Elegant Architectural Designs

Detailed etchings of architectural elements, including ornate chimney mantles and decorative features, showcasing classical artistry and intricate designs.

Submary, shaft decorated with Narcissus, Abraham Bosse, After Jean Barbet, After 1638 - Before 1643 print Page 16 from the second edition of series. print maker: France (possibly)after design by: France (possibly)publisher: Paris paper etching

Drawing (Italy)

Chimney mantle, decorated with an aedicula between double niches, anonymous, after Jacques Androuet, 1520 - 1561 In the Aedicula there is a painter in front of his donkey with a child next to him. There are muses in the four niches. From a series consisting of a title page and 66 sheets with chimney mantles, decorated with columns, Hermen, Cartouches, Garlandes and Mascarons. All chimney mantels are equipped with hair IJs. print maker: France (possibly)after design by: France (possibly)publisher: Paris paper etching

Furniture Design 1530-85 Jacques Androuet Du Cerceau. Furniture Design. Meubles. Jacques Androuet Du Cerceau (French, Paris 1510/12-1585 Annecy). 1530-85. Etching. Prints

Submary, shaft decorated with Narcissus, Abraham Bosse, After Jean Barbet, After 1638 - Before 1643 print Page 16 from the second edition of series. print maker: France (possibly)after design by: France (possibly)publisher: Paris paper etching

New ice cream panels D. MAROT. New fireplace with ice panels, in the manner of France.

Cabinet with two doors; Les Cabinets. There is a paratide in the corners and in the middle. From fourth edition.

Triumphal arch with Hercules that beats a bull; Entry of Ferdinand in Ghent in 1635 (no. 36), 1635 - 1636 print Triumph arch of the meat -in -laws with a performance by Ferdinand as Hercules that beats a bull. On top of a bust of Ferdinand between Apollo and Diana. Set up for the meat house. Page No. 36 In a whole of 42 plates that illustrate the publication of the description of the entry of the Cardinal Infant Ferdinand of Austria in Ghent on January 28, 1635 as the new governor for the Spanish Netherlands. Southern Netherlands paper etching / engraving triumphal arch. (7) the Cretan bull is captured by Hercules Ghent

Plate 19: Triumphal arch, elevation of the front, surmounted by a cloud bearing Ferdinand and royal ancestors; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...'. Dimensions: Sheet (Trimmed): 20 3/16 × 12 7/16 in. (51.2 × 31.6 cm). Published in: Antwerp. Publisher: Johannes Meursius (Flemish, active 1620-47). Date: 1636.On January 28, 1635, the city of Ghent celebrated the entry of Cardinal-Infante Ferdinand of Spain, the recently appointed governor of the Southern Netherlands. A group of Flemish artists were commissioned to create paintings for the decoration of two triumphal arches erected in the city's main square for the occasion. Though the majority of these canvases are now lost, the engravings in Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis, S.R.E. Cardinalis, Triumphalis Introitus in Flandriae Metropolim Gandavum', Antwerp 1636, illustrate what the series looked like. The Metropolitan Museum of Art owns 34 pla

Cabinet on Stand, Jean Le Pautre, French, 1618-1682, Etching on white laid paper, France, Europe, ca. 1675, furniture, Print, Print

Wall Elevation with a Secretaire, from 'Schreibtische' ca. 1748-70 Franz Xavier Habermann German Wall elevation in Rococo style with a secretaire in the center. The secretaire is crowned by a clock and is flanked by pedestals. The one on the left carries a vase, while on the one on the right two putti are placed.. Wall Elevation with a Secretaire, from 'Schreibtische' 428506

Catafalque for Duke Alessandro Farnese; from 'Libro De Catafalchi, Tabernacoli, con varij designi di Porte fenestre et altri ornamenti di Architettura'. Architect: Catalfalque designed by Giacomo della Porta (Italian, Porlezza ca. 1533-1602 Rome). Artist: Cavaliere d'Arpino (Giuseppe Cesari) (Italian, Arpino 1568-1640 Rome); Giovanni Maggi (Italian, 1566-1618). Dimensions: Sheet: 16 3/16 × 10 15/16 in. (41.1 × 27.8 cm)Plate: 8 9/16 × 6 3/16 in. (21.7 × 15.7 cm). Publisher: Giovanni Giacomo De Rossi (Italian, Rome 1627-1691 Rome). Date: 1593.Disbound print from 'Libro De Catafalchi, Tabernacoli, con varij designi di Porte fenestre et altri ornamenti di Architettura'. This print by Giovanni Maggi depicts the catafalque built for the funeral of Alessandro Farnese, Duke of Parma (1545-1592), which was designed by the architect Giacomo della Porta and included paintings by d'Arpino. Museum: Metropolitan Museum of Art, New York, USA.

Water pump with snakes and pork heads, Georg Lichtensteger, after Johann Jakob Schübler, in or after 1724 print In a dome building a double water pump is decorated with rocaille ornaments, snakes and pork heads. On the right a man pumps water. A five -line German text in the lower margin. Augsburg paper etching / engraving utilitarian, public pump or water fountain. snakes. pig

Prophet Ezekiel; Vault from the Sistine Chapel. Part of the vault painting by Michelangelo in the Sistine Chapel with Sibilles, Prophets and Naked Figures (Ignudi). Central is the prophet Ezekiel.

Paris, Tavernier, Melchior, France, Barbet, Jean, Bosse, Abraham, Livre d' Architecture et d' Autels, Hostel des Ardilliers, Chapel, Above the altar is a niche with a Pieta and an angel. Page 8 from second edition of series., print, ornamental print, prints, ornamental prints, height 193 mm, width 142 mm, French, 1602 - 1676-02-14, print maker, printmaker, 1638 - 1643, second quarter 17th century, paper, etching, etchings, Work conception, 1605 - 1654, after a design by, Publication (Event), Publication, South Netherlands, 1564 - 1641, publisher

Subsema with landscape in around medallion, c. 1655 - c. 1657 print Left and right is an Ionian pilaster. From the second edition. Paris (possibly) paper engraving

. Sleeping house. On top of the building Diana and night, in her arms her children sleep (hypnos) and death (Thanatos). In the middle in the niche sleep, with his attribute poppy in hand. In the house it weases from the oneiroi (beings who are responsible for human dreams). In the margin the title in French, English, German and Dutch. The show is decorated with an ornamental edge.

Design for a chimney with a depiction of Apollo with arrows and bow standing on the dragon Python he conquered The mantelpiece is decorated with rocaille ornaments, Design for a chimney depicting Apollo having defeated Python Neu inventirte Hollaendische Camine, Erster Theil, series S Neu inventirte Hollaendische Camine, Erster Theil Nouveau Livre de Ch, Gerrit de Grendel, (mentioned on object), print maker: anonymous, publisher: Johann Georg Merz, (mentioned on object), Middelburg, publisher: Augsburg, 1709 - 1762, paper, engraving, h 218 mm × w 114 mm

Design for an Altar With a Vaulted Chapel Behind 1700-1780 Anonymous, Italian, Piedmontese, 18th century Italian. Design for an Altar With a Vaulted Chapel Behind. Anonymous, Italian, Piedmontese, 18th century. 1700-1780. Pen and brown ink, brush with gray (visible on verso), yellow and pink wash, over graphite or leadpoint, with ruled or compass construction. Scale at bottom of design in pen and dark brown ink. Drawings

Huis van de Slaap, Bernard Picart, 1733 print The house of sleep. On top of the Diana and Night building, her children sleep in her arms (hypnos) and death (Thanatos). In the middle of the niche sleep, with his attribute Papaver in hand. In the house it is full of the Oneiroi (creatures responsible for human dreams). In the margin the title in French, English, German and Dutch. The performance is decorated with an ornamental edge. Amsterdam paper etching / engraving House of Sleep: a gloomy cave through which runs the river Lethe; possibly with two gates, one of ivory through which deceptive dreams issue, and one of horn through which true dreams issue. the children Hypnos (clad in white) and Thanatos (clad in black) sleep in the arms of their mother Nox. (story of) Diana (Artemis). (story of) Hypnos (Somnus), Sleep. gods of dream (Oneiroi) (Morpheus, Phobetor, Phantasus). scrollwork, strapwork ~ ornament

Ink and wash drawing by Ferdinando Galli Bibiena showing a two-storey rotunda decorated with weapons trophies, emphasizing architectural form.

Alcove with pelias; Alcoues a la romaine. Pelias is murdered by his daughters.

Title card: Alcoves a l`aTtaliene, Inventées et gravées par le Potre. Se Vendent a Paris. Chez Pierre Mariette Fils Rue St. Iacques Aux Colonnes D`Hercule Avec Privilege du Roy B.R.; Le Pautre, Jean (1618-1682), Mariette, Pierre (1634-1716; m.); around 1660-OK. 1670 (1601-00-00-1700-00-00);

Alca decoration design; Le Pautre, Jean (1618-1682), Mariette, Pierre (1634-1716; m.); around 1660-OK. 1670 (1601-00-00-1700-00-00);

Schouw between two wall panels, Jean Lepautre, 1628 - Before 1665 print In the middle of a medallion with the bust of a emperor, held up by two women. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Trompe-l'oeil Decoration for stairwell of Hertog van Albemarle in Voorst, Daniël Marot (I), 1712 print Leaf from series with painted wall decorations for rooms and stairwells. print maker: Netherlands (possibly)after own design by: Netherlands (possibly)publisher: Amsterdam paper etching

Theater gate founded on the Damsluis, 1642. Theater gate founded on the Damsluis. At the top the coat of arms of the English king Charles I, on the side images of Pallas and Mars. Scenic for the displays during the visit of English Queen Henrietta Maria to Amsterdam, 20-22 May 1642. Ninth plate in a group of ten displays and triumph bows.

Above the tablet of the chimney is a frieze, above it hangs a painting with a sacrificial scene, Onderboezem Verschyde Schoorsteen Mantels (series title), print maker: Cornelis Danckerts (I), Pierre Bullet, printer: Justus Danckerts, print maker: Netherlands, (possibly), France, (possibly), printer: Amsterdam, publisher: Amsterdam, c. 1675 - c. 1686, paper, etching, h 285 mm × w 169 mm

An ornamented rocaille case with drawers, crowned with a rocaille clock. On the left is a rocaille vase with flowers on a pedestal, on the right two putti on a pedestal. Against the wall at the top rocailles and garlands of flowers. Center below No. 11., Rocaille cabinet, draughtsman: anonymous, 1700 - 1800, paper, brush, pen, h 368 mm × w 277 mm

Louis XIV (king of France), Paris, Mariette, Pierre (II), Lepautre, Jean, Retables d'autels à l'italienne, Altar with a painting of the Adoration of the kings, Altar with a painting of the Adoration of the Magi. In the church are groups of figures. The print is part of an album., print, ornamental print, title print, album page, prints, height 215 mm, width 149 mm, French, 1618-06-28 - 1682-02-02, print maker, printmaker, 1658 - 1670, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, 1634 - 1716, publisher, uitgever, 1638-09-05 - 1715-09-01, verlener van privilege

Alcove with pelias; Alcoues a la romaine. Pelias is murdered by his daughters. Below three lines are text. From series of 6 sheets.

Print, Chiminée decorée de glaces (Fireplace Decorated with Mirrors), in Livre de décoration de lambris (Book of Panelling Decoration); Designed by François de Cuvilliés the Elder (Belgian, active Germany, 1695 - 1768); Engraved by Carl Albert von Lespilliez (German, 1723 - 1796); Germany; engraving and etching on white laid paper; Sheet: 42.5 x 29 cm (16 3/4 x 11 7/16 in.) Platemark: 35.8 x 23.2 cm (14 1/8 x 9 1/8 in.)

Praal grave of Maarten Tromp, 1653; Tombe van den Admirael Maerten Tromp. Praal grave from Admiral Maarten Tromp, killed in the naval battle at Terheide on August 10, 1653. The praise grave in the Oude Kerk in Delft completed in 1656.

Subsema with Keizersbuste, Jean Lepautre, c. 1665 - c. 1670 print The lower bosom stands between two composite columns. With rebellion and plan. Page 6 from series of 6. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Upper row, at left: the architectural setting is imilar to 1938-88-1296, the entablature not being indicated. The monument is a variation of 1938-88-1298, left row above. Two putti sit upon the cover of the sarcophagus. A woman sits upon the upper edge of a drapery covering part of the lower part of the pedestal. At right: the architectural setting with the canopy and the scheme of the monument are similar to 1938-88-1292, left. At the front, the sarcophagus is supported by feet. The front of the body is a trapezium containing a relief. Upon the cover sit two figures supporting an escutcheon with a crown. Female allegories are sitting upon steps similar to the design at left. On top, upon a seat similar to 1938-88-1352, sits a crowned woman. Lower row, horizontally. The setting with the canopy is similar to that above, at right. In the center, in front of the entablature, is a cresting motif. The scheme of the monument proper is similar to that above, at left. Date: 1795. Pen and brown

Wall Niche with Fountain, Desseins de Lambris (Wainscoting Designs), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Carl Albert von Lespilliez, German, 1723 - 1796, Nicolas Jean-Baptiste de Poilly, French, 1712-after 1758, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Engraving on paper, Design for an interior wall in Rococo style. An arched niche in center with a sculptural fountain depicting a male herm or merman seizing a female figure, who stands with arms raised. Below, a woman holding a staff pilots a chariot led by dolphins. A wall painting within the surrounding niche; at top, a group of fish, net, and a triton. At either side, small pedestals with a putti group with fruit at left and a vase or urn at right. Above them, panels display different decorative schemes. Scale at lower left., Munich, Germany, Paris, France, 18th century, albums (bound) & books, Bound print, Bound print

Alcove with variant for right half; Alcofen à la Francoise. The alcove on the left is closed by a balustrade decorated with leaf raft and two sculptures. The right side is a variant with two ionic pilasters.

Grave monument with two women; Grave monuments for artists. Grave monument in a niche flanked by two standing women. At the top of the monument is an urn, around which the left woman lays a flower wreath. At the bottom of a cartouche: Umbra.

Louis XIV (king of France), Paris, Leblond, Jean (II), Lepautre, Jean, Choir stalls, Choir stall between two columns, Choir stall between two columns. Above the choir stall is a crown element with two kneeling angels holding a medallion depicting the dove of the Holy Spirit. Print is part of an album., print, ornamental print, album page, prints, height 210 mm, width 145 mm, French, 1618-06-28 - 1682-02-02, print maker, printmaker, 1666 - 1709, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, 1635 - 1709, publisher, uitgeverij, 1638-09-05 - 1715-09-01, sgrant van privilege

Projet de l'Autel de l'Eglise de St. Aignan d'Orleans (Design for the Altar of the Church of St. Aignan of Orleans), plate 102, in Oeuvres de Juste-Aurèle Meissonnier (Works by Juste-Aurèle Meissonnier), Juste-Aurèle Meissonnier, French, b. Italy, 1695-1750, Gabriel Huquier, French, 1695-1772, Engraving on white laid paper, Altar flanked by heavily decorated elements with putti heads and hanging lamps. Stairs lead up to the altar where six candlesticks stand, at center a cross decorated with figures and putti; above, a figure holds a lamp from a vine. Canopied by an arch decorated with figures and topped with a triangle from which sunrays emanate encircled by clouds and putti., Paris, France, 1748, architecture, Print, Print

Epitaaf with Harnas, Michael Heinrich Rentz, after Johann Jakob SCHüBLER, 1711 - 1726 print An ornamented epitaph decorated with weapons, bullets and flags. In the middle, a putto with a star on the head flies at a harness surrounded by musical instruments, weapons and flags. Above it a cartouche and a crown with cross and scepter. On the left a winged putto flies with a palm branch, he holds a cloth. Neurenberg (possibly) paper engraving epitaph. cupids: 'amores', 'amoretti', 'putti'. armour. weapons

The tombstone suggests an architectural space with a coffered ceiling, columns and floor. Hanging in the room are helmets depicting a dragon and a stag and four empty coats of arms. At the top are putti representing time and death. In the center the names of the deceased with Adam and Eve next to them. In the border more helmets with empty coats of arms. Below a cartouche with a five-line biblical caption, tombstone for Frans van Aylva and his wife Rixt van Unia, print maker: anonymous, Albert Martin, (mentioned on object), printer: Emrik & Binger, (mentioned on object), Friesland, printer: Haarlem, 1870 and/or 1875, paper, h 355 mm × w 270 mm

Etching by Jean Le Pautre from 1625-1682 showing an Italian-style fireplace with detailed carvings, decorative motifs, and balanced symmetrical composition.

Garden architecture (hedge wall) with a fountain ornamented with the figures of Aphrodite and Amor. unknown, graphic artist, Marot, Daniel (1661-1752 ; st.), graphic artist

Triumphal arch, from 'Éloges et discours sur la triomphante réception du Roy en sa ville de Paris ...' by Jean-Baptiste de Machault 1629 Melchior Tavernier. Triumphal arch, from 'Éloges et discours sur la triomphante réception du Roy en sa ville de Paris ...' by Jean-Baptiste de Machault 699955

Design for the pulpit in the St. Laurentius church in Lokeren, draughtsman: Theodor Verhaegen, , 1734 - 1736, paper, pen, brush, h 560 mm × w 380 mm

Triumphpoort founded by the brothers of the Onze-Lieve-Vrouwekathedral, Gaspar Bouttats, After Hendrik Frans Verbruggen, in Or Before 1685 print Triumphpoort founded by the brothers of the Onze-Lieve-Vrouwekathedral in Antwerp. Part of the illustrations of the decorations founded in Antwerp at the celebration in 1685 of the centenary of the liberation of the city by the Duke of Parma in 1585. paper etching triumphal arch Onze-Lieve-Vrouwekathedral

Design for a wall decoration, Claude Gillot, 1683 - 1722 drawing paper. graphite (mineral). ink pen / brush wall-covering. wall-covering. wall-covering

Underbousom, shaft decorated with Neptune and amphitrite; Livre d 'Architecture et d' Bels. Leaf 14 from second edition of series. The numbering of the prints only partially corresponds to that of the first edition.

Print, Design for Altars, from "Autels et Retables"; Print Maker: Jean Le Pautre (French, 1618-1682); etching on paper; 19.3 × 12.9 cm (7 5/8 × 5 1/16 in.)

The Diana Fountain, Bushy Park: Original Design, Edward Pierce, c.1630-1695, British, undated, Pen and brown ink, gray wash, and graphite on medium, slightly textured, cream laid paper, Sheet: 15 x 19 9/16in. (38.1 x 49.7cm) and Sheet: 15 × 9 3/4 inches (38.1 × 24.8 cm), architectural subject

Symbolic impressions staged on Dam Square in honor of the Peace of Munster, 1648, 1648 print Leaf with the stage with the six symbolic impressions that were performed on Dam Square in honor of the Peace of Munster on 5 June 1648. All six tableaux can be seen on this specimen, with the flaps including the other three scenes. Printed from three plates with descriptions of the historical and allegorical performances on the six pies under the performance in three columns. The print includes a text sheet. Northern Netherlands paper etching / engraving / letterpress printing festivities on events of national importance. 'tableau vivant' Dam

The temple of the glory / firework design draws on the River of Seyne for the erecting of the equestrian statue of Louis le Grand ... / 12 August 1699. (IT)

Portal with niches containing the images of Mars and Hercules and at the top a coat of arms with Diana and a city pattern, Wendel Dietterlin (I), 1593 - 1595 Numbered: 35. Print is part of a book. Strasbourg (France) paper etching ornament derived from architectural details. parts of church exterior and annexes: portal. personification of a city, town-patron(ess). specific aspects, allegorical aspects of Hercules; Hercules as patron

Bertazzolus, Gabriel, Venice, Sadeler, Justus, Virgin of Monferrato, verso lower left - stamped, In the middle of an architectural structure with four Corinthian columns the Virgin of Monferrato, with the Christ Child in her arms. Two angels hold a crown above her head. She is flanked by Saint Augustine (left) and Saint Eusebius (right). Above in a pediment God the Father. Left and right in the upper corner medallions with miracles of the Virgin of Monferrato., print, prints, width 220 mm, height, 282 mm, South Netherlands, 1583, print maker, printmaker, 1610 - 1610, paper, engraving, engraving (printing process), Publication (Event), Publication, publisher, writer

Altar in the form of a Tempietto founded magistrates on the Meir, 1685; On the dish by the noble lords of 't Magistraet on the More to Antwerp Anno 1685. Altar in the form of a Tempietto, founded by the magistrates of the city of Antwerp on the Meir. Part of the illustrations of the decorations established in Antwerp at the celebration in 1685 of the centenary of the liberation of the city by the Duke of Parma in 1585.

Schouw for a wall, After 1703 - Before 1800 print The mantelpiece is decorated with a bust. On the left, half a door is visible with an upper door panel. Copy to print from the Nouvelles Cheminée Faittes and Plusieur and Droits de la Hollande et Autres Prouinsces. Netherlands (possibly) paper etching

Libyan Sibille and the prophet Daniel; Vault from the Sistine Chapel. Part of the vault painting by Michelangelo in the Sistine Chapel with Sibilles, Prophets and Naked Figures (Ignudi). Midside the Libyan Sibille and the right of the right the prophet Daniël. Middle above a cartouche with text in Latin.

French Crown, Paris, Neufforge, Jean François de, Supplement to the Architectural Recueil élémentaire d'Architecture, XXXIIIe Cahier du Supplement, Plan et Elevation de quatre Autels sous un Baldaquin, Baldachin with Statue of Christ, Front elevation and plan of a baldachin with a medallion showing God the Father. Under the baldachin is an altar with a statue of Christ carrying the cross. Print number CXCVII., print, ornamental print, prints, ornamental prints, height 365 mm, width 229 mm, 1714 - 1791-12-19, print maker, printmaker, 1772 - 1780, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher, granter of privilege

Plate 2, 'Decoration de cheminée pour un grand Apartement', Jacques-François Blondel, French, 1705 - 1774, Jean Mariette, 1660-1742, Engraving on paper, Printed from two plates. A) a richly decorated fireplace with a mirror set into a shallow niche. Decoration: foliage, flowers, putti, and a painting representing the birth of Venus in the upper part of the mirror. Candlesticks with putti on mantlepiece. B) profiles of wall with legend. Inscribed along lower margin of A: 'Decoration de Cheminée, accopagnée une Gallerie'; along lower margin of B: 'A Paris chez Mariette d'Hercules'; lower left: '2'., France, ca. 1727, Print, Print

Drawing, Project for Stucco Decoration; Italy; graphite, pen and ink, brush and wash on paper

Design for a Freestanding Altar dedicated to the Assumption of the Virgin. Artist: Anonymous, Italian, first half of the 18th century. Dimensions: sheet: 18 1/8 x 10 7/8 in. (46 x 27.6 cm). Date: ca. 1670-1740. Museum: Metropolitan Museum of Art, New York, USA.

Louis XIV (king of France), Paris, Jollain, Gérard (I), Lepautre, Jean, Plusieurs Deseings d'Autelz A la Romaine, Altar designs in the Roman manner, Two altar designs in the Roman manner, Tirelprent for a series of designs for altars in the Roman manner. On the left an altar with freestanding Corinthian columns. On the right an altar with a painting crowned by an angel. At the bottom the plans. Print is part of an album., print, ornamental print, title print, album page, prints, height 212 mm, width 145 mm, French, 1618-06-28 - 1682-02-02, print maker, printmaker, 1665 - 1665, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, 1610 - 1683, publisher, uitgever, 1638-09-05 - 1715-09-01, granter of privilege

Wall decoration with bank in NIS; Wall decorations; 23 Livre De Lambris. A wall decoration with braid and rocaille ornaments with links an image of a ruin landscape and on the right an ornamented sofa in a niche.

Half of rectangular ceiling; Ceilings à la modern. In the middle a blank round surface surrounded by small panels with leaf raft and portrait medallions. From second edition.

Allegorical performance with fides and follow-up; Title page for: Sanctorum Principum Regum ATQ. Impp. Images (...), 1613. Allegorical performance with fides and follow-up, holding a "family tree of worked portraits and family arms in her hand. At the top of two putti that blow to trumpets. Between them in a few worldly and ecclesiastical crowns and headwear. The Title of the book is cut from the frame.

Louis XIV (King of France), Louis XIII (King of France), Paris, Poilly, François de (I), Tempesta, Antonio, New ice panel chemins executed in several hotels in Paris, Lower bosom with Jupiter and Callisto, Various details are depicted on the left. From series of title page and 5 sheets, second edition., print, ornamental print, prints, ornamental prints, height 261 mm, width 168 mm, French, 1623 - 1693-04-01, print maker, printmaker, 1632 - 1693, second quarter 17th century, third quarter 17th century, fourth quarter 17th century, paper, etching, etchings, Work conception, after own design by, Italian, 1555 - 1630-08-05, after print by, Publication (Event), Publication, publisher, 1601-09-27 - 1643-05-14, granter of privilege, 1638-09-05 - 1715-09-01

View of a fountain with the figure of Aphrodite and a garden vase in a niche. unknown, graphic artist, Marot, Daniel (1661-1752 ; st.), graphic artist

Fireplace with panel; Wall decorations; 19ME Livre t Livre de Decorations de Lambris. An ornamented fireplace with a panel with Andromeda and Perseus.

The Portuguese triumphal arch (back); entry from Ferdinand in Antwerp in 1635 (no. 11); Arcus Lusitanici Pars Posterior. The Portuguese triumphal arch in the long Gasthuisstraat (back). In the central show, Ferdinand is greeted by a kneeling personification. Female personnifications standing at the corner points. Signature at the top right: Pag. 22. Sheet No. 11 in a set of 43 plates that illustrate the publication of the arrival of the Cardinal Infant Ferdinand of Austria in Antwerp on 17 April 1635 as the new governor for the Spanish Netherlands.

Fireplace with putto; Schouwen. Schouw with Rocaille ornaments, a putto and two winged angel heads. Publisher number 164.

Paris, Mariette, Pierre (II), Cochin, Nicolas, Holy House of the Virgin Mary, occident side, verso - stamped, The occident side of the marble Renaissance enclosure of the Holy House of the Virgin Mary in the Basilica della Casa Santa in Loreto. The enclosure contains statues and reliefs by Andrea Sansovino, Ranieri Nerucci and Antonio da Sangallo the Younger. The whole was designed by Donato Bramante., print, prent, prints, prenten, height 232 mm, width 232 mm, French, 1610 - 1686, print maker, printmaker, 1649 - 1649, paper, papier, etching, etsen, Publication (Event), Publicatie, 1634 - 1716, publisher, uitgever

Paneel met wapens; Architectuurfragmenten; 41e Cahier Divers Fragmens D Architecture.A panel with a helmet, shields and weapons above a door or window opening with a triangular frontone. Print number 241.

Upper Panel for Painted Wall Decoration. Artist: Anonymous, Italian, North Italy, 18th century. Dimensions: 10-3/4 x 3-11/16 in. Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Underbiased by two women; Nouueaux Dessseins the Cheminées A Peu de Frais. The women hold a garland of flowers, above the architraaf is an eagle for a cloth. From second edition.

Portal Decorated with garlands and Mascarons, Wendel Dietterlin (I), 1593 - 1595 Numbered: 32. Print is part of a book. Strasbourg (France) paper etching ornament derived from architectural details. parts of church exterior and annexes: portal. Ionic order ~ architecture. mask, mascaron ~ ornament

Oval Cartouche in a frame of rolling work with garlands of fruit, Anonymous, After Jacques Androuet, After Antonio Fantuzzi, 1520 - 1584 print On the left is a man with a vase, on the right a woman with a lion on her feet. From series of 32 sheets. The cartouches are partly derived from the prints of Antonio Fantuzzi after the decoration of the gallery of François 1er by Giovanni Battista Rosso. The series is also known under the title Petits Cartouches de Fontainebleau. print maker: France (possibly)after design by: France (possibly)after print by: Italy (possibly)publisher: France (possibly) paper etching

Palatial Mantelpiece with Mercury and Hope recto. Dated: 1571. Dimensions: Overall (folded): 31.2 x 20.3 cm (12 5/16 x 8 in.) overall (unfolded): 31.2 x 41.1 cm (12 5/16 x 16 3/16 in.). Medium: pen and brown ink on laid paper. Museum: National Gallery of Art, Washington DC. Author: German or Austrian 16th Century.

Design for a Frame or Epitaph (recto); Caryatid Supporting a Frame (verso). Artist: Attributed to Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 9 3/4 x 6 in. (24.7 x 15.2 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.

Underbooling with variant for right half; Cheminées a l'Italienne. On the left is an image of Mercury. From series of 6 sheets.

Print (France)

Charlot, Claude, Anthoine, Poirel, Dominique, Deruet, Leclerc, Sébastien (I), Monuments and festivities during the entry of Charles IV into Nancy, 1641, Triumphal arch dedicated to the Faith, Triumphal gate with a double passage and bell towers, crowned with flags and a banner with the Holy Family. Between the passages, a depiction of a bishop's consecration and a coat of arms with a crowned helmet and eagles. Above the passages two angels with a laurel wreath., print, ornamental print, book illustration, prints, ornamental prints, height 262 mm, width 181 mm, French, 1637-09-26 - 1714-10-25, print maker, printmaker, 1664 - 1664, second quarter 17th century, paper, etching, etchings, Work conception, 1588 - 1660-10-20, after a design by, Publication (Event), Publicatie, publisher

Southern Netherlands, Triumphal Gate erected by the Bishop of Antwerp and the Chapter in front of the Cathedral of Our Lady in Antwerp. Part of the illustrations of the decorations erected in Antwerp at the celebration in 1685 of the centenary of the liberation of the city by the Duke of Parma in 1585., print, prent, prints, prenten, Frederik Muller Historieplaten, height 170 mm, width 139 mm, 1640 - 1695, print maker, prentmaker, 1685 - 1685, fourth quarter 17th century, paper, papier, etching, etchings, Work conception" Antwerp, Verdussen, Hieronymus, Verbruggen, Hendrik Frans, Bouttats, Gaspar, Triumphal Gate erected by the Bishop of Antwerp in front of the Cathedral of Our Lady, 1685, Antwerp, Triumphal Gate erected by the Bishop of Antwerp and the Chapter in front of the Cathedral of Our Lady in Antwerp. Part of the illustrations of the decorations erected in Antwerp on the occasion of the celebration in 1685 of the centenary of the liberation of the city by the Duke of Parma in 1

Design for an Altar: Two Halved Variants 1700-1780 Anonymous, Italian, Piedmontese, 18th century Italian. Design for an Altar: Two Halved Variants 340731

Altar in the form of a tempietto founded magistrates on the Meir, 1685, 1685 print Altar in the form of a tempietto, founded by the magistrates of the city of Antwerp on the Meir. Part of the illustrations of the decorations founded in Antwerp at the celebration in 1685 of the centenary of the liberation of the city by the Duke of Parma in 1585. Southern Netherlands paper etching other decorative structures (~ triumphal entry, etc.) Meir. Antwerp

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), vignettes for the book Les Triomphes de Louis le Just XIII by the name by Jean Valdor. The Mausoleum of Louis XIII. (A. de Vesme 955; Dutuit 166) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Design for Mantle Piece, from 'Cheminées et Lambris', Jean Le Pautre, French, 1618-1682, Etching on paper, In the scheme of a couped obelisk before a wall panel. A mask and two cornucopias are shown over the frame of the opening, gaines with armless Atlantis beside it. A medallion with two portraits of women over a pedestal from which the heads of two birds emerge, caressed by putti, and garlands form the decoration of the upper portion., Europe, France, ca. 1670, Print, Print

Double door with six panels, Franz Ertinger, After Jean Lepautre, After 1657 - Before 1678 print The middle panels are larger, with putti that sprout from leaf vines and a vase with fruit above their heads. With rebellion and plan at the bottom. From series of 6 sheets with ornamental panels and doors for rooms and Alkoven. Antwerp paper etching / engraving door

Wall decoration of gallery with door; Lambris a la romaine. Above the door is a victory figure on a weapent probe.

Halved Design for an Altar with Angel and Putti 1700-1780 Anonymous, Italian, Piedmontese, 18th century Italian. Halved Design for an Altar with Angel and Putti 365560

Design for Two Chimneypieces ca. 1660-75 Anonymous, British, 17th century British. Design for Two Chimneypieces 387260

Artist: Petrus Faber, French, died 1650, OrnamentalDesign, ca.1623, Engraving, image: 25.8 × 17.6 cm (10 3/16 × 6 15/16in.), French, 17thcentury, Works on Paper -Prints

Print, Railings for Chapels, from "Clostures de Chapelles"; Print Maker: Jean Le Pautre (French, 1618-1682); etching on paper; 14.5 × 21.5 cm (5 11/16 × 8 7/16 in.)

Two altar designs, 1665 print On the left an altar with Corinthian pilasters, the dome supported by Engelen. On the right an altar with a painting under a tympanum that is supported by Ionian columns. At the bottom of the floor plans. Print is part of an album. Paris paper etching altar with altar-piece

Architecture fantasy with a reading figure at the bottom left and bottom right., Anonymous, c. 1530 - c. 1540 print Ornament print with fantasy architecture: at the top an eagle on a canopy, above which a drapery. There are two saters in the structure. From series of 20 magazines. paper etching / engraving ornament derived from architectural details. reading

Design for a Doorway. Artist: Anonymous, Italian, Piedmontese, 18th century. Dimensions: Sheet: 6 3/4 x 3 11/16 in. (17.1 x 9.3 cm). Date: 1700-1780. Museum: Metropolitan Museum of Art, New York, USA.

The welcome theater; entry from Ferdinand in Antwerp in 1635 (no. 6); Adventus Seren.m Principis Gratulatio. The welcome stage. Theater made up of three main performances. Overall picture of the stage printed on two sheets (unassembled). Leaf no. 6 In a set of 43 plates that illustrate the publication of the arrival of the Cardinal Infant Ferdinand of Austria in Antwerp on April 17, 1635 as the new governor for the Spanish Netherlands.

The cornice of the frieze above the tablet is interrupted by a circular medallion with a sacrificial scene. Above this are two putti with a burning torch., Undercroft Verschyde Chimney Mantels (series title), print maker: Cornelis Danckerts (I), Pierre Bullet, printer: Justus Danckerts, print maker: Netherlands, (possibly), France, (possibly), printer: Amsterdam, publisher: Amsterdam, c. 1675 - c. 1686, paper, etching, h 283 mm, w 164 mm

Design for the pulpit in the St. Laurentiuskerk in Lokeren, Theodor Verhaegen, 1734 - 1736 drawing paper. graphite (mineral). chalk. ink pen / brush the incredulity of Thomas. Christ found by his parents. pulpit, ambo, chancel

Half of elongated ceiling, 1634 - 1716 print The edge of the ceiling is decorated with oval medallions with, among others, Venus and Cupido. From the second edition. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

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