Dramatic Historical Scenes

Engravings depicting dramatic historical moments and mythological themes, featuring characters in conflict, capturing fluid movement and emotion in classic artistic styles.

Man flees a panther, Reinier Vinkeles (I), After Jacobus Buys, 1792 print In a forest, a man is hunted by a leopard, he is stuck to a bust of pan at the end of the council. Illustration in the story 'The promise' from 'fables for the Dutch youth'. Amsterdam paper etching beasts of prey, predatory animals: panther. (story of) Pan

Herman de Ruiter ready to throw the wick in the Kruit, 1570, Johannes Christiaan Bendorp, 1817 print Herman de Ruiter fights with Spanish soldiers and about to put the burning wick in the powder barrel and to make Lovenstein explode, December 19, 1570. paper etching / engraving Slot Loevestein

Louis XVI

Reproduction from a print to a drawing by Cimon who pursues a naked woman, Anonymous, After Adolphe Martial Potémont, After Jean Honoré Fragonard, 1880 photomechanical print Scene from 'Le Fleuve Scamandre' by Jean de la Fontaine. Cimon, disguised as the river god Scamander, approaches a woman. Reproduction of a proof with sketches in the margins. paper river-gods

Persée et les Soeurs des Gorgones; Jasi Ski, Feliks Stanis Aw (1862-1901), Burne-Jones, Edward (1833-1898), Wittmann ch., Imprimérie (Paris; Printing House; Ca 1886-1908), Gazette des Beaux-Arts (couples ; magazine, publishing house; 1859-2002); 1893 (1893-00-00-1893-00-00);Euriale (Mitol.), Gorgon (Mitol.), Meduza (Mitol.), Perseus (Mitol.), Steno (Mitol.), Wellsz, Leopold (1882-1972), Wellisz, Leopold (1882-1972)-collection, French (culture), French graphics, Polish graphics, reproductive graphics, Japanese paper, Poland (culture), purchase (provenance)

Man flees a panther, Reinier Vinkeles (I), After Jacobus Buys, 1792 print In a forest, a man is hunted by a leopard, he is stuck to a bust of pan at the end of the council. Illustration in the story 'The promise' from 'fables for the Dutch youth'. Amsterdam paper etching beasts of prey, predatory animals: panther. (story of) Pan

Orgon Verdedigt Tartuffe, Jean-Antoine-Valentin Foulquier, 1878-1879 print Deed III, scene VI from "Le Tartuffe" of Molière. Orgon defends Tartuffe's reputation against his own son Damis. paper etching / drypoint interior of the house. organization, functionaries and dignitaries in Roman Catholic church; clergy in general. theatre, theatrical performance

Saint Catherine Alexandria; S.W. (engraving of saints; Fl. Ca 1750-1800), Marcinowski, Antoni (Vilnius; Drukarnia; 1817-1862), Tyszkiewicz, Konstanty (1806-1868); 1750-1800 (1750-00-00-1800-00-00);

Reproduction from a print to a drawing of a nun defending towards other nuns, Anonymous, After Adolphe Martial Potémont, After Jean Honoré Fragonard, 1880 photomechanical print Scene from 'Le Psautier' by Jean de la Fontaine. Reproduction of a proof with sketches in the margins. paper Nun(s)

Michaut, Antoine.

An etching by Lorenzo Lolli created between 1630 and 1691 depicting the Holy Family, showing Mary, Joseph, and the infant Jesus in a religious composition.

Two vignettes with putti and mythical animals (4)

GNNATHon bring Chdhong Tergir, Bigowel Audely Audeffman (I), adjusing Philippe Dc the Orleans 1718 print Top right numbered p. 152. print maker: Francepublisher: Paris paper etching Daphnis (in Greek mythology a shepherd who invented pastoral poetry. Chloe

The flight into Egypt: small, after 1633 print paper etching the flight into Egypt: Mary, Joseph, the child (and sometimes others) on their way; Mary usually riding on an ass

Zuzanna in the bath; Aldegrever, Heinrich (Ca 1502-1555 cars 1561); 1555 (1555-00-00-1555-00-00);Seweryn (1850-1920) - collection, Smolikowski, Old Testament (Bible), Zuzanna (Bible), Zuzanna and the old man (iconogr.), Acts, female acts, bath, religious scenes, old people

Saint-Fal, Etienne Maynier.

Etching by Antonio Tempesta around 1599 representing September, illustrating seasonal work, harvest activities, and figures in late sixteenth-century Italian engraving.

Painting in a decorated list of pigeons, instruments and foliage, Edouard Lièvre, 1863 print Paris . etching picture, painting. frame of painting, etc.

Relief with armor for the piercing stable in the western gallery of the Town Hall on Dam Square, Hubert Quellinus, After Artus Quellinus (I), 1655 print Relief with weapons, helmets and armor for the Pieth stable under the statue of Mars in the northern part of the western gallery of the Town Hall on Dam Square in Amsterdam. At the bottom mark marked: Q. paper etching / engraving attributes of Mars City Hall of Amsterdam (1655-1808)

Venus, plate from a suite of 6 ornamental designs with the Judgement of Paris, Adriaen Collaert, Flemish, ca. 1560 - 1618, Adriaen Collaert, Flemish, ca. 1560 - 1618, Engraving on laid paper, A contestant for Paris apple, Venus, the winner, holds the apple in one hand while leading Cupid, the god of desire, with the other. The figure is set within a medallion on a dark field (sur fond noir) decorated with intricate grotesques., Antwerpen, Belgium, ca. 1690, ornament, Print, Print

Bending man. Young man in antique clothing, bending to the left, for an antique vase. Possibly a philosopher.

Landscape with two soldiers, Reinier Vinkeles (I), 1751 - 1816 print Amsterdam paper etching / engraving private soldier. landscapes

Saint George à cheval. Bisson Frères (French, active 1840 - 1864)

The fianc�e of the timbalier Paul-Henri Regeau, French painter. The fianc�e of the timbalie. Pencil and ink on layer paper. 1885. Paris, Victor Hugo House.

Reproduction from a print to a drawing of a caught love couple, Anonymous, After Adolphe Martial Potémont, After Jean Honoré Fragonard, 1880 photomechanical print Scene from 'Le Villageois Qui Cherche Son Veau' by Jean de la Fontaine. Reproduction of a proof with sketches in the margins. paper lovers spied upon

Interior with a farming family; Intérieur de Paysans de la Haute-Garonne. A peasant family with small children but also an old man and woman is sitting at a fireplace. The interior is rich in details. There are different objects from the household on the fireplace and food hangs hanging on the beams of the ceiling. A ladder left leads to a higher part where the bedstead is also located.

A 17th-century copper engraving and etching by Bartholomäus Kilian depicting a Thesenblatt for Margaretha, showing textual and decorative details.

Title page for: Elisabeth Maria Post, Reinhart, or nature and religion, dl. 1, 1791, Reinier Vinkeles (I), in or before 1791 print Title page with a landscape in which a young woman is writing under a tree. There are two sheep in front of her and grazing cattle can be seen in the background. paper etching / engraving sheep. cattle. landscapes. writer, poet, author. slavery; serfs and the enslaved

Jadwiga; Styfi, Jan (1839-1921), Matejko, Jan (1838-1893), Lewental, Samuel (Warsaw; Drukarnia; 1866-1890); 1876 (1876-00-00-1876-00-00);

Saint Francis of Sales; Czerski, Stanisław (1777-1833), Marcinowski, Antoni (Vilnius; Drukarnia; 1817-1862), Tyszkiewicz, Konstanty (1806-1868); 1822-1832 (1822-00-00-1832-00-00);

Gypsum Model for Sculpture at the Louvre Palace: "Peace" by Antoine-Louis Barye. Share of meeting of the Tuileries at the Louvre 1852-1857, album 1.

Aeneas and his men fight the harpijen, Pieter Tanjé, after Louis Fabritius Dubourg, 1746 print Aeneas and his men on one of the islands of the Strophaden where the harpes live. There they try to mow the harpijs out of the air in vain with swords. Illustration and Initial P at the third part of the Aeneis of Vergilius. Amsterdam paper etching / engraving (story of) Aeneas. Harpies (classical mythology)

Mars with a ram and scorpion next to him, Georges Reerdy, 1536 - 1569 print paper engraving (story of) Mars (Ares). Mars and his children ('Planetenkinder')

And to say that it is perhaps that one the true God. (IT)

Hagar in the desert, Moyses van Wtenbrouck, 1600 - 1647 print A woman (Hagar) Is at the foot of a thick tree. The Hague paper etching / engraving Hagar and Ishmael in the wilderness

Photograph of print: Marcantonio Raimondi (c. 1470 or 1482 - 1527 or 1534) according to Raphael (1483-1520) (), La Charité ; sheet from: Notice sur la vie de Marc Antoine Raimondi Graveur Bolonais accompagnée de reproductions photographiques de quelques . Blanquart-Évrard, Louis-Désiré (1802-1872), printing house, Delessert, Benjamin (1817-1868), photographer, Goupil & Cie (Paryż ; firma wydawniczo-fotograficzna ; 1850-1884), publisher, Colnaghi, D. & Co. (Londyn ; galeria sztuki ; 1760- ), publisher

Hendrick Goltzius engraved a copper print in 1596 depicting Venus, showing the Roman goddess with figures, gestures, and classical composition.

. Venus is visiting the Smidse van Vulcanus together with Amor. She asks him to make a armor for Aeneas. Illustration and Initial you at the Aeneis of Vergilius.

Arnolphe pulls the lovers Horace and Agnès apart, Jean-Antoine-Valentin Foulquier, 1878-1879 print Deed V, scene III from "L'école des Femmes" by Molière. Arnolphe removes Agnès from Horace to put an end to their declarations of love. paper etching / drypoint the envious friends; criticizing bystanders ~ love couple. theatre, theatrical performance

Set of various drawings by Hans Thoma: Zodiac signs. Landscapes. Nudes. Costume designs. Tyszkiewicz, Konstanty (1806-1868), merchant employer, Marcinowski, Antoni (Wilno ; drukarnia ; 1817-1862), printing house, Czerski, Stanisław (1777-1833), graphic artist

Interior with a farming family; Intérie Flamand. Interior with a woman sitting in front of a fireplace with two children next to her, a man is behind her and smokes a pipe. The interior is rich in details, on the fireplace all kinds of objects, including a representation of Susanna and the elders. A large bedstead is shown at the rear left. At the beams of the roof dry hams and on the floor are vegetables that are caught by rabbits and mice.

Steel-stitch print by Tiburce de Mare showing a romantic scene illuminated by candlelight on Japanese paper, circa 1880.

Venus with two putti in a forest, Noël Le Mire, after Charles Joseph Dominique Eisen, c. 1757 - c. 1767 print France paper etching (story of) Venus (Aphrodite). cupids: 'amores', 'amoretti', 'putti'

Jozef explain The Dreams of Pharaoh; Joseph explains his dreams of Pharaoh; History of Joseph. .

Etching by Jacopo Palma from 1600-1636 depicting a study of the human body, showing anatomical features and overall figure composition.

Wizards at a table and the appearance of a demon, Anonymous, After Bernard Picart, 1728 print Two wizards are sitting at a table while a demon appears. Two men serve them. The performance is caught in an ornamental list of horns of abundance. paper etching / engraving ornaments ~ art. devil(s) and demons. sorcerer, magician, wizard, warlock

Edelman takes the hand of a woman, anonymous, c. 1800 - c. 1880 print Netherlands (possibly) paper etching proposal, declaration of love. lovers' meeting

October 31st. (IT)

Engel and child with a woman on her sickbed, Jean Charles Thévenin, After Ary Scheffer, 1840 - 1857 print paper etching / engraving bed. sick-bed. embracing each other, kissing

Man behind a reading table. .

Escutcheon, from 'Recueil Nouveau de Differens Cartouche', Jacques de Lajoüe, French, 1687-1761, Charles-Nicolas Cochin the younger, 1715 - 1790, Etching on paper, Plate 9. A curved tablet is obliquely shown before a rocaille escutcheon, with attributes of Neptune. Framing, etc., similar to -158, with 'N. C. Cochin sculp.', France, ca. 1732, Print, Print

Frontispiece for Rimes de Joie 1881 Belgium. Heliogravure, with soft varnish (vernis mou) on cream wove paper . Félicien Rops

Plaque () With the representation of John the Baptist () As a child from the cross in the rim of the flower garlands, in a decorative frame, from the collection of minutes Institut, Liegnitz; Belitski, Ludwig (1830-1902); 1854- (1854-00-00-1854-00-00);Legnica (Dolnośląskie Voivodeship), minutes of institut (Legnica), frames, artistic craftsmanship

Beggars recieving alms at the door of a house. Bisson Frères (French, active 1840 - 1864)

Photographs of two engravings:Dürer, Albrecht (1471-1528) - reproduction, Raimondi, Marcantonio (Ca 1470/1482 -Ca 1527/1534) - reproduction, photography of the work of art (artist), heralding (iconogr.)

Time - an old man in the forest; Makowski, Tadeusz (1882-1932); Before 1924 (1915-00-00-1923-00-00);

. In a garden there is a muse with a harp and a blanket with stars. The muse gives two naked children, who are next to her, both a strip of paper. On the right is a child under a tree with sheet music on his lap. A mask and a pan flute are on one of the twigs of the tree.

Three unknown muhawuts from Shahjahanpur for a bush; Muhawuts. Mahomedan tribe. Shahjanpore. .

The arrival of the prince; Entry of Ferdinand in Antwerp in 1635 (no. 8), Theodoor van Thulden, After Cornelis Schut (I), After Peter Paul Rubens, 1639 - 1641 print The arrival of the prince. Ferdinand on horseback is greeted by the personification of the Netherlands accompanied by a lion. At Ferdinand Mars, courage and Fortuna. The central performance on the welcome stage. Marked at the top right: p. 11b. With caption of 2 times 5 lines in Latin. Page no. 8 in a whole of 43 plates that illustrate the publication of the description of the entry of the Cardinal Infant Ferdinand of Austria in Antwerp on April 17, 1635 as the new governor for the Spanish Netherlands. Southern Netherlands paper etching / engraving Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance'. Personifications of Countries, Nations, States, Districts, etc. Antwerp

Sacrifice from a bull, to Raphaël, Michelangelo Martini, After Rafaël, After Vincenzo Pasqualoni, 1816 - 1882 print paper etching / engraving

Association of the crowns of England and Scotland. Allegorical performance on the government of James I, king of England. Minerva connects the crowns, in the form of rings, from the Personifications of England and Scotland. These two female personifications flank a child, which lies on a armor. This child symbolizes the new kingdom and the future government of Charles I.

The Transfiguration. Raphael, 1483-1520. 1701 - 1800. Craffonara, Giuseppe, 1790-1837. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Roof Van Ganymedes, William Unger, after correggio, 1861 - print Vienna paper. etching (story of) Ganymede

Master-Etser and student in workplace, Eugen Napoleon Neureuther, 1839 print Allegory of the danger of etching art. In an artists' workshop with bookcases, reduced plaster casts of classical images and on the left a leaf vituur for a window, master and student work. The student with cloth in front of his mouth pours the etching water into an etching bath, while the teacher is sitting with a thermometer and clock. The bottle says "acid nitro". In the smoke on the ceiling houses fireflies that are driven by monkeys. The challenge for the etcher is depicted by the struggle of the Archangel Michael with the demons from the underworld. In the etching water, "unpredictable" cobbles and angry monsters, which come into the picture when the timing of the etcher is not good, the devil is also in the harmfulness of the student's health. At the bottom of an empty spell band, in which the following warning text has been added in a later state: "Schützen Wohl Magst du den Mund Vor Dem Geist aus ätze

Saint Catherine. Tyszkiewicz, Konstanty (1806-1868), merchant employer, Marcinowski, Antoni (Wilno ; drukarnia ; 1817-1862), printing house, Tarasewicz, Leon (ca 1650-ca 1703), graphic artist

Details of wall decoration with putti, saters and leaf vines

Marie Adelheid Klotilde Xaviére, Princess of France.

Still life with Wild, Johann Leonhard Raab, after Jan Weenix, 1835 - 1899 print München paper. etching foodstuffs; still life of foodstuffs

Two women with two cupidos, Martin Schedel, 1687 - 1748 print paper etching adolescent, young woman, maiden. cupids: 'amores', 'amoretti', 'putti'

Our Lady (with the monogram of Mary); Nowicki, C. H. (fl. Ca 1800-1825), Marcinowski, Antoni (Vilnius; Drukarnia; 1817-1862), Tyszkiewicz, Konstanty (1806-1868); 1800-1825 (1800-00-00-1825-00-00);

Duplicate entry of ID 112247; same description applies.

Eleonora blames Count Reinoud II of Gelre's removal, 1342, 1821 - 1823 print Eleonora van Engeland blames her husband Graaf Reinoud II of Gelre's removal in Nijmegen in the year 1342. She proves her husband that she is not a leper and that he has therefore wrongly rejected her. She predicts the downfall of his house, both sons standing next to her, will die in the battle for their father's name. Netherlands paper etching Nijmegen

Three figures under the arc of a ruin ..

Duo des Troyens (6e planche) , Queens, Heroes, Romances, Dido Legendary character, Aeneas Legendary character, Berlioz, Hector, 1803-1869. Troyens à Carthage. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Socrates in front of his house, Reinier Vinkeles (I), After Jacobus Buys, 1792 print Socrates shows his new house to curious bystanders. Illustration in the story 'A word of Socrates' from 'fables for the Dutch youth'. Amsterdam paper etching urban housing

L'Oisiveté. Bisson Frères (French, active 1840 - 1864)

Bug-Jargal (title registered (letter)) | Works by Victor Hugo. (Title of all)

Rieth Otto (1858-1911), diploma for the architect association. (From: Designs of Member of the AVB, New Episode 1896) (1896-1896): Perspective view of the socket, allegorical statues. Light pressure on paper, 45.7 x 29.9 cm (including scan edges)

Copper engraving by Hendrick Goudt from 1605-1648 depicting Ceres searching for her daughter, showing mythological figures, gestures, and landscape context.

Bliżej Kultury Ferdinand Schenk Verlag für Kunst und Kunstgewerbe, Wien, an unknown cartoonist of the Venice school of the 16th century.

Dance; Siedlecki, Franciszek (1867-1934); 1905 (1905-00-00-1905-00-00);Young Poland (Style), Partage Plus, Witke-Jeżewski, Dominik (1862-1944), Witke-Jeżewski, Dominik (1862-1944)-collection, gift (provenance), Polish graphics, women, Polish (culture), symbolic scenes , symbolism (style), dance

Herman De Ruiter ready to throw the wick in the powder, 1570. Herman De Ruiter fighting with Spanish soldiers and about to put the burning wick in the powder keg and to explode Loevenstein, December 19, 1570.

For the Sexes: The Gates of Paradise, Plate 9, 'Alas!', Print made by William Blake, 1757-1827, British, 1826, Etching and line engraving on moderately thick, slightly textured, cream wove paper, Spine: 13 3/4 inches (34.9 cm), Sheet: 13 3/8 x 9 3/8 inches (34 x 23.8 cm), and Plate: 3 x 1 7/8 inches (7.6 x 4.8 cm), bushes, children, grass, hat, leaf, literary theme, men, nudes, religious and mythological subject, text, trees

La Clochette, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795 published in 1795 Jean Dambrun French. La Clochette, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795 369352

Izaac sacrifice (in box with 43 drawings). .

Frisian with triumphal tour of Quintus Fabius Maximus on Schouw in the mayor's room of the town hall on Dam Square (fifth part), Hubert Quellinus, after Artus Quellinus (I), 1663 print Fifth part of Frisian with triumphal tour of Quintus Fabius Maximus on the Schouw in the mayor's room of the town hall on Dam Square in Amsterdam. With men, women and soldiers with trophies, banners and standards, and Quintus Fabius Maximus in his chariot. Nummered in the bottom left: 5. At the bottom of the middle: O. paper etching / engraving Roman chariot, quadriga ~ triumph. conqueror triumphing, triumphal entry of victor. trophy ~ battle, war. triumphs (allegorical and symbolic). triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée'. (military) flags and standards City Hall of Amsterdam (1655-1808)

Boeren fair, William Unger, After Cornelis Dusart, 1847 - 1889 print print maker: Germanypublisher: Amsterdam paper. etching festivities. village street. flute, aulos, tibia - CC - out of doors. hurdy-gurdy - CC - out of doors

St. Nic O Laas Commission

James Henry Watt, 1799-1867, British, St. Cecilia, 1834. Line engraving on thick, slightly textured, beige, wove paper, with cream, chine colle.

Reproduction of a painting: Henryk Siemiradzki (1843-1902), Curtain for the Lviv Theatre of Opera and Ballet; illustration from a German-language publication. unknown, publisher

Mother of God (with MARYA monogram). Tyszkiewicz, Konstanty (1806-1868), merchant employer, Marcinowski, Antoni (Wilno ; drukarnia ; 1817-1862), printing house, Nowicki, C. H. (fl. ca 1800-1825), graphic artist

Scene from the Aeneis: Aeneas and a woman, Pieter Tanjé, After Louis Fabritius Dubourg, 1746 print Aeneas flees away from a woman with a scepter. Behind her a plume of smoke and on the left an image in a temple. Illustration and initial t at one of the parts of the Aeneis of Vergilius. Amsterdam paper etching / engraving the story of Aeneas' wanderings to Italy (Virgil, Aeneid)

Otto von Bismarck at a cage with monkeys, Charles Verlat, c. 1850 - 1890 print The Prussian statesman Otto von Bismarck looks through the bars of a cage in which a monkey with violence stimulates another monkey of his food. In the foreground a canvas with Von Bismarck's pronunciation "La Force Prime Le Droit". paper. ETCHING / DRYPOINT / REDOUSSAGE monkeys, apes. historical persons. official; civil servant; functionary (in general)

Venus in Love In Wagen, Willem Hendrik Franquinet, After Giulio Romano, 1808 - 1854 print The car is on a cloud. Amor points down. The gaze of Venus follows his hand. Behind and in front of them are two putti, one with a bow and arch. paper (story of) Venus (Aphrodite). (story of) Cupid, Amor (Eros). cupids: 'amores', 'amoretti', 'putti'. Roman chariot, quadriga ~ triumph

Woman at her spinning wheel, Johann Kaspar Eisshardt, After Philipp Rumpf, 1834 - 1896 print Frankfurt am Main paper etching spinning-wheel. spinning (manufacture of yarn)

Bliżej Kultury Verlag of Ferdinand Schenk in Vienna

Two photographs of engravings:Francia, Francesco (Ca 1450-1517) - reproduction, Rafael (1483-1520) - reproduction, raimondi, marcantonio (Ca 1470/1482 -Ca 1527/1534) - reproduction, photography of a work of art (artist), religious art

Menu for the fourth dinner of the Société des Bibliophiles Contemporains, Édouard -Henri Avril, 1889 - 1894 print At the bottom of a still life of food and drinks, displayed on books. On the right an eleven who serves drinks with a book as a tray next to a skewer with meat, books and a chalk holder. At the top left a woman with wings and an open book on her head. She proposes the 'Néo-Bibliophilie' that chases an old bookseller, a man packed with books and a cage with rats in his hand. In the background a bookcase and a easel. paper etching / drypoint book. book-shop, bookseller. Abstract Ideas and Concepts (+ abstract concept represented by female figure). rodents: rat. easel

Quast Ferdinand von (1807-1877), Maori tribe leader Heke and his wife on New Zealand (without dat.): View of the chief in the flax robe. Pencil on transparent, 28.2 x 19.4 cm (including scan edges) Quast Ferdinand von (1807-1877): Maori-Stammesführer Heke und seine Frau auf Neuseeland

. Allegorical naked women's figure is sitting on a globe in a niche. In her hands a staff and a palm branch.

Harbor face in Rome, Claes Jansz. Visscher (II), After Willem van Nieulandt (II), 1618 print View of a port in Rome with a Corinthian column on the left in the foreground. There is an inn for which there are some figures at the ruins. In the background a harbor basin with some boats. Amsterdam paper etching harbour. landscape with ruins. inn, coffee-house, public house, etc.

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