Dramatic Historical Narratives

Illustrates significant historical events and characters through engravings and prints, focusing on scenes from folklore and legend, rich in detail and composition.

Rijn, Rembrandt van, The raising of Lazarus: large plate, verso bottom middle - pencil, Coppier druk!, print, prints, RHL. v Rijn f., central, Coppier, height 368 mm, width 256 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1630 - 1634, second quarter 17th century, paper, etching, etchings, burin, Work conception, after own design by

Image reproduction: Aleksander Lesser (1818-1884), Jadwiga B Avi on expedition Son of Henry; Z: "K Osy" 1884, vol. XXXIX, No. 1007, p. 256; Lesser, Aleksander (1814-1884), Goradowski, Edward (1843-1901); 1884 (1884-00-00-1884-00-00);Henry II Pious (Silesian Prince - Inter1196 ET1207-1241), Henry II Pious (Silesian Prince - Inter1196 ET1207-1241) - iconography, Jadwiga Śląska (Saint - 1174-1243), Jadwiga Śląska (Saint - 1174-1243) - iconography, Kłosy (Warsaw - Journal - 1865-1890) - illustrations, Lesser, Aleksander (1814-1884), Lesser, Aleksander (1814-1884) - reproduction, blessing, painting, Polish painting, personalities, Polish personalities, reproduction, reproduction works of art

Rijn, Rembrandt van, The raising of Lazarus: large plate, verso bottom middle - pencil, Coppier druk!, print, prints, RHL. v Rijn f., central, Coppier, height 368 mm, width 256 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1630 - 1634, second quarter 17th century, paper, etching, etchings, burin, Work conception, after own design by

Vortigern, king of the Britons, seduced by Rowena, daughter of Anglo-Saxon chief Hengist, 5th century. Vortigern and Rowena. Copperplate engraving from M. A. Jones History of England from Julius Caesar to George IV, G. Virtue, 26 Ivy Lane, London, 1836.

Haman begs Ester for his life, Johann Heinrich Maria Hubert Rennefeld, 1845 - 1877 print Haman kneels for Queen Ester and begs her for his life. The Persian king Ahasveros makes a dismissive gesture. print maker: Amsterdampublisher: Tiel paper steel engraving Haman begs Esther for his life

Drawing reproduction: Walery Eljasz Radzikowski (1841-1905), Leszek Bia Y and Goworek; over the 19th and 20th centuries (1883-00-00-1883-00-00);

This 1831 steel engraving and etching by Carl Spindler, designed by Moritz von Schwind, illustrates 'Die Mohrin von Toledo II', a book illustration depicting 19th-century Austrian narrative scenes.

St Patricius Cures a Cripple. Patricius, better known as St Patrick, Irelands national saint, played an important role in the Christianization of that country in the 5th century. Giovanni Battista Tiepolo painted the large altarpiece after which this etching was made around 1746. The two kneeling figures at the right in the foreground of the painting making a somewhat stiff, uncomfortable impression may be the work of the young Giovanni Domenico Tiepolo. He also produced this print after the altarpiece.

Rijn, Rembrandt van, The Raising of Lazarus: large plate, verso lower left - stamped, print, prints, RHL. v Rijn f., central, height 365 mm, width 258 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1630 - 1634, second quarter 17th century, paper, ink, inkt, etching, etchings, pen, burin, Work conception, after own design by, draughtsman, draftsman

Cartoon on the architect W.N. Rose, 1861; The strong night of a building master. Cartoon at the Royalbouwmeester Willem Nicolaas Rose and the plans for the restoration of the Ridderzaal. On the left the spirits of Johan van Oldenbarnevelt, Willem van Oranje and Graaf Willem II, on the right the architect with the wheel of adventure, in the background De Ridderzaal. Plate appeared at the Weekblad De Nederlandsche Spectator, no. 21, 25 May 1861.

Jacques Callot after Giovanni Bilivert, The Cured Sick Person, 1619 The Cured Sick Person

Craeyvanger, Reinier, Netherlands, Reckleben, Jan Frederik Christiaan, Jurisprudence of Charles the Bold over the governor of Zeeland, ca. 1474, Jurisprudence of Charles the Bold over the governor of Zeeland. Charles the Bold grants jurisdiction to the wife of the commander of Vlissingen, ca. 1474., print, history print, prints, Frederik Muller History plates, height 164 mm, width 128 mm, Dutch, 1819-09-03 - 1879-03-28, print maker, printmaker, 1849 - 1849, second quarter 19th century, paper, steel engraving, 1812-02-29 - 1880-01-10, intermediary draftsman

Brothel, Anonymous, 1650 - 1800 print A woman, with bare breasts, invites a man to go into a house with her where a man and two women stand on the sidewalk. paper etching brothel

Lazio Roma Segni Palazzo Baronale3. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Jozef recognized by his brothers, Jacobus Buys, c. 1734 - c. 1801 drawing Design for a print. paper. ink pen / brush Joseph reveals his identity and in tears forgives his brothers' past misdeed

La Grande Résurrection de Lazare; Bisson Frères (French, active 1840 - 1864); Paris, France; 1858; Salted paper print; 38.5 x 27.2 cm (15 3,16 x 10 11,16 in.)

Lazio Rieti Rieti S. Agostino7. Hutzel, Max 1960-1990 Medieval: Architecture, sculpture, painting. The church dates from the 13th century, and still possesses two gothic portals. The main portal, of the 14th century, contains a semicircular tympanum within which is a fresco of the Madonna and Child with S. Augustine and S. Nicholas of Bari, a work of the Sienese school from 1354. Above the lunette in the gable is a relief of the Lamb of God. The other medieval portal on one of the transept arms is less elaborate than the main portal, consisting of double-arcaded windows and a central round window above. Post-medieval: Architecture, sculpture, painting. The interior of the structure dates from the Baroque period (end 17th century). In a left side chapel is a cycle of frescoes dating from the 16th century, depicting Christ blessing. In a right side chapel is a cycle of scenes from the life of S. Augustine, dating from the 17th century. Above the altar of the left transept arm, is a paint

John Burnet, 1784-1868, British, Sir David Baird discovering the body of Tipu Sultan, 1843. Mezzotint, published state.

Copernicus for astronomical observatory in Bologna. Picture of the people, UK A. Lessera, presented at the Warsaw Theater on February 19 1873; Z: "Tygodnik Ilustrowany" 1873, No. 272, vol. XI, p. 133; Gorazdowski, Edward (1843-1901), Lesser, Aleksander (1814-1884), Tegazzo, Franciszek (1829-1879); 1873 (1873-00-00-1873-00-00);Copernicus, Mikołaj (1473-1543), Copernicus, Mikołaj (1473-1543)-iconography, Lesser, Aleksander (1814-1884), Lesser, Aleksander (1814-1884)-reproduction, astronomical observatory (Bolonia), Weekly Illustrated (Warsaw - magazine - 1859-1939) - illustrations, personalities, Polish personalities, live images

A woman in her dressing chamber with by two male visitors and three maidservants. Engraving by Ph. Trière, 1781, after J.D. Dugourc.

Amsterdam, Picart, Bernard, Le Lutrin. Chant Quatriéme., Priest discovers lectern (small version), verso lower right - stamped, The priest, his hands raised, looks surprised and shocked at the lectern in the church. He is accompanied by a man who is also shocked., print, engraving, book illustration, prints, height 142 mm, width 81 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1718 - 1718, first quarter 18th century, paper, etching, engraving (printing process), supervision

Rue de la Paix.

The Star of Kings, a Night Piece. Dated: 1630. Dimensions: plate: 20.9 x 16.5 cm (8 1/4 x 6 1/2 in.) sheet (trimmed close to plate mark): 21.1 x 16.9 cm (8 5/16 x 6 5/8 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Jan van de Velde II after Pieter Molijn.

Drawing by Bartolomeo Altomonte depicting Saint Norbert on the side altarpiece of Schlägl collegiate church, using lead handle with white highlights on blue paper.

Ann Catley as Euphrosyne in John Milton's "Comus.". Ann Catley (1745-1789), later Ann Lascelles, was an actress and singer. She performed with George Mattocks as Comus when it was revived in 1773 at Covent Garden.. Copperplate engraving by an unknown artist.

Presentation in the temple. Artist: Rembrandt van Rijn. Draughtsman: Moses ter Borch (mentioned on object). Dating: 1660. Place: Zwolle. Measurements: h 102 mm × w 80 mm. Museum: Rijksmuseum, Amsterdam.

The smell; De Reuck; The five senses. A man with half-pine pants surrender in a kitchen. A boy and a woman seize to their nose to keep the smell. The print is part of a series of five prints with the five senses.

Plate 22 from 'Los Caprichos': Poor little girls! (Probrecitas!). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 8 1/2 in. × 6 in. (21.6 × 15.2 cm)Sheet: 9 1/2 × 7 1/16 in. (24.2 × 18 cm). Series/Portfolio: Los Caprichos. Date: 1799, posthumous impression. Museum: Metropolitan Museum of Art, New York, USA.

The Presentation in the Temple in the Dark Manner. Dated: c. 1654. Dimensions: plate: 21 x 16.2 cm (8 1/4 x 6 3/8 in.) sheet: 21.6 x 16.7 cm (8 1/2 x 6 9/16 in.). Medium: etching and drypoint. Museum: National Gallery of Art, Washington DC. Author: Rembrandt Harmensz van Rijn.

Blumauer's 'Aeneide'. Daniel Nikolaus Chodowiecki (Germany, Danzig, 1726-1801). Germany, 1789. Prints; etchings. Etching

The last moments of Egmond in the dungeon, 1568..

Amadeus of Lausanne, Saint.

Lazio Roma Rome S. Maria in Domnica9. Hutzel, Max 1960-1990 Exterior views of facade and arcade of Renaissance church founded on remains of Roman construction in 7th c. Views of neighborhood portals. Interior views of nave, altar, carved wooden ceiling, 9th c. mosaics, apse fresco by Lazzaro Baldi. Views of crypt statue and fragments of Medieval pluteus. Antiquities: 2 Roman sarcophagi General Notes: Views of Fontana della Navicella, which stands in front of the church, have been extracted from this numerical sequence and stored in separate file. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic

Nederland, Gheyn, Jacob de (II), Spranger, Bartholomeus, S. Elizabeth, Saint Elizabeth of Hungary, Netherlands, verso bottom center - stamped, Saint Elizabeth, standing, full-length, holding loaves of bread in her cloak with her right hand, offering a loaf of bread to a cripple at her feet with her left hand., print, prints, height 262 mm, width 137 mm, 1565 - 1629-03-29, print maker, printmaker, 1591 - 1595, fourth quarter 16th century, paper, engraving, engraving (printing process), Work conception, South Netherlands, 1546-03-21 - 1611-08, after a design by, Publication (Event), Publication, publisher

MarsarsCap Van Heilige Agatha, Giovanni Domenico Tiepolo, After Giovanni Battista Tiepolo, 1753 - 1757 print Venice paper etching / engraving the virgin martyr Agatha of Catania; possible attributes: breasts on dish, burning house, loaf, taper or candle, tongs

The Raising of Lazarus: The Larger Plate. Rembrandt van Rijn; Dutch, 1606-1669. Date: 1627-1637. Dimensions: 343 x 235 mm (sheet trimmed within plate mark). Etching on paper. Origin: Holland. Museum: The Chicago Art Institute, USA. Author: REMBRANDT HARMENSZOON VAN RIJN.

Murder of Jacob van Artevelde, Anonymous, 1809 - 1899 print Van Artevelde was the leader of the insurgents against France during the Hundred Years War. He is murdered in Ghent, commissioned by Geraard Denijs, captain of the weavers. paper murder Ghent

Worship of kings. to Rubens with address of Lemaitre

The brides of Venice. Herbert, John Rogers, 1810-1890. Knight, Charles, 1791-1873. Prints, Illustrations. 1858. Science, Industry and Business Library: General Collection. Art, Industrial arts

The Mocking of Ceres. Hendrik Goudt (Dutch, 1583-1648); after Adam Elsheimer (German, 1578-1610). Date: 1610. Dimensions: 320 x 245 mm (plate); 327 x 250 mm (sheet). Engraving in black on ivory laid paper. Origin: Netherlands. Museum: The Chicago Art Institute, USA.

LE CORRIDOR DES LOGES aminuit.. Artist: Paul Gavarni, French, 1804-1866

Couple dressed in the Neapolitan fashion, Pieter Lastman, Anonymous, Johannes Covens and Cornelis Mortier, 1720 - 1772.

13-year-old king Edward VI agreeing to the execution of the Anabaptist heretic Joan Bocher, 1550. King Edward VI persuaded by Thomas Cranmer to the death of Joan of Kent. Copperplate engraving from M. A. Jones History of England from Julius Caesar to George IV, G. Virtue, 26 Ivy Lane, London, 1836.

Reproduction of a painting: Juliusz Kossak (1824-1899), Knight of Gozdawa and landowner; excerpt from a magazine. unknown, reproduction atelier

The Ivory Carver, from "Illustrated London News". Artist: After Edward Henry Wehnert (British, baptised London 1813-1868 London). Dimensions: Image: 9 3/4 × 7 11/16 in. (24.8 × 19.5 cm)Sheet: 10 3/16 in. × 8 in. (25.9 × 20.3 cm). Engraver: William James Linton (British, London 1812-1897 New Haven, Connecticut). Date: January 31, 1857.A bearded man in Renaissance dress kneels before a crucifix that he has completed, and raises his hands in worship, looking towards angels. Demonic figures retreat in the background. The image was published with a poem of the same title by Charles Boker. Museum: Metropolitan Museum of Art, New York, USA. Author: After Edward Henry Wehnert.

The adoration of kings, according to Rubens (Dutuit 15) Boëtius Adamsz Bolswert (said Biodius), Adams Schelte. The adoration of kings, according to Rubens (Dutuit 15). Burin, 17th century. Museum of Fine Arts of the city of Paris, small palace.

Rembrandt van Rijn, The Presentation in the Temple Oblong Print, c 1639 The Presentation in the Temple: Oblong Print

The Cumaean Sibyl. Artist: After Sir Edward Burne-Jones (British, Birmingham 1833-1898 Fulham); Etched by Charles-Albert Waltner (French, Paris 1846-1925 Paris). Dimensions: Image: 17 3/16 x 6 7/8 in. (43.6 x 17.4 cm)Sheet: 21 7/16 x 16 in. (54.5 x 40.7 cm). Publisher: Thomas Agnew & Sons, Ltd. (London) Manchester and Liverpool. Date: November 1, 1882.This etching conveys Burne-Jones's severe conception of the Apollonian priestess at Cumae--a Greek colony near Naples--and belongs to a series he devoted to ancient prophetesses who foretold the coming of Christ. Enveloping dark drapery, bound about the head with a thorny vine, underscores the sibyl's character while her niche-like setting recalls Renaissance frescoes. This print was the first one based on a Burne-Jones oil painting and points to a significant turning point in his career. Before he became associated with the Grosvenor Gallery, founded by Sir Coutts Lindsay and his wife Blanche in 1877, the artist favored watercolor and go

Magna Carta 18th century Attributed to Anonymous, French, 18th century French. Magna Carta. Attributed to Anonymous, French, 18th century. 18th century. Pen and gray ink, brush and gray wash. Drawings

In an elevator , Nuns, Elevators, Crowds. George Bellows (1882-1925). Prints and Drawings

Even in Lent, Life Cartoons still image. Postcards. 1905 - 1930. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection

Rijn, Rembrandt van, Baillie, William, The Hundred Guilder Print, Bystanders with a Sick Child: fragment of cut plate of The Hundred Guilder Print, verso central - pen in brown, print, prints, verso lower left, sulge, height 190 mm, width 122 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1643 - 1649, second quarter 17th century, fourth quarter 18th century, Oriental paper, etching, etchings, drypoint, dry needle, burin, Irish, 1723-06-05 - 1810-12-22, Work conception, after own design by

Monument for Willem Johan Sieverts, Dirk Sluyter, After Haatje Pieters Oosterhuis, 1827 print Graf monument with the portrait of the Alphense pastor Willem Johan Sieverts. The portrait is flanked by a skull and a Bible on which a sleeping putto supports. This holds a extinguished torch and a paper with the date of death on it. Below a inscription with Sieverts' name, function and the municipality in which he worked. Next to the monument are faith, with cross and incense barrel, and religion. Father Time is kneeling next to the monument, writing in a book. In the foreground there is a putto with books, a cup, a burning lamp and a corn sheaf, a cup, a cup, a burning lamp. Amsterdam paper etching / engraving grave-building, monumental tomb. allegories and personifications ~ Protestantism. Father Time, man with wings and scythe. fugacity of Time

LePhiltre. Artist: Paul Gavarni, French, 1804-1866

Design for the Letter E of a Pictoral Alphabet: Etude (Study), Victor Vincent Adam, 1801-1866, Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper, Letter above, flanked by intertwining rinceau. A man resembling King Francis I of France is seen studying at night., France, ca. 1830, Drawing, Drawing

Copper engraving by an unknown engraver depicting the handover of keys, created between 1619 and 1684.

Reproduction of woodcuts: Juliusz Kossak (1824-1899), former clothing and weapons. 14th century: 1. landowner and builder; 2. women and townspeople; 3. case before the orchard; after 1892 (1859-00-00-1884-00-00);

Illustration No. 11 (from 12) to the formers, Newer and Latest History, Posted in: Gothaischer Hof Kalende, For the benefit and pleasure of 1792. Gotha Bey C. W. Ettinger Chodowiecki, Daniel Nikolaus (1726 1801)

"Gray brush drawing over pencil by C. Heyne depicting a figure scene in Renaissance costumes for William Shakespeare's 'Maria Stuart', including gestures, composition, and spatial arrangement, 1861."

Photo reproduction of an engraving: Johan van Oldenbarnevelt is pronounced his judgment, May 1619 ..

Armand-Jean du Persis Hertog van Richelieu presents a book to Maria with Kind, Claude Mellan, c. 1646 print France paper engraving / counterproof historical persons

The Fall of Lucifer. From the portfolio: The Work of E. Burne-Jones., 1894, Great Britain, by Edward Burne-Jones, The Berlin Photographic Company.

An 18th-century copper engraving and etching by Charles Nicolas Cochin the Younger depicting the mausoleum of Maurice, Count of Saxony, located in the Thomas Church of Strasbourg.

Poisoning Queen Bona Walkiewicz, W Adys Aw (1833 1900)

Details from the Adoration of the Magi and the Pool at Bethesda. Dated: 1774. Dimensions: sheet (trimmed within plate mark): 18.6 x 13.1 cm (7 5/16 x 5 3/16 in.). Medium: etching counterproof reworked in brown wash on laid paper. Museum: National Gallery of Art, Washington DC. Author: Jean Claude Richard de Saint-Non after Jean-Honoré Fragonard after Sebastiano Ricci.

The governor of Zeeland and Saphira, approx. 1474; Saphira. The governor of Zeeland (or Gelderland) Let the man's death sentence sign (P. Stalins) of Saphira. Saphira kneels injured for the governor. Scene from the story of the case law of Karel de Namen about the Governor of Zeeland, approx. 1474. Also known as the story of Rhynsault and Saphira.

Fernando Selma (Engraver) (After Murillo, Bartolomé Esteban); Agustín Esteve (Drafstman) / 'The Apparition of the Virgin to Saint Ildefonso'. 1791 - 1800. Taille douce: etching and engraving on laid paper; 1791 - 1800. Taille douce: etching and engraving on laid paper. Museum: Museo del Prado, Madrid, España.

De Ster van de Koningen, 1636, A Theodore (Braham), 1636 print Singing company gathered around a group of children on the street with the star on three -king evening, the evening before January 6. In the caption a verse in 3 times 2 lines. Low Countries paper etching / engraving Twelfth Night, usually falling on the eve of January 6

Hagar and Ishmaël dismissed by Abraham, Reinier Vinkeles (I), After Gerbrand van den Eeckhout, 1751 - 1816 print Abraham stands in front of his house and sends Hagar and Ismaël away. Ismaël has a walking stick, Hagar dries her tears with a handkerchief. Behind Abraham is Sara in the doorway. Amsterdam paper etching the banishment of Hagar and Ishmael (Genesis 21:9-21)

Easterners at an outdoor banquet, draughtsman: Romeyn de Hooghe, 1655 - 1708, paper, pen, brush, h 129 mm × w 136 mm

"Etching and aquatint by Francisco Goya from 1799 depicting a figure with detailed gestures, clothing, and expression, part of the Los Caprichos series."

Iv. PL. T. iv. PAG. 58 / Louis de Bruges present in Charles VIII a tournament book. (IT)

Etching by Salomon Savery depicting the concept of interest rates, created between 1630 and 1683.

unknown, Hendricx, Gilles, Rubens, Peter Paul, Bolswert, Schelte Adamsz., The adoration of the kings, Adoration of the Christ Child by the three kings. Below the image is a quotation from the Bible text Matthew 2., print, prints, height 432 mm, width 320 mm, South Netherlandish, 1586 - 1659-12-12, print maker, printmaker, 1596 - 1659, paper, papier, engraving, engraving (printing process), 1577-06-28 - 1640-05-30, after, after painting by, Publication (Event), Publication, publisher, granter of privilege

Coriolanus and Aufidius (Shakespeare, Coriolanus, Act 4, Scene 5) 1825-40 Charles Heath, the elder. Coriolanus and Aufidius (Shakespeare, Coriolanus, Act 4, Scene 5). After Henry Corbould (British, London 1787-1844 Robertsbridge, East Sussex). 1825-40. Etching and engraving. Charles Heath, the elder (British, London 1785-1848 London). Prints

Bliżej Kultury Audibran, François Adolphe Bruneau (Fl. 1840 1865), Pauquet, Hippolyte Louis (1797 Ca 1869), Wilczyński, Jan Kazimierz (1806 1885)

Les quatre gentilhommes bretons : conspiration de Cellamare.. Avery, Samuel Putnam, 1822-1904. Prints. 1844. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Pitre-Chevalier, 1812-1864. Bretagne et Vendée, Prisoners , France, Musketeers , France, Cellamare Conspiracy, 1718, France , History , Regency, 1715-1723

Copper engraving by Gilles Rousselet from 1630-1657 representing Europe with maps, figures, architecture, and symbolic elements of the continent.

Artist: Jean-Pierre Norblin, French, 1745-1830, Raising ofLazarus, Etching, platemark: 17.2 × 12.2 cm (6 3/4 × 4 13/16 in.), Librarytransfer, Made in France, French, 18thcentury, Works on Paper -Prints

A series of illustrations symbolizing virtues / features 1 Human attitudes: Constantia in adversity; as well as for the hope of honors and resources. Nicolai, Georg, Rosenstiegl, Franz

Etching by Rembrandt Harmensz. van Rijn from 1641 titled 'The Schoolmaster', depicting a seated schoolmaster and a student in an interior setting.

The Denier of Cesar Harmensz van Rijn Rembrandt (1606-1669). The denier of Caesar, 2nd state, 1635.

The Hundred Guilder Print 1643-1653 Holland. Etching and drypoint on ivory laid paper . Rembrandt van Rijn

The death of Mirabeau. (TF)

Amsterdam, Scheltema & Holkema's Boekhandel, Tresling & Comp., Netherlands, Bauer, Marius, Sint-Niklaas-Zilcken in 's Lands Kunst-Huis, Cartoon on Philip Zilcken on the occasion of the publication of his book on Modern Dutch Etchers in 1896. Zilcken depicted as Sinterklaas standing on a stage handing out presents, on the left Jan Veth holds up the curtain. Published in the supplement of 'De Kroniek' of December 6, 1896., print, prent, cartoon, prints, prenten, height 410 mm, width 300 mm, Dutch, 1867-01-25 - 1932-07-18, print maker, printmaker, 1896-12-06 - 1896-12-06, fourth quarter 19th century, vier kwart 19e eeuw, paper, papier, lithografie (techniek), printer, drukker, Publication (Event), Publicatie, publisher

14th century. Two princes in the company of courtiers and women, in Christmas costumes (), from: Tygodnik Ilustrowany, 15.03.1862, No. 129 I.K. (Fl. Ca 1862), Kossak, Juliusz (1824 1899)

Kaiser, Johann Wilhelm (I), Netherlands, The Anglo-Saxon princess forgives Radigis, Radagis, king of Warmond, is forgiven by his Anglo-Saxon bride, 534, His Anglo-Saxon bride forgives Radagis, in the year 534 after having defeated him with her armies., print, history print, prints, Frederik Muller History plates, height 179 mm, width 140 mm, Dutch, 1813-01-05 - 1900-11-29, print maker, printmaker, 1838 - 1840, second quarter 19th century, paper, steel engraving, Work conception, after own design by

EDWARD THE BLACK PRINCE SERVES HIS PRISONER, JOHN OF FRANCE.

Marches Ancona Fabriano S. Agostino3. Hutzel, Max 1960-1990 Medieval: Architecture (begun early 13th century): restored in 1768, 1938, and recently. Exterior: sculpted portal (early 14th century) and traces of ogival arches; 14th century frescos: Fabriano-Riminese school (restored 1933); late gothic frescos. Post-medieval: Richly decorated late baroque nave; 14th century frescos of the Fabriano-Riminese school (restored 1933); stucco work; works on canvas by Cades (18th century) Object Notes: Church was formerly known as S. Maria Nova TCI/Marches German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic

The Tribute Money, Print made by James McArdell, ca. 1729-1765, Irish, after Rembrandt van Rijn, 1606-1669, Dutch, undated, Mezzotint on moderately thick, moderately textured, cream laid paper, Sheet: 18 5/8 × 22 5/8 inches (47.3 × 57.5 cm), Plate: 15 15/16 × 19 13/16 inches (40.5 × 50.3 cm), and Image: 15 × 19 3/4 inches (38.1 × 50.2 cm), archway, Christianity, crowd, disciples, halo, mantle, New Testament, pay, pew, religious and mythological subject, tax collectors, teaching, temple, turbans

Luis Paret y Alcázar / 'Eclogue'. 1784. Grey-brown wash, Pencil on laid paper. Museum: Museo del Prado, Madrid, España.

Copper engraving and etching of a guardhouse by Jean Jacques Le Veau in 1778, depicting a military building with figures and period details.

Miravan Opening the Tomb of His Ancestors. Dated: 1772. Dimensions: plate: 50.2 x 39.6 cm (19 3/4 x 15 9/16 in.) sheet: 54.9 x 39.8 cm (21 5/8 x 15 11/16 in.). Medium: mezzotint on laid paper. Museum: National Gallery of Art, Washington DC. Author: Valentine Green after Joseph Wright.

Miranda (Shakespeare, The Tempest, Act 1, Scene 2). Artist: After Robert Edge Pine (British, London () 1720/30-1788 Philadelphia, Pennsylvania). Dimensions: Sheet (trimmed within plate): 14 3/4 × 17 5/8 in. (37.5 × 44.8 cm). Engraver: Caroline Watson (British, London 1760/61-1814 London). Publisher: John Boydell (British, Shropshire 1720-1804 London). Subject: William Shakespeare (British, Stratford-upon-Avon 1564-1616 Stratford-upon-Avon). Date: 1784.The teenage Miranda, raised on a desert isle by her magician-father Prospero, here catches sight of the ship-wrecked youth Ferdinand and is dumbfounded by his beauty. Pine's related painting was shown in April 1782 at the Great Room, Spring Gardens with six other subjects from Shakespeare, with plans announced for related engravings "in the chalk manner," by Caroline Watson and Victor Marie Picot. When Pine departed for America, Boydell bought the plates and reissued this version of the print in 1784. Museum: Metropolitan Museum of Art

Figures inside a church; folio 41 from the Images of Spain Album 'F'. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Sheet: 8 in. × 5 5/8 in. (20.3 × 14.3 cm). Date: ca. 1812-20. Museum: Metropolitan Museum of Art, New York, USA.

Hertog Albrecht van Beieren receives King Henry IV of England with his daughter Blanca in Dordrecht, 1403, Jacobus Buys, 1787 - 1795 drawing Hertog Albrecht van Beieren receives King Henry IV with his daughter Blanka in Dordrecht, 1403. The two princes with their entourage meet in the background sailing of ships. Design for a print. paper. ink pen / brush historical persons. historical events and situations. being welcomed ~ travelling Dordrecht

Ludwik and the Hungarian king and Poland; Styfi, Jan (1839-1921), Matejko, Jan (1838-1893), Lewental, Samuel (Warsaw; Drukarnia; 1866-1890); 1876 (1876-00-00-1876-00-00);

Adelheim von Veltheim. Daniel Nikolaus Chodowiecki (Germany, Danzig, 1726-1801). Germany, 1783. Prints; etchings. Etching

Diogenes in Alexander de Grote, Jean Pierre Norblin de la Gourdaine, 1755 - 1830 print paper etching Alexander's visit to Diogenes, who sits by his barrel and asks Alexander to get out of his light. historical persons

Basan, Pierre François, Rhine, Rembrandt van, France, Les morts ensevelis, Burial of the dead, verso - stamped, print, prints, height 244 mm, width 296 mm, French, 1723-10-23 - 1797-01-12, print maker, printmaker, 1733 - 1797, paper, papier, etching, etchings, Noord-Nederlands, 1606-07-15 - 1669-10-08, after, after painting by, Publication (Event), Publication, publisher

The Blind ca. 1743 Louis Surugue. The Blind. Louis Surugue (French, Paris ca. 1686-1762 Grand Vaux). ca. 1743. Etching and engraving; second state of two. Prints

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