Dynamic Dance and Figures

Artworks showcasing figures in motion, including dancers and expressive scenes, capturing the lively energy and aesthetics of performance art, spanning various styles.

Rembrandt / Adoration of the Shepherds

Sketch for Indian Dancers. Date: ca. 1933-1943. tempera on paperboard: illustration board. Museum: Smithsonian American Art Museum.

Rembrandt / Adoration of the Shepherds

Man on a White Horse, unknown artist, nineteenth century, Formerly attributed to Peter DeWint, 1784-1849, British, Formerly Joseph Mallord William Turner, (as purchased), 1775-1851, British, early 19th century, Oil on paper, Support (PTG): 3 1/4 x 5 5/8 inches (8.3 x 14.3 cm), animal art, brushstrokes, figures, grazing, horse (animal), man

MARTIRIO DE SAN MAURICIO - DETALLE DE LA SERPIENTE LLEVANDO EL PAPEL CON LA FIRMA - 1580/1582 - O/L - 448x301 - MANIERISMO ESPAÑOL. Author: EL GRECO-Domenikos Theotokopoulos (1540-1614). Location: MONASTERIO-PINTURA. SAN LORENZO DEL ESCORIAL. MADRID. SPAIN. SAINT MAURICE. JUAN D'AUSTRIA. FELIPE II HERMANO. Son of Charles V. BARBARA BLOMBERG'S SON. SABOYA MANUEL FILIBERTO DE. SAN EXUPERIO. SANTIAGO ALFEO EL MENOR. ALEJANDRO FARNESIO (1545-1592) DUQUE DE PARMA.

'Dead Game'. Holland. Dimensions: 44,5x31 cm. Museum: State Hermitage, St. Petersburg. Author: Adriaen Cornelisz. van Linschoten () (Monogrammist AVL).

Son Felix for the lower door of the Summer House Sneppesschrik, 1864 There is a dog next to Felix and is a few clogs. Leaf 15 Verso from a sketchbook with 98 sheets. Capelle aan den IJssel paper. ink. watercolor (paint). pencil pen / brush rural housing, e.g. country-house, villa, cottage. adult man. standing figure. divided door, upper part opened - AA - feigned door, sham-door. dog. wooden shoes, clogs Capelle aan den IJssel

Rock slope above the stream; Dressler, Adolf (1833-1881); 1850-1881 (1850-00-00-1881-00-00);Karkonosze (mountains), Schlesisches Museum der Bildenn Künste (Wrocław - 1880-1945) - collection, pejsters, aquatic landscapes, German drawings, streams

Roman fresco depicting, on the left, parts of an edicle decorated with chiselled motifs. Inside, a banquet scene. House of Joseph II. Pompeii. First Imperial Age. National Archaeological Museum. Naples. Italy.

Potato -eating boy, c. 1888 Ewijkshoeve copper (metal)

Compositional Study, for The Play Scene in Hamlet, Act III, Scene II. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

Venus in a volcano; Jouvenet, Jean-Baptiste (1644-1717); after 1713 (1700-00-00-1799-00-00);State Art Collections (Warsaw - 1922-1939) - collections, Venus (mitol.), Wulkana forge (mitol.), French painting, message (provenance)

Interior with artists sister, sketch. Malczewski, Jacek (1854-1929), painter

Rembrandt / Workers in the Yineyard

Johann Heinrich Baumann (1753-1832). Baltic German artist. Still Life, 1820. Oil on canvas (83 x 124 cm). Latvian National Museum of Art. Riga, Latvia.

Still life with an antique head (Allegory of visual arts). unknown, painter

Czachórska, Jadwiga (-)-collections, Goldberg-Górski, Franciszek (1863-1937)-collection, gift (provenance), concerts, pianos, salons, sketches

The Painter's Studio 1855 Gustave Courbet (1819-1877 French) Oil on canvas Musee d' Orsay, Paris, France

The Prodigal Son. Dimensions: overall (approximate): 23.4 x 19 cm (9 3/16 x 7 1/2 in.). Medium: charcoal heightened with white on green-gray paper. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Two men training snake by Maria Fortuny, Oil on canvas, 1870, 1838-1874, Russia, Moscow, State A. Pushkin Museum of Fine Arts, 61x153

'Still Life with a Carpet, Fruit and a Peacock'. Holland, circa 1650. Dimensions: 147,5x55 cm. Museum: State Hermitage, St. Petersburg. Author: Abraham de Lust.

Man kneels at the bed of a woman, H.C. Louwerse, in or before 1910 drawing In a man -lit departure, a man kneels at a woman's bed. The woman is probably dying. There is a girl in a corner. A doll lies on the floor in front of her. paper. watercolor (paint). deck paint. pencil brush deathbed. kneeling figure

Coloured illustration of the arrival of Theseus to the minotaur's island. Illustrated by Edmund Dulac (1882-1953), a French British naturalised magazine and book illustrator.

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Kislykh, Vadim Ivanovich (*1937) State Museum- and exhibition Centre ROSIZO, Moscow 1965 55x70 Gouache on cardboard

Arenius, Olof, Portrait of a woman, S 6, 32 x 28,

Potiphars wife. Hannytkiewicz, Adam (1887-1946), painter

Pilate washing hands. unknown, painter, Dürer, Albrecht (1471-1528), painter

Study for 'Fall of Gog and Magog' , Religion, Armageddon, Sargent, John Singer, 1856-1925. Triumph of religion

Message c.1959 (Mensajo) by Mathias Goeritz 1915-1990. Born Germany, worked in Mexico. Gold leaf on plywood pane

Tha Martyrdom of St Dionysus, by Crespi Giovan Battista known as Cerano, 17th Century, oil on canvas. Italy, Lombardy, Vigevano, Pavia, San Dionigi Church. Detail. Figure saint St Dionysus angel background back executioner man vestments martyrdom.

People with donkey by Gustave Guillaumet, oil on canvas, 1880s, 1840-1887, Russia, Moscow, State A. Pushkin Museum of Fine Arts, 55, 3x75

William Blake, The Circle of the Thieves; Buoso Donati Attacked by the Serpent, 1827 William Blake (British, 1757 - 1827), The Circle of the Thieves; Buoso Donati Attacked by the Serpent, 1827, engraved copper plate, Rosenwald Collection 1943.3.1740

The Assumption of Mary. Völkerling, Hermann (1875-1924), draughtsman, cartoonist

The drawing of 'Mother with child in lamplight' 1889 by Giovanni Segatini (1858-1899) Italian painter known for his large pastoral landscapes of the Alps. In later life he combined a Divisionism painting style with Symbolist images of nature. He was active in Switzerland for most of his life.

Fritel, Pierre (n.1853-07-05-D.1942-02), Dona Rose d'Orthez and Don Sanche de Salinas (dummy title), 1893. Oil on panel. Houses of Victor Hugo Paris - Guernsey.

The Chasm in the Rock in the Cave Beneath Calvary (La fente du rocher dans la grotte sous le calvaire) James Tissot (French, 1836-1902). The Chasm in the Rock in the Cave Beneath Calvary (La fente du rocher dans la grotte sous le calvaire), 1886-1894. Opaque watercolor over graphite on gray wove paper, Image: 9 7/8 x 6 1/2 in. (25.1 x 16.5 cm). European Art 1886-1894

SANTIAGO EL MAYOR O SANTIAGO PEREGRINO. PINTURA SOBRE TABLA. Author: JUAN DE FLANDES (1465-1519). Location: MUSEO DE BELLAS ARTES-PALACIO ABARCA. SALAMANCA. SPAIN. APOSTOL SANTIAGO PEREGRINO. Apóstol Santiago el Mayor.

Nativity scene by Jan Joest, Oil on wood, 1520s, circa 1460-1519, Russia, Moscow, State A. Pushkin Museum of Fine Arts, 85x57, 5

Woman Drying Herself (Femme au Tub); circa 1884-86 Oil on canvas Edgar Degas; French; 1834-1917

YES. Jerichau (1890-1916), hallway to Golgatha, 1913-1914

William Blake, The Circle of the Thieves; Agnolo Brunelleschi Attacked by a Six Footed Serpent, 1827 William Blake (British, 1757 - 1827), The Circle of the Thieves; Agnolo Brunelleschi Attacked by a Six-Footed Serpent, 1827, engraved copper plate, Rosenwald Collection 1943.3.1741

Italy, Sicily, Enna, Piazza Armerina. Villa Romana Del Casale. Detail Of Roman Mosaic Depicting Figures And Animals

El Greco (Domenikos Theotokopoulos); Greek; Candia (Iraklion) 1541-1614 Toledo; The Adoration of the Shepherds; Oil on canvas.

Neighborhood Street in The Hague or Scheveningen, George Hendrik Breitner, c. 1880 - c. 1923 painting Neighborhood in The Hague or Scheveningen. Face through a narrow alley, on the right against the wall are two women. Netherlands panel. paper. oil paint (paint) lane, alley Scheveningen

The Sirens Gustave Moreau (1826-1898 French) Oil on canvas Musee Gustave Moreau, Paris

The Wise Virgins (Les vierges sages) James Tissot (French, 1836-1902). The Wise Virgins (Les vierges sages), 1886-1894. Opaque watercolor over graphite on gray wove paper, Image: 6 1/8 x 9 5/8 in. (15.6 x 24.4 cm). European Art 1886-1894

Study for 'The Star of Bethlehem', Sir Edward Coley Burne-Jones (Birmingham, England, 1833 - 1898) 1875-1899

USA, New York City, Rockefeller Center Hall, Mural Decoration With People Working

A Group of Monks and a Woman, 1780s, Prints engraved in chiaroscuro after original drawings, chiaroscuro woodcut printed from 4 blocks in green, olive, gray-brown, and brown on laid paper; laid down on album page, sheet: 37.4 x 23.1 cm (14 3/4 x 9 1/8 in.), support: 48.6 x 34.5 cm (19 1/8 x 13 9/16 in.), Nagler, no. 13, John Skippe (artist) British, 1742 - 1812, Sir Peter Paul Rubens (artist after) Flemish, 1577 - 1640

Saint Mary Magdalene at the Sepulchre; Giovanni Girolamo Savoldo, Italian (Lombard), active about 1480 - after 1548; Italy, Europe; about 1530s; Oil on canvas; Unframed: 92.7 x 79.4 cm (36 1/2 x 31 1/4 in.), Framed outer dim: 112.7 x 99.7 x 7.6 cm (44 3/8 x 39 1/4 x 3 in.)

ITALY. Pompeii. Vesuvius Gate. Tomb of Caius Vestorius Priscus. Inner detail of north wall. Wall painting with various ware used on a funeral feast. 1st c. B.C. Roman art. Early Empire. Fresco.

Austria, Vienna, Illustration of Dante Alighieri's Divine Comedy (Heaven, Song XVI) by Franz von Bayros, detail

The Campêchehout Malerij 'Heyme Vis', Herman Heijenbrock, c. 1871 - c. 1948 drawing Netherlands Carrier: Paper. List: Wood (plant material). List: Glass Netherlands

George Romney, 1734-1802, British, Howard Visiting a Prison, undated. Gray wash and gray ink over graphite on medium moderately textured cream laid paper.

Francisco de Goya y Lucientes, Escena de disciplinantes, 1808-1812, óleo sobre tabla, Museo Nacional de Bellas Artes (MNBA) ,Buenos Aires, republica Argentina, cono sur, South America.

The Reading, Honoré Daumier, c. 1857 painting The reading. Two sitting men, the judge reads from a book. panel. oil paint (paint) reading to somebody

CORTINA. Author: RAFAEL PELLICER. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Family; La Familia. Juan Battle Planas (1911-1966). Oil on masonite. Signed and dated 1955. 90.2 x 58.2cm.

Cartoon for Stained Glass Window in St Machar's Cathedral, Douglas Strachan (Aberdeen, Scotland, 1875 - 1950)

Fog, Thames Embankment. Date/Period: 1884. Painting. Oil on paperboard. Height: 316 mm (12.44 in); Width: 460 mm (18.11 in). Author: TOM ROBERTS.

Phaedra with an attendant, probably her nurse, a fresco from Pompeii, 60-20 BC. British Museum. London, UK.

Mexico, Guadalajara, Detail of the Orozco mural in the Guadalajara City Hall (Palacio del Gobierno)

The Sacrifice of Iphigenia, by Tiepolo Giambattista, 1757, 18th Century, fresco. Italy, Veneto, Vicenza, Villa Valmarana, villa, hall. Detail. Male figure on the right covering himself with mantle: cloak column sacrifice Iphigenia.

Saint George and the Dragon, Luca Signorelli (workshop of), 1495 - 1505 painting Sint Joris and the Dragon. In a mountainous landscape, Saint Joris (a knight on horseback) beats the dragon, the bodies of men killed earlier, on the left are a young woman with her arms in the air. Right leaves Sint Joris with the princess on horseback. There are palaces and a ruin in the landscape in the background. panel. oil paint (paint) St. George and the dragon: dressed in armour and mounted on a (white) horse he brandishes his sword (his lance lies already broken on the ground); the princess nearby may be shown praying or fleeing

Judas Repents & Returns the Price of Blood James Tissot (1836-1902/French)

Fresco fragment showing the river boat Isis Geminiana embarking provisions for transportation. First half of 3rd century AD. From Ostia, from the columbarium. Necropolis along the Via Laurentina. Vatican Museums. City of the Vatican.

Grabar, Igor Emmanuilovich (1871-1960) State Tretyakov Gallery, Moscow Painting 44x71 Genre A coachman

The Effects of Good Government in the City, by Lorenzetti Ambrogio, 1338 - 1339, 14th Century, fresco. Italy, Tuscany, Siena, Palazzo Pubblico. Detail. House: dwelling flowers in a vase perspective foreshortened view loggia cornices wooden roofs bent tiles bricks.

Parnassus, 1871. Sir Edward Burne-Jones

Print made by Paul van Somer, ca. 1576-1621, Flemish, active in Britain (from 1616), The Dentist, 1674. Mezzotint on moderately thick, moderately textured, cream, laid paper.

Full-Orbed Moon. Arthur B. Davies; American, 1862-1928. Date: 1901. Dimensions: 58.6 x 40 cm (23 1/8 x 15 3/4 in.). Oil on canvas. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA. Author: Arthur B. Davies.

RELIEVE EN BARRO. Author: JUAN DE JUNI. Location: MUSEO DIOCESANO. Valladolid. SPAIN.

People on street by Gillis Mostaert, oil on wood, 1534-1598, Ukraine, Lviv, State Art Gallery, 31x19, 5

Capri in the Reign of Tiberius - Sketch to the Painting Siemiradzki, Henryk (1843 1902)

Portrait of an Old Man Sleeping Rembrandt Harmensz van Rijn (1606-1669 Dutch) Oil on canvas Pinacoteca Sabauda, Torino, Italy

Aleix Clapés / Pinturas en puerta de la capilla del palacio Güell de Barcelona, 1888.

Saint Francis Comforted by an Angel. Pier Francesco Mazzucchelli (attributed to) (called Morazzone) (Italy, Lombardy, 1573-1626)Anonymous (Lombard School). Italy, circa 1615. Paintings. Oil on canvas

Abruzzo, L'Aquila, San Stefano di Sessanio, Parrocchiale, Italy, 20th century, photo, photography, Europe

Grot.Page 5 from a sketchbook with 80 pages.

The Fable of the Miller, His Son, and the Donkey No. 2. Artist: Elihu Vedder (American, New York 1836-1923 Rome). Dimensions: 6 1/2 x 10 3/4 in. (16.5 x 27.3 cm). Date: ca. 1867-68.Vedder is best known for his visionary paintings that contain classical and allegorical allusions, which were precursors to the Symbolist movement in the United States. This series of paintings, however, has a literary theme based on a specific text--Aesop's fable "The Miller, His Son, and the Donkey". Vedder used his beloved Italy as the setting of the classic fable, in which a hapless miller and his son attempt to appease passing critics, resulting in the death of their precious donkey. Museum: Metropolitan Museum of Art, New York, USA.

EVANGELISTA SAN LUCAS - SIGLO XIX - PINTURA ESPAÑOLA. Author: ROSALES, EDUARDO. Location: PRIVATE COLLECTION, MADRID, SPAIN.

An Artist Painting. Date/Period: Ca. 1870. Genre subject. Oil on millboard. Height: 248 mm (9.76 in); Width: 178 mm (7 in). Author: WALTER GREAVES.

The stingray, James Ensor, 1880, painting, circa 1880, Belgian Art

Walery Eljasz-Radzikowski (1841-1905), title card (illustration I) from the cycle to "Maria" by Antoni Malczewski (a watercolor reproduction); Czernecki, Jan (Wieliczka, Kraków; Publisher; 1905-1939), Anczyc, Władysław Ludwik and company (Kraków; Drukarnia; 1875-1948); around 1910 (1905-00-00-1915-00-00);

Judith with the Head of Holofernes, Sandro Botticelli, c. 1497 - c. 1500

ESCENA DEL QUIJOTE. Author: SEGRELLES JOSE. Location: PRIVATE COLLECTION. MADRID. SPAIN. DON QUIJOTE. SANCHO PANZA.

attributed to Francis Danby, 1793-1861, Irish, Subterranean Pool with Sculptural Torchere, undated. Brown wash, with scraping on medium, slightly textured, cream wove paper.

ZUBIAURRE, ValentÕn de (1870-1963). For the victims of the sea. 1914. Oil on canvas. SPAIN. BASQUE COUNTRY. VIZCAYA. Bilbao. Bilbao Fine Arts Museum.

'The Pilgrimage to San Isidro' (detail), 1820-1823, Mixed media on mural, P00760. Author: FRANCISCO DE GOYA. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

Elena Brockmann, The Patio of an Inn, 1887 ,oil on canvas, museo nacional del Prado.

Accademia carrara art gallery: christ and the samaritan, alessandro bonvicino detto il moretto, 1520, bergamo, Italy

LAS CARGUERAS DEL MUELLE 1921/23- FRESCO DE LA ROTONDA CENTRAL. Author: AURELIO ARTETA (1879-1940). Location: BANCO BILBAO VIZCAYA-ALCALA. MADRID. SPAIN.

William Ward, 1766-1826, British, Horne Tooke Esq, 1811. Mezzotint on moderately thick, slightly textured, cream, wove paper.

Edvard Weie (1879-1943), the artist's mother, 1908

Ecoincon Sketch for Paris City Hotel Eugene Career (1849-1906). Sketch of Sky for the Paris City Hall (Science Fair): Naked Figures, Magnetism and Mechanics, 1891. Museum of Fine Arts of the City of Paris, Small Palace.

The Bad News James Tissot (1836-1902 French) Jewish Museum, New York

Get Thee Hence, Satan! by Repin, Ilya Yefimovich (1844-1930)/ Regional Art Museum, Rostov on Don/ Second Half of the 19th cen./ Russia/ Oil on canvas/ Russian Painting, End of 19th - Early 20th cen./ 57x87/ Bible

SOLDADO MUERTO - DETALLE DEL ESCUDO DE CARLOS V - SIGLO XVI. Location: PALACIO REAL-REAL ARMERIA DE MADRID. MADRID. SPAIN.

Interior Study of Westminster Abbey, for The Coronation of King Edward VII. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

Elena Brockmann, The Patio of an Inn, 1887 ,oil on canvas, museo nacional del Prado

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