Emotive Etchings

Dramatic etchings depicting laborers and poignant scenes, characterized by rich textures and dark contrasts, capturing human emotions and experiences.

Allegorie op de Prentkunst, François Nicolas Chifflart, 1879 print paper etching / drypoint print, e.g.: engraving, etching, lithograph. symbolic representations, allegories and emblems ~ the graphic arts

Le coupeur de fagots , Laborers, Fuelwood gathering, Alphonse Legros (1837-1911)

Donkey driver in Constantinople, Marius Bauer, 1890 print A man in Eastern clothing with a donkey for a gate. paper etching ass, donkey Constantinople

The Murder (Le Meurtre). Dated: 1885. Dimensions: plate: 16.9 x 11.3 cm (6 5/8 x 4 7/16 in.) sheet: 27.5 x 21.7 cm (10 13/16 x 8 9/16 in.). Medium: etching and aquatint on green laid paper. Museum: National Gallery of Art, Washington DC. Author: Albert Besnard.

The Virgin Mary Cradling the Baby Jesus Made 1764 France. Etching in black on off-white laid paper . Hutin, Charles François

Le chapeau épinglé (Pinning the hat) prints, etchings, works on paper

Francisco de Goya (1746-1828). Spanish painter and printmaker. Los Caprichos. ÁLo que puede un sastre! (What can a tailor!). Number 52. Aquatint. 1799. Reproduction by M. Segui i Riera.

Allegorie op de Prentkunst, François Nicolas Chifflart, 1879 print paper etching / drypoint print, e.g.: engraving, etching, lithograph. symbolic representations, allegories and emblems ~ the graphic arts

Alphonse Legros, Death and the Woodcutter, 2nd plate (La Mort de le bucheron) Death and the Woodcutter, 2nd plate (La Mort de le bucheron)

Monster with a scale. A nude, athletic sample with a scale in his hand. Left of him multiple scales with handles. Around him the sparkle of water.

Lovis Corinth after Rembrandt van Rijn, The Sacrifice of Isaac (Die Opferung Isaacs), 1920 The Sacrifice of Isaac (Die Opferung Isaacs)

Albert Besnard, The Mystery (Le mystère), French, 1849-1934, 1900, etching and aquatint in black on Van Gelder Zonen wove paper

Oedipus and the Sphinx, Johannes Josephus Aarts, 1881 - 1934 print Oedipus at the entrance of the cave where the sphinx stops, a monster with the head of a woman, the body of a lion and the wings of an eagle. She is on a spiral staircase that circles around the dead, naked bodies of two men and a woman. Japanese paper (handmade paper) etching the corpse. staircase. Oedipus and the sphinx; he solves the riddle. hanging figure (by the arms, legs, etc.)

Henri Ignace Jean Théodore Fantin-Latour (1836-1902). "Evocation of Kundry", character of the opera "Parsifal", by Richard Wagner. Pastel on paper. Museum of Fine Arts of the City of Paris, Petit Palais. Kneeling, kneeling, figurative art, drawing, evocation, woman, imploration, implore, young woman, character, pray, prayer, saint grail, symbolism, tragedy, 19th XIX 19th 19th 19th 19th century

Beratung, Blatt 3. aus dem Zyklus: Ein Weberaufstand. Kollwitz, Käthe (1867-1945), graphic artist

Two withered wretches trying to hold up a slab of stone. Etching by F. Goya, 1796/1798.

La prise de Troie. Acte III. Apparition d'Hector , Composers, Berlioz, Hector, 1803-1869. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Correction; Correccion; Los Caprichos. A figure with an animal face, dressed in an adhesive, surrounded by a number of old men. A number of devil-like creatures in the air. Sixtyiest print from the Los Caprichos series.

Jacob's ladder; Four illustrations for Spanish book.

Manfred etAstaire. Artist: Henri Fantin-Latour, French, 1836-1904

Man in a turban, depicted in bust length format from behind in three-quarters view, from the series 'Collection of heads' (Raccolta di teste) ca. 1770 Giovanni Domenico Tiepolo Italian. Man in a turban, depicted in bust length format from behind in three-quarters view, from the series 'Collection of heads' (Raccolta di teste) 397634

Les orphelins , Orphans, Alphonse Legros (1837-1911)

Five Mermaids, Johannes Josephus Aarts, 1881 - 1934 print A group of five mermaids is under water. Two aquatic plants left in the foreground. paper. chalk etching merman - AA - mermaid, siren

Saint en Prière (Saint in Prayer). Artist: Rodolphe Bresdin (French, Montrelais 1822-1885 Sèvres). Dimensions: Mount: 11 7/8 × 8 11/16 in. (30.2 × 22 cm)Sheet: 1 7/8 × 1 7/8 in. (4.8 × 4.8 cm). Date: 1839. Museum: Metropolitan Museum of Art, New York, USA.

Dios los cria y ellos se juntan (God Creates Them and They Join Up Together). Dated: in or after 1816. Medium: etching, burnished aquatint and burin trial proof printed posthumously circa 1854-1863. Museum: National Gallery of Art, Washington DC. Author: FRANCISCO DE GOYA.

Two warriors, one seated asleep on a foreground rock, from Figurine series. Salvator Rosa; Italian, 1615-1673. Date: 1635-1673. Dimensions: 141 x 90 mm. Etching on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

Souvenir or the guitar , Nudes, Guitars

Death Defeated. Dated: 1888 (published 1894). Dimensions: plate: 12.5 x 7.6 cm (4 15/16 x 3 in.) sheet: 16.2 x 9 cm (6 3/8 x 3 9/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: William Strang.

The rest on the flight into Egypt: a night piece, Rembrandt van Rijn, c. 1644 print paper etching / drypoint rest on the flight into Egypt

Virgil. Jusepe de Ribera (Spanish, 1591-1652). Etching;

LE DAUPHIN VOLE DES POIRES.1482.. Artist: Paul Gavarni, French, 1804-1866

Stockings (Les bas). Dimensions: 32.1 cm x 49.5 cm, 20.5 cm x 30 cm. Museum: Van Gogh Museum, Amsterdam. Author: PIERRE BONNARD.

Camille Pissarro, Paysanne bêchant (Peasant Laboring), 1890 Paysanne bêchant (Peasant Laboring)

Saint Jérôme (Le Grand); Bisson Frères (French, active 1840 - 1864); Paris, France; 1858; Salted paper print; 38.7 x 33.6 cm (15 1,4 x 13 1,4 in.)

Harold In the Mountains 1884 France. Lithograph in black on ivory China paper laid down on ivory wove paper . Henri Fantin-Latour

De que mal morira/Of what ill will he die; board No. 40 from: Los Caprichos” Caprices, ed. II, Madrid ca. 1855 Goya, Francisco de (1746 1828)

A gray brush study by Christian Wilhelm Ernst Dietrich around 1730 showing the head of an elderly woman facing left, highlighting facial features and age characteristics.

Puis l'ange prit l'encensoir (And the angel took the censer). Dated: 1899. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Odilon Redon.

'Horseman for the Battle of Cadore', c1525, (1937). Artist: Titian

Woman with guitar in a forest with figures, Henri de Groux, 1877 - c. 1894 print Japanese paper (handmade paper) forest, wood. adult woman. cithern, mandolin, guitar, balalaika

Untitled Salvator Rosa (Italian, 1615-1673). Untitled. Etching, Sheet: 11 7/8 x 17 9/16 in. (30.2 x 44.6 cm). European Art

Shepherd Chases Away a Wolf, from Thornton's Pastorals of Virgil. Artist: William Blake (British, London 1757-1827 London). Dimensions: block: 1 3/8 x 2 7/8 in. (3.5 x 7.3 cm). Date: 1821. Museum: Metropolitan Museum of Art, New York, USA.

Mercury appears on Aeneas in his dream.

Centaur and a woman. Kowalski, Leon (1870-1937), graphic artist

Francisco de Goya, Disparate furioso (Furious Folly), in or after 1816 Disparate furioso (Furious Folly)

Francisco de Goya (1746-1828), than not enough (36), 1810-1820

Alphonse Legros, Death and the Philosopher (La mort et le philosophe) Death and the Philosopher (La mort et le philosophe)

Traveler taking Shelter (Le voyageur a l'abri). Medium: etching, (drypoint) and aquatint. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Turkish man with a turned head with turban, Giovanni Domenico Tiepolo, After Giovanni Battista Tiepolo, 1774 print Venice paper etching head-gear: turban

Ascension of Elijah, 1661 Zwolle paper. chalk brush Zwolle paper. chalk brush

Possession (La possession). Dated: 1900. Dimensions: plate: 14 x 11 cm (5 1/2 x 4 5/16 in.) sheet: 45 x 31.9 cm (17 11/16 x 12 9/16 in.). Medium: etching in black on Van Gelder Zonen wove paper. Museum: National Gallery of Art, Washington DC. Author: Albert Besnard.

Running man with a violin, Willem Linnig (II), 1852 - 1890 under his arm under his arm print paper etching musician - CC - out of doors. violin, fiddle - CC - out of doors

Francisco de Goya (1746-1828), take it your dog! 1797-1798

Blacksmith with bellows, print maker: Charles Emile Jacque, (attributed to), France, 1848, paper, etching, engraving, drypoint, h 165 mm - w 161 mm

Still life with can, raumer and scale with lemons. Still life with can, raumer and scale with lemons. In the margin under a remarque with a thistle.

Reading hermit, Wallerant Vaillant, After Abraham Bloemaert, 1658 - 1676 print paper reading. anchorite, hermit

Good trip; Buen Viage; Los Caprichos. A devil with several devils on his back, flies through the night. Sixty-fourteest print from the Los Caprichos series.

Lelio. La harpe éolienne , Composers, Ghosts, Harps, Dreaming, Berlioz, Hector, 1803-1869. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Mid-Day, from the series, Four Times of the Day. Artist: After Jean-François Millet (French, Gruchy 1814-1875 Barbizon); Jacques-Adrien Lavieille (French, 1818-1862). Dimensions: Block: 5 7/8 x 8 11/16 in. (15 x 22 cm)Sheet: 8 3/16 × 10 11/16 in. (20.8 × 27.1 cm). Series/Portfolio: Four Time of the Day. Date: 1830-75. Museum: Metropolitan Museum of Art, New York, USA.

Sleeping Nude. Artist: Willem de Zwart (Dutch, The Hague 1862-1931 The Hague). Dimensions: plate: 5 7/8 x 7 3/4 in. (14.9 x 19.7 cm)sheet: 8 x 9 in. (20.3 x 22.9 cm). Date: late 19th-early 20th century. Museum: Metropolitan Museum of Art, New York, USA.

The Seehorn. Dated: 1919. Dimensions: image: 28.2 x 25 cm (11 1/8 x 9 13/16 in.) sheet: 41.4 x 34.7 cm (16 5/16 x 13 11/16 in.). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: ERNST LUDWIG KIRCHNER.

Ängste (Anxieties), from the series Ein Handschuh (AGlove). Artist: Max Klinger, German, 1857-1920

Sketch sheet with studies of a peasant woman, Studies of a peasant woman, draughtsman: Simon Andreas Krausz, 1770 - 1825, paper, h 203 mm × w 194 mm

The Caprices, plate 48. 'Big gusts (Soplones)', 1799, Etching, burnished aquatint and burin on laid paper, 20,8 x 15,3 cm. Author: FRANCISCO DE GOYA (1746-1828). Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

On the way to Emmaus. Draughtsman: Harmen ter Borch (mentioned on object). Intermediary draughtsman: Gerard ter Borch (I) (possibly). Dating: 10-Nov-1650. Place: Zwolle. Measurements: h 132 mm × w 213 mm. Museum: Rijksmuseum, Amsterdam.

Jupiter and Danaë, from 'Game of Mythology' (Jeu de la Mythologie) 1644 Stefano della Bella Italian. Jupiter and Danaë, from 'Game of Mythology' (Jeu de la Mythologie) 412375

Alphonse Legros, Convalescent (Le convalescent) Convalescent (Le convalescent)

To Rise and Fall (Subir y bajar) Francisco de Goya y Lucientes (Spanish, 1746-1828). To Rise and Fall (Subir y bajar), 1797-1798. Etching and aquatint on laid paper, Sheet: 11 7/8 x 8 in. (30.2 x 20.3 cm). The Caprices (Los Caprichos) is a set of eighty etchings created between 1797 and 1798. On view are thirteen examples of the Brooklyn Museums rare “trial proof” set, which is composed of early impressions of a print made by the artist prior to the published edition. In the first part of the series, Goya critiques the characters, institutions, and values of early modern Spanish society; the second focuses on bizarre and macabre imagery. The most famous image, The Sleep of Reason Produces Monsters (El sueño de la razon produce monstruos), conveys a purposeful ambiguity regarding the conflict between Spanish religiosity and Enlightenment thought: sueño may refer both to the sleep or absence of reason, and to the dream of reason (reason unchecked) that produces monsters. This idea reap

Death and the Philosopher (La mort et le philosophe). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Wave in Narrow Cove , Bays Bodies of water, Wading. Charles H. Woodbury (1864-1940). Prints

Too Demanding (Exigeante). Dated: 1900. Dimensions: plate: 14 x 11.1 cm (5 1/2 x 4 3/8 in.) sheet: 45 x 31.6 cm (17 11/16 x 12 7/16 in.). Medium: etching in black on Van Gelder Zonen wove paper. Museum: National Gallery of Art, Washington DC. Author: Albert Besnard.

Joseph, detail from: the flight to Egypt: sketch.

Allart van Everdingen, Reynard Steals a Capon from the Pastor, probably c 1645 1656 Reynard Steals a Capon from the Pastor

Mary Magdalene Kneeling (Madeleine a genoux). Dated: 1858. Medium: cliche-verre. Museum: National Gallery of Art, Washington DC. Author: Jean-Baptiste Camille Corot.

Artist: J.J. Grandville (Jean Ignace Isidore Gérard), French, 1803-1847, Woman Sleeping on theGround, Graphite, sheet: 10.5 × 15.5 cm (4 1/8 × 6 1/8in.), Made in France, French, 19thcentury, Works on Paper - Drawings andWatercolors

A good teacher!, Francisco de Goya, 1797 - 1799 print An old and a young woman together on a broomstick, flying above a landscape. Sixty -eight print from the Los Caprichos series. Spain paper etching / drypoint flying on broomstick, pitchfork, trident ~ witches' sabbath

A standing woman with bared torso, a generously draped dress wrapped around her waist Copy after a depiction from the drawing book of Abraham Bloemaert, in the edition of Nicolaas Visscher Numbered 54 in lower right corner, Woman with robe around her waist, Frederick Bloemaert, intermediary draughtsman: Abraham Bloemaert, print maker: anonymous, Netherlands, (possibly), c. 1679 - c. 1750, paper, etching, h 205 mm, w 150 mm

Passage dune me (Crossing of a soul). Artist: Odilon Redon, French, 1840-1916

Lovis Corinth, Tod bei Strucks (Death Visits the Strucks), 1921 Tod bei Strucks (Death Visits the Strucks)

Student at a table by candlelight, Rembrandt van Rijn, c. 1642 print paper etching

William Blake after Mary Ann Flaxman, Canto V, Verse 43, 1803 Canto V, Verse 43

Henri Fantin Latour, Evocation of Kundry (2nd plate), 1883 Evocation of Kundry (2nd plate)

John the Baptist in the wilderness. John the Baptist, in half, by a tree. For him a grasshopper and a honeycomb. Besides him a lamb.

Aux Ambassadeurs. Edgar Degas (France, Paris, 1834-1917). France, 1879-1880. Prints; etchings. Etching

Cameo, No. 2. James Abbott McNeill Whistler (United States, 1834-1903). United States, 1891. Prints; etchings. Etching and drypoint

Deux danseuses (TwoDancers). Artist: Edgar Degas, French, 1834-1917

Desperate Man (Le desespere). Medium: drypoint and etching. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Design for illustration in the Amsterdammer: Doux Pays (...), Johan Braakensiek, 1911 drawing Design for a print. paper. deck paint. chalk brush political caricatures and satires

Finding the bodies of Saints Peter and Paul (fragment) ca. 1647-51 Giovanni Benedetto Castiglione (Il Grechetto) Italian. Finding the bodies of Saints Peter and Paul (fragment). Giovanni Benedetto Castiglione (Il Grechetto) (Italian, Genoa 1609-1664 Mantua). ca. 1647-51. Etching. Prints

Salvator Rosa, from "Fifteen Etchings Dedicated to Sir Joshua Reynolds" December 8, 1778 Etched and published by John Hamilton Mortimer British. Salvator Rosa, from "Fifteen Etchings Dedicated to Sir Joshua Reynolds" 407863

CAPRICHO 8 - QUE SE LA LLEVARON! - 1799 - DIBUJO PREPARATORIO - AGUADA ROJA. Author: FRANCISCO DE GOYA. Location: MUSEO DEL PRADO-DIBUJOS. MADRID. SPAIN.

Rembrandt van Rijn (1606-1669), lying black girl, seen from behind, 1658

Henri de Toulouse Lautrec, The Manor Lady or the Omen (La chatelaine ou le tocsin), 1895 The Manor Lady or the Omen (La chatelaine ou le tocsin)

Ariadne, 1900. Henri Fantin-Latour (French, 1836-1904). Lithograph on blue paper; sheet: 31.6 x 24.2 cm (12 7/16 x 9 1/2 in.); image: 16 x 12 cm (6 5/16 x 4 3/4 in.).

In the Narrow Cove , Seas, Wading. Charles H. Woodbury (1864-1940). Prints

I am Still the Great Isis! Nobody Has Ever Yet Lifted My Veil! My Offspring is the Sun!, plate 16 of 24 Made 1896 France. Lithograph in black on cream China paper laid down on ivory wove paper . Odilon Redon

At the Concert. Henri de Toulouse-Lautrec; French, 1864-1901. Date: 1896. Dimensions: 317 × 428 mm (image); 375 × 280 mm (sheet). Lithograph on cream wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Caricature of a standing fat man.

Francisco de Goya (Spanish, 1746-1828). Feline Pantomine (Gatesca Pantomima), 1810-1815, printed 1863. From The Disasters of War (Los Desastres de la Guerra). Etching and aquatint.

Reclining Female Nude 1658 Rembrandt (Rembrandt van Rijn) Dutch This is one of Rembrandt's most beautiful and understated works. The artist made this print late in his career, by which time he had begun to create remarkable painterly effects never before seen in printmaking, with combinations of velvety drypoint lines, films of ink left on the printing plate, and variously hued papers. This impression was printed on golden toned Japanese paper, which brings an underlying warmth to the dark image.. Reclining Female Nude. Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). 1658. Etching, drypoint, and engraving on japan paper; second of six states. Prints

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