Figurative Studies

Artistic sketches and studies focusing on human forms and expressions, blending styles from different eras to explore character and emotion.

Campania Salerno Salerno-S. Matteo, Cathedral8. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Albano Laziale S. Pietro5. Hutzel, Max 1960-1990 Medieval: Architectural sculpture, capital. Post-medieval: Architecture, architectural sculpture, (15-16th century); sculpture, painting, wall painting, tapestry, coats-of-arms Antiquities: Sarcophagus Object Notes: Bibliographic information filed with original worksheets German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome Episcopal Complex (S. Giovanni in Laterano, Baptistery, Cathedral, Cloister)36. Hutzel, Max 1960-1990 Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn (16th c.), carved walls, ceiling and wall painting; of mosaics and bronze doors in Cappella del Battista; of altar and mosaics in Cappella di S. Venanzio; of mosaic and statue in Cappella di S. Giovanni Evangelista. Architecture, architectural sculpture, sculpture, sculptural fragments, fresco painting, painting, coffering, tiling, stucco. Views 756-886 are of the cathedral. Medieval: Architecture, architectural sculpture, sculptural fragments, architectural fragments, tombstones, mosaics, sculpture, fresco painting, sculptural relief. Object Notes: Hutzel includes guidebook in German on the site. prints matched to negs General Notes: Views 756 thru 886 are of the Baptistery. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s u

Vlakdecoratie met bladranken en een borstkuras.Flat decoration with leaf refrices coming up from a breast kuras. They spread symmetrically about the plane. Two tendrils walk out in lion's heads. An animal skull in the middle.

Panel made from Orphrey Sections 17th century Spanish Two sections of an orphery (a decorative band placed over a seam on a vestment) were used t make this panel. The dark blue silk cut velvet is appliquéd with strapwork of heavy gilt metal thread worked in a symmetrical, mirror-image design of culring shapes, floral elementsm and gilt-studded dots.. Panel made from Orphrey Sections 460461

Campania Salerno Salerno-S. Matteo, Cathedral3. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Campania Salerno Salerno-S. Matteo, Cathedral8. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Tuscany Grosseto Massa Marittima Museo Civico8. Hutzel, Max 1960-1990 Post-medieval: Panel painting (1), painting Antiquities: Sculpture, urns, arrowheads, tools German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Campania Salerno Salerno-S. Matteo, Cathedral7. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Marches Urbino Palazzo Ducale, Galleria Nazionale delle Marche71. Hutzel, Max 1960-1990 Post-medieval: First floor: Polyptychs, triptychs, crucifixes, panel paintings, sculpture, frescoes now housed in Museo; stucco decoration in private chapels Object Notes: See also Urbino, Museo Albani. With both sites the negs arrived separately from the prints, yet all negs were labelled as Urbino, Palazzo Ducale, making it difficult to match some negatives to their prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Ronciglione Castello0. Hutzel, Max 1960-1990 Post-medieval: Architecture, painting, sculpture. Structure was built in the Middle Ages, and restored in successive periods, retaining the cylindrical towers on the corners. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Campania Napoli Naples S. Lorenzo Maggiore297. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

Ornamental Foliage with Two Masks and TwoDolphins. Artist: Heinrich Aldegrever, Germany, 1502-1555/61

Lazio Viterbo Bagnaia Villa Lante77. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Design for a Brooch with Two Heart-Shaped Pieces 1580-1600 Theodor de Bry Netherlandish Brooch design formed from two heart-shaped halves, one with a female mask in a whimple, the other with a putti mask. On a blackwork background. Trimmed from the top portion of a larger print with two buckles and a pendant.. Design for a Brooch with Two Heart-Shaped Pieces 425031

Twee kandelabers, in or after 1648 print Leaf with two performances of Kandelabers. On the left a candelabar with horns of abundance and arabesken. On the right a candle slick with arabesks and winged female figures. The left performance is above the right show. Together they form one Kandelaber. print maker: Italyafter drawing by: Italypublisher: Rome paper etching ornament ~ candlestick

Quast Ferdinand von (1807-1877), church in Bechtolsheim. Wood carving (15th century) (without date): Back wall of the late Gothic church stalls of the ship against the tower, with floral arabesque ornamentation and coat of arms. Pencil on transparent, 22.3 x 46.1 cm (including scan edges) Quast Ferdinand von (1807-1877): Kirche, Bechtolsheim. Holzschnitzerei (15. Jh.)

Marches Pesaro Fossombrone Museo Civico A. Vernarecci4. Hutzel, Max 1960-1990 Medieval: Sculpture fragments; early Christian sarcofagi. Post-medieval: Architecture, begun in the 13th century and remodeled in the 15th century; Renaissance sculpture fragments; marble bust of Vernarecci; model of Federico da Montefeltro's Palazzo della Corte Alta Antiquities: Fragments of capitals and relief carvings (Roman and possibly earlier); portrait busts (Julio-Claudian and Hadrianic) Object Notes: Museum is part of the Corte Alta. General Notes: Counts are approximate since many views have multiple objects. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Bar

Abruzzo L'Aquila Trasacco SS. Rufino e Cesidio0. Hutzel, Max 1960-1990 The original monument was destroyed in 936, rebuilt, modified throughout the 16th century (with an addition to the nave in 1618), and restored in 1969. Exterior views include the bell tower and general building facades. Most views focus on the architectural sculpture of the Portale delle Donne and the Portale degli Uomini. Interior views in the Medieval core collection focus on a statue of St. Catherine in an aedicule (15th century); an ambo lecturn (pluteus) decorated with the four symbols of the Evangelists (c. 1267); a statue of the Virgin and Child under a sculpted baldachin on the entrance wall of the oratory (14th century) and the main altar composed of sarcophagus fragments of lions and peacocks in low-relief (8th-10th centuries). A baptismal font and possibly bas-reliefs (immured spolia) in the Oratory. Interior views in the Hutzel collection include: the altar statue of S. Cesidio, frescoes of the Annunciat

Emilia-Romagna Modena Nonantola Abbazia di Nonantola2. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Design for a dagger and Schede, Heinrich Aldgrever, 1539 print A dagger in a sheath, decorated with leaf vines and grotesken. The handle is crowned with two fisheries. The pare bar is formed by a animal head with horns. On the sheath is a representation of Cain who kills Abel. Germany paper engraving hacking and thrusting weapons: dagger. scabbard, sheath

Fragments cardboard for the stained glass window in the west facade of Joris van Egmond (bishop of Utrecht 1535-1559) for the Sint Bavo Kerk in Haarlem, Gerrit Boels (workshop of), 1541 drawing Design for a stained glass window. paper. chalk brush Sint-Bavokerk

Gypsum Model for An Adornment of the Louvre Palace by Liberment. Share of meeting of the Tuileries at the Louvre 1852-1857, album 4.

Campania Salerno Salerno-S. Matteo, Cathedral9. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Print, Design for an Iron Balcony; Designed by Gabriel Bonthomme (Active in France, eighteenth century); France; etching and engraving on paper

Three panels with arabesken, Charles Pierre Joseph Normand, 1803 print Three panels and three tires with arabesks. In the middle of the top with ears and griffins. Left below with an angel with flower basket and wreaths. At the bottom right with flowers. Paris paper engraving ornament ~ arabesque

Giovanni Pietro Birago and Zoan Andrea (Italian, active c. 1475-1519), Ornament Panel: Four Children Playing, c. 1505-1515, engraving

Ornament with candelabar with winged woman who stops draperie above weapon trophy with shield in middle, 1500 - 1520 print Italy paper Niello (technique) ornament ~ hybrid animals. ornament ~ hybrid beings; human and animal forms mixed

Lazio Roma Rome S. Cesareo0. Hutzel, Max 1960-1990 Interior views of 16th c. church, including pergamo, ceiling, crypt and details of 2nd c. crypt floor mosaic. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lying candelabras, c. 1500 - c. 1600 print Leaves can be seen on either side of the Kandelaber. Half of a weapon is visible on the right. Italy (possibly) paper engraving

Fireplace A feast of the rich man from the collection of Roman Szewczykowski, in the collections of the National Museum in Warsaw from 1918 - a general view; Jaworski, Józef Ko Ciecza- (Fl. Ca 1911-Ca 1929); Not after 1925 (1922-00-00-1925-00-00);

Lazio Viterbo Viterbo S. Maria della Verita, Cloister6. Hutzel, Max 1960-1990 Extensive coverage of 12th c. church, renovated between 14th and 15th c. Exterior views of facade, flank and portal. Interior views of altar, gothic transept, ciborium. Views of Cappella Mazzatosta, its ceramic floor and frescoes by Lorenzo da Viterbo. Comprehensive coverage of gothic structure, including views of garden, well, and portico where antiquities are stored. Single print stored in Hutzel a duplicate of one in Medieval. Antiquities: Sarcophagi; sculpture; architectural fragments General Notes: Two sets of prints fused into single numerical sequence. Cloister has separate numerical sequence and record. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of th

Panel 16th century French. Panel. French. 16th century. Carved walnut. Woodwork

Elizabethan ornament

Umbria Perugia Citta della Pieve Santuario della Madonna di Mongiovino2. Hutzel, Max 1960-1990 Views of the 16th century exterior include details of the portal sculpture. Interior views show details of the marble and stucco work, iconostasis, frescoed dome, altar paintings and marble statues. Object Notes: Photo campaign date: 1982. This monument was previously catalogued as located in the city of Mongiovino. General Notes: Many negatives of this monument can be found in the Marburg Index of Italian monuments under "Panicale-Mongiovino," fiche 286. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geograph

Francesco di Domenico dit, Il Padovano (around 1500-1571). "Florentine card game. Thirty number in a series of 35 pieces". Black and white wood engraving. 1547. Museum of Fine Arts of the City of Paris, Petit Palais. 123053-1 Card to play, wood engraving, card game, Florentine game, Italian game, 16th 16th XVI 16th 16th 16 Center, engraving

Bound Print (France)

Etching by Jacques Callot created in 1631 illustrating the siege of La Rochelle, showing fortifications and armed forces.

Rug. Culture: China. Dimensions: 61 x 29 in. (154.94 x 73.66 cm). Date: early 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Border (England); block-printed, handmade paper; 84 x 14 cm (33 1/16 x 5 1/2 in.)

Campania Napoli Sorrento Museo Correale di Terranova4. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Emilia-Romagna Ferrara Ferrara Palazzo dei Diamanti8. Hutzel, Max 1960-1990 Post-medieval: Many views of facade, sides, and courtyard of 16th c. structure, including detailed views of windows and architectural sculpture, portal leading into courtyard and colonnade, capitals, portals, and sculpture inside courtyard. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Part of a dish edge with tantrals and figures, anonymous, c. 1840 - c. 1860 France paper. watercolor (paint). graphite (mineral) ornament derived from plant forms

Tuscany Siena Montalcino (environs) Abbey of S. Antimo Abbey church41. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (9th century, 1118, c. 1250), wooden crucifix, painting, frescoes. Post-medieval: Fresco depicting the Resurrection Object Notes: Two photocampaigns were made of this site, one of which occurred in 1983. Hutzel's notes document only the 1983 campaign; these prints are all found in the Medieval core collection. General Notes: When these photos were sent, mislabelling of prints and negatives had occurred. Intermingling with prints and negatives of S. Agostino may have occurred. Please note that negative sleeves have been labeled Abbazia di S. Antimo. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the

Côté des stalles de l'église de Guodet, à Quimper.. Willemin, N. X. (Nicolas Xavier), 1763-1833. Prints. 1839. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Art , France , History

Relief from a door of the Baptisterium in Florence by Lorenzo Ghiberti, representing a marten -like that hunts a bird, c. 1875 - c. 1900 photograph Baptisteriumprinter: Berlinpublisher: Europe paper. printing ink collotype sculpture (+ relief ~ sculpture). beasts of prey, predatory animals: ferret. birds Bond

Ministère d'État (Salon Thétre); Édouard Baldus (French, born Germany, 1813 - 1889); Paris, France; about 1868; Heliogravure; Sheet: 31.5 x 45 cm (12 3,8 x 17 11,16 in.)

Sardinia Sassari Borutta S. Pietro di Sorres9. Hutzel, Max 1960-1990 Medieval: Sardinian Romanesque architecture (12th century) with strong Tuscan influence, including polychrome decoration; architectural sculpture; pulpit with Gothic ornamentation; tomb. Post-medieval: Wooden sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Fragment of an antique relief.Fragment of an Antique Relief Including A Bucan, Rostra, Anchor, Ship Sword.

Lazio Roma Rome Abbazia delle Tre Fontane (S. Maria Scala Coeli, S. Paolo alle Tre Fontane, SS. Vincenzo e Anastasio)6. Hutzel, Max 1960-1990 Exterior of facade of 16th c. church by Giac. della Porta. Views of the octagonal interior, including ceiling, apse mosaic, and crypt with 12th c. floor. Exterior views of facade and flank of 5th c. church, renovated in 16th c. by Giac. della Porta. Interior views of three edicolas with fountains and relief sculptures of St. Paul's head. Views of paintings depicting the life of St. Paul. Exterior views of portico, cloister garden and facade of church founded in 625 and renovated 1221. Interior views of Romanesque interior, the nave, altar and remains of 16th c. frescoes. Antiquities: Views of Roman floor mosaics of the four seasons, Roman fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thoroug

Orphrey. France. Date: 1501-1600. Dimensions: 47 × 96.6 cm (18 1/2 × 38 in.). Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Lazio Roma Rome S. Paolo75. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture fragments, tomb sculpture fragments, sculptural fragments, inscribed tomb markers, sculpture, fresco painting, mosaics Specific Location: Basilica Antiquities: Architectural sculpture fragments, tomb sculpture fragments, sculpture fragments General Notes: the "tomb markers" need to be sorted and catalogued German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Emilia-Romagna Modena Nonantola Abbazia di Nonantola0. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Print, Design for a Knife Handle Showing Charity; Made by Giullaume du Thielt; Netherlands; engraving and etching on off-white laid paper; L x W: 8.6 x 1.3 cm (3 3/8 x 1/2 in.)

Lazio Viterbo Bolsena Palazzo del Drago23. Hutzel, Max 1960-1990 Post-medieval: frescoes, tapestries, paintings on canvas. Extensive coverage of exterior, including views of portals and portal details, terrace, and collection of antiquities displayed on terrace. Detailed coverage of palazzo interior, including views of frescoes, statuary, paintings, and architectural details. Antiquities: cippi, inscriptions, portraits (Trajan), architectural fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Chest Front. Culture: French. Dimensions: Overall: 24 1/8 x 60 3/8 x 1 1/2 in. (61.3 x 153.4 x 3.8 cm). Date: 15th century. Museum: Metropolitan Museum of Art, New York, USA.

Antwerp, Maes, Joseph, Sculptures, 16th century, Four wooden reliefs with a face of a figure and grotesques, recto - stamped, photomechanical print, page, photographs, photographically illustrated books, SCULPTURES en chène, recto - printed, SCULPTURES. - PL. 3., JJvY, height 257 mm, width 209 mm, photographer, 1882 - 1887, paper, papier, collotype, photolithography, fotolithografie, Belgian, 1838 - 1908, clichémaker, Work conception

Pilaster fragment early 18th century French. Pilaster fragment 189512 French, Pilaster fragment, early 18th century, Wood, painted, 5-1/8 x 16-1/8 in. (13.0 x 41.0 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1906 (07.225.242)

DECORACION VEGETAL EN EL MARGEN SUPERIOR DE UN LIBRO. Location: INSTITUTO DE COOPERACION IBEROAMERICANA. MADRID. SPAIN.

Tuileries - Aile sud (Façade sur le Quai); Édouard Baldus (French, born Germany, 1813 - 1889); Paris, France; about 1868; Heliogravure; Sheet: 45 x 31.5 cm (17 11,16 x 12 3,8 in.)

Panel ornament. Culture: French. Dimensions: Length: 24 3/4 in. (62.9 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Ministère d'État (Salon de Famille). Édouard Baldus (French, born Germany, 1813 - 1889)

Carved comb from the 15th century showing a scene from "Tristan and Isolde." The other side shows a tournament with jousting knights in suits of armour. Chromolithograph from Hefner-Alteneck's "Costumes, Artworks and Appliances from the early Middle Ages to the end of the 18th Century," Frankfurt, 1883. IIlustration drawn by Hefner-Alteneck, lithographed by CR, and published by Heinrich Keller. Dr. Jakob Heinrich von Hefner-Alteneck (1811-1903) was a German archeologist, art historian and illustrator. He was director of the Bavarian National Museum from 1868 until 1886.

Design by Aldegräver. Édouard Baldus (French, born Germany, 1813 - 1889)

Panel. France. Date: 1690-1710. Dimensions: 273 × 38.1 cm (107 × 15 in.). Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Portfolio, Historic Ornament; Elizabeth A. Nedwill; USA; watercolor, ink

Furniture plaque carved in relief with volutes and a palmette ca. 8th century B.C. Assyrian This ivory panel was found in a storage room in Fort Shalmaneser, a royal building at Nimrud that was used to store booty and tribute collected by the Assyrians while on military campaign. Like many other panels from the same storage room, it was part of a chair or couch back or the headboard of a bed. Twenty pieces of furniture were discovered stacked in orderly rows in this room, where they had been stored before the destruction of the Assyrian palaces in 612 B.C. The panel is decorated with four stylized trees, each combining a trunk made up of symmetrical volute stalks below a pair of curling voluted branches. Palm fronds extend from the volutes. A palmette sprouts from the top of the uppermost tree. This panel, and others like it found in the same storeroom, seem to have been used together with the ivory panels decorated with male and female figures to make up pieces of furniture. Several c

Pair of panels first half 18th century Italian. Pair of panels 227750

Mosquée de Qaytbay, ensemble et détails du minaret (XVe. siècle). Girault de Prangey, 1804-1892. Prisse d'Avennes, 1807-1879. Prints, Drawings. 1877. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Architecture, Islamic, Architecture , Egypt , Cairo, Art , Egypt , Cairo, Art, Islamic, Islamic decoration and ornament, Architecture, Islamic , Egypt, Minarets , Egypt , Cairo

Wall facing, tin-glazed earthenware, underglaze, Two vertical rectangles, twenty-three tiles high. A) Nine tiles wide at top; seven tiles wide at bottom. B) Ten and one-half tiles wide., Arabesque design of foliage. A) with centered figure of Justice under a canopy. B) with centered urn., Possibly Delft, Netherlands, Possibly Rotterdam, Holland, ca. 1725, tiles, Decorative Arts, Wall facing

Design for Dolkschede with Hercules, master of the horse heads, 1500 - 1599 print Hercules with club standing on shield worn by young. Ornamentation with fantasy scenes. Low Countries paper engraving (story of) Hercules (Heracles). animals (+ ornamental variants of animals)

Design for a Knife Handle with a Memento Mori 1580-1600 Johann Theodor de Bry Netherlandish Panel with knife handle design, with a man with a rose before the seated figure of Death, shown as a skeleton, after a design by Jan Saenredam after Hendrik Goltzius (Bartsch III.258.123) This scene is framed by an arch at the top of the handle and is on a blackwork background with grotesques. From a series of twelve plates.. Design for a Knife Handle with a Memento Mori 425018

Plaster model for a vault decoration of the Palais du Louvre by François Théophile Murgey, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 3. Paris paper. photographic support salted paper print permanent exhibition, museum. ornamenting, decorating ~ applied arts Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

Lazio Roma Rome S. Paolo96. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture fragments, tomb sculpture fragments, sculptural fragments, inscribed tomb markers, sculpture, fresco painting, mosaics Specific Location: Basilica Antiquities: Architectural sculpture fragments, tomb sculpture fragments, sculpture fragments General Notes: the "tomb markers" need to be sorted and catalogued German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Fragment, Le loup et l'agneau; Designed by Jean-Baptiste Huët (1745 - 1811); France; cotton

Campania Caserta Carinola Cathedral7. Hutzel, Max 1960-1990 Medieval: 11th c. architecture, architectural sculpture, sculpture, mosaics, cosmati tiling, fresco paintings. Post-medieval: Fresco painting, paintings, sculpture Antiquities: Sculpture, sculptural relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Viterbo Museo Civico07. Hutzel, Max 1960-1990 Views of paintings (Middle Ages through 18th c.), frescoes, a tabernacle, coffin, sculpture reliefs, portal fragments, busts, sculpture, tapestry found in the Pinacoteca, Second floor gallery and Second floor cloister sequences. Antiquities: Many views of Etruscan and Roman fragments, sculpture, sarcophagi, pottery, masks, jewelry and other objects found in the Storeroom sequence (inventory numbers on back of prints), and the Cloister, Second floor Cloister, Valle Giulia, Sala Romana and Sala Etrusca sequences. General Notes: There are eight separate numerical sequences for this location. The cloister as an architectural structure, rather than museum site, is documented in the record and file for S. Maria della Verita, Cloister, all views of which are stored in Medieval core collection. Five views from the Museo Civico Second floor cloister sequence are stored in Medieval. German-born photographer and scholar Max Hutzel (1911-

Relief with a flower garland from the Pavia's cartui maker; Dettaglio della Certosa di Pavia.

Strook van kloskant met holle en bolle dubbele lijsten.Strip of black climbing side: Chantilly side. A ground ground shows an empty top and a downwardly severely symmetrical design. Hollow and convex double tables, cascading, follow the slot, which exist for turns from half rosettes and a bow of leaves.

Abruzzo Pescara Penne S. Maria in Colleromano, Convent church7. Hutzel, Max 1960-1990 Post-medieval: exterior views, including detailed views of main portal. Views of interior, including naves, altars, architectural (17-18th century) sculpture, painting, and frescoes. Several views of cloister and colonnade. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Campania Caserta Capua Museo Campano6. Hutzel, Max 1960-1990 Medieval: Byzantine architectural fragments; parchment fragments with miniatures (12th century) from Montecassino; painted wooden crucifix (13th century); Carolingian crucifixes; Bishop's miter (11th century) of gold and silver damask; fresco (13th century). Post-medieval: Architecture (15th century). Formerly the Palazzo Antignano. Unusual Catalan/Moorish-style portal; Paintings on panel and canvas (15th-18th centuries); marble intarsia (16th century); marble sculpture: busts of Christ and Mary (17th century); sculpture of saints in marble and in wood (15th century); painted and gilded sculpture in wood; marble grave sculpture (16th century); sarcophagus with allegorical carvings; gold reliquary "Rosa d'Oro"; crucifix made of elephant tusk Specific Location: Pianterreno Antiquities: Italic sculpture (seated women holding babies); inscription. Photo campaign #1: 533 photos. Roman relief and sculpture; cinerary urns; Greek and

Campania Caserta Capua Chiesa dell'Annunziata7. Hutzel, Max 1960-1990 Medieval: Architecture, sculpture. Post-medieval: Architecture, architectural sculpture, sculpture, painting, stucco, decorative arts (furniture, woodworking, tapestry, metalworking), marble Object Notes: constructed from 1531 to 1574, earlier church from c.1285-1309. Renaissance appearance with modifications of the 17th and 18th centuries. No information provided by Hutzel. See guidebook included in shipment of photographs, pp. 33-34. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, s

Eight heraldic quarries 1622 British. Eight heraldic quarries 198901

Umbria Terni Narni S. Maria in Pensole2. Hutzel, Max 1960-1990 Medieval: 1982--39 photos Architecture, architectural sculpture (including mosaic) (12th century) 1987--76 photos Architecture, architectural sculpture, wall painting (12th century). Post-medieval: 1982--5 photos Frescoes 1987--8 photos Architecture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Pair of panels 18th century French. Pair of panels. French. 18th century. Carved and stripped oak. Woodwork

London, Monumental roundel, Bronze rosette with relief, recto - printed, photomechanical print, page, photos, photographically illustrated books, German. About 1500., No. 7796. '63., Plate XXIII., height 106 mm, width 108 mm, maker, manufacturer, 1869 - 1876, paper, Woodburytype

Ferdinando Galli Bibiena, A Grand Illusionistic Ceiling, 1720 1740 A Grand Illusionistic Ceiling

Campania Caserta Capua Museo Campano208. Hutzel, Max 1960-1990 Medieval: Byzantine architectural fragments; parchment fragments with miniatures (12th century) from Montecassino; painted wooden crucifix (13th century); Carolingian crucifixes; Bishop's miter (11th century) of gold and silver damask; fresco (13th century). Post-medieval: Architecture (15th century). Formerly the Palazzo Antignano. Unusual Catalan/Moorish-style portal; Paintings on panel and canvas (15th-18th centuries); marble intarsia (16th century); marble sculpture: busts of Christ and Mary (17th century); sculpture of saints in marble and in wood (15th century); painted and gilded sculpture in wood; marble grave sculpture (16th century); sarcophagus with allegorical carvings; gold reliquary "Rosa d'Oro"; crucifix made of elephant tusk Specific Location: Pianterreno Antiquities: Italic sculpture (seated women holding babies); inscription. Photo campaign #1: 533 photos. Roman relief and sculpture; cinerary urns; Greek a

Misery. Gothic frieze - fragment; Lesser, Aleksander (1814-1884); 1835-1884 (1835-00-00-1884-00-00);Lesser, Aleksander (1814-1884), Lesser, Aleksander (1814-1884) - collections, Lesser, Emiljan Stanisław (Baron - 1847-1912), Lesser, Emiljan Stanisław (Baron - 1847-1912) - collection, Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935), Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935) - collection, Miśnia (Germany), architecture, German architecture, foreign architecture, religious architecture, sacred architecture, gift (provenance), details, architectural details, architectural details, architectural details, Fryzy (archite.), Gothic (style), cathedral of St. John and Saint. Donata (Miśnia)

Giovanni Pietro Birago and Zoan Andrea, Ornament Panel Three Children Blowing Horns, c 1505 1515 Ornament Panel: Three Children Blowing Horns

Tapestry Band Fragment 9th-13th century Lambayeque (Sicán). Tapestry Band Fragment 308080

Gypsum Model for Decoration of The Palace of the Louvre by Edme Small. Share of meeting of the Tuileries at the Louvre 1852-1857, album 4.

DEAISME, Pierre -Georges (n.1859 - D.1932), Cherry belt loop (main title), 1902. Graphite on transparent vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

Drawing, Design for a Wall Panel; Attributed to Pierre Ranson (French, 1736-1786); France; pen and ink, brush and watercolor, sepia on paper

Greek motifs, including waves, c. 1890 - c. 1922 Page 14 Recto from a sketchbook with 43 sheets. paper. pencil. ink. watercolor (paint) pen / brush ornament ~ spiral and derived from spiral, e.g.: Greek wave

Fronton van Het Palais du Louvre: "The arts and sciences" Door Pierre Edouard Charrier, c. 1855 - C. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 4. Paris paper. photographic support salted paper print permanent exhibition, museum. piece of sculpture, reproduction of a piece of sculpture. other architectural details (with NAME) Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

Lazio Roma Rome S. Paolo5. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture fragments, tomb sculpture fragments, sculptural fragments, inscribed tomb markers, sculpture, fresco painting, mosaics Specific Location: Basilica Antiquities: Architectural sculpture fragments, tomb sculpture fragments, sculpture fragments General Notes: the "tomb markers" need to be sorted and catalogued German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Relief with leaf motif, c. 1875 - c. 1900 photograph Italy photographic support albumen print sculpture (+ relief ~ sculpture). foliage, tendrils, branches ~ ornament

Campania Salerno Cava dei Tirreni Museo0. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

DecorativeFrieze. Artist: Unknown

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