Classical Sculptures of Antiquity

Timeless marble sculptures representing famous figures from ancient history, showcasing intricate details and historic significance.

Roman Matron, 60-70, 50 1/2 x 13 x 10 1/2 in. (128.27 x 33.02 x 26.67 cm), Marble, Roman, 1st century, Once identified as Agrippina the younger, mother of the emperor Nero, this statue is now thought to represent an unidentified Roman matron. The hairstyle, a feature often used to date ancient Roman female portraits, corresponds to a fashion during Nero's reign (54-68 A.D.) The stark, realistic depiction of the woman's bony and lined face contrasts with the gracefully flowing, deeply carved folds of the clothing, characteristics of late Greek (Hellenistic) sculpture. This subtle combination of realism and idealism was common in portraiture of the Roman Republic and Empire, particularly during the reigns of the Julio-Claudian emperors (27 B.C.-68 A.D.) and of Hadrian (117-138 A.D.).

Togato with head of Claudius , Antiquities, Sculpture, Emperors, Claudius, Emperor of Rome, 10 B.C.-54 A.D.. Nicholas Catsimpoolas Collection

Statue of Hygieia. Unknown

Euripedes (c480-406 BC) Ancient Greek tragedian holding mask of tragedy. Full length statue

The so-called Farnese Lar. Roman creation, 2n century AD. National Archaeological Museum, Naples. Italy.

Roman Matron, 60-70, 50 1/2 x 13 x 10 1/2 in. (128.27 x 33.02 x 26.67 cm), Marble, Roman, 1st century, Once identified as Agrippina the younger, mother of the emperor Nero, this statue is now thought to represent an unidentified Roman matron. The hairstyle, a feature often used to date ancient Roman female portraits, corresponds to a fashion during Nero's reign (54-68 A.D.) The stark, realistic depiction of the woman's bony and lined face contrasts with the gracefully flowing, deeply carved folds of the clothing, characteristics of late Greek (Hellenistic) sculpture. This subtle combination of realism and idealism was common in portraiture of the Roman Republic and Empire, particularly during the reigns of the Julio-Claudian emperors (27 B.C.-68 A.D.) and of Hadrian (117-138 A.D.).

Virgin and Child ca. 1250-75 North French Material has a direct impact on form, especially in the case of ivory sculpture. Here the graceful curve of the Virgins body reflects the shape of the elephant tusk from which the statue was carved. The monumental quality of this ivory closely corresponds to stone sculpture on Gothic cathedrals.. Virgin and Child. North French. ca. 1250-75. Ivory with traces of polychromy and gilding. Ivories

Hygieia. Line engraving by G.D. Campiglia.

Interior of the Centraal Museum (Agnietenstraat 1) in Utrecht: Image of a master in ca. 1370-1380, Christus Salvator (), From the Sint Salvator or Oudmunsterkerk.

"De Thou", Statue by Auguste Louis Deligand, Decoration of the Louvre, Paris. Édouard Baldus (French, born Germany, 1813 - 1889)

American 20th Century, Garden Figure, 1935 1942 Garden Figure

Marble statue of a Togatus (man wearing a toga). From the Roman Forum of Augusta Emerita (today Merida). 1st century AD. Carved on the left leg, Gaiu Aulus. From Forum (Emerita Augusta, today Merida). It is signed by Gaiu Aulus on the left leg, the owner of the workshop where the statue was sculpted. National Museum of Roman Art. Merida, Badajoz province, Extremadura, Spain.

Przedstawienie w typie Pseudo-Seneki, obecnie identyfikowane jako portret Arystofanesa lub Hezjoda. unknown, author

Farnese Atlas. 2nd c. Roman copy after Hellenistic original. Hellenistic art. Sculpture on marble. ITALY. CAMPANIA. Naples. National Museum of Archaeology.

Image of standing man with beard; 8 / Statue of Bearded Man Delphi Mus ...

Female statuette ca. 1550-60 French, Troyes. Female statuette. French, Troyes. ca. 1550-60. Stone, polychromed. Sculpture

Abruzzo Pescara Penne Palazzo Vescovile, Museo00. Hutzel, Max 1960-1990 Medieval: Architecture; architectural sculpture (detatched); sculpture. Post-medieval: Sculpture, painting, architectural sculpture (detached), altar cloth: objects from Penne and Loreto Apruntino. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Imitation of a Statuette of Isis-Fortuna. Unknown

Statue of Aphrodite - Hygieia with Eros; Unknown; 200 - 250; Marble; Object: H: 175 x W: 53 x D: 35 cm (H: 68 7/8 x W: 20 7/8 x D: 13 3/4 in.)

MINERVA - ESCULTURA ROMANA EN BRONCE.

Headless statue in the Johanniter Palace, Rhodes City, Rhodes Island, Greece, Europe

Statue of Ceres, Claude Mellan, 1636 - 1637 print Rome paper engraving piece of sculpture, reproduction of a piece of sculpture. (story of) Ceres (Demeter)

Napoli - Museo Nazionale. Pallade. (Scultura Greca) , Antiquities, Bas-reliefs, Goddesses, Athena Greek deity. Nicholas Catsimpoolas Collection

Statue of female figure; about 1870 - 1890; Albumen silver print

Torso of a statue of a deified emperor, probably Claudius, Conimbriga Monographic Museum, city of the Conventus Scallabitanus, Coimbra district, Portugal.

Figurehead. Dated: 1935/1942. Dimensions: overall: 52.7 x 37.8 cm (20 3/4 x 14 7/8 in.). Medium: gouache on paperboard. Museum: National Gallery of Art, Washington DC. Author: Ingrid Selmer-Larsen.

Escultura romana de Higia procedente de Els Munts. Museu Nacional Arqueològic de Tarragona.

675 Archaïc female statue. A.M. , Sculpture, Antiquities. Nicholas Catsimpoolas Collection

Campania Caserta Carditello Plazzo Reale34. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Athena statue by Myron. 5th cent. BC. Greece.

Woman dressed in a cloak, Cornelis Bloemaert (II), After Giovanni Citosibio Guidi, c. 1636 print Image of a woman dressed in a Roman dress and cloak. The image comes from the Vincenzo Giustiniani collection, whose weapon can be seen on the pedestal. paper engraving classical history (+ full length). piece of sculpture, reproduction of a piece of sculpture

Relief from Asklepios, c. 1890 - 1895 photomechanical print Part of a group of photos collected by photographer Richard Polak on travel. This photomechanical print was exhibited together with other photos collected on his journeys at the Rotterdamsche Kunstkring (1895), Arti and Amicitiae in Amsterdam (1897-1898) And Societeit 't Collegie in Kampen (date unknown). Athene paper. cardboard collotype (story of) Aesculapius (Asclepius). piece of sculpture, reproduction of a piece of sculpture

A daughter of Niobe fleeing for her life. Greece or South Italy. C.440-430 BC. Parian marble. Reused in Rome. Copenhagen.

Emilia-Romagna Forli Rimini Palazzo Comunale, Museo e Pinacoteca Comunale0. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Marble statue of a Roman senator by Egidio Moretti. When in Rome in 1613-1614 the Earl of Arundel commissioned the sculptor Egidio Moretti to carve two Roman senators and two generals to complement his collection of antiques. The other three statues are displayed to your right.

PERSONIFICACION DEL SENADO ROMANO - ESTATUA BRONCE CONOCIDA COMO "EL GENIO DEL SENADO" - COPIA - EL ORIGINAL ESTA EN EL MUSEO ROMANO DE MERIDA. Location: SENADO-ESCULTURA. MADRID.

Barbarian prisoner. Preconnesian marble. 2nd- 3rd century AD. Copy. National Arhaeological Museum. Naples. Italy.

Acephalous statue of Notre-Dame de Paris. Anonymous, around 1210. Limestone. Paris, Carnavalet museum. Statue of apostle or allegorical character holding an illegible attribute in the left hand. It can be an instrument of the martyrdom of the saint or a scepter. Cathedral Notre-Dame Paris, Middle Ages, limestone, statue Acecele, Medieval

Statuette of Asklepios; Athens (), Greece; early 1st century B.C; Marble; 37.5 × 18.5 × 9.1 cm (14 3,4 × 7 5,16 × 3 9,16 in.)

Design for a funerary monument to Princess Anastasiya Trubetskaya, draughtsman: Louis-Claude Vassé, draughtsman: Edme Bouchardon, (rejected attribution), 1760 - 1761, paper, h 383 mm × w 268 mm

Engraving; Images in Nissen.image by A. Vermeylen.

Roma - Gallo che uccide la moglie dinanzi al nemico - Museo delle Terme , Antiquities, Sculpture, Suicides. Nicholas Catsimpoolas Collection

Portrait of a high-ranking figure was fitted onto an older statue. Rome. Head: 4th-5th c. AD Body: first half of 2nd c. Ad. National Roman Museum. Baths of Diocletian. Rome. Italy.

Lazio Latina Terracina Museo Archeologico37. Hutzel, Max 1960-1990 Antiquities: Stone figures, both full-length and busts; ancient altars, sarcophagi, inscriptions and stone fragments from the Temple of Giove Anxur and from the ancient town. Object Notes: Hutzel campaign notes are undated. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Marble statue of woman, from Aphrodisias, Turkey

Roma - Museo Capitolino - Agrippina (scultura antica) , Antiquities, Sculpture, Empresses, Agrippina, Minor, 15-59. Nicholas Catsimpoolas Collection

Engraving Marble Statue Ceres Roman Goddess Of Grain Agriculture Full Length Figure Demeter Is Greek Goddess

Pierre Berton (known as Pierre de Saint-Quentin). Fragment of the altarpiece of the Saint-Merri church. Thunder stone (tender limestone). Paris, Carnavalet museum. 76180-5 Hang, wing, seat, tender limestone, column, femme, fragment, young woman, thunder stone, pillar, altarpiece, sun

Statue of a little girl, Delphi , Sculpture, Antiquities, Girls. Nicholas Catsimpoolas Collection

Danaide, M. Vat. , Antiquities, Sculpture. Nicholas Catsimpoolas Collection

Statue titled 'Faith' by Innocenzo Spinazzi (1726-1798) an Italian sculptor of the Rococo period. Dated 18th Century

Abruzzo, Pescara, Citta Sant'Angelo, Collegiata di S. Michele, I, Italy, 20th century, photo, photography, Europe

Life-size statue of Emperor Henry II from the 13th century at the Prince's Portal in the Georgenchor of the cathedral in Bamberg, Germany, digitally r...

Abruzzo, L'Aquila, L'Aquila, Museo Nazionale d'Abruzzo, Italy, 20th century, photo, photography, Europe

Marble statue of 'Spring' attributed to Pierre Legros the Elder (1629-1714) a French sculptor whose output was largely attributed to the decoration of the chateau and the gardens of Versailles. Dated 17th dynasty.

Comedian still image. Illustrations. 1812. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Entertainers, Masks , Greek, Greeks , To 499, Staffs (Sticks), Costumes , Greek, Actors , Greek , To 499

Lazio Roma Velletri Museo Civico di Velletri2. Hutzel, Max 1960-1990 Medieval: Marble tondo of the depositon, early christian sarcophagus. Antiquities: Roman;statue of Athena, male and female sculpture fragments- heads, torsos, marble cinerary urn; cippi with inscriptions inscriptions, altars, sarcofagi, sarcofagus with scenes of the feats of Herakles. Etruscan; votive objects, heads, legs feet, eyes, uterus, intestine , animals; bronze objects Architectural sculpture and fragments; relief of procession pottery fragments, lamps; brickstamps. Object Notes: The Museo Civico is housed in the Palazzo Comunale. There are two Hutzel photo campaign notes, one undated and the other November 9, 1985. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects o

Marble statue of a woman with a gown; 8. Le Nouvel Opéra de Paris. Statues Decoratives.; Le Nouvel Opéra de Paris with 50 photos. The woman is wearing her hair and has a hand under her head.

Image of standing man with beard, c. 1895 - c. 1915 photograph Delphi paper. cardboard collotype Delphi

Lazio Roma Rome Episcopal Complex (S. Giovanni in Laterano, Baptistery, Cathedral, Cloister)87. Hutzel, Max 1960-1990 Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn (16th c.), carved walls, ceiling and wall painting; of mosaics and bronze doors in Cappella del Battista; of altar and mosaics in Cappella di S. Venanzio; of mosaic and statue in Cappella di S. Giovanni Evangelista. Architecture, architectural sculpture, sculpture, sculptural fragments, fresco painting, painting, coffering, tiling, stucco. Views 756-886 are of the cathedral. Medieval: Architecture, architectural sculpture, sculptural fragments, architectural fragments, tombstones, mosaics, sculpture, fresco painting, sculptural relief. Object Notes: Hutzel includes guidebook in German on the site. prints matched to negs General Notes: Views 756 thru 886 are of the Baptistery. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s u

Ceres. An image of the goddess ceres of two-tone marble. She wears a crown and holds a bundle of corners in her hand. The image comes from the collection of Vincenzo Giustiniani, whose weapon on the base can be seen.

Marble statue of Cornelia Antonia, from Antioch of Pisidia (Yalvac), Archaeological Museum, Istanbul, Turkey

Imitation of a Statuette of Athena. Unknown

Lazio Latina Terracina Museo Archeologico76. Hutzel, Max 1960-1990 Antiquities: Stone figures, both full-length and busts; ancient altars, sarcophagi, inscriptions and stone fragments from the Temple of Giove Anxur and from the ancient town. Object Notes: Hutzel campaign notes are undated. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Statue of a consul, Reinier van Persijn, after Joos de Pape, 1640 print Statue of a consul, in classic robe, with a roll of paper in hand. In the middle of the base the coat of arms of Vincenzo Giustiniani. Print from a publication with reproduction prints to the sculptures in the collection in the Galleria Giustiniani in Rome. Rome paper engraving piece of sculpture, reproduction of a piece of sculpture. scholar, philosopher

Turntable eastern island

Emperor Augustus (63 BC AD 14). The Prima Porta statue - Vatican, Rome, Italy. Date: circa 1910s

Sophocles , Antiquities, Sculpture, Dramatists, Poets, Sophocles. Nicholas Catsimpoolas Collection

DIANA PROCEDENTE DE ITALICA - SIGLO II AC - ARTE ROMANO. Location: MUSEO ARQUEOLOGICO-COLECCION. Sevilla. Seville. SPAIN. DIANA CAZADORA-DIOSA EN LA MITOLOGIA ROMANA.

Roman civilization, statue of Pontifex Maximus from Via Labicana, Rome

Hope, from the Facade of the Penninckshuis in Deventer, anonymous, c. 1588 Woman of standing out, her left leg bent and her right leg sticks through the split of her skirt. To her left is an anchor. The head has been broken down and is stored with the image. The statue is part of six images (BK-18757-A to BK-18757-F) Westphalia (possibly) sandstone Penninckhuis Woman of standing out, her left leg bent and her right leg sticks through the split of her skirt. To her left is an anchor. The head has been broken down and is stored with the image. The statue is part of six images (BK-18757-A to BK-18757-F) Westphalia (possibly) sandstone Penninckhuis

Angel of the Resurrection Sculpture of Oskar Tomasz Sosnowski at the Carmelite Church in Warsaw. Józef T. Polkowski Drew . Cleastle from Tygodnik Ilustrowany 1859 (1) 1 Röber, H. (N.N.), Sosnowski, Tomasz Oskar (1810 1886), Polkowski, Józef Tadeusz (1820 1895)

This photo dating to 1912 shows Amerigo Vespucci, a sculpture of him by Grazzini that is housed in the Uffizi Gallery in Florence. Vespucci (1454-1512) was an Italian explorer, financier, navigator, and cartographer who was born in the Republic of Florence. He is best known forhis namesake: the continents of North and South America

Augustus of Prima Porta. James Anderson (British, 1813 - 1877)

Monument to Maurizio Giuseppe of Savoy, Duke of Montferrat, 1807, by Felice Festa (died 1826), Cathedral of St Mary the Immaculate, Alghero, Sardinia, Italy.

Magistrate, Roman Period, Sculpture, Museum of Ampurias. Museum: Museo de Ampurias, Gerona, Cataluña, España.

Statue of a Muse. Unknown

Thasos - part of a relief, Hermes , Antiquities, Bas-reliefs, Gods, Hermes Greek deity. Nicholas Catsimpoolas Collection

The Magdalen, c. 1515, attributed to Jorg Syrlin the Younger, German, 1455-1523, 47in. (119.4cm), Lindenwood, Germany, 16th century

Morel, A., Paris, Lemercier & Cie., G. Arosa et Cie, Frises du Parthenon, Part of the frieze of the Parthenon in Athens, depicting two men and two women, This print is part of a cover with 22 prints and 3 text sheets., photomechanical print, photographs, photographically illustrated books, height 228 mm, width 235 mm, French, maker, manufacturer, 1863 - 1868, paper, papier, collotype, printer, printer's, Publication (Event), Publication, publisher

Lazio Latina Sezze Antiquarium Comunale7. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

GREEK ART. GREECE. IV century B.C. THEMIS statue, goddess of justice. Penteli marble. It was sculpted by CHAIRESTRATOS OF RHAMNOUS and was dedicated to Themis by Megakles. Dated around 300 B.C. Located in Rhamnous (Attica). National Archaeological Museum. Athens.

Modesty 19th century Wilhelm Hopfgarten. Modesty 198829

Head/neck of Statuette of Mars-Cobannus. Unknown

Hadrian (Publius Aelius Hadrianus) (76-138). Roman emperor (117-138). Nerva-Antonine dynasty. Body of an armored statue of emperor Hadrian, showing the goddess Athena and the She-Wolf of Rome. Museum of the Ancient Agora. Athens, Greece.

Thasos - part of a relief, Hermes , Antiquities, Bas-reliefs, Gods, Hermes Greek deity. Nicholas Catsimpoolas Collection

Statue de Tibere, Vatican, c. 1860. Charles Soulier (French, 1840-1875). Albumen print from a collodion negative; image: 40.7 x 30.5 cm (16 x 12 in.); paper: 40.7 x 30.5 cm (16 x 12 in.); mounted, primary: 53.8 x 40.5 cm (21 3/16 x 15 15/16 in.); mounted, secondary: 74.8 x 56 cm (29 7/16 x 22 1/16 in.).

Caryatids by Louis Brian, Decoration of the Louvre, Paris. Édouard Baldus (French, born Germany, 1813 - 1889)

Allegorical Figure Representing a Virtue, Possibly Patriotism 1760 Workshop of Giovanni Battista Tiepolo Italian This detached fresco is from a series of four ovals that were designed by Tiepolo and painted by his workshop for the decoration of the corners of the ceiling of a room in the Palazzo Valle-Marchesini-Sala in Vicenza. The allegorical figure of a virtue has been identified as representing Patriotism.. Allegorical Figure Representing a Virtue, Possibly Patriotism. Workshop of Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid). 1760. Fresco, transferred to canvas. Paintings

Grave Naiskos of Apollonia. Unknown

Lazio Viterbo Tarquinia Palazzo Vitelleschi20. Hutzel, Max 1960-1990 Exterior views of Palazzo and museum as well as interior courtyard views and interior views of vaulting. 15th cent. gothic architecture (1436-39, 1460-90). Inside palazzo is the Cappella gentilizia, 15th century, and the antecappella, with frescoes of the story of Lucrezia alternating with the cardinal virtues. Antiquities: Phoenician: faience. Etruscan: sarcophagi; pottery; bronze implements (weapons, vessels, mirrors, candelabra). Gold jewelry. Terracotta masks, statuettes and votive objects. Roman: marble statues, bronze vessels, pottery. Object Notes: Hutzel photo campaign dates: February 15, 1984 and November 9, 1985. It appears that there may have been another campaign for which there are no notes. Palazzo Vitelleschi houses the Museo Nazionale Tarquiniese, antiquities prints are located in antiquities section. Only a few of the antiquities prints are matched to negatives. However, the NNP numbers follow the hig

Figure study. Charcoal and chalk on redpaper.. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

Juno (Hera) wife and sister of Jupiter, Queen of Heaven. Protected women and marriage. Marble statue

Statue of Neptune in Athenian Museum , Antiquities, Sculpture, Gods, Poseidon Greek deity. Nicholas Catsimpoolas Collection

Water ca. 1750-60 Probably by Jean-Pierre Defrance Lining the rusticated, arched facade of the Henry Kravis wing of the Museum are four larger-than-lifesize Allegories of the Elements, made of limestone (64.93.1-.4). Originally standing in the gardens of the Chteau de Mussegros near Ecouis in Normandy, the figures can be attributed on stylistic grounds to the sculptor Jean-Pierre Defrance (1694-1768) and are dated around 1750.. Water 203012

Goddess Iside. Statue of bigio morato marble. 2nd century AD. Italy. National Archaeological Museum, Naples. Italy.

Marble statue of Venus from Hellenistic model influenced by Praxiteles style, from Pompei

Umbria Terni Amelia S. Giovanni Decollato2. Hutzel, Max 1960-1990 Post-medieval: Original church built 1210, destroyed by earthquake. A palace built on original site in 15th century. According to Hutzel a charitable Christian brotherhood used original rooms as a hospice until 1876. Baroque interior, frescoes attributed to Federico Zuccari, painting, sculpture. One view of exterior. Object Notes: Hutzel photo campaign date: October 9, 1983. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

IV century B.C. THEMIS statue, goddess of justice. Penteli marble. It was sculpted by CHAIRESTRATOS OF RHAMNOUS and was dedicated to Themis by Megakles. Dated around 300 B.C. Located in Rhamnous (Attica). National Archaeological Museum. Athens.

Virgin and Child second quarter 14th century Guillem Seguer The Catalan sculptor, architect, and painter Guillem Seguer was active in the diocese of Lleida and elsewhere in the mid-1300s.. Virgin and Child 467996

Statue of a woman with staff, Michel Natalis, After Giovanni Battista Ruggieri, 1640 print Statue of a standing woman, dressed in classic robe, with a staff in her right hand. In the middle of the base the coat of arms of Vincenzo Giustiniani. Print from a series to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving female persons from classical history (+ full length). monument, statue. piece of sculpture, reproduction of a piece of sculpture

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