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Dramatic Religious Art

Powerful oil paintings depicting scenes of spirituality and distress, highlighting emotional expressions and textured brushwork in historical contexts.

Nicolas Poussin; French; Les Andelys 1594-1665 Rome; Agony in the Garden; ca. 1627; Oil on copper.
Nicolas Poussin; French; Les Andelys 1594-1665 Rome; Agony in the Garden; ca. 1627; Oil on copper.
180 assets in this story
Lemminkainen's Mother by Gallen-Kallela, Akseli (1865-1931) / Konstmuseet Ateneum, Helsinki / 1897 / Finland / Oil on canvas / Mythology, Allegory and Literature / 108,5x85,5 / SymbolismThe Last Communion of Saint Louis. Ary Scheffer (Netherlands, Dordrecht, 1795-1858, active France). Holland, 1823. Paintings. Oil on canvasStanis Aw Tondos (1854-1917), Wojciech Kossak (1856-1942), monument to Queen Jadwiga; Salon Painters Salon Publishing House (Kraków; 1895-1949), Anczyc, W ADYS AW Ludwik and Spóża (Kraków; Drukarnia; 1875-1948); around 1910 (1905-00-00-1915-00-00);Death of Marat, 1793, by Jacques-Louis David (1748-1825), oil on canvas, 165x125 cm.Austria, Vienna, Illustration of Dante Alighieri's Divine Comedy (Heaven, Song XV) by Franz von Bayros, detailChapelle du Calvaire 1817 Charles-Marie Bouton (1781-1853/French) Musee des Beaux-Arts, Rouen A Cockerel, a Partridge, Powder Horns, a Kingfisher and Song-birds Hanging in a Niche, with a Cobweb, a Snail and Insects. Abraham Mignon (1640-1679). Oil on canvas, 88 x 68cm.Hamlet: Now I might do it pat, now he is praying”, Act III, Scene iii, Hamlet. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897"CAIDA MORTAL" - 1863. Author: JOSE MARIA CHAVEZ ORTIZ. Location: PRIVATE COLLECTION. CORDOBA. SPAIN.Anonymous Sevillian / "Head of San Juan Bautista", Last third of the seventeenth century, Oil on canvas, 0.63 x 0.74 m. Author: ANONIMO SEVILLANO.King Hobgoblin Sleeping. Date/Period: 1896. Painting. Watercolour and gouache on paper. Width: 28 cm. Height: 20 cm. Author: HUGO SIMBERG.A Dublin Interior. James Sinton Sleator (1889-1950). Oil on canvas. Painted circa 1915-20. 59.2 x 31.7cmFELIPE IV EN LOS JARDINES DE ARANJUEZ-DET MOZO CON CABALLO-PINTADO EN 1859. Author: EUGENIO LUCAS VELAZQUEZ. Location: MUSEO NACIONAL DE BELLAS ARTES. LA HABANA. CUBA.Skull and hourglass, passage of time, Historical, digitally restored reproduction from a 19th century originalSt Hermenegild in Prision. Date/Period: 1799. Painting. Width: 23 cm. Height: 30 cm (Complete). Author: FRANCISCO DE GOYA.The Pipe Smoker by Joseph-Noel Sylvestre, oil on canvas, (1847-1926), USA, Pennsylvania, Philadelphia, David David Gallery'The Miracle of Anthony of Padua' (detail), 1798. Author: FRANCISCO DE GOYA. Location: Ermita de san Antonio de la Florida. MADRID. SPAIN.Anonymous, the sacrifice of Iphigenia. Main motif of the fireplace from a hotel in rue des Bernardins, 5th arrondissement. (Dummy title), 1626. Oil on canvas .. Carnavalet museum, history of Paris. Art, carnivalet, museum, reproduction, paintings, meero, museum, reprographyStudy for 'The Garden Court'. Edward Burne-Jones (1833-1898). Pencil and watercolour. 32.4 x 60.3cm 12.3/4 X 23.3/4in.Dutch Interior, circa1660. Oil on canvas. 47cm x 37cm. Museum: Gemaldegalerie Gemald, BERLIN, GERMANY. Author: HENDRICK VAN DER BURCH.Collective farm watchman. Gerasimov S.V. 1933.The Education of the Children of Clovis Lawrence Alma-Tadema (1836-1912/Dutch) Private CollectionEugenio Lucas Velazquez (1817-1870). Spanish painter. The Sermon: You are Condemned!, 1850-1870. Lazaro Galdiano Museum. Madrid. Spain.Tony Robert-Fleury. "Alix appearing in the mask". In "Les Jumeaux", dramatic play by Victor Hugo, from 1839. Grisaille. Oil on wood. 1880-1890. Paris, house of Victor Hugo. 77914-29 Appear, appearance, white, white, chimney, greyness, wood on wood, light, mask, dramatic work, theater pieceSaint Simon James Tissot (French, 1836-1902). Saint Simon, 1886-1894. Opaque watercolor over graphite on gray wove paper, Image: 12 3/16 x 7 1/8 in. (31 x 18.1 cm). European Art 1886-1894The Attributes of the Arts and the Rewards Which Are Accorded Them, 1766, Jean-Baptiste-Siméon Chardin, French, 1699 - 1779, 44 1/2 x 57 1/4 in. (113.03 x 145.42 cm) (canvas)57 3/4 x 71 x 5 1/8 in. (146.69 x 180.34 x 13.02 cm) (outer frame), Oil on canvas, France, 18th century, This picture may appear to reproduce the casual clutter of an 18th-century tabletop. Not so. Chardin carefully selected objects to convey specific meanings. A palette with brushes, placed atop a paint box, symbolizes the art of painting. Building plans, spread beneath drafting and surveying tools, represent architecture. An ornate bronze pitcher alludes to goldsmithing, and the red portfolio symbolizes drawing. The plaster model of J. B. Pigalle's Mercury, an actual work by a friend of Chardin's, stands for sculpture.An old man and a boy kneeling before a tombstone in a dilapidated ruin. Line engraving with etching.Madonna Palafrenieri, by Merisi Michelangelo known as Caravaggio, 1605, 17th Century, oil on canvas. Italy: Lazio: Rome: Borghese Gallery. Detail. Serpent leg Baby JesusOlympia' by Édouard Manet, created in 1867. The painting features themes of women, servants, nudes, and cats. It is noted for its significance and has a standard reference numberA Seven-Part Decorative Sequence: An Outdoor Stairway, Dirck van Delen, 1630 - 1632 painting Part of a seven -part room painting in five pieces with images of an interior, two galleries and two external stairs, populated with numerous people. This concerns the left half of the presentation of an external staircase. A man and a woman look out the window, there is a parrot on the balustrade of the stairs. (For the other half of SK-A-3942) canvas. oil paint (paint) palace. ornamental birds: parrotVIAJE AL TONDAL O VISION DE TONDAL - DETALLE DE MUSICO - SIGLO XV/XVI - OLEO/TABLA - ESCUELA FLAMENCA - CONJUNTO 3392. Author: IMITADOR DE EL BOSCO. Location: MUSEO LAZARO GALDIANO-COLECCION. MADRID. SPAIN.Batch No, 950027The Sacrificial Death of Marcus Curtius, Veronese, Paolo (1528-1588)Giovanni Gerolamo Savoldo; Italian; Brescia 1480 - 1548; Saint Matthew and the Angel; Oil on canvas.El Ciego. Óleo sobre lienzo, 87x128. Colección particular. Author: ALFRED OPISSO.Giuseppe Arcimboldo, Four Seasons in One Head, c 1590 Four Seasons in One HeadStill life. nieznany malarz holenderski, painter, Holenderski malarz, painterStudy for "An Aragonese Smuggler". William Turner Dannat; American, 1853-1929. Date: 1881. Dimensions: 81.6 × 59.7 cm (32 1/8 × 23 1/2 in.). Oil on canvas. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.François Boucher (1703-1770). "Foot study by Louise O'Murphy". Pastel, around 1751. Paris, Carnavalet museum. 23614-13 White, bedroom, drape, erotic, eroticism, study, interior, yellow, young woman, female naked, female nudite, work of art, pillow, pastel, foot, seduction, seduce, sensuality, rococo style, painting, hanging , Interior view, 18th 18th 18th 18th 18th 18th 18 century, cloth, bedSiegmund and Sieglinde from Rhinegold (Ring of the Nibelung) - Sieglinde offers a drink and Siegmund asks her to put it to her lips firstPainting of the Roman God Mars. Artist unknown. Dated 17th Century.Michelangelo in front of the corpse of vittoria colonna, francesco jacovacci Triumph Of Death (detail) 1597 S.d.1597 Jan Bruegel the Elder (1568-1625 Flemish) Oil On Canvas Landesmuseum Joanneum, Graz, AustriaRIBERA, JosŽ (1588-1652). Jacob's Dream. 1639. This works concerns the misterious dream of the 'Genesis', chapter 28. Baroque art. Oil on canvas. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Prado Museum.Luc-Olivier Merson (1846-1920). "A tear for a drop of water". Oil on canvas, 1903. Paris, Victor Hugo's house. Modern art, attachment, white, blue, drink, hunchback, charity, goat, cry, scream, deform, crowd, gypsy, water, handicap, heroine, medieval influence, young woman, tank, mechancete, nos- Lady of Paris, litter work, romantic work, opposition, fictional character, novel character, fictitious character, novel, alone, alone, troubadour style, animal, handicap, oil on canvasSIN IDENTIFICAR - FOTOGRAFIA EN BLANCO Y NEGRO - AÑOS 60.Indian Fire God (The Going of the Medicine-Horse). Date/Period: From 1895 until 1899. Painting. Oil on canvas. Height: 101.6 cm (40 in); Width: 68.6 cm (27 in). Author: Frederic Remington.Autorretrato ante el caballete. Date/Period: 1785. Painting. Oil on canvas. Height: 42 cm (16.5 in); Width: 28 cm (11 in). Author: FRANCISCO DE GOYA.Still Life with a Dead Fish; 1866; Oil on canvas Jean-Frederic Bazille; French; 1841-70Carnavalet Museum, Collection DrawingsGeorges du Mesnil de La Tour 1593-1652. Saint Sebastian Attended by Saint Irene. about 1640-1650. oil painting on canvas cm 105 x 139. detail.The Acrobat's Family - The Injured Child - Gustav Dore, circa 1874A Conversation (The Artist's Brothers, Peter and James Romney). Date/Period: 1766. Painting. Oil on canvas. Height: 1,105 mm (43.50 in); Width: 876 mm (34.48 in). Author: GEORGE ROMNEY.Pharaoh Cleopatra VII born 69 BC, died 12 August 30 BC, ruled Egypt as the last queen of the Macedonian-Greek dynasty of the Ptolemies from 51 BC to 30 BC, Painting by Alexandre Cabanel, Historical, digitally restored reproduction from an original of the timeSchool of Talmudists Hirszenberg, Samuel (1865 1908)Les raboteurs (The Floor Scrapers) 1875. Oil on canvas. Impressionism Realist School Labourer InteriorTriptych: Allegory of Art Training. Dating: c. 1770. Measurements: h 83 cm × w 70 cm; d 8 cm. Museum: Rijksmuseum, Amsterdam. Author: Willem Joseph Laquy. Gerard Dou (copy after).Melancholy. Date/Period: 1532. Painting. Oil on panel. Height: 51 cm (20 in); Width: 97 cm (38.1 in). Author: Lucas Cranach the Elder.Dahl and Friedrich. Romantic Landscapes, Dresden, Saxony, Germany, EuropeJean Auguste Dominique Ingres / 'The Bather, detail', 1807, Oil on canvas. Museum: MUSEE BONNAT, Bayona, France.Still Life: Fish by 1908 William Merritt Chase American Beginning in 1904, Chase made many large-scale still-life paintings of fish, usually during his summer teaching trips to Europe. Executed with the bravura brushwork and dark palette of his early Munich period, this painting shows the influence of Chase's contemporary, the French artist Antoine Vollon, and of the seventeenth-century Spanish still lifes that Vollon also appreciated. The canvas shows a tabletop with a plate containing a striped bass and a salmon; a weakfish lies directly on the table and a bowl appears in the background. Chase's goal seems to have been to make what he called "an uninteresting subject so inviting and entertaining by means of fine technique that people will be charmed at the way you've done it."Writing in "The New Republic" in March 1917, the American connoisseur and collector Leo Stein commented on Chase's still-life paintings of fish: "Of all non-sentimental still life.. they are with their bulging mVanitas, 1656, by Pieter Claesz (1597-1660), oil on canvas, 39x60 cm.The Border Widow, William Bell Scott (Edinburgh, Scotland, 1811 - 1890) 1861CLAESZ Pieter (c.1597-166Oil on wood (Voronezh Museum of Art)Cleopatra testing poisons on those condemned to death, Lawrence Alma-Tadema (1836-1912 Dutch), Oil on canvas. Private collectionGeorgin, work, 1000, drawing, 19.7 cm x 16.3 cmRembrandt (Rembrandt Harmenszoon van Rijn or Rhijn, called Rembrandt) (Leiden,1606-Amsterdam,1669). The slaugthered ox, 1655. Panel (beech), oil paint, 95,5 x 68,8 cm. Louvre Museum, Paris, France.ROBINSON CRUSSOE ILUSTRACION DE LIBRO JUVENIL.The Tall Skeletons by Paul Delvaux, 1944, Private CollectionDeadly vices by Pieter Bruegel the Elder, (Brueghel), Oil on wood, circa 1567, circa 1525-1569, German, Munich, Alte Pinakothek, 52x78An Odalisque. Rudolf Ernst (1854-1932). Oil on canvas.Europe, Germany, Rhineland-Palatinate, the Moselle, Moselle valley, Trier, Old Town, St. Gangolf, central navePiotr Michalowski (1800-1855). Polish painter. Jews, 1845-1855. 19th Century Polish Art Gallery (Sukiennice Museum). National Museum of Krakow, Poland. Detail from 'Portrait of Nicholas Frochot' 1761-1828, favourite of Napoleon I. Served as a counsellor of State. By Andrea Appiani 1754-1817).Commedia dell'arte player of Pierrot, traditionally identified as , Gilles, by Jean-Antoine Watteau, oil on canvas, 1721, 1684-1721, France, Paris, Musee du LouvreA Turkish Lady Going with her Slave to the Bath, Francis Smith, active 1763-1780, BritishIllustration by Gustave Dore (1832-1883) for Inferno by Dante Alighieri Canto, Inferno, Hell, Paradise, Angel, Damnation, Historical, digitally restored reproduction from an original from the 19th century, Record date not stated..Painting titled 'An Experiment on a Bird in the Air Pump'. Painted by Joseph Wright of Derby (1734-1797) English landscape and portrait painter. Dated 1768The Irish Question Made 1880-1889 United States. A seemingly uncomplicated representation of two potatoes suspended by a string against a wood panel, The Irish Question is an unusual and striking trompe líoeil painting that raises numerous questions. The title may refer to the troubled status of the Irish in the late 19th century; the hanging potatoes inflect this allusion with either ominous overtones or a dark sense of humor. Illusionistic paintings such as The Irish Question offer an enjoyable form of visual deception, and the pseudonymous signature ìS.S. Davidî suggests that De Scott Evans relished the opportunity to puzzle his viewers on many levels.. Oil on canvas . De Scott Evans(SIN TITULO). Author: GUILLERMO PEREZ VILLALTA. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.