Dramatic Scenes and Figures in Etching

Etchings portraying dramatic interactions among figures, depicting themes of humor, struggles, and societal commentary, created by renowned artists like Goya.

Francisco de Goya (Spanish, 1746-1828). A caza de dientes. (Out hunting for teeth.), 1796-1797. From Los Caprichos, no. 12. Etching, burnished aquatint, and burin. Plate: 214 mm x 150 mm (8.43 in. x 5.91 in.).

A gift for the master, Francisco de Goya, 1797 - 1799 print A woman with a figure of a baby in the hands and a man dressed in a pure seem to worship the devil. Forty -seventh print in the Los Caprichos series. Spain paper etching human-shaped devil

Two drunk men in a window opening; Two singing farmers in a window.

The Cobbler, 1820. Louis Hersent (French, 1777-1860). Lithograph;

Man sitting on stone, Hermanus Fock, c. 1781 - c. 1822.

A tooth-drawer extracting a tooth from a seated patient while a woman steals from his bag. Etching by J.J. van Vliet.

The Good Company 1846 Charles Jacque. The Good Company. Charles Jacque (French, Paris 1813-1894 Paris). 1846. Etching. Prints

Francisco de Goya (Spanish, 1746-1828). A caza de dientes. (Out hunting for teeth.), 1796-1797. From Los Caprichos, no. 12. Etching, burnished aquatint, and burin. Plate: 214 mm x 150 mm (8.43 in. x 5.91 in.).

Francisco de Goya (1746-1828), they say yes and marry the first the best, 1797-1798

Mort dHamlet (Act. V. Sc. II) (Death of Hamlet), from Shakespeares Hamlet. Artist: Eugène Delacroix, French, 1798-1863

As-tu dejeune,Pierrot?. Artist: Paul Gavarni, French, 1804-1866

Qu'elle chance d'avoir pris un Souverain étranger, le voila probablement qui nous demande une liste civile, nous ne sommes pas obliges de le comprendre.. Cham (Count Amédée-Charles-Henry de Noé) (France, Paris, 1819-1879). France, 1866. Prints; lithographs. Lithograph

Anacreon surrounded by girls, drawing by Hayez, illustration from Nuova illustrazione Universale, Year 1, No 7, January 25, 1874.

Netherlandish 16th Century, after Lucas van Leyden, The Surgeon (reverse copy) The Surgeon reverse copy

THE CUP THAT CHEERS, AN INCIDENT ON THE GREAT NORTHERN RAILWAY, BETWEEN GRANTHAM AND PETERBOROUGH, ENGRAVING 1876, UK, britain, british, europe, united kingdom, great britain, european

Cartoon about the flood, 1861, 1861 print Cartoon about the treatment of the flood of January-Februari 1861 in the Senate. A river god with overflowing jugs at the entrance to the Senate. Plaat appeared at the Weekblad De Nederlandsche Spectator, no. 22, 1 June 1861. print maker: Netherlandsafter design by: Netherlandsprinter: Netherlandspublisher: Arnhempublisher: The Hague paper river-gods

Christ aux roseaux,' Rembrandt Harmenszoon van Rijn (1606-1669), 1869, Jesus Christ, Etching and aquatint; state noted with standard reference number

Plate 9 from 'Los Caprichos': Tantalus (Tantalo.) 1799 Goya (Francisco de Goya y Lucientes) Spanish. Plate 9 from 'Los Caprichos': Tantalus (Tantalo.) 378018

White woman tied to a ladder with her buttocks exposed for a whipping. Originally published in the Victorian spanking novel The Memoirs of Dolly Morton by Hugues Rebell (George Grassal), published by Charles Carrington in 1899. Photogravure after an illustration by Louis Malteste from Jacques dIcys Qui Aime Bien ou la flagellation dans la vie moderne, Jean Fort, Paris, 1912.

Each one his turn / moor and customs of the former Paris (around 1810)

Charles Dickens as captain Bobadill from Allgemeine Familien Zeitung, Unknown

George Bellows, The Cigarette, 1918 The Cigarette

Two men killing their sister's lover in her presence; folio 77 (recto) from the Madrid Album 'B'. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Sheet: 9-1/4 x 5-3/4 in. (23.5 x 14.61cm). Date: 1796-97. Museum: Metropolitan Museum of Art, New York, USA.

Plate 16: Menghina quiets Cacasenno with a chestnut cake, from "Bertoldo, Bertoldino, and Cacasenno" 1705-15 Giuseppe Maria Crespi. Plate 16: Menghina quiets Cacasenno with a chestnut cake, from "Bertoldo, Bertoldino, and Cacasenno". Giuseppe Maria Crespi (Italian, Bologna 1665-1747 Bologna). 1705-15. Etching. Prints

Francisco de Goya (Spanish, 1746-1828). Subir y bajar. (To rise and to fall.), 1796-1797. From Los Caprichos, no. 56. Etching and burnished aquatint on cream laid paper. Plate: 215 mm x 150 mm (8.46 in. x 5.91 in.).

Reposa (no.6 from Fifteen Etchings dedicated to Sir Joshua Reynolds), John Hamilton Mortimer, 1740-1779, British, 1778, Etching, Sheet: 16 5/16 x 10 11/16in. (41.4 x 27.2cm)

Eugène Delacroix (French, 1798 - 1863). Hamlet: Ah! je meurs..., 1834-1843. From Hamlet. Lithographs.

Joris Van Vliet (born in 1610) after Harmensz Van Rijn Rembrandt (1606-1669). "Loth and her daughters", B 1, 1st state. Eat, 1631. Museum of Fine Arts of the City of Paris, Petit Palais. 27048-6 Bible, etching, family, woman, girl, man, patriarch, old age

Francisco de Goya, Si quebro el cantaro (Yes He Broke the Pot), in or before 1799 Si quebro el cantaro (Yes He Broke the Pot)

Can't Anyone Untie Us (¿No hay quien no desate) Francisco de Goya y Lucientes (Spanish, 1746-1828). Can't Anyone Untie Us (¿No hay quien no desate), 1797-1798. Etching and aquatint on laid paper, Sheet: 11 7/8 x 8 in. (30.2 x 20.3 cm). In 1799 Francisco de Goya y Lucientes announced the publication of The Caprichos, eighty etchings and aquatints whose satiric, imaginary subjects offered scathing critiques of the characters, institutions, and values of early modern Spanish society. The prints are among the most influential images in European art. They also demonstrate Goya’s mastery of the aquatint technique, with which he created the velvety dark tones that amplify the etchings’ mysterious quality. Each plate has a poetic or aphoristic caption, but the images alone—filled with animals, witches, goblins, and unenlightened people from all levels of society—convey a range of human failings and vices. In the selections on view here, Goya skewered vanity, sycophancy, forced marriage, a

Y aurait-il quelque indiscretion a demander a ces messieurs leur avis sur la composition de nouveau ministere?. Artist: Paul Gavarni, French, 1804-1866

published in le Charivari (no du 18 septembre 1842): Ancient History, plate 25: Hercules Subdued by Cupid, 18 September 1842. Honoré Daumier (French, 1808-1879), Aubert. Lithograph; sheet: 33.3 x 26.4 cm (13 1/8 x 10 3/8 in.); image: 24.8 x 20.2 cm (9 3/4 x 7 15/16 in.).

February, Cornelis Dusart, 1679 - 1704 print Night face with three dressed children who celebrate carnival: one dances, the second is on his hands and the third plays the Rommelpot. The print is part of a series of twelve prints with the twelve months of the year. Print Maker: Haarlem Publisher: Amsterdam paper engraving Carnival, Shrovetide (non-liturgical celebration). February and its 'labours'. improvised musical instruments (kitchen-utensils, etc.). standing on the head or on the hands. candle

Launcelot at the Shrine of the Holy Grail, Study for the Figures of Guenevere and Launcelot for Sir Launcelot's Vision, 1857 Dante Gabriel Rossetti, Drawing, Ink, Sketch, Pre-Raphaelite, Female, Arthurian Legend, Male

The dream of and reason produces monsters /The Sleep of Reason Produces Demons; Board No. 43 from: Los Caprichos Caprices, ed. II, Madrid CA. 1855 Goya, Francisco de (1746 1828)

Bliżej Kultury Kiebisiński, Kajetan Wincenty (1808 1849), Jaroczyński, Marian Jakub Ignacy (1819 1901), Żupański, Jan Konstanty (1804 1883)

Albert Besnard, Love Consecrated (Elle consacre l'amour), French, 1849 - 1934, 1900, etching in black on Van Gelder Zonen wove paper

Honoré Daumier, Voyons ouvrons le bouche! , 19th century Voyons ... ouvrons le bouche! ...

La faction auxbouquets.. Artist: Paul Gavarni, French, 1804-1866

Duke William's Ghost, James Gillray, 1757-1815, British, 1799, Engraving, Sheet: 25 3/8 x 19in. (64.5 x 48.3cm)

Can you drive a car--Will you drive one in France--Immediate service at the front! - Poster showing Liberty fending off Death as she protects a wounded soldier. Recruiting Poster 1917

Etching and aquatint by Francisco José de Goya y Lucientes titled 'The Caprichos: Essays,' created in 1799 using a needle on the plate.

Alexander Runciman, 1736-1785, British, Fingal Discovering Carbon Cargloss (small vers.). Etching (restrike).

Faust dans la prison de Marguerite (Faust in Marguerites Prison), from Johann Wolfgang von Goethes Faust. Artist: Eugène Delacroix, French, 1798-1863

Albert Besnard, The End, 1883 The End

Street Show (Paillasse) (recto); a clown playing a drum (verso) 1825-79 Honoré Daumier French. Street Show (Paillasse) (recto); a clown playing a drum (verso). Honoré Daumier (French, Marseilles 1808-1879 Valmondois). 1825-79. Black chalk and watercolor on laid paper (recto); graphite and black chalk (verso). Drawings

London, Humphrey, Hannah, England, Gillray, James, Harry Jenkins, The Masculine & Feminine Bellow Mender, Cartoon on English domestic politics, 1788, verso - stamped, Cartoon with 'Harry Jenkins', a somewhat anxious looking little man with a bellows under the arm, being led into the political arena or stage with cheering audience by two ladies, 1788., print, engraving, cartoon, prints, engravings, English cartoons, height 247 mm, width 353 mm, English, 1756-08-13 - 1815-06-01, print maker, printmaker, 1788-07-29 - 1788-07-29, paper, papier, etching, etchings, Publication (Event), Publicatie, Engels, 1745 - 1818, publisher

If Quebro Cantaro /He Broke The Pitcher; Board No. 25 from: Los Caprichos Caprices, ed. II, Madrid CA. 1855 Goya, Francisco de (1746 1828)

Paris, Gihaut frères, Villain, Jean-François, Delacroix, Eugène, Hamlet, N'ajoute rien de plus, Hamlet en koningin Gertrude, verso - stamped, Print is part of a cover with fourteen prints., print, prent, prints, height 532 mm, width 358 mm, 1798 - 1863-08-13, print maker, printmaker, 1834 - 1834, paper, papier, lithografie (techniek), Frans, 1790, printer, Publication (Event), Publication, French, publisher

Matrimonial Customs: Ah! You Think Your Wife Does Not Provide Enough for You, Villain.. ., 1841. Honoré Daumier (French, 1808-1879), Aubert. Lithograph; sheet: 36 x 27.7 cm (14 3/16 x 10 7/8 in.).

The apparation of the ghost of don Juan Manuel to Pachita la Alfajorera ca. 1893 José Guadalupe Posada. The apparation of the ghost of don Juan Manuel to Pachita la Alfajorera. José Guadalupe Posada (Mexican, 1851-1913). ca. 1893. Metal-plate engraving. Prints

Francisco de Goya, Duendecitos (Hobgoblins), published 1799 Duendecitos (Hobgoblins)

Wait Till You've Been Anointed (Aguard que te unten) Francisco de Goya y Lucientes (Spanish, 1746-1828). Wait Till You've Been Anointed (Aguard que te unten), 1797-1798. Etching and aquatint on laid paper, Sheet: 11 7/8 x 8 in. (30.2 x 20.3 cm). European Art 1797-1798

En train de ...confectionner quelques. Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Manke man, Pieter Jansz. Quast, Frederik de Wit, 1639 - 1706.

Portrait of Maria Sibylla Merian, Jacob Houbraken, in or after 1717 - 1780 print Portrait in half to the right from Maria Sibylla Merian in an interior. For her a sheet of paper, in the foreground on the right a plant in a pot and left studies of plants and shells. Under the portrait her name and her data in Latin. Amsterdam paper engraving / etching

Kaufreuf series, at the outer fountain

Schönfeld, Johann Heinrich, Ehinger, Gabriel, Mourning philosopher surrounded by vanitas symbolism, verso - stamped, print, prints, height 425 mm, width 310 mm, 1652 - 1736, print maker, printmaker, 1662 - 1736, paper, papier, etching, etchings, Work conception, German, 1609-03-23 - 1684

Murder of a woman by a soldier.

Keisnijder, Anonymous, After Jan Work Oil (I), After Petrus Staverenus, 1650 - 1800 print A man cuts a rock out of the head of another man. paper feeling (one of the five senses). stone-operation, e.g.: by the witch of Malleghem

The Refused Caress. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Cornelis Bega.

Francisco de Goya (Spanish, 1746-1828). Mejor es holgar. (It is better to be lazy.), 1796-1797. From Los Caprichos, no. 73. Etching, burnished aquatint, and burin on cream laid paper. Plate: 215 mm x 150 mm (8.46 in. x 5.91 in.).

The kidnapping of Lucretia, c. 1618 - c. 1622 drawing Zwolle prepared paper. ink. chalk brush the rape of Lucretia: Sextus Tarquin threatens her with a dagger or a sword

Man and woman lying on the ground in a Moorish room. Draughtsman: Charles Rochussen. Dating: 1824 - 1894. Measurements: h 127 mm × w 109 mm. Museum: Rijksmuseum, Amsterdam.

Goya El amour y la muerte (Love and Death) Francisco de Goya, El amour y la muerte (Love and Death), Spanish, 1746 - 1828, published 1799, etching, burnished aquatint, and burin, Rosenwald Collection

The poet and the skeleton of Death. The poet sits writing an Ode to Immortality at his desk with a quill pen on a scroll, as the skeleton moves from behind a curtain to snuff out a candle with a candle extinguisher. Illustration drawn and engraved on steel by Richard Dagley from his own Deaths Doings, Consisting of Numerous Original Compositions in Verse and Prose, J. Andrews, London, 1827. Dagley (1761-1841) was an English painter, illustrator and engraver.

Los Caprichos. Plate 76. ¿Esta umd... pues, como digo.. eh! Cuidado! si nó... (You understand... well, as I say... eh! Look out! otherwise...), 1799, Spain, by Francisco Goya. Gift of Sir John Ilott, 1964.

Honoré Daumier, Robert Macaire commis voyageur, 19th century Robert Macaire commis-voyageur

Anonymous / 'A man and woman seen in front of an architectural background'. XVI century. Wash, Pencil, Pencil ground, Grey-brown ink on yellow paper. Museum: Museo del Prado, Madrid, España.

La Madelaine (sic) cetait une femme quavait fait des betises nest pas (sic) msieu Henri? A mort!. Artist: Paul Gavarni, French, 1804-1866

Two Monks with a Prostrate Man. Dated: c. 1725. Dimensions: overall: 43.9 x 34.3 cm (17 5/16 x 13 1/2 in.). Medium: pen and brown ink with brown wash and added gray wash over black chalk on laid paper, laid down. Museum: National Gallery of Art, Washington DC. Author: Giovanni Battista Tiepolo.

2. / Me who gave him everything! ........ ...

DIBUJO - PETIMETRE/MONO- EL ESPEJO INDISCRETO -1797/99 - PLUMA Y AGUADA SEPIA - 206x145 mm. Author: FRANCISCO DE GOYA. Location: MUSEO DEL PRADO-DIBUJOS. MADRID. SPAIN.

Je t'ai déjà défendu de m'appeler maitre... Dated: 1844. Medium: lithograph on newsprint. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

'Ectypa' of Ploos van Amstel: Interior of a tavern 'Ectypa' of Ploos van Amstel: Interior of a tavern, 1775, by Cornelis Ploos van Amstel, Adriaen Brouwer.

You see Austerlitz at the time of the tremor! () Charlet, Nicolas Toussaint (1792 1845), Lithography Villain, Gihaut Frères

Les femmes de Bruges , Alphonse Legros (1837-1911)

French 19th Century after A. B., Les Honnêtes femmes; Conférence, Poésies inédites d'Henry Becque; La Parisienne, 1904, halftone on wove paper

Training quarters (Willard in training) , Boxing, Boxers Sports, Sports spectators, Willard, Jess, 1881-1968. George Bellows (1882-1925). Prints and Drawings

February, Dirck De Bray, 1635 - 1694 print A woman is grilling two fish on her knees on a large fire. In the background a man reads in a book and a second woman fluctuates a cradle back and forth. Netherlands paper February and its 'labours' (+ with Pisces (February))

Théophile Alexandre Steinlen, The Three Companions, 1898-1913, etching on laid paper.

Ex Cathedra ("ex catedra") 1807-45 Leonardo Alenza y Nieto Spanish. Ex Cathedra ("ex catedra") 335159

Honoré Daumier, La perche, 19th century La perche

Oedipe. Dated: 1851. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Honoré Daumier (French, 1808 - 1879). Pygmalion, 1842. From Histoire Ancienne. Lithograph with hand coloring of the period on white wove paper. Image: 229 mm x 189 mm (9.02 in. x 7.44 in.). Third state.

The feeling; T feeling; The five senses. The sensory feeling. A man cuts a boulder from the head of another man. The print is part of a series of the five senses.

Print, The Flagellation; France; wood engraving on paper; 4.7 × 5.4 cm (1 7/8 × 2 1/8 in.); 1945-200-485

Two farmers with a jug, Jabes Heenck, after David Teniers, c. 1676 - 1782 print Northern Netherlands paper etching jar, jug (used as drinking-vessel). container of ceramics: jar, jug, pot, vase

Death of a loved one, print maker: Karel Frederik Bombled

Honoré Daumier, Ça pince, M'sieu Galimard, ça pince! , 19th century Ça pince, M'sieu Galimard, ça pince! ...

Hamlet et le cadavre de Polonius (Act. III Sc. IV) (Hamlet and Poloniuss Corpse), from Shakespeares Hamlet. Artist: Eugène Delacroix, French, 1798-1863

1922 pencil and coal drawing by Fritz Hegenbart showing an angry mother.

Expectations (Evening Thou Bringest All), Print made by Henry Fuseli, 1741-1825, Swiss, active in Britain (1766-70; 1779 on), after Henry Fuseli, 1741-1825, Swiss, active in Britain (1766-70; 1779 on), Published by Polyautographic Office, active 1805-1807, ca. 1805, Lithograph on moderately thick, slightly textured, beige wove paper, Sheet: 9 x 13 5/8 inches (22.8 x 34.6 cm), bracelets, couch, curtains, dress, evening, flowers (plants), gaze, genre subject, gesturing, lover, pillows, ribbons (costume accessories), sitting, turning, woman

François-Nicolas Quantle (1825-1901). "Sketch for the illustration of the last scene of Hernani". Lavis and gouache on paper. 1877. Paris, house of Victor Hugo. 60601-1 Last scene, drawing, romantic drama, sketch, woman, gouache, heroine, man, illustration of literary work, wash, theater piece, 19th 19th 19th 19th 19th 19th 19

It Is Time (Ya es hora) Francisco de Goya y Lucientes (Spanish, 1746-1828). It Is Time (Ya es hora), 1797-1798. Etching and aquatint on laid paper, Sheet: 11 7/8 x 7 15/16 in. (30.2 x 20.2 cm). European Art 1797-1798

Hobgoblins, plate 49 from Los Caprichos. Francisco José de Goya y Lucientes; Spanish, 1746-1828. Date: 1797-1799. Dimensions: 189 x 132 mm (image); 216 x 152 mm (plate); 301 x 207 mm (sheet). Etching and aquatint on ivory laid paper. Origin: Spain. Museum: The Chicago Art Institute, Chicago, USA.

Reducing, large, second stone , Sleeping, Physical fitness. George Bellows (1882-1925). Prints and Drawings

Scene de la vie privee dudebardeur.. Artist: Paul Gavarni, French, 1804-1866

V'la une p'tite femme qu'est pas paresseuse ... Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

A long consultation, 1892

A Butcher January 1, 1790 Thomas Rowlandson British. A Butcher 392953

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