Expressionist Printmaking

Art prints exhibiting themes of struggle and nighttime, showcasing expressionist styles with strong contrasts and dynamic forms.

Paul Gauguin (French, 1848 - 1903). Te Po (La Grand Nuit), 1893-1894. From Noa Noa Suite. Woodcut printed in three colors (black, orange, and yellow) on tan wove paper. Image: 207 mm x 359 mm (8.15 in. x 14.13 in.). Second of two states.

Paul Gauguin, Te Po (The Long Night), 1894 1895 Te Po (The Long Night)

Peasants' War: Arming in a Vault, 1906. Käthe Kollwitz (German, 1867-1945). Etching and aquatint;

Max Klinger, Intermezzi, Opus IV, Bl. 11: Gefallener Reiter (Fallen Rider), 1881, etching and aquatint on paper.

Paul Gauguin (French, 1848 - 1903). Te Po (La Grand Nuit), 1893-1894. From Noa Noa Suite. Woodcut printed in three colors (black, orange, and yellow) on tan wove paper. Image: 207 mm x 359 mm (8.15 in. x 14.13 in.). Second of two states.

Summer Night - Albert Bloch

La Carrière de grès, 1890. Auguste Louis Lepère (French, 1849-1918). Wood engraving;

Strasbourg, Baldung Grien, Hans, Saint Jerome as a penitent in the desert, verso lower left - stamped, Saint Jerome kneels as a penitent in the desert or wilderness by a tree. He is depicted as a thin old man with a stone in his hand. Next to him lies a lion and on the ground in front of him are two more attributes, a cardinal's hat and a book. On the left is a view of a mountain landscape and a church., print, prent, prints, prenten, height 127 mm, width 87 mm, German, 1484 - 1545-09, print maker, prentmaker, 1511 - 1511, first quarter 16th century, paper, papier, houtsnede

Spotprent in Leidse studenten almanak, 1843.Dancing devils on a ruin. Illustration by the verse 'to a' passer-by 'of Victor Hugo. Cartoon in student almanac of the University of Leiden 1843.

O Grave, where is thy Victory, Jan Toorop, 1892 drawing Two women remove the thorns that overgrow a dying (or dead) man. The man is next to an open grave. paper. pencil. chalk grave, tomb

A Fir Tree in the Forest of the Landes, Aquitane. Artist: René-Ernest Huet (French, 1876-1914). Dimensions: sheet: 15 1/16 x 11 5/16 in. (38.3 x 28.8 cm). Date: 1909. Museum: Metropolitan Museum of Art, New York, USA.

Tuscany Siena Montalcino S. Agostino3. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (14th century). Post-medieval: Frescoes (12th century) depicting saints, life of S. Agostino, the resurrection General Notes: When these negatives were sent there was confusion with identifying these prints and negatives and those of S. Antimo. Some intermingling MAY still exist. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

DALI Salvador(1904-1989) Devout profession Capricho-70 1977 Based on Capricho Francisco Goya's etchings etching 39x31

Fight between a snake and a dragon. .

Death like Harlekijn, Bilboquet playing, Johannes Josephus Aarts, 1881 - 1934 print Death, dressed like harlequin, with a bilboquet in his hand. He tries to get a skull with a wandering movement on a skewer. A part of a head is visible above death. paper Death as man. cup-and-ball, bilboquet

Pan cuts the reed into which the nymph Syrinx has turned. Date/Period: Mid 16th century. Drawing. Pen and brown ink, and brown wash on brown paper, over traces of black chalk, on several joined pieces of paper; framing line in brown ink; squared for transfer. Height: 562 mm (22.12 in); Width: 408 mm (16.06 in). Author: School of Fontainebleau Unknown maker.

A young man surrounded by flying cupids and a lute-playing figure, observed by a young woman accompanied by an elderly man. Etching.

Bologna, Coriolano, Bartolommeo, Reni, Guido, Fall of the Giants (first part), The giants who stormed the sky to overthrow Jupiter are buried under stones. At the top the angry Jupiter with eagle and lightning bolts. On the left and right blowing wind gods., print, prent, prints, prenten, height 438 mm, width 315 mm, Italian, 1599 - 1676, print maker, printmaker, 1647 - 1647, paper, chiaroscuro woodcut, Work conception, 1575-11-04 - 1642-08-18, after a design by, Publication (Event), Publication, publisher

The Third Gift An Enormous Hammer Illustration by E Boyd Smith from the book Myths From Many Lands published 1912

Etching by Joris Hoefnagel depicting the city of Cádiz, noted for its loyalty and nobility, created around 1570.

Allegory of Life. Artist: Anonymous, Swiss, late 16th to early 17th century. Dimensions: sheet: 2 1/4 x 2 15/16 in. (5.7 x 7.5 cm). Date: late 16th-early 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Ernst Barlach, The First Day, 1920 The First Day

Dionysus by Salvador Dali, 1904-1989, USA, Florida, St. Petersburg, Salvador Dali Museum

The First Day. Dated: 1920. Dimensions: image: 25.7 x 35.9 cm (10 1/8 x 14 1/8 in.). Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: Ernst Barlach.

George Chinnery, 1774-1852, British, An Indian Torrent, 1804. Sepia wash, graphite, and pen and brown ink on moderately thick, moderately textured, beige wove paper.

Nave nave fenua (Delightful Land), from the Noa Noa Suite 1893-1894 France. Wood-block print in black ink, with hand-applied red, blue, green, yellow, red-orange, and silver-gray watercolor on tan wove paper . Paul Gauguin

Illustration for Juliusz Słowackis poem “Beniowski". Piechowski, Wojciech (1849-1911), draughtsman, cartoonist

Campania Caserta Carditello Plazzo Reale71. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Women by the River, Auti te Pape, Paul Gauguin, 1891-1893,

Symbolist journal Ymagier II: The War, 1894-1895. Henri Rousseau (French, 1844-1910), Rèmy de Gourmont and Alfred Jarry. Lithograph; sheet: 25.7 x 38.5 cm (10 1/8 x 15 3/16 in.); image: 22 x 32.5 cm (8 11/16 x 12 13/16 in.).

Naked women in the grass, Johannes Josephus Aarts, 1881 - 1934 print Seven naked women lie, sit and stand on the grass. A few trees around him. paper woman (showing herself) undressed, quasi-nude. meadow, pasture

Colinet's Journey: Milestone Marked 'LXII Miles to London', from Thornton's Pastorals of Virgil. Artist: William Blake (British, London 1757-1827 London). Dimensions: block: 1 3/8 x 2 7/8 in. (3.5 x 7.3 cm). Date: 1821. Museum: Metropolitan Museum of Art, New York, USA.

Boit, Charles, work, Portrait of a Gentleman, owner: National Gallery / Sinebrychoff Art Museum, on enamel, special category: miniature, 2.8 cm x 2.5 cm

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), Ornamenti o Grottesche. Seventh number of a suite of 12 rooms. (A. de Vesme 1009; Dutuit 179) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Loves playing with a nymph Ker Xavier Roussel (1867-1944). "Love playing with a nymph". Lithograph in three colors on China flying. Museum of Fine Arts of the city of Paris, small palace.

Artist: Albrecht Dürer, German, 1471-1528, The ProdigalSon, ca.1496, Engraving, platemark: 25.3 × 19.7 cm (9 15/16 × 7 3/4in.), Made in Germany, German, 15thcentury, Works on Paper -Prints

Woman with a bird. Tchórzewski, Jerzy (1928-1999), graphic artist

The ProdigalSon. Artist: Albrecht Dürer, German, 1471-1528

Four scenes on one board white drawing on a black background /Zatsuga HIROSHIGE, Ichiryusai (1797 1858)

Lazio Viterbo Caprarola Palazzo Farnese094. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo Pescara Loreto Aprutino S. Maria in Piano29. Hutzel, Max 1960-1990 Exterior views include: a portico with four arches, a tower, an ornately sculptured portal with a fresco of the Pieta in the lunette (1559). Views of the interior include: a stoup, 17th century wood pulpit, altar paintings, marble altar and baroque altarpiece with details of sculptures and paintings. Most views are of the 14th century frescoes. On the entrance wall is a curious scene of the Last Judgment: Christ in a mandorla sits enthroned among various saints, music-making angels, Virgins and Patriarchs; three saints kneel below him, one in bishops' robes and two in Capuchin habit; instruments of the Passion lay on a table. In the lower register, nude souls cross a bridge, are judged by St. Michael, and then climb up a palm tree to enter a house whereupon they are clothed and dance. Other frescoes include scenes of the life of St. Thomas (under which is much graffiti), and various saints such as St. Catherine

The hansom cab prints, wood engravings, works on paper

A gypsy ca. 1880-1910 José Guadalupe Posada. A gypsy. José Guadalupe Posada (Mexican, 1851-1913). ca. 1880-1910. Etching on zinc. Prints

Salome, Frans Stamkart, 1910 - 1915 drawing Netherlands chalk. cardboard

Marches Macerata Mevale Pieve0. Hutzel, Max 1960-1990 Parish church dating from the 13th century with interior decoration dating until the 16th century. Mevale is the home of the Angelucci family, who were artists and woodworkers in the 15th and 16th centuries. The interior frescoes include a Last Judgment (1601), a Trinity (1560), Apostles in the Oratorium, a Madonna of the Rosary (1571), and a chivalric tournament (15th cent.). A Pieta in the lunette in the Oratorium is believed to have been painted by Perugino, in whose workshop one of the Angelucci worked. There is also a Madonna in the Byzantine style, dating from the 13th century. The confessional is used as well for a chancel, the work of Ancanio Poggini (1580). Object Notes: Hutzel photo campaign date: September 26, 1983. Negs. of columns and stone lion may belong to another site. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, r

Camp-fire , Campfires, Camping. Frank W. Benson (1862-1951). Prints and Drawings

The Old Garden of Sorrows, Jan Toorop, 1889 - 1890 drawing paper. pencil. chalk garden. adult woman. trees: willow

Hell 19th C. Engraving

Thumbelina finds a Swallow lying apparently dead at the entrance to the Mole's tunnel. She wraps him in cotton wool, and the warmth brings him back to life. Illustration to a fairytale by Hans Christian Andersen, first published 1835. Date: 1959

ARTE SIGLO XX. JAPON. ASIA. MARUKI, Iri. Pintor japonés que sufrió la tragedia de Hiroshima. "FANTASMAS". Detalle de un biombo de 8 x 3 m., que representa las escenas vividas algunos instantes después de la explosión de la bomba atómica sobre la ciudad.

Bookplate of Joseph Roig Buxeres. Triado, Mayol José (1870-1929), graphic artist

Taddeo Drawing by Moonlight in Calabrese's House; Federico Zuccaro (Italian, about 1541 - 1609); about 1595; Pen and brown ink, brush with brown wash, over black chalk; 42.1 x 17.7 cm (16 9,16 x 6 15,16 in.)

Odilon Redon (French, 1840 - 1916). And I John saw the holy city, new Jerusalem, coming down from God out of heaven (Et moi, Jean, je vis la sainte cite, la nouvelle Jerusalem, qui descendait du ciel, d'aupres de Dieu), 1899. From Apocalypse de Saint-Jean par Odilon Redon. Lithograph on thin grey wove chine collé on heavy wove paper. Image: 297 mm x 233 mm (11.69 in. x 9.17 in.).

'Series "Bestiary". Gertrude Stein'. Russia, Moscow, 2001. Dimensions: 29,5x2,7 cm. Museum: State Hermitage, St. Petersburg. Author: Dmitry Prigov.

The evil spirits drag the girl into the cauldron. (Polish story).

Jonckheer, Jacobus, work, Four greyhounds, (1000 - 2000), line etching, graphics, plate width 18 cm, plate height 13, 8 cm

Urian riding. Ernst Barlach (Germany, 1870-1938). Germany, 1922. Prints; woodcuts. Woodcut on Japan paper

The Song of the Nibelungs. Siegfried. Date: late 19th Century

Long View Hall, Shenandoah Caverns, New Market, Va. , Caves, Tichnor Brothers Collection, postcards of the United States

Hercules and Antaeus. Engraving, school of Mantegna, Italian, about 1500. The Metropolitan Museum of Art. MM4510 , Engravings, Supernatural beings, Heracles Greek mythological character, Antaeus Mythological character. Nicholas Catsimpoolas Collection

'Series "Bestiary". Timur Novikov'. Russia, Moscow, 1996. Dimensions: 29,7x20,8 cm. Museum: State Hermitage, St. Petersburg. Author: Dmitry Prigov.

Children playing among trellises. Giulio Romano (Italian, 1492/99-1546) (designed after) draughtsman Pannemaker, Wilhelm de (Netherlandish (before 1600) - Flanders, act. 1535-1578) (workshop) weaver c. 1550-1570 Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: Galerie Ruf, Rastatt in 1983. Germany, Rastatt, Galerie Ruf. At top, boys picking grapes from trees; boys playing with goat & carrying platter of grapes (center, foreground); landscape with river & city (background) (BRD) grapevines interspersed with masks Related Works: Panels in set: GCPA 0237389-0237413

Elisah's Final Prophesy and Oath by Salvador Dali, 1904-1989

Marching, plate eight from Oda a Lorca. Antonio Frasconi (Uruguayan, born Argentina, 1919-2013); printed by Bohuslav Horák; published by Tamarind Lithography Workshop (American, founded 1960). Date: 1962. Dimensions: 568 x 768 mm (sight). Lithograph on white nacre Japanese paper. Origin: Uruguay. Museum: The Chicago Art Institute, Chicago, USA.

Chained man with three -headed bird of prey on the head, Richard Nicolaüs Roland Holst, 1893 print In the foreground a man with bare torso who carries chains around his neck. On his head a crown and a bird of prey with three cups. On the background a rocky coast and a wavy sea. Three starts in the night sky. paper tools, aids, implements ~ crafts and industries: chain. crown (symbol of sovereignty). predatory birds. three-headed beast. rocky coast. wave. stars

Embers Glow Made 1890-1897 England. Color etching and aquatint on cream (laid) Japanese paper . Theodore Roussel

The Power Of The Giant; Gewalt Den Riesen. Paul Klee (1879-1940). Brush And Black Ink And Coloured Inks On Paper, 1933.

La Route de Jouy (The Road to Jouy) (Furnishing Fabric) Made 1814-1829 France. Cotton, plain weave; engraved roller printed . Horace Vernet

David with the Head of Goliath / Grave Digger Virginia Granbery American ca. 1857 View more. David with the Head of Goliath / Grave Digger. Virginia Granbery (American, Norfolk, Virginia 1831-1921). ca. 1857. Wood engraving, working proof. Prints

Lazio Viterbo Bagnaia Villa Lante57. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

And there I learned what love was like - Siegfried from Siegfried, The Ring of the Nibelungen - Arthur Rackham, circa 1911

'Entrance of Monsieurs de Couvonge and de Chalabre'. France, Circa 1627. Dimensions: 18x31,5 cm. Museum: State Hermitage, St. Petersburg. Author: Jaques Callot.

Collected Manual of Paintings May 1751 Hanabusa Ippō. Collected Manual of Paintings. Hanabusa Ippō (Japanese, 1691-1760). Japan. May 1751. Three woodblock printed books; ink on paper. Edo period (1615-1868). Illustrated Books

Bresdin, Rodolphe, Intérieur de ferme, Interior of a farm, verso center - stamped, print, prints, recto - stamped, height 45 mm, width 51 mm, height 231 mm, width 163 mm, French, 1822-08-13 - 1885-01-14, print maker, 1843 - 1843, second quarter 19th century, paper, etching, Work conception, after own design of

Colinet Mocked by Two Boys, from The Pastorals of Virgil 1821 England. Wood engraving on off-white wove paper . William Blake

Bliżej Kultury Photographic Union Munich, Böcklin, Arnold (1827 1901)

Bilderserie das Größte, hier die größte Höhle, mit dem Fluß Styx, Liebigbild, digital improved reproduction of a collectible image from the Liebig company, estimated from 1900, pd / digital restaurierte Reproduktion eines Sammelbildes von ca 1900, gemeinfrei,.

Gestel, Leo, Altenberg (Ore Mountains), verso - stamped, View of the town of Altenberg in German Saxony from a hill. On the hill an ox cart. The landscape is snow-covered., print, prints, height 140 mm, width 170 mm, Dutch, 1881-11-22 - 1941-11-26, print maker, printmaker, 1923-02 - 1923-02, paper, lithography (technique)

Henri Rousseau, La Guerre (The War), c 1895 La Guerre (The War)

Design for painting Dutch Diamond Workers Union: Freedom. Draughtsman: Richard Roland Holst. Dating: 1878 - 1938. Measurements: h 343 mm × w 286 mm. Museum: Rijksmuseum, Amsterdam.

Paul Gauguin, Maruru (Thank You), 1894 1895 Maruru (Thank You)

2006.1040.62. Dalziels' Bible Gallery - The Flight of Adrammelech, 1861-64. Designer: A Murch. Engraver: Dalziel Brothers

Felicia Dorothea Hemans (born Browne) - 1793-1835 - British poet. Hemens as a child in Wales sitting in a tree reading Shakespeare. Engraving, 1882.

Nave Nave Fenua, Gauguin, Paul, 1848-1903 French, Bibliotheque Nationale, Paris

I Saw Their Eyes. Leonora Carrington (1917-2011). Oil over pencil on canvas. Signed and dated 1968. 81.3 x 60.4cm.

ROYAL ACADEMY, PRIZE SCULPTURE

Dürr, Johann, work name: Kuningatar Kristiina, (1000 - 2000), copper engraving, graphics, sheet width 28.5 cm, sheet height 41.3 cm, image width 27.9 cm, image height 39.5 cm

Store's walls detail. Hackett - King Street, London, United Kingdom. Architect: n.a, 2013.

Work entitled Girls On A Bridge by the Norwegian artist Edvard Munch (1863-1944). This work was produced in 1903.

Into the bottomless pit he fell slap.. Rackham, Arthur (1867-1939). Illustrations. 1911. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Falling, Demons, Holes

Two Draped Figures. Henry Moore (1898-1986). Watercolour, wax crayons, charcoal, pen and black ink on paper. Painted in 1942. 38.1 x 55.9cm.

Manao Tupapau (She is Haunted by a Spirit). Dated: 1893-1894. Dimensions: block: 20.4 x 35.5 cm (8 1/16 x 14 in.) sheet: 20.8 x 35.7 cm (8 3/16 x 14 1/16 in.). Medium: color woodcut in brown and black on japan paper. Museum: National Gallery of Art, Washington DC. Author: PAUL GAUGUIN.

Woodcut 'Triumphal Procession of Kaiser Maximilian I: Run It' by Hans Burgkmair the Elder, created on a wooden stick between 1516 and 1518, part of the imperial procession series.

Jerusalem, Plate 51, Print made by William Blake, 1757-1827, British, 1804 to 1820, Relief etching printed in black with pen and black ink and watercolor on moderately thick, smooth, cream wove paper, Sheet: 10 3/8 x 13 1/2 inches (26.4 x 34.3 cm) and Plate: 8 7/8 x 6 3/8 inches (22.5 x 16.2 cm), bald, cave, cavern, chained, chains, fire, flames, literary theme, men, nudes, religious and mythological subject, robe, sceptre, shackles, sitting

Merlin the Magician and Nimue. Engraving from 'The Death of Arthur' by Sir Thomas Malory, edition with pictures by Aubrey Beardsley (1892-1894). Modernism. Engraving.

Bedford leaps as he would on Earth and finds that the Moon's gravity is weaker, From The First Men in the Moon by HG Wells, First published London, 1913, Halftone

My family home; Stankiewicz, Zofia (1862-1955); Before 1912 (1905-00-00-1912-00-00);Young Poland (Styl), Witke-Jeżewski, Dominik (1862-1944), Witke-Jeżewski, Dominik (1862-1944)-collection, gift (provenance), trees, courts (archite.), Polish graphics, nocturnes, landscapes, landscapes, Poland (culture), symbolism (style), poplars (bot.)

Job's Evil Dreams, circle of John Linnell, 1792-1882, British, after William Blake, 1757-1827, British, undated, Watercolor and black ink on moderately thick, slightly textured, cream wove paper, Sheet: 3 5/8 x 4 5/8 inches (9.2 x 11.7 cm), dreams, fear, goats, monsters, nightmares, Old Testament, religious and mythological subject, serpents

Austria, Vienna, Illustration of Dante Alighieri's Divine Comedy (Heaven, Song XXIII) by Franz von Bayros, detail

Abruzzo L'Aquila L'Aquila Museo Nazionale d'Abruzzo59. Hutzel, Max 1960-1990 Tabernacle from S. Maria delle Grotte in Fossa with scenes of the Presentation at the Temple, the Flagellation, the Annunciation, and the Betrayal by Judas. Museo Nazionale housed in Castle: several exterior views (The Archeological Museum is one gallery (Sala IV) of the Museo). Remaining views of museum collection, including paintings, processional crosses, reliquaries, chalices, ceramics, textiles, manuscripts, and a number of eighth century Abruzzan Madonna sculptures. Works from the church Madonna del Soccorso also stored in Museo. Museo Nazionale d'Abruzzo Roman inscriptions, sculpture and relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans

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