Dramatic Historical Narratives

Prints illustrating pivotal moments from history, involving characters in dramatic circumstances and scenes of intrigue. Captures intense emotional expressions.

Print marked top right: Vyfde Afdeelinge Fol: 262., Diane de Joannis de Chateaublanc by her brothers-in-law murdered, 1667 The Marquise of Ganges, Cruel of her Brothers, Murdered, print maker: Jan Luyken, (mentioned on object), publisher: Jan Claesz ten Hoorn, Amsterdam, 1698, paper, etching, h 191 mm × w 146 mm

The Spanish Heidin Preciosa, Jacob Folkema, 1702 - 1767 print The Spanish Heidin Preciosa stands for a richly dressed man. A woman bares a breast of preciosa. Behind this three, an older woman steals jewelery from a box that is on the table in front of her. "Heiden" was a contemporary name for Roma. Print at the top right marked: Tom. i. p. i. paper etching hand uncovering the chest. whore, prostitute. wandering communities: Romani or Roma. Preciosa

The evening; Vespera; The four times of the day. Elegant company to a richly filled table. An employee, seen on the back, donates wine. Through a window, the goddess Diana can be seen on a cloud over a festive company on the street.

Print marked top right: Vyfde Afdeelinge Fol: 262., Diane de Joannis de Chateaublanc by her brothers-in-law murdered, 1667 The Marquise of Ganges, Cruel of her Brothers, Murdered, print maker: Jan Luyken, (mentioned on object), publisher: Jan Claesz ten Hoorn, Amsterdam, 1698, paper, etching, h 191 mm × w 146 mm

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Amsterdam, Oossaan, Aart Dircksz., Wybrants, Sander, Swart, widow Steven, Blom, Joannes, Bergh, Herman van den, Deyster, Jacobus van der, Luyken, Jan, recto - manuscript in brown ink, print, engraving, book illustration, prints, engravings, Jacques d'Auchy says goodbye to his wife in prison in Leeuwarden, 1558, verso - stamped, 72, Jaques de'Auchy Ao 1559, height 115 mm, width 144 mm, Noord-Nederlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1685 - 1685, paper, papier, etching, Work conception, Northern Netherlands, after own design of, Publication (Event), Publication, publisher, - 1693-06-26

Jozef receives his brothers, Caspar Luyken, 1698 print Amsterdam paper etching Joseph reveals his identity and in tears forgives his brothers' past misdeed

De Old age, Jan Christoffel Jegher, After Abraham Bosse, 1643 - 1666 print Interior with an old couple who warms itself on a fireplace. Above that is a shield with a skeleton, as a reference to death. Next to them a servant with a plate in her hands and a dog. Two cats on the right in the foreground. In the margin an eight -line poem in Dutch and in French that refers to a youthful mind, but also to the deterioration of an old body. Fourth print from a series of four with the ages of man. Antwerp paper engraving human life divided into stages. Old Age, 'Senectus'; 'Vecchiezza' (Ripa). warming oneself at a fire (or hearth, stove, fire-pan, brazier)

Visioen van Cornelius, Philips Galle, after Jan van der Straet, 1626 - 1676 print An angel appears for Cornelius in a vision. He orders him to visit the Apostle Peter. Two soldiers are sent out to get Peter. The print has a Latin caption and is part of a 34-part series on the subject of the actions of the apostles. print maker: Antwerpafter design by: Florencepublisher: Antwerp paper engraving Cornelius the Centurion and the angel. Cornelius sends two servants and a soldier to Peter in Joppa

The birth of the Prince of Wales, 1686, Jan Luyken, 1689 print Maternity room with queen Maria of Modena in the childbed, from a door the poor child, Jacobus Frans Eduard, Prince of Wales, is brought into the room, 10 June 1686. Print at the top right marked: Fol 174. Amsterdam paper etching woman giving birth (lying-in)

On behalf of Doña Lambra, a Surrounding Gonzalo Gomez strikes with a cucumber baptized in blood; Historia Septem Infantium de Lara / Historia de los Siete Infantes de Lara; The seven infants of Lara. Explanatory numbers in the show. Caption in Spanish and Latin.

The Prodigal Son in a House of Ill Repute (L'Enfant prodigue dans une maison de débauche, version couvert) ca. 1636 Abraham Bosse French. The Prodigal Son in a House of Ill Repute (L'Enfant prodigue dans une maison de débauche, version couvert) 390838

Woodcut by Leonhard Beck from 1517 depicting Figure 67 of 'Theuerdank', showing Theuerdank seated on a throne, receiving advice from a doctor, with a servant in the background.

The allegory of touch. Tactvs. Le Tovché, from the cycle The five senses". Bosse, Abraham (1602-1676), graphic artist, Tavernier, Melchior (ca 1564-1641), publisher

The oppression of the Netherlands under Alva, ca. 1567.The Dutch lion in a printing press energized by Alva, Granvelle and Margaretha van Parma while Don Frederik holds the lion. Under the bystanders watching: the pope, the king of Spain, Vargas and Del Rio and brother Cornelis. On the right the legend 1-15 in Dutch. Printed on the back with music.

Virgilius, Cicero and Seneca with grammar with students; Title page for: Biglotton Amplificatum Sive Dictionarium Teutonico-Latinum Novum, 1694.On a stage is the personification of grammar, with young students at his feet. In the background the writers Virgilius, Cicero and Seneca, talk to each other. Behind them the title.

Sadeler, Aegidius, Vos, Maerten de, Keulen, Johann (I), Scenes from the Old Testament, Jeremiah is thrown into the dungeon, verso middle bottom - stamped, The prophet Jeremiah is beaten by the priest Pashur at the temple entrance. His henchmen put the prophet in chains and throw him into prison. In the back, Jeremiah preaches to a crowd in the temple. The print has a Latin caption with an explanation from the Old Testament and is the eighth print in an eleven-part series., print, prints, height 244 mm, width 200 mm, Zuid-Nederlands, 1550 - 1600-08, print maker, printmaker, 1582 - 1582, paper, papier, engraving, engraving (printing process), Work conception, 1532 - 1603-12-04, after a design by, Publication (Event), Publicatie, publisher, uitgever, 1570 - 1629

Elegant company in an interior, Jan Lamsvelt, 1700 print In a decorated interior, elegantly dressed figures are busy conversing around a table. In the foreground, a woman is made court. Print on top left marked: p. 467 paper etching visiting; receiving guests; elegant company. conversation, dialogue; conversation piece

Exempel und Lehr Jetziger Welt Lauf. Dated: published 1622. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Andreas Bretschneider III.

The Barber (le Barbier) ca. 1632-33 Abraham Bosse French. The Barber (le Barbier) 390840

Picart, Bernard, The collection of taxes (), print, title page, prints, height 154 mm, width 88 mm, Northern Netherlands, 1673-06-11 - 1733-05-08, intermediary draughtsman, after a drawing by, 1704 - 1704, first quarter 18th century, paper, etching, etchings, engraving, engraving (printing process), print maker, printmaker

Concert at time of Handel, 1700, engraving. Museum: Händel Museum, HALLE AN DER SAALE, GERMANY. Georg Friedrich Haendel.

Two performances of lottery spells, each with its own number. Above n. 400: a show in a round list of a man who gives his wife spanking with a wet cloth. Under n. 403: A show in an octagonal list of a man in a living room, sitting at a table. In his hand an empty pouch, symbol for his poverty. The print has a page number at the top right.

Jean Ganière after Valentin de Boullogne, The Fortune Teller, c 1640 The Fortune Teller

Four women in a laundry basket, Jan Luyken, 1711 print Amsterdam paper etching container made of plant material other than wood: basket. wash house, home laundry, laundry room

Illustration for Ehrenberg's 'Pocketbook for 1796'. Daniel Nikolaus Chodowiecki (Germany, Danzig, 1726-1801). Germany, 1795. Prints; etchings. Etching

Gustus / De Taste, Cornelis van Kittensteyn, After Dirck Hals, 1620 - 1652 print On a landing - overlooking a garden - is an elegant pair, dressed in the fashion of approx. 1625-30. The lady has a glass in the left hand and wears a dress with a very wide fold. A melon lies on the floor in front of the couple and the fountain has a monkey that keeps a fruit with his snout. Among the image two columns with Latin text. The print is part of a series with prints about the five senses. print maker: Netherlandspublisher: Amsterdam paper engraving clothes, costume (+ men's clothes). clothes, costume (+ women's clothes). neck-gear ~ clothing (with NAME) (+ women's clothes). neck-gear ~ clothing (with NAME) (+ men's clothes). fan. clothing for the upper part of the body (with NAME) (+ women's clothes). skirt (+ women's clothes). head-gear: hat (+ men's clothes). taste, tasting (one of the five senses). pipe ~ tobacco. glass of wine. monkeys, apes

Adelheim von Veltheim. Daniel Nikolaus Chodowiecki (Germany, Danzig, 1726-1801). Germany, 1783. Prints; etchings. Etching

Zélan and Doronte appear before the right, Caspar Luyken, 1698 print Amsterdam paper etching magistracy, judges. French or architectonic garden; formal garden

Joseph Interpreting Pharoah's Dreams (copy) 1640-70 Clement de Jonghe Dutch. Joseph Interpreting Pharoah's Dreams (copy) 364811

Illustration for Storch's 'Painting of Petersburg'. Daniel Nikolaus Chodowiecki (Germany, Danzig, 1726-1801). Germany, 1792. Prints; etchings. Etching

Jacoba van Bavaria falls faint, Simon Fokke, 1771 print Jacoba van Bavaria is fainting at the appearance of a male guest. She is taken care of by a woman behind her. On the left next door are two noblemen in conversation. This print is made for the mourning game "Jacoba van Beieren, Countess of Holland and Zeeland" by Jan de Marre. Amsterdam paper etching tragedy. fainting, swooning

Title Vignet with library and goddess Minerva and putti with books. Title VIGNET with interior of large library in frame with curl ornaments. For the list of Goddess Minerva with Putti who consult those books.

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Abraham Bosse (1602-1676). "History of the prodigal child: his departure. First issue of a series of 6 pieces. Dutuit page 63". Etching. 1650. Museum of Fine Arts of the City of Paris, Petit Palais. 100466-30 Etching, 17th XVIIth XVII 17th 17th 17 CENTURY

Graaf Gutalus vraag Griseldis Ten Huwelijk; To make the hardest handreck low.

Three people in a sickbed, Death appeared behind the sick person, Jan Luyken, 1689 print Amsterdam paper etching / letterpress printing sick-bed. Death as skeleton

Martyrdom of Saint Quirinus of Neuss, Jan Claudius de Cock, c. 1683 - before 1736.

A man embraces a female figure holding an anchor who is standing on a sack filled with money while Death enters the room. Etching.

The wedding scale. A rich young woman and a poorer young man are weighed on a scales by their parents. The side of the scale where the young man is sitting is pulled down by his mother, but the side of the bride remains heavier. The man is not rich enough for the bride. Cupid, armed with a bow, throws a look at the full money box and takes the legs. With caption of two four-line verses in Dutch and French.

Paris, Gravelot, Hubert François, unknown, Boubers, N. de, Le Philosophe soi Disant, Clarissa and the philosopher, verso - stamped, Illustration for the story 'Le Philosophe soi Disant' from JF Marmontel's collection of short stories 'Contes moreaux'. A young lady, Clarissa, sits in a room and receives a man pretending to be a philosopher., print, book illustration, prints, height 150 mm, width 85 mm, print maker, 1765 - 1780, paper, etching, engraving, engraving (printing process), Work conception, French, 1699-03-26 - 1773-04-19

A Rake's Progress, Plate 8 June 25, 1735 William Hogarth British. A Rake's Progress, Plate 8 403276

Distilleer Werkplaats, Jan Luyken, 1659 - 1712 print Possibly a title print. paper etching

The husband who beats his wife Abraham Bosse (1602-1676). The husband who beats his wife.

Man shows two men exhibited weapons, Jan Luyken, wed. Arentsz & Pieter Cornelis van der Sys (II), 1711

The Marriage of Tobias and Sara. Design for a tapestry.

Schuldeiser.A man gives coin and postconey to a figure behind a table. Next to him is a man with a raised finger. Two putti, one with rod, a painting. On the left is a third putto with a cap and rolled paper in hand with a coffin. Above the show two medallions with the image of a seizure of household goods and an auction.

Sixth life phase of sixty years with man who counts his money with his wife; LX; Ten life phases. Sixth life phase of sixty years represented as a man who counts his money in the company of his wife. In the margin among texts in Latin, French and Dutch. Only the Dutch text relates to the performance.

Summer, Alexander Voet (I), 1628 - 1689

Illustration for Basedow's 'Elementary Work'. Daniel Nikolaus Chodowiecki (Germany, Danzig, 1726-1801). Germany, 1770. Prints; etchings. Etching

Buys, Jacobus, Northern Netherlands, Vinkeles, Reinier (I), Consultation between the prince and the commissioners of Overijssel, 1786, verso - stamped, Consultation at Het Loo Palace between Prince William V and the commissioners of the three most important cities of Overijssel to advocate suspension of the prince's measures against the cities of Hattem and Elburg, 4 September 1786., print, prints, engravings, Frederik Muller Historieplaten, height 203 mm, width 150 mm, 1741-06-19 - 1816-01-30, print maker, printmaker, 1794 - 1794, paper, etching, etchings, engraving, engraving (printing process), 1724-11-19 - 1801-04-07, intermediary draughtsman

Lost son receives his inheritance, Nicolaes de Bruyn, 1581 - 1656 print The lost son receives his inheritance from his father. The old father is behind a table and counts his money in the presence of the other family members. A inscription refers to the Bible story Lucas 15. Netherlands paper engraving the prodigal son asks for his inheritance; his father gives him (a bag of) money

Antwerp, Jode, Pieter de (II), Joyous Entry of the Cardinal-Infant into Ghent, 1635, Ferdinand receives the keys to the city from the city maid of Ghent, verso lower left - stamped, Landscape with the Cardinal-Infant Ferdinand, with a baton in his right hand. The Virgin of Ghent, seated at the opening in an enclosed garden, flanked by the Ghent lion, hands him the keys to the city of Ghent. In the margin a two-line caption in Latin. Sixth print from a series of 42 illustrating the publication of the description of the entry of Cardinal Infante Ferdinand of Austria into Ghent on 28 January 1635 as the new governor of the Spanish Netherlands., print, prints, height 366 mm, width 277 mm, South Netherlands, 1606-11-22 - 1674, print maker, printmaker, 1636 - 1636, paper, papier, engraving, engraving (printing process), etching

New guests are welcomed at a dinner, Jan Luyken, wed. Pieter Arentsz & Cornelis van der Sys II, 1711

The Prodigal Son Bids Farewell to His Father. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Theodoor van Thulden after Sir Peter Paul Rubens.

Illustration for Moliere's play 'Les plaisirs de l'Isle enchant, print maker: Gilbert Schoute, Utrecht, 1713, paper, etching, h 130 mm × w 70 mm

Amsterdam, Visscher, Claes Jansz. (II), Vinckboons, David (I), Serwouters, Pieter, Biblical themes, Moses and Aaron before the Pharaoh, verso lower left - stamped, Moses and Aaron stand before the Pharaoh on his throne. On the ground the snakes that emerged from Aaron's staff and the Egyptian magicians present are writhing. Above and below the image references to the Bible texts Isa. 54:15 and Ex. 7:8. Numbered '1' at bottom right., print, prent, prints, prenten, height 122 mm, width 158 mm, Noord-Nederlands, 1586-10-28 - 1657-09-26, print maker, printmaker, 1611 - 1611, paper, papier, engraving, engraving (printing process), Work conception, 1576-08-13 - 1629, after a design by, Publication (Event), Publication, 1586 - 1652-06-19, publisher

Unequal Love. The older man with the long beard at right has plenty of money and takes a fancy to a young woman. He is addressed by Death, wearing a jesters cap and holding an hourglass: ‘You fool, leave these young ones in peace, your time is nearly up, your money cannot buy her love.

Bella, Stefano della, Twelve different scenes, Philosophers and astronomers, verso - stamped, Four old men, possibly philosophers and astronomers, before a wall and an arch., print, prent, prints, height 115 mm, width 63 mm, print maker, prentmaker, 1620 - 1664, paper, papier, etching, etchings, Italian, 1610-05-18 - 1664-07-27

Illustration No. 11 (from 12) to medieval and modern history, posted in: Almanac de Gotha pour l'anneé 1793. Gotha, Chez C. W. Ettinger (copy) Geyser, Christian Gottlieb (1742 1803), Chodowiecki, Daniel Nikolaus (1726 1801)

Copy of The Good Samaritan Paying the Innkeeper for the Care of the Wounded Man after 1554 after Heinrich Aldegrever German At left, the Good Samaritan lifts the limp body of the traveller onto the donkey. In the background at right, the inn with figures out front and a well. Plate 3 from a series of four engravings depicting Luke 10:30-35.. Copy of The Good Samaritan Paying the Innkeeper for the Care of the Wounded Man 428335

1517 woodcut by Hans Burgkmair showing Ehrenhold delivering the queen's embassy to Theuerdank, depicting diplomatic and ceremonial action.

Title engraving to the autobiography of Heinrich Stilling (young) Children Surprised by Pastor Stollbein at play (Heinrich Stilling's youth. Young Year and age) Chodowiecki, Daniel Nikolaus (1726 1801)

Antonio Tempesta, Philip II of Spain on His Throne, 1612 Philip II of Spain on His Throne

Devil painting next to a greedy man, Willem Isaacsz. van Swanenburg, after Maarten van Heemskerck, 1609 print The devil is behind a donkey. On the donkey is a human heart, on which he paints symbols of wealth and vanity. With him is a young man. A woman kneels next to him and ties a rope around his ankle. Under the performance is a two -tone, Latin text and a two -way, Dutch poem in which the performance and its meaning are explained. Leiden paper engraving devil(s) and demons: Satan. adult man. adult woman. painting (including book-illumination, miniature-painting). heart. amorousness, desire

The good household, ca. 1600. The good household, ca. 1600. Interior with a well-to-do, just and Christian family sat on the meal. On the left a blade is given, on the right the kitchen in the kitchen. With caption of 4 times 2 lines in Dutch.

Elisa wakes the son of the Sunnemitian woman back to life; The story of Elisa and the Sunnemy woman. Elisa is lying on the bed of the son of the Sunnemy woman. He kisses the boy and brings him back to life. In the background you report the good news to the mother. The print has a Latin caption and is part of a series about Elisa and the Sunnemy woman.

Joseph stands in the prison by a lantern. He explains the dreams of the king's cupbearer and baker (Gen. 40-8), Joseph explains dreams of cupbearer and baker, print maker: Jan Gerard Waldorp, (mentioned on object), Jan Gerard Waldorp, (mentioned on object), Amsterdam, 1765, paper, etching, engraving, h 214 mm × w 164 mm

The Sculptor 1642 Abraham Bosse French. The Sculptor 390182

Nothing can remedy foolishness, Dirck Volckertsz. Coornhert, After Willem Thibaut, 1557 print A fool is leaned forward on a large mortar. A man wants to edit him with a mortar. On the left is a scholar. He informs the scene admonishing. The print can be interpreted as an allusion on the foolishness of humanity, which can be remedied by nothing or no one. The print has a Dutch and Latin caption. paper etching / engraving proverbs, sayings, etc.. pestle and mortar. scholar, philosopher. fool, simpleton, numskull

Print made by William Hogarth, 1697-1764, British, A Rake's Progress, Plate V: He Marries, 1735. Engraving.

Hearing, Anonymous, 1600 - 1670 print A man is singing on a stool. There are spectators around him. Under the show a two -way verse in Dutch. The print is part of a series of five prints with the five senses. Netherlands paper etching hearing, listening (one of the five senses). vocal music, singing - CC - out of doors

Love couple caught in a sleeping room, Jacob Folkema, 1702 - 1767 print Three richly dressed figures entered a sleeping room and find a man and woman in bed who feel somewhat caught. The man stayed in bed while the woman got out of bed in a nightdress. In the foreground, clothing is pulled over a chair and a stool. paper etching bedroom. interrupted meeting, lovers caught by surprise

Illustration for Boccaccio decamerone. Illustration for Boccaccio decamerone, lxvii history. Egoo is beaten by Hannquin in the garden with a stick.

Hudibras and the Lawyer. 1726. Hogarth, William, 1697-1764. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Gerrit van Schagen after Jacques Callot, Plundering a Large Farmhouse Plundering a Large Farmhouse

Lost son dressed by his father; L'Istoire de l'Enfant Prodigue; La Parabole du Fils Prodigue; Parable from the lost son. In a richly upholstered interior, left in the foreground is an old man, the father of the lost son, with hat with plumes on the head, on a chair. For him two women who show him a wide lace flat collar. The son is in shirt and knee pants and is helped by a clerk in a jam. A young servant holds his cloak. His beret with plume is located on a table.

Print made by William Hogarth, 1697-1764, British, The Fourth Stage of Cruelty: The Reward of Cruelty, 1751, printed 1790. Line engraving on thick, white, smooth wove paper.

Consider this figure where you see a Epicure treating its funny ane while its affamous soul is repaired only of smoke and eager patiently Jacques Lagniet (1620-1672). "Consider this figure where you see an epicure treating his donkey so that his hungry soul is repaired only smoke and eagerly eating a patiently bone." Engraving.

17th century illustration by Joseph Lunghi, from the series 'Life of the Whore' circa 1680

The rich man in the bath; Parable of the rich man and the poor Lazarus. Departure with the rich man who is bathing. He is surrounded by women who help him bathing. He is placed in bed in the background. Print from a series of four with the similarity of the rich man and the poor Lazarus.

Litigation devours money and good, Hendrick Goltzius, 1597 print The litigation (litigator) carries his house on the Monster Process (LIS), on which new processes appear from the belly of the monster. To the right next to the litigating man are neglect of home, from time and of the Spirit. Extensive caption in Dutch, German and Latin. This print is part of a series of eight prints about greed, deception and litigation. print maker: Haarlempublisher: Low Countries paper engraving litigation, legal proceedings, lawsuit

The Marriage at Cana. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Odoardo Fialetti after Jacopo Tintoretto.

Exempel und Lehr Jetziger Welt Lauf. Dated: published 1622. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Andreas Bretschneider III.

Winkel van Edme François Gersaint, Pierre Alexandre Aveline, After Jean Antoine Watteau, 1720 - 1732 print France paper etching / engraving art trade, art shop. picture, painting. clothes, costume (+ men's clothes). clothes, costume (+ women's clothes). dress, gown: robe volante (+ women's clothes). coat (JUSTAUCORPS) (+ men's clothes). head-gear: tricorn (+ men's clothes)

Three farmers play a card game, Salomon Savery, after Pieter Jansz Quast, 1630 - 1665 print Three farmers, each with name, play a card game. Above their head a bat with spread wings on which the title of the series is. Title print (unnumbered) for a twelve -part series of prints with performances by farmers. Amsterdam paper engraving / etching farmers. playing-cards. flying mammals: bat

Award of an Academic Grade, Anonymous, Hans Weiditz (II), 1514 - 1532 print Print is part of an album. paper letterpress printing Master with students' ~ university. Receiving Doctor's Degree

Signs of the marriage contract; Le Mariage à la Ville.

Aesculapius as a dragon between the Romans, Antonio Tempesta, 1606 - 1638 print Aesculapius, in the form of a dragon, arrives in Rome. Title in Latin in STUDMARGE. paper etching Aesculapius in the shape of a serpent (or dragon) arrives at Rome and hides himself among the reeds of the Tiber island

Buys, Jacobus, Northern Netherlands, Vinkeles, Reinier (I), The body of the Reverend P. van den Bosch mistreated, Mistreatment of the body of preacher P. van den Bosch in Zoetermeer, 1787, verso - stamped, Mistreatment of the body of the Leiden Remonstrant patriot preacher P. van den Bosch by Orange clients in Zoetermeer, November 1787., print, picture, history print, prints, Frederik Muller History plates, height 172 mm, width 111 mm, 1741-06-19 - 1816-01-30, print maker, printmaker, 1798 - 1798, paper, papier, etching, etchings, engraving, engraving (printing process), 1724-11-19 - 1801-04-07, intermediary draughtsman

Skinny kitchen; Skinny kitchen and the fat kitchen. Kitchen interior with lean people eating at a table mussels. A man stirs into a boiler on the fire and a woman gives a woman to drink a child from a drinking horn. Above a fat man tries to escape the lean kitchen, while two skinny people try to get him in. Under the show a two-legged fresh in French and in Dutch.

Abraham Bosse (1602-1676). "The works of mercy: dress the nudes. Sixth number of a sequence of 7 pieces (double)". Etching. 1650. Museum of Fine Arts of the City of Paris, Petit Palais. 100466-26 Etching, 17th XVIIth XVII 17th 17th 17 CENTURY

Doña Lambra Orders a Villager to Strike Gonzalo Gomez with a Cucumber Drenched in Blood. Antonio Tempesta (Italy, Florence, 1555-1630). Italy, 1612. Prints; etchings. Etching

Death Taking a Couple by Surprise. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Jan Van de Velde II.

Gusman d'Alfarache at bed with ladies.

Amsterdam, Hoorn, Jan Claesz ten, Luyken, Jan, Title page for: N. L'Emery, The philosophical laboratory, or the chymists' distillery, 1683, Figures in a laboratory, verso - stamped, print, title page, prints, height 139 mm, width 84 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1683 - 1683, paper, etching, etchings, Publication (Event), Publication, 1639 - 1715, publisher

William Strang, 1859-1921, British, Illustration to 'Nathan, The Wise'. Etching on laid paper.

Autumn (L'Automne) ca. 1637 Abraham Bosse French. Autumn (L'Automne) 390846

Idol Vitzliputzli (Huitzilopochtli). Mexican idol. Engraving. "Historia de la Conquista de México, población, y progresos de la América septentrional, conocida por el nombre de Nueva España" (History of the Conquest of Mexico, population, and progress of northern America, known by the name of New Spain). Written by Antonio de Solís y Rivadeneryra (1610-1686), Chronicler of the Indies. Volume I. Edition published in Barcelona and divided into two volumes, 1771. King's printer: Thomas Piferrer. Historical Military Library of Barcelona. Catalonia, Spain.

New Inventions of Modern Times Nova Reperta, The Invention of the Olive Oil Press, plate 12 ca. 1600 Jan Collaert I Netherlandish Twelfth plate from a print series entitled Nova Reperta (New Inventions of Modern Times) consisting of a title page and 19 plates, engraved by Jan Collaert I, after Jan van der Straet, called Stradanus, and published by Philips Galle. Illustration of workers at the olive oil press. In the background men gather olives from the trees outside. In the middle ground men put the olives in the press to make the oil. In the foreground on the right men collect the oil from the press, which is then heated and poured into barrels that the donkey in the center carries away.. New Inventions of Modern Times Nova Reperta, The Invention of the Olive Oil Press, plate 12 427835

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