Dramatic Historical Scenes

Artworks depicting intense historical moments, using shadow and light to enhance emotional narratives, featuring figures in traditional attire.

Joseph Refusing his Brother's Gifts. Giovanni Andrea de Ferrari (1598-1669). Oil on canvas, 174.6 x 209.6cm.

Rembrandt Harmenszoon van Rijn (1606-1669). Dutch painter. Parable of the Labourers in the Vineyard, 1637. Oil on panel. The painting shows the workers being paid that evening. The State Hermitage Museum. Saint Petersburg. Russia.

Watch Meeting - December 31st 1862 - Waiting for the Hour, Carlton, William Tolman, 1863.

Adela Ginés y Ortiz / 'A prison with no shackles'. 1897. Oil on canvas. Museum: Museo del Prado, Madrid, España.

The Death of Cleopatra; Gerard Hoet, Dutch, 1648 - 1733; Netherlands, Europe; about 1700 - 1710; Oil on canvas; Unframed: 57.8 x 69.5 cm (22 3/4 x 27 3/8 in.), Framed outer dim: 70.5 x 81.9 x 6.4 cm (27 3/4 x 32 1/4 x 2 1/2 in.)

Leonaert Bramer (1596-1674). Dutch painter. The Circumcision of Jesus, ca.1640. Detail. National Museum. Warsaw. Poland.

Rebecca and Eliezer. nieznany malarz włoski, painter

Lucas Velˆzquez, Eugenio (1817-1870) Museo del Prado, Madrid Painting 77,5x91,5 Mythology, Allegory and Literature,History Convicted by the inquisition

Joseph Refusing his Brother's Gifts. Giovanni Andrea de Ferrari (1598-1669). Oil on canvas, 174.6 x 209.6cm.

A Guard House, F. Jansen, c. 1635 - c. 1640 painting A Kortegaard. In one right two card playing and smoking soldiers with a woman sitting on a coffin. On the left a standing officer who supervises how a servant saddles his horse. In the foreground is a dog, in the background a woman is in the doorway. panel. oil paint (paint) In the Guard-room, 'Cortegarard'

Adoration by the shepherds. Draughtsman: anonymous. Dating: 1700 - 1800. Measurements: h 36 mm × w 61 mm. Museum: Rijksmuseum, Amsterdam.

Falstaff with Mistress Quickly and Bardolph, Robert Smirke, 1752-1845, British, 1825, Pen and brown ink, brown wash, gouache and oil, partially varnished on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper, Sheet: 6 x 4 3/8 inches (15.3 x 11.1 cm) and Image: 5 3/8 x 4 1/16 inches (13.6 x 10.3 cm), actors, arguing, cape, feather, figure study, gesturing, hat, Henry IV Part I, Act II, Scene II, Henry IV, part I by William Shakespeare, inn, literary theme, men, obese, play, plays by William Shakespeare, pointing, sitting, tavern, thieves, woman

Still Life with a Pigeon and a Guinea-pig (Kitchen), by Boselli Felice, 1690 - 1700, 17th Century, oil on canvas. Italy, Emilia Romagna, Parma, National Gallery of Art. Whole artwork. Still Life with game pigeon guinea-pig bags wicker tables.

In a tavern; Lyss, j.; XVII century (1670-00-00-1699-00-00);

Trial of the Inquisition, ca.1819. Copy of Eugenio Lucas (1817-1870) after a painting by Francisco de Goya. History Museum. Madrid. Spain.

The Death of the Virgin - 1605/1606 - 369x245 cm - oil on canvas - Italian Baroque. Author: MICHELANGELO MERISI DA CARAVAGGIO (1573-1610). Location: LOUVRE MUSEUM-PAINTINGS. France. MARY MAGDALENE. VIRGIN MARY.

The Adoration of the Magi - 16th century - 141x219 cm - oil on canvas - Italian Renaissance - NP 433. Author: TIZIANO VECELLIO DE GREGORIO-TICIANO-. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. INFANT JESUS. VIRGIN MARY. SAN JOSE ESPOSO DE LA VIRGEN MARIA. Melchor. Gaspar. BALTASAR.

Manufacture of Gunpowder, Meglio, Jacopo Coppi di or Gia, 1573.

The Heir

The Tric-trac Players; The Backgammon Players.The trick tracing players. Interior with two young men playing at a table at a table, a third drinks a glass of wine and the fourth plays on a lute. Oval.

The Blacksmith's Shop Signed and dated, lower right: "Jo:symbol Wright | Pinx symbol 1771.", Joseph Wright of Derby, 1734-1797, British

In tavern by Ludwig Knaus, oil on canvas, 1858, 1829-1910, Russia, Moscow, State A. Pushkin Museum of Fine Arts, 108x139

Ruth and Naomi, Willem Drost, circa 1652-1655,

'The Pilgrimage to San Isidro' (detail), 1820-1823, Mixed media on mural, P00760. Author: FRANCISCO DE GOYA. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

Paris (1st arr.), France women of Algiers in their apartment, Eugène Delacroix, Louvre museum , (French - Paris ( Ier arr. ) , France Femmes d' Alger dans leur appartement , Eugène Delacroix , musée du Louvre). Museum, painting, Art, France, Paris, Louvre museum: women of Algiers (Delacroix)

Peter Paul Rubens (1577-1640). Baroque painter of the Flemish school. Flight into Egypt, ca. 1630-1632. Detail. Oil on wood. Calouste Gulbenkian Museum. Lisbon, Portugal. Author: Peter Paul Rubens (1577-1640). Flemish artist.

Justice. Date/Period: Ca. 1860. Painting. Height: 511.30 mm (20.12 in); Width: 612.90 mm (24.12 in). Author: David Gilmour Blythe.

Pashur Smiting Jeremiah in the Temple, Leonaert Bramer, c. 1648 painting Pashur hits Jeremiah in the temple. Fighting during a meal of priests and monks in a temple. panel. oil paint (paint) Jeremiah arrested by the priest Pashur

Bartolomé Esteban Murillo / 'The Foundation of Santa Maria Maggiore in Rome: 1. The Patrician`s Dream', 1664-1665, Spanish School, Oil on canvas, 232 cm x 522 cm, P00994. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

La Siesta- Souvenir d'Espagne. Gustave Dore (1832-1883). Oil on canvas. Painted in 1868. 279.4 x 195.6cm

Eugène Carrière (1849-1906). "Young Mothers", 1897-1900 (unfinished decor for the town hall of the 12th arrondissement). Museum of Fine Arts of the City of Paris, Petit Palais. 26313-19 Arrondissement XIIEME XII 12th 12, unfinished decor, decoration, young mother, town hall, symbolism

Saul and David, by Rembrandt, 1650's, Royal Art Gallery, Mauritshuis Museum, The Hague, Netherlands, Europe

'Summer Feast'. Holland, 1670. Dimensions: 55,5x39 cm. Museum: State Hermitage, St. Petersburg. Author: JAN STEEN.

Franciabigio / Uriah's letter / 1523

The Judgment of Solomon. Artist: Leonaert Bramer (Dutch, Delft 1596-1674 Delft). Dimensions: 31 1/8 x 40 1/2 in. (79.1 x 102.9 cm). Date: 1640s.In a dream God granted King Solomon "a wise and an understanding heart," which the turbaned potentate made use of the following day. Two women each claimed an infant as their own, so Solomon ordered it cut in two. One of the women cried out that she would give up the child, thus revealing herself as the true mother. From 1616 until 1627 the Delft painter Bramer worked in Rome, where he adopted a broad range of dramatic ideas from Early Baroque artists, including Caravaggio and fellow Netherlanders such as Gerrit van Honthorst. Museum: Metropolitan Museum of Art, New York, USA. Author: Leonaert Bramer.

Hieronymus Bosch (1450-1516). Netherlandish painter. Triptych of the Temptations of Saint Anthony, 1498. Detail of the central panel depicting The Temptation of St. Athony. National Museum of Ancient Art. Lisbon, Portugal.

J. Matejko. Fragment of "Grunwald" Jan Matejko (1838-1893), fragment of "Battle of Grunwald"; Society of Encouragement of Fine Arts (Warsaw; 1860-1940); 1910 (1910-00-00-1910-00-00);

Domingos António de Sequeira (1768-1837). Portuguese painter. "The Adoration of the Magi", 1828. Oil on canvas (100 x 140 cm). National Museum of Ancient Art. Lisbon, Portugal.

Still life with meat and dead birds, Christoffel Puytlinck, 1660 - 1671 painting Still life with meat and dead birds. On a stone plinth are a sheep bolt or ham, onions, a knife, some dead roosters and pigeons and a basket with cucumbers. canvas. oil paint (paint) still life of related objects. foodstuffs; still life of foodstuffs. meat; still life of meat

The Tame Magpie ca. 1707-8 Alessandro Magnasco Italian Magnasco's legacy resides in the exuberance of his technique and the fantasy of his subject matter. Here people from the fringes of society have gathered to watch the spectacle of a man trying to teach a magpie to singan impossible task. This painting was probably executed when Magnasco was working for the Medici in Florence and was in contact with Sebastiano Ricci.. The Tame Magpie. Alessandro Magnasco (Italian, Genoa 1667-1749 Genoa). ca. 1707-8. Oil on canvas. Paintings

Gerolamo Induno. 1825-1890 Trasteverina hit by a bomb. 1850. oil painting on canvas. cm 114.5 x 158.

'An Old Man Reading a Book to a Group of Peasants (Allegory of Hearing )'. Holland, 1630-1635. Dimensions: 28x21 cm. Museum: State Hermitage, St. Petersburg. Author: Pieter de Bloot (follower of).

A Roman sculptor's studio, by Amos Cassioli (1832-1891), 1889-1890, oil on canvas, 57.5 x 74 cm.

Venice, exit from the Palace des Dogs under the bridge of sighs Felix Ziem (1821-1911). Venice, exit from the Palais des Dogs under the bridge of sighs. Oil on canvas.

Dead swan, Jan Weenix, c. 1700 - 1719

Alessandro Magnasco (1667-1749). Italian painter. Monk in meditation. National Museum of Fine Arts. Valletta. Malta.

In the painter's studio; Platzer, Johann Georg (1704-1761); 18th century (1700-00-00-1799-00-00);Austrian painting, painters, artists' studios, interiors

Ramón Bayeu y Subías / 'The Afternoon Snack'. XVIII century. Oil on canvas. Museum: Museo del Prado, Madrid, España.

Caravaggio (1571-1610). Italian painter. Conversion on the Way to Damascus,1601. Painted for the Cerasi Chapel of Santa Maria del Popolo in Rome, Italy.

Bullfight, Suerte de Varas. Francisco José de Goya y Lucientes (Francisco de Goya) (Spanish, 1746 - 1828)

Pastoral Scene with a Shepherdess Milking a Goat. Nicolaes Pietersz. Berchem; Dutch, 1621/22-1683. Date: 1665-1670. Dimensions: 24.8 × 31.1 cm (9 1/4 × 12 1/4 in.). Oil on panel. Origin: . Museum: The Chicago Art Institute, USA.

After the Hunt. Na de jacht (Après la Chasse). Dating: c. 1656. Place: Utrecht. Measurements: h 87 cm × w 75 cm. Museum: Rijksmuseum, Amsterdam. Author: JAN BAPTIST WEENIX.

'The Fable of Diogenes', 1645-1655, Italian Baroque, Oil on canvas, 97 cm x 145 cm, P00088. Author: CASTIGLIONE GIOVANNI BENEDETTO-. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

Signboard of a Wineshop: Tasting the Wine (one side); Barreling the Wine (on the other). Dating: 1640 - 1650. Measurements: h 45.5 cm × w 52 cm. Museum: Rijksmuseum, Amsterdam. Author: Aelbert Cuyp.

Hunting animals by Frans Snyders, oil on canvas , 1620, 1579-1657, Ukraine, Sevastopol , M. Kroshitsky Art Museum

Purchase (provenance)

Armenian Wedding. Armeense bruiloft. Dating: 1720 - 1737. Measurements: h 44.5 cm × w 58.5 cm. Museum: Rijksmuseum, Amsterdam. Author: Jean Baptiste Vanmour.

Interior of a Peasant Hut, Benjamin Gerritsz Cuyp, c. 1645 - 1652 painting Interior of an inn with a man with a jug and glass on the left, a man lights his pipe on the right. Between them a man plays on his violin, on the right a few figures by the fireplace. panel. oil paint (paint) inn, coffee-house, public house, etc.. drinking

The Canoe Builders. oil on canvas. Date: after 1879. Museum: Smithsonian American Art Museum.

Antonio González Velázquez / 'Departure of soldiers'. Second half of the XVIII century. Oil on canvas. Museum: Museo del Prado, Madrid, España.

COLON, CRISTOBAL. NAVEGANTE GENOVES. 1451-1506. " REGRESO DE COLON ENFERMO ". OLEO DE ANTONIO MU¿OZ DEGRAIN (DETALLE), A¿O 1924. CIRCULO DE BELLAS ARTES. MADRID.

The Death of Przemysław. Gerson, Wojciech (1831-1901), painter

Lady Macbeth seizing the daggers, 1812, by Johann Heinrich Fuseli (1741-1825), oil on canvas.

The smoking fireplace, Jean Baptiste Isabey, 1777 - 1855 drawing Interior with a smoking fireplace, on the left an old man at a set table; A maid kneeling in front of the fireplace, another comes to the door. France paper. ink pen / brush open hearth, fire-place. maid ~ house personnel

Koshelev, Nikolai Andreyevich (1840-1918) State Tretyakov Gallery, Moscow Painting 84,6x110,4 Genre Korobeinik

Signing of Marriage Contract by Shibanov, Mikhail (-after 1789) State Tretyakov Gallery, Moscow 1777 Oil on canvas 199x244 Russia Russian Art of 18th cen. Genre Painting

Workshop or Circle of Quentin Matsys (1466-1530). Flemish painter. Triptych of the Descent from the Cross (central panel). The Way to Calvary (left panel) and the Resurrection (right panel). Oil on oak panel. From the Convento da Madre de Deus (Lisbon). National Museum of Ancient Art. Lisbon, Portugal. Author: Workshop or Circle of Quentin Matsys (1466-1530). Flemish artist.

Painter during work by Jan Joseph Horemans the Elder, oil on canvas , 1725-1730, 1682-1759, Russia, Moscow, State A. Pushkin Museum of Fine Arts, 61x51

The Triumph of the Innocents. Date/Period: 1876 - 1887. Oil paint on canvas. Height: 1,575 mm (62 in); Width: 2,477 mm (97.51 in). Author: William Holman Hunt.

William and Margaret from Percy's 'Reliques of Ancient English Poetry', Joseph Wright of Derby, 1734-1797, British

TheWrestlers. Artist: George Benjamin Luks, American, 1867-1933

Men playing cards by anonymous artist, painting, Russia, Kiev, Museum of Russian Art, 60, 5x70, 2

The Return from War: Mars Disarmed by Venus. Date/Period: Ca. 1610 - 1612. Painting. Oil on panel. Height: 1,273 mm (50.11 in); Width: 1,635 mm (64.37 in). Author: PETER PAUL RUBENS.

JUEGOS DE NINOS - ROBANDO NIDOS - SIGLO XVIII. Author: Attributed to GOYA. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Courtyard of the Painter's House, Cairo, 1850-1 John Frederick Lewis (d. 1876), 19th Century, Watercolour, Gouache, Paper, Egypt, Architecture, Frame, Male, Cairo, Camel, Animal, Art Movement, Orientalism, Courtyard, Works on Paper

APOTEOSIS DE SANTO TOMAS - DETALLE DE LA ESCENA DEL FONDO: COLEGIO DE SANTO TOMAS DE SEVILLA CON PERSONAJES (CONJ 11729)- SIGLO XVII- BARROCO ESPAÑOL. Author: FRANCISCO DE ZURBARAN. Location: MUSEO DE BELLAS ARTES-CONVENTO DE LA MERCED CALZAD. SPAIN.

'L'Escalade, Ou Les Audieux Du Matin', 1787, (1913). Artist: Philibert Louis Debucourt.

'Snack'. Holland. Dimensions: 57,3x48,25 cm. Museum: State Hermitage, St. Petersburg. Author: Willem van Aelst (workshop).

The Mission of Mercy: Florence Nightingale receiving the Wounded at Scutari. Painting by Jerry Barrett (1824-1906). Oil on canvas (147 x 218,2 cm), 1857. Detail. National Portrait Gallery. London, England, United Kingdom. Author: Jerry Barrett (1824-1906). English painter.

Painting titled 'Clothing of the Naked'. Painted by Michael Sweerts (1618-1664). Dated 17th Century

Juan García de Miranda / 'The Last Communion of Saint Didacus of Alcalá'. 1729 - 1731. Oil on canvas. Museum: Museo del Prado, Madrid, España.

Persons in Louis XV Costumes 1801-1900 France. Oil on cradled panel . Adolphe Joseph Thomas Monticelli

Anonymous (Follower of Goya y Lucientes, Francisco de) / 'The Pyre', First half 19th century, Spanish School, Oil on tinplate, 32 cm x 43 cm, P07111. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

PORTADA DEL PALACIO DEL MARQUES DE DOS AGUAS EN VALENCIA - HACIA 1885 - OLEO/TABLA - 31,8 x 40,5 cm - NP 4486. Author: FRANCISCO DOMINGO MARQUES (1842-1920). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

Scene From Shakespeare's A Winter's Tale, 1770-1800 Sir William Hamilton, Oil Painting, Literature, William Shakespeare, Theatre, Theatre, Performer

Dead fowls. Purgau, Philip (fl. post 1709), painter

Still Life with Game. Dated: probably 1750s. Dimensions: overall: 49.6 x 59.4 cm (19 1/2 x 23 3/8 in.) framed: 72.2 x 82.1 x 8.3 cm (28 7/16 x 32 5/16 x 3 1/4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: JEAN SIMEON CHARDIN.

Shepherds, herds and farmers at a fountain in Rome, by Cornelis van Poelenburgh (1594 or 1595-1667), oil on canvas, 29x39 cm.

Interior of a Barn, 1644, Egbert van der Poel, Dutch, 1621-1664, 18 1/2 x 25 in. (46.99 x 63.5 cm) (panel), Oil on panel, Netherlands, 17th century, The children are fighting, the woman has stopped working on a cow carcass to scold them. Just another day in the barn. Egbert van der Poel, a respected Dutch artist who thought of himself as a landscape painter, painted many such scenes of country life. Dramatic images of burning buildings at night were a specialty, as were interior tableaus like this one. The buckets, basins, and bowls near the woman resemble the household still lifes for which Dutch artists in the 1600s were known.

The Russian Nobility Offering the Imperial Princes to Minerva. Gabriel-François Doyen (France, Paris, 1726-1806). France, circa 1795. Paintings. Oil on canvas

The Painters Dream John Austen Fitzgerald (1832-1906/British) Oil on canvas Christie's, London

Feeding Time. Ignace Spiridon (fl. 1889-1900). Oil on canvas, 30 x 39 1/4in.

Der Taschenspieler in der Scheune / The magician in the barn. Date/Period: 1862. Painting. Oil on panel. Height: 112 cm (44 in); Width: 166 cm (65.3 in). Author: LUDWIG KNAUS.

Allegory of the Victory of Chesma by Roode, Theodorus, de (1740-1793)/ State Tretyakov Gallery, Moscow/ 1771/ Holland/ Oil on paper/ Dutch Painting of 18th cen./ 50x65,5/ Mythology, Allegory and Literature,History

Men standing under arch by Giambattista Tiepolo, Oil on canvas, 1740-1745, 1696-1770, Russia, Moscow, State A. Pushkin Museum of Fine Arts, 61x36

Tavern scene by Anthonie Victorijns, oil on wood, -1655, Russia, Sevastopol , M. Kroshitsky Art Museum,

The Messenger, Unwelcome News, by Gerard ter Borch, 1653, Royal Art Gallery, Mauritshuis Museum, The Hague, Netherlands, Europe

Tríptico: Las Tentaciones de San Antonio (completo). Museum: MUSEO DEL PRADO / MADRID / ESPAÑA. Author: HIERONYMUS BOSCH.

The Broken Bridge and the Dream, Dalí, Salvador (1904-1989)

The Love Letter, by Johannes Vermeer, circa 1669-70, oil on canvas, Rijksmuseum, Amsterdam, Netherlands, Europe,

Head of a Guillotined Man 1818 France. Oil on panel . Jean Louis André Théodore Géricault

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