Dramatic Historical Landscapes

Richly detailed landscapes depicting historical and mythical scenes, featuring dramatic skies, figures, and natural elements.

Macbeth and Banquo Meet the Three Witches, Wootton, John (1686-1765)

LA DIOSA DE LA DISCORDIA. Author: JOSEPH MALLORD WILLIAM TURNER. Location: TATE GALLERY. LONDON. ENGLAND.

Anonymous / 'Veleros junto a unas rocas', 17th century, Dutch School, Oil on panel, 20,7 cm x 57,2 cm, P01582. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Macbeth and Banquo Meet the Three Witches, Wootton, John (1686-1765)

Eljah Carried up to Heaven in a Chariot of Fire, David Colijns, 1627

Dante and Virgil Oil on canvas Jean Baptiste Camille Corot French; 1796-1875

Eugene Delacroix (1798-1863). French painter. Lion Hunt in Morocco, 1854. Oil on canvas. The State Hermitage Museum. Saint Petersburg. Russia.

'Landscape', 17th century, Oil on canvas, 194 x 130 cm, P03008. Author: BARTOLOME ESTEBAN MURILLO. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

The Magdalen in a Cave, c. 1650, Johannes Lingelbach, Dutch, 1622 - 1674, 32 7/16 x 44 1/8 in. (82.39 x 112.08 cm) (canvas)39 1/2 x 51 1/4 x 3 1/4 in. (100.33 x 130.18 x 8.26 cm) (outer frame), Oil on canvas, Netherlands, 17th century

'Allegory of Fire', ca. 1700, Oil on canvas, 246 cm x 160 cm, P03186. Author: ANTONIO PALOMINO Y VELASCO (1655-1726). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. CUPID. VULCANO. VENUS DIOSA ROMANA.

Gaucín Castle. El castillo de Gaucín. Madrid, Prado museum. Author: JENARO PEREZ VILLAAMIL. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

Paul Sandby RA, 1731-1809, British, Hackwood Park, Hampshire, undated, exhibited 1764. Oil on canvas.

Pietro Testa; Italian; Lucca 1612-1650 Rome; Alexander the Great Rescued from the River Cydnus; 1650; Oil on canvas.

Copy after Thomas Cole's "Dream of Arcadia" Robert Seldon Duncanson (American, 1821-1872). Copy after Thomas Cole's "Dream of Arcadia," 1852. Oil on canvas, frame: 34 1/8 x 52 x 4 in. (86.7 x 132.1 x 10.2 cm). The African American painter Robert S. Duncanson was a leading practitioner of the Hudson River School of landscape painting. Dream of Arcadia is based on an 1838 painting by the schools “founding father,” Thomas Cole. It typifies the style in its naturalistic details and romanticized vision of nature as symbolic of Americas national destiny. Its subject—the classical paradise of Arcadia—perhaps reflects hopes for a world free of the prejudice and strife of pre-Civil War America. Duncanson settled in the Cincinnati area in about 1841. Cincinnati was then a hotbed of abolitionist activity, and home to a large population of free African Americans. American Art 1852

Joshua Commanding the Sun to Stand Still upon Gibeon. Dated: 1816. Dimensions: overall: 150 x 231 cm (59 1/16 x 90 15/16 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: John Martin.

Nicolas Poussin; French; Les Andelys 1594-1665 Rome; Blind Orion Searching for the Rising Sun; 1658; Oil on canvas.

fine arts, Spitzweg, Carl (1808 - 1885), painting, ""Der fischende M_nch"", (Fishing Monk), Galerie Schoeninger, Munich,

Prospero Conjuring a Masque for Ferdinand and Miranda, Robert Smirke, 1752-1845, British, ca. 1810, Pen and brown ink, brown wash, gouache, and oil on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper, Sheet: 4 15/16 x 6 9/16 inches (12.6 x 16.6 cm) and Image: 4 9/16 x 6 3/16 inches (11.6 x 15.7 cm), clouds, figure study, flying, gesturing, illusion, literary theme, magic, magician, masque, plays by William Shakespeare, robes, sitting, The Tempest, play by William Shakespeare

Old Feodosia, Aivazovsky, Ivan Konstantinovich (1817-1900)

Dosso Dossi (Giovanni de Lutero); Italian; Tramuschio ca. 1490 - 1542 Ferrara; The Three Ages of Man; Oil on canvas.

Entrance to a Village. Artist: Meyndert Hobbema (Dutch, Amsterdam 1638-1709 Amsterdam). Dimensions: 29 1/2 x 43 3/8 in. (74.9 x 110.2 cm). Date: ca. 1665.This picture represents the artist's favorite theme of quiet village life, an image that also appealed to patrons in the bustling city of Amsterdam. Hobbema trained there with Jacob van Ruisdael during the second half of the 1650s. His paintings were extremely popular in eighteenth-century England and with American collectors of the Gilded Age (about 1870-1915). Museum: Metropolitan Museum of Art, New York, USA. Author: Meyndert Hobbema.

Catskill Mountain House, 1855, Jasper Francis Cropsey, American, 1823-1900, 29 x 44 in. (73.66 x 111.76 cm) (canvas)36 x 51 in. (91.44 x 129.54 cm) (outer frame), Oil on canvas, United States, 19th century, The Catskill Mountain House was a resort hotel built on South Mountain (elevation 2,200 feet) in rural New York State to accommodate a continuous stream of artists and tourists who began to frequent the location for its sweeping views of nature in its most rugged state. Jasper Cropsey first sketched the house in 1852 and made this painting, the final version of the scene, in 1855 for James Edgar, a businessman from Chicago.

Nordic follower of Salvator Rosa (1615-1673). Landscape with bandits. Oil on canvas. Men on horseback travelling with their mules are being assaulted by outlaws. National Museum of Fine Arts. Valletta, Malta.

Hostages of Crema, by Gaetano Previati (1852-1920).

Violet, Pierre-Noël, work, Portrait of a man, owner: National Gallery / Sinebrychoff Art Museum, (1749 - 1819), painting, 7.1 cm x 5.6 cm

JACOB PONE VARAS AL GANADO DE LABAN - SIGLO XVII - BARROCO ESPAÑOL. Author: BARTOLOME ESTEBAN MURILLO. Location: MUSEO MEADOWS / U SOUTHERN METHO. DALLAS-TEXAS.

Canteras de Montjuic. Óleo. Siglo XIX. Colección privada. Author: JOSEP ARRAU I BARBA.

Satan, Sin and Death (A Scene from Milton's `Paradise Lost'). Date/Period: Ca. 1735. Painting. Oil on canvas. Height: 619 cm (20.3 ft); Width: 745 cm (24.4 ft). Author: William Hogarth.

East Cowes Castle, The Regatta Starting for their Moorings, Joseph Mallord William Turner, 1828,

Isabey, Eugène (n.1803-07-22-D.1886-04-27), romantic landscape, L'Alisat (main title), 1825. Oil on canvas. Petit Palais, Museum of Fine Arts of the City of Paris.

View of the Azienkowski Park with Tankreda and Klorynda; Wojniakowski, Kazimierz (1772-1812); 1790 (1790-00-00-1790-00-00);Purchase (provenance)

Purchase (provenance)

PAISAJE CON DESCANSO EN LA HUIDA A EGIPTO - HACIA 1605 - LIENZO - 113X161 CM. Author: ABRAHAM BLOEMAERT (1566-1651). Location: MUSEO CENTRAL. Utrecht. HOLANDA. INFANT JESUS. VIRGIN MARY. SAN JOSE ESPOSO DE LA VIRGEN MARIA.

Paris Louvr Two shepherds and shepherd generic scene Francois Boucher unknown

View of Conway Castle, Wales, draughtsman: Paul Sandby, 1771 - 1776, drager, :, brush, h 390 mm × w 550 mm, h 56.8 cm × w 73.5 cm × d 6.4 cm, h 43.6 cm × w 60.6 cm

Landscape with the Temptation of Saint Anthony by Lorrain, Claude (1600-1682) / Museo del Prado, Madrid / 1638 / France / Oil on canvas / Landscape,Mythology, Allegory and Literature / 159x239 / Baroque

View of Edinburgh from Calton Hill, Francis Nicholson, 1753-1844, British, 1811, Watercolor, gouache, and graphite with scratching out on medium, slightly textured, cream wove paper, Sheet: 18 1/2 × 24 1/4 inches (47 × 61.6 cm)

Don Quixote and the Dead Mule, Honore Daumier, 1864, Metropolitan Museum of Art, Manhattan, New York City, USA, North America

Camille Corot; French; 1796-1875; Hagar in the Wilderness; 1835; Oil on canvas.

Battle on the Bridge by Claude Lorrain, Oil on canvas, 1655, 1600-1682, Russia, Moscow, State A. Pushkin Museum of Fine Arts, 100x137

Vrubel, Mikhail Alexandrovich (1856-1910) State Tretyakov Gallery, Moscow Painting 317x132 Mythology, Allegory and Literature Juno (Triptych ""The Judgment of Paris"")

Painting titled 'Recollection of Mortefontaine' by Camille Corot. Jean-Baptiste-Camille Corot (1796- 1875) a French landscape and portrait painter.

Antwerp 16th Century (Possibly Matthys Cock), The Martyrdom of Saint Catherine, c. 1540, oil on plywood transferred from panel

Grotto by the Seaside in the Kingdom of Naples with Banditti; Sunset; 1778 Oil on canvas Joseph Wright of Derby English; 1734-1797

Tivoli with the Temple of the Sybil and the Cascades. Date/Period: Between 1796 and 1797. Landscape. Watercolor, graphite and scraping out on medium, slightly textured, cream wove paper. Height: 419 mm (16.49 in); Width: 549 mm (21.61 in). Author: J. M. W. Turner.

Dusk. Painting. Oil on wood panel. Height: 9 mm (0.35 in); Width: 13.75 mm (0.54 in). Author: HENRI FANTIN-LATOUR.

Eugenio Lucas Velázquez / 'River Port by a Castle'. 1850. Oil on copperplate. Museum: Museo del Prado, Madrid, España.

Robert Smirke, 1752-1845, British, Scenes from an Eastern Romance Arabian Nights, undated. Oil and graphite on medium, moderately textured, cream wove paper mounted to medium, moderately textured, gray wove paper.

Ramon Marti Alsina / Costa de Cataluña. Torre de can Palauet. Mataro. Generalitat de Cataluña.

Allegory of Virtue and Vice, painting by Lorenzo Lotto, historical, digitally restored reproduction of a 19th century original.

Siege of Troy - the final battle. nieznany malarz flamandzki, painter

The Obelisk. Hubert Robert; French, 1733-1808. Date: 1787-1788. Dimensions: 255.6 × 223.5 cm (100 7/8 × 88 in.). Oil on canvas. Origin: France. Museum: The Chicago Art Institute, USA.

Landscape with the Destruction of Sodom and Gomorrah by Patinier, Joachim (ca. 1480-1524) Museum Boijmans Van Beuningen, Rotterdam c. 1520 The Netherlands Oil on wood Painting Bible

Muleteres Beside an Italian Ruin, Jan Asselijn, c. 1650 painting Donkey drivers in an Italian ruin, an old stone bridge in the distance. canvas. oil paint (paint) riding a horse, ass, or mule; rider, horseman. landscape with ruins. landscape with bridge, viaduct or aqueduct

Orpheus in the Underworld, Savery, Roelant (1576-1639)

Arrival in Bethlehem by Attributed to Master LC; Oil on wood; circa 1540

Rest On The Flight To Egypt, The Poelenburgh, Cornelis van(1586-1667 Dutch) Oil On Canvas Christie's Images, London, England

Vertical view of a stone wall with gate through which trees are seen. In foreground, haystack, hen and chicks, and baby in a frame mounted on wheels. Date: 1867. Brush and oil paint on wood panel. Museum: Cooper Hewitt, Smithsonian Design Museum.

Painting titled 'After the Rain'. Oil on Canvas

Gauguin, Paul, manufacturer: printer Pola Gauguin, Maruru, woodcut, graphics, 20.5 cm x 35.5 cm

Arcadian local landscape with fisherman on the forehead and in the middle of the peasant woman with cows and sheep and in the background behind trees roofs of village buildings, landscape room wallpaper wallpaper painting canvas linen paint wood, Narrow high canvas with painted frame over top- and right-hand side and representation running over left side. Belongs to series of four panels that make one performance Arcadian local landscape with foreground fisherman with rod and in the middle peasant woman with cows and sheep and in background behind trees roofs of village buildings Rotterdam Charlois Kerksingel topography life wisdom lesson symbol life course romance Comes from house at the Kerksingel in Charlois.

Idyllic landscape by William Turner, Oil on canvas, 1831, 1775-1851, Great Britain, London, Tate Britain, 137x246,4

In front of Noah's Ark. Scorza, Sinibaldo (1589-1631), painter

SAN ANTONIO ABAD - 1636 - DETALLE DEL PAISAJE - Conjunto nº 154919. Author: FRANCISCO DE ZURBARAN. Location: PRIVATE COLLECTION. Sevilla. Seville. SPAIN.

'Monks-Hermits'. Flanders, 17th century. Dimensions: 56x65,5 cm. Museum: State Hermitage, St. Petersburg. Author: Unknown Flemish Painter, late 17th century.

Rinaldo Enchanted by Armida. Date/Period: From 1742 until 1745. Painting. Oil on canvas. Height: 1,875 mm (73.81 in); Width: 2,168 mm (85.35 in). Author: Giovanni Battista Tiepolo.

Scenes from Ancient History. Joseph Parrocel (France, Brignoles, 1646-1704). France, circa 1690-1695. Paintings. Oil on paper on canvas

Recanati (Italia, Marche - provincia di Macerata), Musei Civici di Villa Colleredo Mels. Lorenzo Lotto, Annunciazione, 1533-34 c. firmato L.LOTUS, olio su tela. Particolare con paesaggio

'The Rape of Proserpina', 16th century, Oil on panel, 43 x 64 cm, P01454. Author: PIETER BRUEGHEL EL JOVEN 1564-1638 BRUEGHEL D ENFE. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. PROSERPINA. PERSEPHONE. TRIPTOLEMOS.

Circle of Jan van Kessel, Concert of Birds, 1660 1670 Concert of Birds

Hunting and Fruit Still Life next to a Garden Vase, with a Monkey, Dog and two Doves, in the distance Rijksdorp near Wassenaar, Seat of Jacob Emmery, Baron of Wassenaar, Jan Weenix, 1714

A Hunters Bag near a Tree Stump with a Magpie, Known as ‘The Contemplative Magpie. Together with A Hunters Bag on a Terrace, Hondecoeter painted this work for Soestdijk Palace. Here the light comes from the right, in the other work from the left. This difference in the fall of light reveals that he took account of the paintings original placement to either side of a window.

Cain Slaying Abel Pier Francesco Mola Italian ca. 1650-52 This vigorous composition depicts the first murder in human history according to the Bible: a fratricide motivated by jealousy between the sons of Adam and Eve. Seventeenth-century collectors and artists were fascinated by such moral dramas culminating in violent action. Molas landscape reinforces the subjects inherent intensity through smoke and light from the nearby fire that rises along the tree trunk and foliage before merging into the branches and sky. It embodies Molas moody, even romantic, interpretation of Roman classicism. View more. Cain Slaying Abel. Pier Francesco Mola (Italian, Coldrerio 1612-1666 Rome). ca. 1650-52. Oil on canvas. Paintings

Still life with game, fruit and flowers, by Alexandre-Francois Desportes (1661-1743).

Et in ArcadiaEgo. Artist: Sébastien Bourdon, French, 1616-1671

Luis Rigalt y Farriols / 'Recuerdos de Cataluña', 1858, Spanish School, Canvas, 75 cm x 104 cm, P06652. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Tobias and Archangel Raphael by Abraham Bloemaert, oil on canvas, 1610-1615, 1566-1651, Russia, St. Petersburg, State Hermitage, 139x107, 5

Outrunning Love, Fragonard, Jean Honore

Historisches Palästina, Grabmal im Tal von Joschafat, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem frühen 19. Jahrhundert, Aufnahmedatum unbekannt / Historical Palestine, Tomb in the Valley of Jehoshaphat, Historical, digitally restored reproduction from an early 19th century original, date unknown

Viterbo. Artist: Elihu Vedder, American, 1836-1923

Painting depicting the flight into Egypt by Cornelis Metsys (1510-1562) Flemish Renaissance painter, draughtsman and engraver. Dated 16th Century

The Belated Party on Mansfield Mountain. Artist: Jerome B. Thompson (1814-1886). Dimensions: 38 x 63 1/8 in. (96.5 x 160.3 cm). Date: 1858.Thompson earned a reputation for combining the breadth of Hudson River School landscape painting with the anecdotal appeal of contemporary genre painting. This work is one of several in which he used Mount Mansfield, Vermont's highest peak, as a foil for domestic recreation. As half the party of day trippers admire the summit and the vista toward Lake Champlain, another young man holds his watch aloft, warning of the lateness of the hour and the need to descend. But, as people their age are wont to do, the three youths watching the sunset ignore him, enraptured by the beauty of nature. Museum: Metropolitan Museum of Art, New York, USA.

Charon Crossing the Styx by Patinir, Joachim (ca. 1480-1524) / Museo del Prado, Madrid / 1520-1524 / The Netherlands / Oil on wood / Landscape,Bible / 64x103 / Early Netherlandish Art

Oberwesel, 1840, watercolor and gouache over graphite with scratching-out, overall: 35 x 53.1 cm (13 3/4 x 20 7/8 in.), Joseph Mallord William Turner (artist) British, 1775 - 1851

Aeneas and the Sibyl in the Underworld 1630s Jan Brueghel the Younger Flemish This infernal image of the 1630s was inspired by the "hell landscapes" of Jan Brueghel the Elder which in turn looked back to Bosch. The subject is from Virgil, Aeneid, Book VI.. Aeneas and the Sibyl in the Underworld. Jan Brueghel the Younger (Flemish, Antwerp 1601-1678 Antwerp). 1630s. Oil on copper. Paintings

Frans Snyders / 'Concert of Birds', 1661, Flemish School, Oil on canvas, 203 cm x 334 cm, P07160. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

The Annual Girandola at the Castel Sant'Angelo, Rome. Date/Period: 1775 - 1776. Painting. Oil on canvas. Height: 1,380 mm (54.33 in); Width: 1,730 mm (68.11 in). Author: Joseph Wright (of Derby).

The GreatBridge. Artist: Gustave Courbet, French, 1819-1877

Philip Reinagle, 1749-1833, British, Spearing the Otter, 1805. Oil on canvas.

Old Great Bulgaria by Henryk Siemiradzki, oil on canvas, 1883, 1843-1902 Russia, Moscow, State History Museum, 380x540

FERRER CALATAYUD, Pedro (1870-1944). Contribution of blood. 1912. Spanish regular forces succor a wounded during the War of Africa (1909-1926). Oil on canvas. SPAIN. Valencia. San Pio V Fine Arts Museum.

Francisco de Goya y Lucientes / 'The Fates (Atropos)', 1820-1823, Spanish School, Mural, 123 cm x 266 cm, P00757. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Josep María Sert / Painting of the Hall of the Chronicles, City Hall of Barcelona.

Painting of Dido Building Carthage, or The Rise of the Carthaginian Empire by JWM Turner

Russia, Saint Petersburg, Hermitage State Museum, Coast View with Apollo and the Cumaean Sibyl, Claude Lorrain

'Still Life with Fruit'. France, 1721. Dimensions: 74x92 cm. Museum: State Hermitage, St. Petersburg. Author: JEAN-BAPTISTE OUDRY.

The Abbey in the Oakwood, Caspar David Friedrich, 1809-1810, Alte Nationalgalerie, Berlin, Germany, Europe

Halt of Traveling Peasants by a Woodside Gainsborough Dupont (British, 1754-1797). Halt of Traveling Peasants by a Woodside, ca. 1788-1792. Oil on canvas, 35 1/2 x 28 1/4 in. (90.2 x 71.8 cm). European Art ca. 1788-1792

Benois, Alexander Nikolayevich (1870-1960) State Russian Museum, St. Petersburg 1908 70,5x103 Gouache on cardboard Russian Allegory and Literature

The Stolen Mirror by Ernst, Max (1891-1976) Private Collection 1941 Oil on canvas Painting Mythology, Allegory and Literature

Foot bridge by Albrecht Altdorfer, Oil on wood, circa 1518, circa 1480-1538, United Kingdom, London, National Gallery, 41,2x35,5

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