Figural Satire

Etchings illustrating social commentary and satire, featuring exaggerated figures in humorous contexts, capturing the spirit of the 18th and 19th centuries.

Zamboula-Polka. Zamboula-Polka

They Say 'Yes' and Give Their Hand to the First Comer, plate two from Los Caprichos. Francisco José de Goya y Lucientes; Spanish, 1746-1828. Date: 1797-1799. Dimensions: 179.5 x 123 mm (image); 215 x 153 mm (plate); 300 x 200 mm (sheet). Etching and aquatint on ivory laid paper. Origin: Spain. Museum: The Chicago Art Institute, USA.

Le masque tombe, l’homme reste, et le pierrot” s’evanouit.”. Artist: Paul Gavarni, French, 1804-1866

Carnaval. Paul Gavarni (French, 1804-1866). Lithograph;

LE JIN(sic).. Artist: Paul Gavarni, French, 1804-1866

Ma petite maison, maman l'a mangée. Mon frère Zidor a joué mes - chevaux, mes chles, mes bagues...et tout. Et feu mon père a bu le reste ,. Paul Gavarni (1804-1866). Lithographs and Other Works

In carnival. Planche # 3 (registered title) | 2nd suite of 1855. (Title Title)

Madame cherche un Msieu? - Deux Msieux.. Artist: Paul Gavarni, French, 1804-1866

Francisco de Goya y Lucientes / 'The filiation'. 1797 - 1799. Etching, Aquatint on ivory laid paper. Museum: Museo del Prado, Madrid, España.

UnePresentation.. Artist: Paul Gavarni, French, 1804-1866

Zamboula-Polka. Zamboula-Polka

Nadie se conoce. (Nobody Knows Himself.), pl. 6 from the series Loscaprichos. Artist: Francisco Goya, Spanish, 1746-1828

Sunday Morning Made 1892-1894 Sweden. Etching on ivory laid paper . Anders Zorn

Slave with birch rod laughing at a white woman with her buttocks exposed in a corner of a room. Originally published in the Victorian spanking novel The Memoirs of Dolly Morton by Hugues Rebell (George Grassal), published by Charles Carrington in 1899. Photogravure after an illustration by Louis Malteste from Jacques dIcys Qui Aime Bien ou la flagellation dans la vie moderne, Jean Fort, Paris, 1912.

Rejane and Galipaux in "Madame Sans-Gêne" (Réjane et Galipaux dans "Madame Sans-Gêne"). Dated: 1894. Medium: lithograph in black on velin paper. Museum: National Gallery of Art, Washington DC. Author: Henri de Toulouse-Lautrec.

Ida Heath au bar , Dancers, Bars, Heath, Ida. Henri de Toulouse-Lautrec (1864-1901). Prints and Drawings

Interior with Two Gentlemen and a Lady. Dated: 1879. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Ed. Heil.

Allons! va au marche, mman!… et nme carotte pas.. Artist: Paul Gavarni, French, 1804-1866

Miss Matty - Miss Matilda Jenkins - meeting her old admirer Mr Holbrook again while buying material at the drapers shop. Illustration by Hugh Thomson (1860-1920) for Cranford , London, 1891, by Mrs Gaskell. Cranford originally published 1851-1853.

Carnaval, 1841-1843. Paul Gavarni (French, 1804-1866). Lithograph;

A woman weeping her head in her hands, surrounded by men; folio 17 (recto) from the Madrid Album 'B'. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Sheet: 9 1/4 x 5 3/4 in. (23.5 x 14.61cm). Date: 1796-97. Museum: Metropolitan Museum of Art, New York, USA.

Henri de Toulouse Lautrec, Rejane and Galipaux in Madame Sans Gêne (Réjane et Galipaux dans Madame Sans Gêne), 1894 Rejane and Galipaux in Madame Sans-Gêne (Réjane et Galipaux dans Madame Sans-Gêne)

Woman looks at prints in a picture stand. On a table is a woman with a print in her right hand. With her left hand, she takes another print from a print stand.

After Winslow Homer, In Came a Storm of Wind, Rain and SprayAnd Portia, Dec. 1869, wood engraving on cream wove paper.

What Came of Killing a Rich Uncle One Christmas Time, 1865. Charles Samuel Keene (British, 1823-1891). Wood engraving;

Anna Karenina meets with her son (Illustration for novel Anna Karenina by Leo Tolstoy) by Vrubel, Mikhail Alexandrovich (1856-1910)/ State Tretyakov Gallery, Moscow/ 1878/ Russia/ Brown ink on paper/ Symbolism/ Mythology, Allegory and Literature

L'Escarmouche. Artist: Édouard Vuillard (French, Cuiseaux 1868-1940 La Baule); Henri de Toulouse-Lautrec (French, Albi 1864-1901 Saint-André-du-Bois); Louis Anquetin (French, Etrépagny 1861-1932 Paris); Henri-Gabriel Ibels (French, Paris 1867-1936 Paris); Adolphe-Léon Willette (French, Chlons-sur-Marne 1857-1926 Paris); Eugène Verneau (French, active 19th century); Hermann Paul (French). Author: Georges Darien (French, Paris 1862-1921 Paris). Dimensions: Each: 25 9/16 × 19 11/16 in. (65 × 50 cm). Date: 1893-94.An anarchist weekly periodical directed by the French writer, artist, and satirist Georges Darien and illustrated by artists such as Toulouse-Lautrec, Vernea, Ibels, Vollard, etc.November 13, 1893, No. 1November 19, 1893, No. 2November 26, 1893, No. 3December 3, 1893, No. 4December 10, 1893, No. 5December 17, 1893, No. 6December 24, 1893, No. 7December 31, 1893, No. 8January 7, 1894, No. 9. Museum: Metropolitan Museum of Art, New York, USA.

Masks and faces We have never permitted... Made 1857-1858 France. Lithograph in black on light gray China paper laid down on ivory wove paper . Paul Gavarni

Kerker Met Drie People, Johann Georg Trautmann (Possibly), 1723 - 1769 drawing Joseph in prison explains the dreams of the donor and the baker (). Church with two prisoners and a incoming shape with a turban. paper. chalk brush prison, jail

Before Balle: Rejected admirer and seeking protector; Tronsens, Charles (1830-Post 1870); around 1865 (1860-00-00-1870-00-00);Bloch, Jan Gottlib (1836-1902), Bloch, Jan Gottlib (1836-1902) - collections, Society for the Encouragement of Fine Arts (Warsaw - 1860-1940) - collection, balls, women, krynolins, fashion, men, images in composition, French drawings, genre scenes, toilet (iconogr.), Interiors

A woman pulling at her hair being watched by a group of figures; folio 76 from the Images of Spain Album 'F'. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Sheet: 8 1/8 × 5 11/16 in. (20.6 × 14.4 cm). Date: ca. 1812-20. Museum: Metropolitan Museum of Art, New York, USA.

It's disgusting! .... The modists always go up the shape of the hats! ... / Yes, and the architects who drop the ceilings ....., they should well / at least get along! ... . (Registered Title) | News. (Title of the whole)

Page 17: a son murdering his mother, from '36 Grabados' (Mexico, 1943). Artist: José Guadalupe Posada (Mexican, 1851-1913). Dimensions: 13 3/4 × 9 7/16 in. (35 × 24 cm). Publisher: Arsacio Vanegas Arroyo (Mexican, 1922-2001). Date: 1943.See comment for 46.46.102. Museum: Metropolitan Museum of Art, New York, USA.

Is my Wife at home Yes, monsieur, and your cousin too..., plate 4 from Tout ce qu'on voudra Made 1847 France. Lithograph in black on buff wove paper . Honoré-Victorin Daumier

Gottlob, Fernand-Louis (n.1873-02-23-D.1935-11-10), overwork (dummy title). Black stone. Blue pencil and black ink on paper. Petit Palais, Museum of Fine Arts of the City of Paris.

A Berlioz (grande planche) , Composers, Supernatural beings, Trumpets, Berlioz, Hector, 1803-1869. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

W ADCA, PL. 2, Mierci part II, op. XIII; Giescke und Devrient (Leipzig; Publishing House; 1852-), Klinger, Max (1857-1920); 1910 (1910-00-00-1910-00-00);Partage Plus, Sachs, Carl (1858-1943), Sachs, Carl (1858-1943) - collections, Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, bishops, princes, queen, kings, knights, banners, banners, death

Il y a que cet animal de Margouty ne veut pas me payer mes sept livresdix…. Artist: Paul Gavarni, French, 1804-1866

Albert Besnard, Iza Sleeping (Le Sommeil d'Iza), 1885 Iza Sleeping (Le Sommeil d'Iza)

At a masquerade ball. Grévin, Alfred (1827-1892), draughtsman, cartoonist

Ballad of Fair Annie, Study, Jephtha's Daughter, Artists: Dante Gabriel Rossetti and Elizabeth Siddal Brown Pen And Ink Wash On Paper; Pencil On Verso, Art Movement, Pre-Raphaelite, 19th Century, Sketch, Pre-Raphaelite

# 25 / It's morning hand that tender husband is going to be ...

A Worn Out Debauchée. Date/Period: Between 1790 and 1795. Painting. Watercolor. Height: 311 mm (12.24 in); Width: 210 mm (8.26 in). Author: Thomas Rowlandson.

Kissing pair partly behind a bush, Willem Linnig (II) (Possible), 1852 - 1890 print paper etching (lovers) kissing each other

Lugné-Poé and Bady, in "Au-Dessus des Forces Humaines". Henri de Toulouse-Lautrec; French, 1864-1901. Date: 1894. Dimensions: 290 × 238 mm (image); 382 × 275 mm (sheet). Lithograph on cream wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Do you know the Louchard-Gros-Bag .. [Plate # 16 (dummy title)

Interieur with a woman and a child in a cradle, Johann Heinrich Maria Hubert Rennefeld, after Esaias Boursse, after Johannes Arnoldus Boland, 1845 - 1877 print In a room a woman sits by the fireplace. Behind her is a cradle in which a child lies. Amsterdam paper etching cradle, crib. open hearth, fire-place

The Lawyer Talking to the Prisoner (first plate). Dated: 1909. Medium: drypoint in brown on wove paper. Museum: National Gallery of Art, Washington DC. Author: JEAN LOUIS FORAIN.

PAILLASSE ET PIERROT. Artist: Paul Gavarni, French, 1804-1866

Study for a frontispiece for "Histoire de Miss Jenny". Artist: Hubert François Gravelot (French, Paris 1699-1773 Paris). Dimensions: 4 15/16 x 2 13/16 in. (12.6 x 7.1 cm.). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Afternoon Tea Made 1897 United States. Transfer lithograph in black on tan laid Japanese vellum . James McNeill Whistler

Ce qui nous prouve que quand on fait la patrouille.... Honoré Daumier (1808-1879). Lithographs

Benedick: What, my dear Lady Disdain! are you yet living?”, illustration for Act I, Scene i, Much Ado About Nothing. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

Knitting in the Library, c. 1881. Mary Cassatt (American, 1844-1926). Softground etching and aquatint;

Remember a ball at the Town Hall.

Trottins Richard Ranft (Swiss, 1862-1931). Trottins, 1894. Etching on wove paper, Plate: 15 5/8 x 10 1/8 in. (39.7 x 25.7 cm). European Art 1894

Honoré Daumier, Courant rejoindre les insurgés, 19th century Courant rejoindre les insurgés

Dachu, so on dit que ton epouse te fait… des betises, on dit sa comme on dit autchose; …. Artist: Paul Gavarni, French, 1804-1866

1893 Art Work - At the Moulin Rouge: the Franco-Russian Alliance Henri de Toulouse-Lautrec.

Jean Louis Forain, A la Conference de la Paix, 1914 1919 A la Conference de la Paix

Artist: Edwin Austin Abbey, American, 1852-1911, M.A., 1897, Man and woman in an interior - unidentifiedillustration, Graphite, ink wash and watercolor on buff- colored paper, 14 × 12.5 cm (5 1/2 × 4 15/16in.), Made in United States, American, 19thcentury, Works on Paper - Drawings andWatercolors

Breakfast. Jean François Raffaëlli; French, 1850-1924. Date: 1895. Dimensions: 467 × 218 mm (image); 472 × 218 mm (plate); 547 × 345 mm (sheet). Drypoint, etching and roulette, printed in blue, green, yellow ochre, red, and black, on buff wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: Jean-François Rafaëlli.

Caprichos: No One Knows Himself. Francisco de Goya (Spanish, 1746-1828). Etching and aquatint;

Gottlob, Fernand-Louis (n.1873-02-23-D.1935-11-10), available to USED) (Registered title (letter)), 1902. Pierre Noire. Blue pencil and black ink on paper. Petit Palais, Museum of Fine Arts of the City of Paris.

Encoresoif!…. Artist: Paul Gavarni, French, 1804-1866

Ma chère, je l'aime!... - Vous le lui avez avoué - ...V'oui... - Imprudente! ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Henri de Toulouse-Lautrec (French, 1864-1901), Di Ti Fellow-Englishmen at the Cafe-Concert (Di Ti Fellow-Anglaise au Café-Concert), 1898, lithograph in brown on hand-made oriental paper

Jean Louis Forain, Gambling Room, 1914 Gambling Room

Jerome Paturot and a couple of swindlers. Grandville, Jean-Jacques (1803-1847), draughtsman, cartoonist

La lettre quon lit….. Artist: Paul Gavarni, French, 1804-1866

Honoré Daumier, Oui, ma chère, mon mari a ravalé ma dignité, 1849 Oui, ma chère, mon mari a ravalé ma dignité...

LHEURE DU BERGER. - THE SHEPERDS (sic) HOUR. Artist: Paul Gavarni, French, 1804-1866

The Sibyl and a Child Bearing a Torch. Ugo da Carpi (Italian, c. 1480-after 1535); after Raffaello Sanzio, called Raphael (Italian, 1483-1520). Date: 1500-1540. Dimensions: 276 x 219 mm. Chiaroscuro woodcut in black and ochre on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

Have not saints lips, and holy palmers too?” - A Hall in Capulet’s House - Act I, Scene V, Romeo and Juliet. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

Faust, Wagner et le barbet (Faust, Wagner, and the Spaniel), from Johann Wolfgang von Goethes Faust. Artist: Eugène Delacroix, French, 1798-1863

Rijn, Rembrandt van, Two wanderers, facing right, verso lower left, Mirror-image copy after the print of the same name by Rembrandt., drawing, teken, prints, prenten, Rt, upper left, verso lower right, height 94 mm, width 59 mm, Work conception, Northern Netherlands, 1606-07-15 - 1669-10-08, after print by, 1629 - 1633, second quarter 17th century, paper, ink, pen, draughtsman, draftsman

Detenus PourDettes. Artist: Paul Gavarni, French, 1804-1866

Even thus he cannot make her out. Francisco Goya y Lucientes (Spain, Fuendetodos, 1746-1828). Spain, 1799. Prints; etchings. Etching, aquatint and drypoint

La danse à la campagne (Dance in the country) prints, soft-ground etchings, works on paper

Major Thomas Pearson and the Brahman, George Romney, 1734-1802, British, undated, Gray wash over graphite on medium slightly textured cream laid paper, Sheet: 7 7/8 x 4 3/4 inches (20 x 12.1 cm), figure study, gesture, hand, historical subject, kneeling, palm tree, pointing, India

Lo peor es pedir. (The Worst Is To Beg.), pl. 55 from the series Los desastres de la guerra (The Disasters ofWar). Artist: Francisco Goya, Spanish, 1746-1828

Scene from Ballet Astaroth, Charles Rochussen, 1865 - 1868 print A fairy with a sword appears to Astaroth and points to the left. They are surrounded by frightened and grieving people. print maker: Netherlandsprinter: Amsterdam paper Dea Syria, Astarte. the ballet, ballet performance Stadsschouwburg

These little ladies. Planche N15 (letter registered (letter)) | 2nd sequence of 1862-1863. (Title)

You Will Not Escape (No te escarparas) Francisco de Goya y Lucientes (Spanish, 1746-1828). You Will Not Escape (No te escarparas), 1797-1798. Etching and aquatint on laid paper, Sheet: 11 7/8 x 7 15/16 in. (30.2 x 20.2 cm). The Caprices (Los Caprichos) is a set of eighty etchings created between 1797 and 1798. On view are thirteen examples of the Brooklyn Museums rare “trial proof” set, which is composed of early impressions of a print made by the artist prior to the published edition. In the first part of the series, Goya critiques the characters, institutions, and values of early modern Spanish society; the second focuses on bizarre and macabre imagery. The most famous image, The Sleep of Reason Produces Monsters (El sueño de la razon produce monstruos), conveys a purposeful ambiguity regarding the conflict between Spanish religiosity and Enlightenment thought: sueño may refer both to the sleep or absence of reason, and to the dream of reason (reason unchecked) that produces monste

Ex Cathedra ("ex catedra"). Artist: Leonardo Alenza y Nieto (Spanish, Madrid 1807-1845 Madrid). Dimensions: 7-1/8 x 5-1/8 in. (18.1 x 13.0 cm). Date: 1807-45. Museum: Metropolitan Museum of Art, New York, USA.

Trois figures isolées ,. Paul Gavarni (1804-1866). Lithographs and Other Works

'Neighbours In Council', 1869. Artist: John Tenniel

Le réfugié politique. Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Nobody knows himself', 1799 Artist: Francisco Goya. Plate 6 of 'Los Caprichos'. Los Caprichos are a set of 80 prints in aquatint and etching created by the Spanish artist Francisco Goya in 1797 and 1798, and published as an album in 1799.

Francisco de Goya (Spanish, 1746-1828). Hasta la muerte. (Until death.), 1796-1797. From Los Caprichos, no. 55. Etching, burnished aquatint, and drypoint on cream laid paper. Plate: 215 mm x 150 mm (8.46 in. x 5.91 in.).

La Traite des Blanches. Félicien Victor Joseph Rops (Belgium, Namur, 1833-1898). Belgium, 1857. Prints; lithographs. Lithograph

Illustration by Gustave Dore for 'Le Capitaine Fracasse' by Pierre Théophile Gautier (1811 - 1872)French, Writer, poet, painter, art critic. Gautier was a defender of Romanticism, Gautier's work is difficult to classify and remains a point of reference for many subsequent literary traditions such as Parnassianism, Symbolism, Decadence and Modernism. Captain Fracasse (Le Capitaine Fracasse) is an 1863 novel by the French writer Théophile Gautier. It is an adventure novel set in the seventeenth century.

The Sisters, 1894. James McNeill Whistler (American, 1834-1903). Lithograph;

The New Maid Made 1909 Sweden. Etching on ivory laid paper . Anders Zorn

Interior with a reading woman in a chair. .

At the window according to Władysław Czachórski. A clip from a Russian magazine Monogramist E.R. , Czachórski, W Adys Aw (1850 1911)

In times of Terror". Froment, Eugene (1820-1900), graphic artist, Macquoid, Percy (1852-1925), painter

Théodore Chassériau, Othello Suite: No. 8 (Act 4, Scene 3: Desdemona and Emilia), 1844, etching on paper.

Je dois me connaitre en chales mieux que toi,Manon….. Artist: Paul Gavarni, French, 1804-1866

Jean-Louis Forain, Gambling Room, French, 1852-1931, 1914, lithograph

The Invention of Drawing (recto); Sketch of Lower Leg Bones of Human Skeleton (verso). Joseph-Benoît Suvée (Belgian, 1743 - 1807)

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