Classical Sculptural Representations

Artworks illustrating classical figures from mythology and history, featuring detailed sculptures and engravings that highlight the beauty and form of ancient art.

Poetry allegory - a project of polychrome to the Szylenkier Pa Gerson, Wojciech (1831-1901); around 1885 (1880-00-00-1890-00-00);

Monument to Nicholas Copernicus in toruń Dietrich, Adolf Fryderyk (1817 1860), Tieck, Christian Friedrich (1776 1851)

Bas-relief from Apollo with the Lier; Galleria Giustiniana del Marchese Vincenzo Giustiniani II. Bas-relief from Apollo with the Lier. At the bottom of the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome.

Copper engraving print by Theodor de Bry depicting the muses Thalia and Urania from Greek mythology, created in 1613.

Vestigia delle Terme di Tito. Kap Anka. Quadro with decoration in room 15; Carlone, Marco (1742-1796), Smuglewicz, Franciszek (1745-1807), Manna, Pietro (17 ..- 18 ..); after 1776 (2nd edition of black and white) (1776-00-00-1801-00-00);Rome, Sas-Zubrzycki Jan, collection, Vestigia delle Terme di Tito, 1776, Illustration, archeology, mythology, antiquity, purchase (provenance)

Poetry allegory - a project of polychrome to the Szylenkier Pa Gerson, Wojciech (1831-1901); around 1885 (1880-00-00-1890-00-00);

Plate 19: figure seen from behind with left hand raised 1756 Bartolomeo Crivellari. Plate 19: figure seen from behind with left hand raised. "Le Pitture di Pellegrino Tibaldi e di Niccolò Abbate esistenti nell'Instituto di Bologna". Bartolomeo Crivellari (Italian, active 18th century). 1756. Etching and engraving. Prints

Composition with mirror, coins, cameee and a figure from the Vergilius Romanus, Anonymous, 1700 - 1799 print The figures and objects are numbered from I to VII. The whole is numbered at the top right: tab. IX. paper etching Roman religion (including Etruscan religion). sculpture. mirror. codex

Etching by Hubertus Quellinus from 1665 depicting Nemesis, the classical goddess of retribution, rendered with symbolic elements including wings, sword, and wheel, showing Baroque engraving style.

Copper engraving by Cornelis Bloemaert showing Heros Aventinus in the Capitol, created between 1620 and 1692.

A copper engraving print by Claude Mellan from 1669 depicting a young woman, highlighting facial features and attire in detailed line work.

Kneeling St. Francis and St. Nicholas of Bari 1498-1554 After Moretto da Brescia (Alessandro Bonvicino) Italian. Kneeling St. Francis and St. Nicholas of Bari 340814

Etching by Hubertus Quellinus around 1668 depicting a female figure holding a staff of Aesculapius, a cornucopia, and berries, representing health and abundance.

Eutichio Ajello / 'Fortuna'. Mid-XVIIIcentury. Pencil on paper. Museum: Museo del Prado, Madrid, España.

Pan als zuil, Jean Mignon (attributed to), after Cornelis Bos, c. 1543 - c. 1545 print paper etching Pan-herm

Copper engraving by Philipp Galle (1575) depicting the Sibyls, with human figures, classical drapery, gestures, and architectural features in 16th-century European artistic context.

James Bruce, 1730-1794, British, Architectural detail of Plaque above Niches in Arch at Tripoli, undated. Gray wash and graphite with pen and black ink on medium, slightly textured, cream laid paper.

Gravestone figure of a member of the Teutonic Order from the year 1314 in Weissenburg, Bayern. Lesser, Aleksander (1814-1884), draughtsman, cartoonist

Kunst, Jean Prud'hon, After Pierre Prud'hon, 1810 - 1823 print Paris paper etching / engraving symbolic representations, allegories and emblems ~ art; 'Arte' (Ripa)

Image of Cybele in the eastern gallery of the Town Hall on Dam Square, Hubert Quellinus, After Artus Quellinus (I), 1655 print Image of Cybele in the northern part of the eastern gallery of the Town Hall on Dam Square in Amsterdam. On her head the Stedekroon, in her left hand the city key and a trumpet. At her feet a lion and a lioness. At the bottom marked: R. paper etching / engraving (story of) Cybele, Rhea Cybele, Great Mother of the Gods (Berecynt(h)ia). attributes of Cybele. beasts of prey, predatory animals: lion City Hall of Amsterdam (1655-1808)

Foundation tympanum in the church of the most frequent Mary of the Virgin in the sand in Wroclaw; Lesser, Aleksander (1814-1884); 1830-1884 (1830-00-00-1884-00-00);Baby Jesus, Lesser, Aleksander (1814-1884), Lesser, Aleksander (1814-1884) - collections, Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935), Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935) - collection , Maria (Mother of Jesus Christ), Our Lady with the Child, Wrocław (Dolnośląskie Voivodeship), Włostowicowa, Maria, Włostowicowa, Maria - iconography, gift (provenance), Church of the Blessed Virgin Mary in sand (Wrocław), Portraits of donors, sculpture (sculpture ( artist), Romanesque sculpture, tympanony, Świętosław ( -1153), Świętosław ( -1153)-iconography

Copper engraving and etching by Antoine Alexandre Morel depicting the goddess Juno, created between 1785 and 1829, showing classical figure and attributes.

The Prophet Haggai, from Prophets and Sibyls 1480-90 Francesco Rosselli Italian This print is part of a series comprised of twenty-four Prophets and twelve Sibyls, modeled after the series of the same subject by Baccio Baldini (TIB 2403.052-.089). Rosselli's engravings are executed in the Broad Manner and Italianate in style, whereas Baldini's are in the Fine Manner and mostly Germanic in style. Rosselli's prints vary from faithful ciopies of Baldini's prints to loose adapations. This print is closely related to Baccio Baldini's Prophet Haggai (TIB 2403.071).. The Prophet Haggai, from Prophets and Sibyls 625985

Aristomachos.

Statue of Fortuna, 1636 - 1647 print Statue of a woman with a rudder and a horn of abundance (Fortuna). In the middle of the base the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving Piece of Sculpture, Reproduction of a Piece of Sculpture. Luck, Fortune, Lot; 'Fato', 'Fortuna', 'Aurea fortune', 'Good luck', 'peaceful luck overo Clemente', 'fate' (Ripa). 'Cornucopia', Horn of Plenty

Bas-relief with Cybele; Galleria Giustiniana del Marchese Vincenzo Giustiniani II. Roman bas-relief of Cybele, the Asian mother goddess, with a crown in the shape of a wall, and accompanied by two lions. In the middle of Vincenzo Giustiniani coat of arms. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome.

Clio in Urania, Julien-Léopold Boilly, after Pierre Prud'hon, 1851 print This print is part of a cover with seven prints. Paris paper Clio (one of the Muses); 'Clio' (Ripa). Urania (one of the Muses); 'Urania' (Ripa)

Apollo, Alexander Liernur, 1796 drawing Apollo, captain of the Muzen. paper. pencil Apollo and the Muses, Apollo Musagetes

Drie Schikgodinnen, Etienne Acille Réveil, After Jean Baptiste Joseph de Bay, 1830 print Numbered in the bottom right: 56. paper etching Fates, spare (Moir)

Statue of a woman with staff; Galleria Giustiniana del Marchese Vincenzo Giustiniani I. Statue of a standing woman dressed in classic robe, with a staff in her right hand. In the middle of the base the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome.

Capellen, Johan Derk van der.

Etching and aquatint by Jean François Janinet titled 'Equality,' created around 1792.

Statue of Minerva (Athena Giustiniani), 1636 - 1647 print Statue of Minerva with helmet on her head. The Medusakop around her neck. In the middle of the base the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving piece of sculpture, reproduction of a piece of sculpture. (story of) Minerva (Pallas, Athena)

Copper engraving and etching by Jean Jacques Avril around 1818 showing Minerva, depicting classical attire, helmet, and symbolic attributes.

Catalogue raisonne et figure de ses tableaux, La Galerie Électorale de Düsseldorf, Pigage, Nicolas de, 1723-1796, Red crayon, or pen, ink and watercolor, 1770-1778

Copper engraving and etching by Albert Reindel around 1818 depicting an ancient female statue holding a child, illustrating maternal posture and classical form.

Goethe, Johann Wolfgang von.

A copper engraving by Claude Mellan between 1620 and 1688 illustrating an antique statue, rendered with attention to classical features.

Personification of Venice; Numismata virorum illustrium ex Barbadica Gente. A console with the female personification of Venice, with small Dogehoed and flanked by the winged lion of Saint Marcus. On the right a unicorn. Two times the coat of arms of the Venetian Barbarigo family. A cardinal hat above the left coat of arms. Above the judge a crown. The print is part of an album.

Freedom, Auguste Paul Charles Anastasi, After Pierre Prud'Hon, 1849 print Freedom has defeated the hydra of tyranny and broken the yoke of despotism. Paris paper. Freedom, Liberty; 'Libertà' (Ripa). Libertas as Roman personification. yoke. attributes of Hercules (with NAME). 'hydra'; 'Hidra' (Ripa). dictatorial government, tyranny; 'Tirannide' (Ripa)

Portrait of king Casimir IV Jagiellon, figure on console according to statue in a corridor on the castle of Stuttgart. Lesser, Aleksander (1814-1884), draughtsman, cartoonist

Design for a statue: bravery, 1799, Bartholomeus Zijnsenis, 1799 drawing Netherlands paper. ink pen / brush Peace. monument, statues. Courage, Bravery, Valiance, Manliness; 'Ardire magnanimo et generoso', 'Gagliardezza', 'Value', 'Herica virtue', 'Virtue of the soul and body' (Ripa)

Copper engraving and etching by an unknown engraver from the 16th-17th century depicting ancient statues and figures, showing classical forms, poses, and drapery.

Rafaël tries to spread Lucifer; Rafael Plaing With Lucifer. Lucifer in arms equipment with ax and shield. Right next to him the Archangel Rafael.

Schiller, Friedrich von Designer: Guillelmus (1162) Printer: Long, Gustav Georgeprint: Bureau de Numismatique in ParisDation: 1827 / 1843Ptrocation: Paris print: Darmstadt

Sepulchral Monument of James III and Henry Cardinal York, Pencil, pen, wash, and Chinese ink., James is seated on top of a round pedestal against which the Cardinal is leaning. The lower pedestal is formed by a sepulchral chamber with closed doors. A pyramid rises in the background. The setting shows a niche flanked by pilasters supporting a vault. Framing lines are found throughout and are partially cut off., Italy and France, ca. 1818, Drawing, Drawing

Two Lovers Giving Thanks to the Statue of Health 1745-1779 France. Etching in black on ivory laid paper . Ange Laurent de Lalive de Jully

Satyr playing the panpipes Pan and Hestia () still image. Illustrations. 1789 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Mythology, Panpipes, Satyrs (Greek mythology), Cameos, Ancient

La Pudicité. Braccio Nuovo. James Anderson (British, 1813 - 1877)

Statue of the Free Armed Batavian Republic, 1799, Bartholomeus Ziesenis, 1799, draughtsman: Bartholomeus Ziesenis, 1799, paper, pen, brush, h 443 mm × w 318 mm

Statue of a standing woman, 1636 - 1647 print Statue of a standing woman in Roman clothing. With her left hand she points up .. In the middle of the base the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving piece of sculpture, reproduction of a piece of sculpture. female persons from classical history (+ full length)

Etching by Hubertus Quellinus depicting a female allegorical figure with a peacock and a lizard, created around 1668.

Statue of flora; Galleria Giustiniana del Marchese Vincenzo Giustiniani I. Statue of Flora, dressed in classic robe, a diadem in the hair. In her left hand she wears leaves, her right hand holds her rug. On the base the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome.

Artist: Francesco Bartolozzi, Italian, 1727-1815, Memorial to Johann ChristianBach, Etching and aquatint, platemark: 34.5 × 22.3 cm (13 9/16 × 8 3/4 in.), Italian, 18thcentury, Works on Paper -Prints

Allegory with the Wapen van Overijssel, Reinier Vinkeles (I), After Jacobus Buys, 1751 - 1816 print Amsterdam paper etching / engraving Freedom, Liberty; 'Libertà' (Ripa). armorial bearing, heraldry

Wszyscy Święci w MNK Lithography of Time by Marcin Salb (Kraków)

MONUMENT TO MADAME SOYER, IN KENSAL GREEN CEMETARY.

An etching from 1638 by François Perrier depicting Roman statues, illustrating classical figures with detailed sculptural anatomy.

Design for a statue: Bravery, 1799, Bartholomeus Ziesenis, 1799, draughtsman: Bartholomeus Ziesenis, (mentioned on object), Netherlands, 1799, paper, pen, brush, h 442 mm × w 317 mm

Ancient altar illustration. Devilliers, Etiene (1784 post 1844)

Graftmonument van dante, alinary marchi, c. 1880 - c. 1895 photograph Monument with three images in the Santa Croce in Florence. Florence paper. photographic support. cardboard albumen print piece of sculpture, reproduction of a piece of sculpture. interior of church Santa Croce. Florence

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

Statue of Minerva (Athena Giustiniani); Galleria Giustiniana del Marchese Vincenzo Giustiniani I. Statue of Minerva with helmet on her head. To her neck the medusakop. In the middle of the base the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome.

Stucco image in Huis ter Meer in Maarssen, representing the continent Europe, c. 1875 - c. 1900 photograph House Ter Meer cardboard. photographic support albumen print sculpture. interior ~ representation of a building. 'Cornucopia', Horn of Plenty. horse House Ter Meer

Copper engraving by Claude Mellan (1671) depicting a young shepherd, highlighting figure, attire, and pastoral elements.

Alfred Nossig (1864-1943), "King Salomon" photography of the river staged in the artistic salon of E. Schulty in Berlin in 1898; 1898 (1898-00-00-1898-00-00);Nossig, Alfred (1864-1943), Nossig, Alfred (1864-1943) - reproduction, Rajchman, Aleksander (1855-1915) - collection, Salomon (King of Israel - -A 925 A.C.) - iconography, sculpture (artist) , Polish sculpture

Medallions with portraits of Alexander the Great and Julius Ceasar on a pillar, Reinier Vinkeles (I), 1789 - 1809 print Amsterdam paper etching column, pillar ~ architecture

Knight in armour from the 15th century with heraldic shield and sword. His spouse beside wears an original headdress. From Dresden museum of prints and drawings. Chromolithograph from Hefner-Alteneck's "Costumes, Artworks and Appliances from the early Middle Ages to the end of the 18th Century," Frankfurt, 1883. IIlustration drawn by Hefner-Alteneck, lithographed by C. Regnier, and published by Heinrich Keller. Dr. Jakob Heinrich von Hefner-Alteneck (1811-1903) was a German archeologist, art his

This copper engraving and etching by Antonio Lafreri, created in 1547, depicts Prophet Jeremy in the Sistine Chapel, highlighting the figure, gesture, and compositional layout.

Sculpture of boy playing lyre. Unknown maker, French

Portrait of Floris V, Graaf van Holland and Zeeland, Reinier Vinkeles (I), After Jacobus Buys, 1786 print Amsterdam paper etching / engraving

Old Man with Mask and Banderol, Charles Audran, After Joachim von Sandrart (I), 1604 - 1674 print Possibly playwright Sophocles of Euripides or another figure from the antiquity in this print is depicted. Numbered at the bottom right 108. France paper engraving Classical Mythology and Ancient History

Catalogue raisonne et figure de ses tableaux, La Galerie Électorale de Düsseldorf, Pigage, Nicolas de, 1723-1796, Red crayon, or pen, ink and watercolor, 1770-1778

Edward Francis Burney, 1760-1848, British, Female Figure carrying Water Jug on her Head, undated. Pen and black ink, graphite and watercolor on medium, slightly textured, beige wove paper.

Copper engraving and etching by Henri Guillaume Chatillon around 1818 depicting an ancient female statue, emphasizing classical sculpture and engraving techniques.

Perseusz Benvenuto Cellini (1500 1571); (Sculpture from Logga dei Lanzi in Florence, from 1545 54). Unknown, cellini, welcome

Epitaaf decorated with medallions; Tangeelen. Epitaaf decorated with medallions on which the virtue of rights (temperantia, with horse terrace), virtue in general, and truth (veritas, with mirror) from left to right. The personal life, seated on a wheel, appears at the top of the list. The epitaph is flanked by raised allegorical figures with attributes of different muses. At the bottom of the epitaph is on a cartouche the title.

Freedom, Jacques Louis Copia, After Pierre Prud'Hon, c. 1793 print Freedom has defeated the hydra of tyranny and broken the yoke of despotism. Paris paper etching / engraving Freedom, Liberty; 'Libertà' (Ripa). Libertas as Roman personification. yoke. attributes of Hercules (with NAME). 'hydra'; 'Hidra' (Ripa). dictatorial government, tyranny; 'Tirannide' (Ripa)

Statue of George II, Greenwich, Thomas Rowlandson, 1756-1827, British, undated, Graphite, pen and brown ink, and watercolor on medium, slightly textured, cream wove paper, Sheet: 7 7/8 × 5 inches (20 × 12.7 cm), Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm), and Binding: 8 3/4 inches (22.2 cm)

Copper engraving by Claude Mellan from 1670 depicting a gladiator in classical armor, showing muscular anatomy, weapons, and a combat-ready pose.

A woodcut by Albrecht Dürer after 1515 showing Christ on the cross, the Virgin Mary standing with the infant Jesus between two bishops, executed with detailed figure composition.

Copper engraving by Lucas Kilian, 1595-1637, depicting Archangel Michael in armor, holding a sword and scales, standing over a defeated demon, showing religious iconography.

Ultrogotho, Queen of Swiss francs.

Uderpe, Alexander Liernur, 1796 drawing Euterpe, muse of the flute. paper. pencil Euterpe (one of the Muses); 'Euterpe' (Ripa)

Plate 16: mythological figure holding a mirror 1756 Bartolomeo Crivellari. Plate 16: mythological figure holding a mirror. "Le Pitture di Pellegrino Tibaldi e di Niccolò Abbate esistenti nell'Instituto di Bologna". Bartolomeo Crivellari (Italian, active 18th century). 1756. Etching and engraving. Prints

Etching and copper engraving by Jean Baptiste Wicar, circa 1800, showing relief figures alongside cameos with detailed classical ornamentation.

Title page for: Nederlandsche Muzen-Almanak 1824. Muze with Lier sits at monument with coat of arms with Dutch lion and inkwell and paper with burning incense vessel.

Saint Anastasia. Saint Anastasia. Part of a series of 24 performances of female martyrs (Martyrological). The performances are equipped with edges with flowers and animals.

Marches Urbino Palazzo Ducale, Galleria Nazionale delle Marche4. Hutzel, Max 1960-1990 Post-medieval: First floor: Polyptychs, triptychs, crucifixes, panel paintings, sculpture, frescoes now housed in Museo; stucco decoration in private chapels Object Notes: See also Urbino, Museo Albani. With both sites the negs arrived separately from the prints, yet all negs were labelled as Urbino, Palazzo Ducale, making it difficult to match some negatives to their prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Hague, Nijhoff, Martinus, Arnhem, Thieme, Dirk Anthonie, Netherlands, Spanier & Zn, widow Elias, Schmidt Crans, Johan Michaël, A Christian against the Jews, Cartoon, Cartoon. Plate published in the weekly De Nederlandsche Spectator, no. 44, 1878., print, picture, cartoon, prints, pictures, Frederik Muller Historieplaten, height 275 mm, width 215 mm, Dutch, 1830-04-30 - 1907-11-14, print maker, printmaker, 1878 - 1878, paper, papier, lithografie (techniek), printer, drukker, Publication (Event), Publicatie, 1830 - 1879, publisher, uitgever, 1826-12-26 - 1894-09-24

Two female images, Cornelis Galle (I), After Peter Paul Rubens, 1608 print On the left a side view of the sitting personification of the city of Rome: Roma, with helmet and sword. On the right a standing goddess with floral wreath in her hand. The image is known as Flora Farnese. Illustration for a book about Roman culture. print maker: Southern Netherlandspublisher: Antwerpprinter: Antwerp paper engraving piece of sculpture, reproduction of a piece of sculpture

Alexandre Bida (French, 1823 - 1895), Mother and Child, 1888, black chalk heightened with white on blue wove paper

The Republic (TF)

Antino di Villa Albani , Antiquities, Bas-reliefs, Antinoüs, approximately 110-130. Nicholas Catsimpoolas Collection

EGALITE Alexander-Evarist Fragonard (1780-1850). Equality.

Wisdom with Het Wapen van Italy, Robert van Audenaerd, 1673 - 1743 print A console with the personification of wisdom. It is an image of Minerva with a shield with the head of Medusa, an owl and some olive branches on her feet. The weapon of Italy or the provinces of Genoa or Milan. The print is part of an album. paper engraving (story of) Minerva (Pallas, Athena). Aegis: shield with Gorgon's head (attribute of Minerva). attributes of Minerva: owl. coat of arms (as symbol of the state, etc.). Wisdom; 'Sapienza', 'Sapienza humana', 'Sapienza vera' (Ripa) Italy. genua. Milan

Braun, Adolphe, Sculpture of Terpsichore, photograph, photo, photos, height 466 mm, width 360 mm, French, German, 1812 - 1877, photographer, 1880 - 1900, fourth quarter 19th century, paper, photographic paper, photo paper, cardboard, carbon print

Two Terms, Two Cornices and a Pillar. Artist: Hugues Sambin (French, Gray ca. 1520-1601 Dijon). Dimensions: Sheet (round): 13 1/8 x 13 1/8 in. (33.3 x 33.3 cm). Date: 1554.Print with five designs, characterized by two large designs for terms placed side by side. The term on the left shows the nude upper body of an old woman supporting the capital or cornice, and five children or putti covering the base. The term on the right is made up out of two embracing women who are partly covered by a piece of drapery. On the outside the terms are flanked by two variations on the composition of a cornice. Between the two terms a half-lenght design for a pillar is placed, covered by a piece of drapery held in place by a belt. Museum: Metropolitan Museum of Art, New York, USA.

Woman in cape and cowl, Florence, MCCC; Woman wearing head piece. Watson, Stewart, active 1843-1847. 1840. Watson, Stewart, active 1843-1847. Drawings. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Costume , Italy, Grand tours (Education), Headdresses, Women , Clothing & dress , Italy , Florence , 1300-1399

Statue of Louis IV (920-954), called d'Outremer or Transmarinus, king of West Francia, Carolingian dynasty. Seated on a throne with a sceptre. Louis doutre-mer. Rex Ludovicus. Tinted lithograph by Villain after an illustration by Horace de Viel-Castel from his Collection des costumes, armes et meubles pour servir à l'histoire de la France (Collection of costumes, weapons and furniture to be used in the history of France), Treuttel & Wurtz, Bossange, 1827.

of 3