, Semerau-Siemianowski, Władysław (1849-1938), Dar (provenance), occasional prints, Islam art, Turkish art, Turkish (culture)

The good Samaritan stopping to help treat a wounded man. Drawing by Jefferyes Hamett O'Neale.

Two men in a shit loaded with household goods ..

Pleasures of Occupation Cornelis Bloemaert Dutch. Pleasures of Occupation 397491

Two putti in a chariot. Two putti are in a chariot. The car is drawn by five horses. On the left a river god.

Amsterdam, Visscher, Claes Jansz. (II), Bruyn, Nicolaes de, Volatilium varii generis, Five birds, On the right a spoonbill. Copy of print described at Orn Cat I-37.A.2, print, ornament print, prints, ornament prints, height 82 mm, width 125 mm, Work conception, South Netherlands, 1571 - 1656-10, after a design by, 1581 - 1652, fourth quarter 16th century, first quarter 17th century, second quarter 17th century, third quarter 17th century, paper, engraving, engraving (printing process), print maker, printmaker, Publication (Event), Publication, North Netherlands, 1586 - 1652-06-19, publisher

Astacus fluriatilis. LEscreuice. Artist: Albert Flamen, French, ca.1620-after 1693

. Two representations of one plate. Print at the top right labeled: p. 13.

Lighthouse of Alexandria, Antonio Tempesta, 1608 print Coastal landscape with the lighthouse of Alexandria. In the foreground men in rowing boats. paper etching lighthouse, lightship. the Seven Wonders of the World. Pharos of Alexandria (Wonder of the World)

Banner; Capricci di Varie Figure Di Jacopo Callot; Various figures and performances. Central to the foreground a man waved with a banner. A battle in the background. This print is part of a series of 48 prints (50 incl. Title and dedication sheet) with various topics (O.A. men and women in different attitudes, landscapes, buildings and festivities in Florence). These prints may have been meant as drawing examples.

Roos, Johann Heinrich, Sheep and goats, Title print with family crest in a landscape with goat, verso - stamped, print, title print, prints, height 128 mm, width 142 mm, German, 1631-10-27 - 1685-10-03, print maker, printmaker, 1671 - 1671, paper, papier, etching, etchings, engraving, engraving (printing process)

September, Joos de Momper (II), 1590 - 1610, The month of September. Young man with crown of grape leaves and pruning knife, left grape harvest, wine press and transport. Design for a print., draughtsman: Joos de Momper (II), 1590 - 1610, paper, pen, brush

Saint Egidius and a Doe. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Balthasar Moncornet.

Miklós count of Zrínyi in Croatia killed by a wild boar, 1664, print maker: Caspar Luyken, publisher: Pieter van der Aa (I), print maker: Amsterdam, publisher: Leiden, 1698, paper, etching, letterpress printing, h 109 mm × w 155 mm

This 1566 Clair-obscur woodcut by Niccolò Boldrini depicts hunters on horseback, showing detailed figures, horses, hunting equipment, and natural landscape in two plates with brown tones.

Frontispiece for 'The Cypress Forest' (La selva di cipressi): two putti hold a tapestry in center, a forest of cypress trees and statues below, a skull and bones on the ground 1640 Stefano della Bella Italian. Frontispiece for 'The Cypress Forest' (La selva di cipressi): two putti hold a tapestry in center, a forest of cypress trees and statues below, a skull and bones on the ground 412689

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