Figures of Poverty

Etchings illustrating beggars and impoverished figures in traditional dress, highlighting themes of charity and social conditions through expressive poses and garments.

Man in oriental dress holding a musket. On the head he wears a feathered hat. The print is part of a series of twelve prints depicting standing figures, Man with musket Standing figures (series title), print maker: Gillis van Scheyndel (I), publisher: Clement de Jonghe, Amsterdam, 1649 - 1653, paper, etching, engraving, h 127 mm × w 85 mm

Beggar Woman Receiving Charity. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: after Jacques Callot.

Bedelares with a sleeve and a stick, anonymous, After Jacques Callot, 1622 - 1670 print Woman, dressed in rags, seen from the front, to one eye blind, the right hand in a sleeve, with the left hand based on a stick. This print is part of a series of 25 () Prints with beggars and vagrants, such as Callot who probably saw in Italy. France (possibly) paper etching beggar. muff. walking-stick, staff. blind, blindness

The Legislator in Office. Artist: baron Dominique Vivant Denon (French, Givry 1747-1825 Paris); After Jacques Louis David (French, Paris 1748-1825 Brussels). Dimensions: sheet: 15 5/8 x 10 3/16 in. (39.7 x 25.9 cm)plate: 10 3/16 x 6 7/16 in. (25.9 x 16.4 cm). Series/Portfolio: Projets de Costumes. Date: 1794. Museum: Metropolitan Museum of Art, New York, USA.

Man in oriental dress holding a musket. On the head he wears a feathered hat. The print is part of a series of twelve prints depicting standing figures, Man with musket Standing figures (series title), print maker: Gillis van Scheyndel (I), publisher: Clement de Jonghe, Amsterdam, 1649 - 1653, paper, etching, engraving, h 127 mm × w 85 mm

L'Aveugle et son Chien (The Beggar and his Dog), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons) ca. 1623 Jacques Callot French. L'Aveugle et son Chien (The Beggar and his Dog), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons). Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons. Jacques Callot (French, Nancy 1592-1635 Nancy). ca. 1623. Etching; first state of two (Lieure). Prints

Wenceslaus Hollar, Mulier Diepana, 1649 Mulier Diepana

Drapery Sketch Made 1580-1620 Italy. Black chalk, heightened with white chalk, on blue laid paper . Unknown Florentine

St Bartholomew, from Apostles Artist's working dates 1450-1491 Germany. Engraving on paper . Martin Schongauer

Standing Man with a Stick, Facing Right, Rembrandt van Rijn, c. 1629 - c. 1630 drawing Leiden paper. paint (coating). chalk brush standing figure

Begelaar with crutches, seen on the right, Anonymous, After Jacques Callot, 1622 - 1670 print Man, dressed in rags, seen on the right, walking with the help of two crutches. This print is part of a series of 25 () Prints with beggars and vagrants, such as Callot who probably saw in Italy. France (possibly) paper etching beggar. crutches

Frederick III. The beautiful, German king.

The Garland Weavers - Drapery Study, 1866-1867. Artist: Edward Burne-Jones

Hungarian Woman Made 1649 Bohemia. Etching on gray Asian paper . Wenceslaus Hollar

Man in a gown. Leaf 6 Recto from a sketchbook with 33 sheets and 10 loose drawings.

Portrait of Stanis Wyspacie standing sideways; Verso: Artist's main study; Mehoffer, Józef (1869-1946); around 1893 (1892-00-00-1893-00-00);Domaszewska Helena, collection, Wyspiański, Stanisław (1869-1907) - iconography, writer, profession, painter, profession, portraits of en Pied, purchase (provenance)

The Garland Weavers, Drapery Study of a Girl plucking Flowers, 1866-1867 Artist: Edward Burne-Jones, Girl, Art Movement, Pre-Raphaelite, Drawing, Pencil, Flower, Works on Paper

The Blind Man and his Companion, plate nine from The Beggars 1617-1627 France. Etching on paper . Jacques Callot

Rubens, Peter Paul Stecher: Richter, (around 1840/1850)

The Garland Weavers, Drapery Study, 1866-1867 Artist: Edward Burne-Jones, Art Movement, Pre-Raphaelite, Drawing, Pencil, Works on Paper

Standing man wearing a high hat, drawn in brown ink with washes and graphite pencil by Willem Pietersz. Buytewech.

Samian Sibyl. Claude Vignon; French, 1593-1670. Date: 1625-1630. Dimensions: 325 × 220 mm. Red chalk with graphite on cream laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Reverse Copy of Le Mendiant Obèse aux Yeux Baissés (The Obese Beggar with Lowered Eyes), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons) 17th century Anonymous. Reverse Copy of Le Mendiant Obèse aux Yeux Baissés (The Obese Beggar with Lowered Eyes), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons). Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons. Anonymous. 17th century. Etching. Prints

St. Bartholomew, from Apostles. Martin Schongauer; German, c. 1450-1491. Date: 1450-1491. Dimensions: 90 × 50 mm (plate); 90 × 52 mm (sheet). Engraving on paper. Origin: Germany. Museum: The Chicago Art Institute, USA.

Miss Sarah Whitehead, the Bank Nun. Legendary figure who haunted the Bank of England in Threadneedle Street accusing it of destroying her brother, Paul Whitehead, a financial forger executed in 1812. Portrait of her in mourning garb. Lithograph after a stipple engraving by Robert Cooper from Henry Wilson and James Caulfields Book of Wonderful Characters, Memoirs and Anecdotes, of Remarkable and Eccentric Persons in all ages and countries, John Camden Hotten, Piccadilly, London, 1869.

A veiled female figure holding a lily in her right hand and her left hand resting on a column as the personified Purity. In the background a classical building. Print from a series of 41 sentence images, Personification of purity Reinheid (title on object) Een-en-veertigh pieces, verscheydene Sinnebeelden (series title), print maker: Arnold Houbraken, Arnold Houbraken, publisher: Leonard Schenk, Amsterdam, 1710 - 1719, paper, etching, engraving, pen, h 174 mm × w 91 mm

A woman dressed in rags with a stick in her hand and a bag over her shoulder. Bottom right: 5., Woman in rags, print maker: Anthonie Willem Hendrik Nolthenius de Man, (mentioned on object), Nijmegen, 1803 - 1842, paper, etching, h 109 mm × w 82 mm

Smell, anonymous, 1600 - 1699, draughtsman: anonymous, 1600 - 1699, paper, brush, h 127 mm × w 67 mm

Study for Philinte; Design for the illustration of "Le Misanthrope'' from the 1734 edition of Molière's works (vol. III, p. 341)..

Beggar without Hat or Shoes, plate twelve from The Beggars. Jacques Callot; French, 1592-1635. Date: 1617-1627. Dimensions: 138 × 86 mm (plate); 142 × 92 mm (sheet). Etching on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Mr Thomas Sheridan in the character of Oedipus in John Drydens Oedipus, Covent Garden Theatre, 1755. Irish actor, educator, and proponent of the elocution movement 1719-1788. Copperplate engraving by B. Reading after an illustration by James Roberts from Bells British Theatre, Consisting of the most esteemed English Plays, John Bell, London, 1776.

Monnik.Leaf 79 Recto from a sketchbook with 88 sheets.

Wenceslaus Hollar, Mercatoris Norimbergensis Vxor, 1643 Mercatoris Norimbergensis Vxor

Jacques Callot, Blind Beggar and Companion, c 1622 Blind Beggar and Companion

STATUE OF THE POET MOORE, AT DUBLIN

Standing Huizer girl. Draughtsman: Richard Roland Holst. Dating: 1898. Measurements: h 310 mm × w 128 mm. Museum: Rijksmuseum, Amsterdam.

Beggar with stools, seen on the right; Les Gueux / Les Mendiants / Les Baroni / Les Barons; Beggars. Man dressed in rags on the right-hand side walking with the help of two stools. This print is part of a series of 25 prints with beggars and wanderers, such as Callot who has probably seen in Italy.

Lady to the right.

Portrait of the Vernher architect

Saint Peter. Engraving by Jacques de Gheyn.

SIR ISAAC NEWTON The statue in Grantham, inaugurated in September 1858 Date: 1642 - 1727

The Hurdy-Gurdy Player. Dated: c. 1622. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Fille de Cio isle de l'Archipel, from Recueil de diverses fig.res étrangeres Inventées par F. Boucher P.tre du Roy et Gravées par F. Ravenet (Collection of Various Foreign Figures, Devised by F. Boucher, Painter of the King and Engraved etched by F. Ravenet), plate 10 18th century Simon Francis Ravenet, the elder French. Fille de Cio isle de l'Archipel, from Recueil de diverses fig.res étrangeres Inventées par F. Boucher P.tre du Roy et Gravées par F. Ravenet (Collection of Various Foreign Figures, Devised by F. Boucher, Painter of the King and Engraved etched by F. Ravenet), plate 10 413636

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), geography game. The Congo. Twenty-first number of a series of 52 pieces. (A. de Vesme 563; Dutuit 117) (main title), 1644. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

Wenceslaus Hollar, Nobilis Mulier Bohemica, 1649 Nobilis Mulier Bohemica

Standing man with bagpipes. Draughtsman: anonymous. Dating: c. 1650 - c. 1699. Place: Netherlands. Measurements: h 130 mm × w 170 mm. Museum: Rijksmuseum, Amsterdam.

Bernard Desclot. Catalan chronicler. 13th Century. Portrait. Engraving by Panissa. "La Ilustracion Catalana", 1888.

Bliżej Kultury Kiebisiński, Kajetan Wincenty (1808 1849), Jaroczyński, Marian Jakub Ignacy (1819 1901), Żupański, Jan Konstanty (1804 1883)

Girl with hoop, anonymous, c. 1600 - c. 1699 drawing Netherlands paper. chalk

Saint Francis ca. 1550-60 Girolamo Siciolante da Sermoneta Italian. Saint Francis 352879

Standing boy, seen from behind, Gerard ter Borch (II), 1631, draughtsman: Gerard ter Borch (II), Zwolle, 7-Jan-1631, paper, h 165 mm × w 96 mm

Wenceslaus Hollar, Mulier Nobilis aut Generosa Anglica, 1643 Mulier Nobilis aut Generosa Anglica

Seated Cavalier with His Arm Akimbo. Dimensions: overall: 26.6 x 15.1 cm (10 1/2 x 5 15/16 in.). Medium: black chalk and brush and black ink with white heightening on blue paper; laid down. Museum: National Gallery of Art, Washington DC. Author: Jan Miel.

Young man. Origin: Japan. Period: Edo period. Ink and color on paper. Date: ca. 1795-1798. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.

Etching by Rembrandt van Rijn titled 'Standing Farmer Excluded: Tis Vinnich Kout,' created in 1634, depicting a standing farmer figure.

Nobilis Mulier Anglica, in Vestitu Hiemali. Dated: 1643. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Wenceslaus Hollar.

Labre, Benoit-Joseph .

Master of the E Series Tarocchi, Fameio (Servant), c 1465 Fameio (Servant)

Image of Minerva without forearm; Signorum Veterum Icone II ..

Feather drawing by Erzherzogin Marie Christine Habsburg-Lothringen depicting a devotion scene, executed in the second half of the 18th century.

Portrait of Dirk V, Count of Holland; Graves and gravingen from Holland. Portrait of Dirk V, Graaf van Holland, standing in a harness with the arm of Holland and in his hand a sword on his shoulder. Print from a series of 36 prints with portraits feet from graves and gravingen of Holland.

Anonymous / 'Saint Casimir'. Late XVII century. Grey-brown wash, Pencil on laid paper. Museum: Museo del Prado, Madrid, España.

Standing woman with basket, seen from the back, draughtsman: Jan Kobell (II), 1788 - 1814, paper, h 255 mm × w 160 mm

St George Series, Study of Female Attendant for 'The Princess led to the Dragon', 1865-1866 Artist: Sir Edward Burne-Jones, Art Movement, Pre-Raphaelite, Drawing, Works on Paper

Caryatids Paradigmata graphices variorum artificum , print maker: Jan de Bisschop, (mentioned on object), Daniele da Volterra, (mentioned on object), Northern Netherlands, 1668 - 1671, paper, etching, h 222 mm × w 118 mm

Polander Leaning on a Stick. Dated: c. 1632. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Rembrandt Harmensz van Rijn.

London, Hollar, Wenceslaus, The winter habit of an English Gentlewoman, English lady in a winter costume, verso - stamped, English lady dressed in a winter costume with stole and muff of fur. Her face is partly covered by a velvet mask, on her head a black headscarf. A fan hangs from her right wrist., print, engraving, prints, engravings, height 209 mm, width 104 mm, Czech, 1607-07-13 - 1677-03-25, print maker, printmaker, 1644 - 1644, paper, papier, etching

Ornatus Muliebris Anglicanus, Plate 13. Wenceslaus Hollar (Bohemia, Prague, 1607-1677). England, London, 1640. Prints; etchings. Etching on paper

Standing figure. Outstanding figure on the back, dressed in a long coat and with hat on the head. In the margin under the show, the head of the figure is once etched a second time, as well as two figures.

Wenceslaus Hollar, Ciuis vel Artificis Londinensis Vxor, 1643 Ciuis vel Artificis Londinensis Vxor

English Noblewoman in Winter Clothing. Wenceslaus Hollar; Czech, 1607-1677. Date: 1643. Dimensions: 87 × 59 mm (sheet, trimmed within platemark). Etching on gray Asian paper. Origin: Bohemia. Museum: The Chicago Art Institute, USA.

Drawing, Girl; Winslow Homer (American, 1836-1910); USA; crayon on paper; 16.8 x 7.1 cm (6 5/8 x 2 13/16 in.)

Portrait of Henriëtte Amalia van Anhalt -Dessau, Anonymous, 1724 - 1751 print Portrait of Henriëtte Amalia van Anhalt-Dessau. In the lower margin her name and titles. At the top right '92'. print maker: Low Countriespublisher: Deventer paper engraving / etching

Portret van een onbekende vrouw; SS Apostolorum Iconen.The print shows a portrait of an unknown woman. She is probably the command gender of the Rubens paintings set on which the series is based. The series consists of prints based on paintings by Peter Paul Rubens.

Rijn, Rembrandt van, The Lazarus valve, The leper, verso lower left - stamped, print, prints, RHL 1631, upper left, height 86 mm, width 60 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1631 - 1631, second quarter 17th century, paper, etching, etchings, Work conception, after own design of

Paysannes des environs de Boulogne , Peasants, Alphonse Legros (1837-1911)

Bernard Desclot. Catalan chronicler. 13th Century. Portrait. Engraving by Panissa. "La Ilustracion Catalana", 1888.

Dienstmeid.A maid is in the counter and sands a pan. In addition to the counter, a bucket with a cloth is.

Au-new du Pedor Français /ger and Egalées / Le 10 aoot 1792, L'a 6er / la République (TI)

Chinese Young Lady 1738-45 François Boucher French. Chinese Young Lady 394209

Thomas Bell, a giant. Line engraving, 1813.

Joseph Heintz the Elder's drawing of Saint Paul, executed with brown pen and gray brushwork between 1564-1609, showing the saint in traditional pose.

Robespierre, Maximilian de.

Acolyte with Open Book (middle register; study for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858). Artist: Isidore Pils (French, Paris 1813/15-1875 Douarnenez). Dimensions: 19 x 11 3/4 in. (48.4 x 29.8 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Study of a sleeve with a hand. Draughtsman: Simon Andreas Krausz. Dating: 1770 - 1825. Measurements: h 144 mm × w 128 mm. Museum: Rijksmuseum, Amsterdam.

Standing woman, to the left, one hand in the side, the other on the chin, draughtsman: Abraham Johannes Ruytenschildt, 24-Jan-1821, paper, h 333 mm × w 241 mm

A Saint Flanked by Two Men (recto); Vulcan and Venus() with Putti (verso). Artist, circle of: Henry Fuseli, Swiss, active in England, 1741-1825

The Leper, Rembrandt van Rijn, c. 1629 print paper etching

Bliżej Kultury Kiebisiński, Kajetan Wincenty (1808 1849), Jaroczyński, Marian Jakub Ignacy (1819 1901), Żupański, Jan Konstanty (1804 1883)

Italienische Dame aus Siena, 1570, Geschichte der Mode, Kostümgeschichte, Historisch, digital restaurierte Reproduktion einer Originalvorlage aus dem ...

Bronze statue of DeWitt Clinton, monument exhibiting in the park. 1801 - 1886. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. New York (State) , History, Clinton, DeWitt, 1769-1828 , Statues

Chef des Indiens, plate eight from Caravanne du Sultan à la Mecque 1748 France. Etching on ivory laid paper . Joseph Marie Vien, I

Marie, die Schwester des Künstlers. Kalckreuth, Leopold (1855-1928), graphic artist

Woman with Mof, Jan Gillisz. van Vliet, 1635 print Leiden paper etching muff

Men's figure with a hat and jacket, seen from behind, c. 1617 - 1619 drawing A men's figure with a fur hat and heavy, long jacket with fur deposited, seen from behind. Zwolle paper. ink. chalk brush head-gear (with NAME)

Dietrich V., Count of Holland.

Twee staande vrouwen. Noordbrabandsche Vrouwen (title on object). Draughtsman: Pieter van Loon. Dating: 1870. Measurements: h 149 mm × w 100 mm. Museum: Rijksmuseum, Amsterdam.

Standing Man. Dimensions: overall: 39.4 x 23.2 cm (15 1/2 x 9 1/8 in.). Medium: red chalk on laid paper. Museum: National Gallery of Art, Washington DC. Author: Jacopo Chimenti.

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