Classical Nudes and Mythological Themes

A collection of classic artworks featuring nude figures and mythological themes, showcasing detailed styles, rich colors, and sensual depictions.

A.Feuerbach / Resting Nymph

Assets in this Story

RUBENS, Peter Paul (1577-1640). Nymphs and Satyrs. 1637. Left detail of the nymph and the satyr. Flemish art. Oil on canvas. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Prado Museum.

Isaac Diaz Pardo (1920-2012). Spanish painter. Nude, 1940-1948. Museum of Fine Arts. A Coru-a, Galicia, Spain.

The spring, 1856, by Jean Auguste Dominique Ingres (1780-1867), oil on canvas, 164x82 cm.

Vecellio di Gregorio Tiziano / 'Danae receiving the Golden Rain', 1553, Italian School, Oil on canvas, 129,8 cm x 181,2 cm, P00425. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

'Cleopatra'. Italy, 1630s - 1640s. Dimensions: 162x99,5 cm. Museum: State Hermitage, St. Petersburg. Author: Massimo Stanzione.

Winged Figure. Date/Period: Before 1626. Painting. Oil on panel. Height: 442 mm (17.40 in); Width: 575 mm (22.63 in). Author: British School.

'Jupiter and Io'. France, 1726-1727s. Dimensions: 138x106,5 cm. Museum: State Hermitage, St. Petersburg. Author: FRANCOIS LEMOYNE.

Venus Disarms Cupid, Cupid, Painting by Alessandro Allori, Historical, Digitally restored reproduction from a 19th century original..

'Martyrdom of St Catherine'. Spain, Circa 1600. Dimensions: 123x108 cm. Museum: State Hermitage, St. Petersburg. Author: FRANCISCO RIBALTA.

A.Feuerbach / Resting Nymph

F.Boucher / Sleeping Venus / C18th

Beauty and Love by Siemiradzki, Henryk (1843-1902)/ State Art Gallery, Lviv/ 1894/ Poland/ Oil on canvas/ Academic art/ 51x33,7/ Mythology, Allegory and Literature,Nude painting

Apollo and Daphne, after Lorenzo Berninis Marble Group in the Galleria Borghese, Rome, Jean-Etienne Liotard, 1736 drawing Apollo and Daphne, after the sculpture group by Giovanni Lorenzo Bernini in the Galleria Borghese in Rome. Part of the Pastels collection. paper Daphne changed into a laurel-tree: while fleeing from Apollo, Daphne is changed into a laurel-tree by her father Peneus (Ovid, Metamorphoses I 548). piece of sculpture, reproduction of a piece of sculpture

Venus and Cupid. Gustave Popperitz (19th century). Oil on canvas. 160.6 x 101cm.

Grande Odalisque' oil painting, 1814 by Jean Auguste Dominique Ingres, (1780 - 1867). The work depicts an odalisque, or concubine. Ingres' contemporaries considered the work to signify Ingres' break from Neoclassicism, indicating a shift toward exotic Romanticism

ARTE RENACIMIENTO. ITALIA. LUCA CAMBIASO (1527-1585). Pintor italiano. "SUICIDIO DE LUCRECIA" (1565). Oleo sobre lienzo. Museo Blanton de Arte. AUSTIN. Estado de Texas. Estados Unidos.

VENUS Y PSIQUIS - SIGLO XIX. Author: MARTIN DE CAMPO VICTORIA. Location: MUSEO DE CADIZ-BELLAS ARTES. Cadiz. SPAIN. PSYCHE (MYTHOLOGY). PSIQUIS. VENUS DIOSA ROMANA.

Woman looking into mirror by Giovanni Bellini, oil on wood, 1515, Renaissance, 1430-1516, Italy, Vienne, Art History Museum, 62x79

Pygmalion and the Image - The Godhead Fires, 1878. Three in a series of four paintings. Artist: Edward Burne-Jones. Oil On Canvas

VENUS AND THE LUTE PLAYER, by Titian, 156570, Italian Renaissance painting, oil on canvas. A nude reclining Venus stops listening to music to be crowned by Cupid. The meaning of this work may relate the Neo-Platonic debate of visual arts versus music as the best sense for experiencing beauty (BSLOC_2017_16_74)

'Venus, Cupid and Envy', 1548-1550, oil on panel. Author: Bronzino. Location: MUSEUM OF FINE ARTS. BUDAPEST. Hungary. VENUS DIOSA ROMANA.

Ariadne Asleep on the Island of Naxos, Vanderlyn, John, 1809.

Jacques-Louis David. 1748-1825. Académie d'homme dite Patrocle. 1780. oil painting on canvas cm 169 x 218,5.

Vénus et les amours. By Joseph Guichard (1806-1880)., 1857-1869. Cupids, Nudes, Venus (Roman deity)

Burning of a Witch, the Burning of a Woman at the Stake, after a painting by Fedor Encke (1851 to 1926), Historical, digitally restored reproduction from an original of the time

1650s THE ROKEBY VENUS SHOWS A BACK VIEW OF NUDE VENUS LOOKING INTO MIRROR HELD BY HER SON CUPID OIL PAINTING BY DIEGO VELAZQUEZ

Samson in the battle; XVII century () (1600-00-00-1699-00-00);Samson (Bible), Bible scenes

DESNUDO - 1932. Author: ROBERTO FERNANDEZ BALBUENA (1890-1966). Location: MUSEO NACIONAL DE ARTE REINA SOFIA-PINTURA. MADRID. SPAIN.

The Judgement of Paris, by Jean-Antoine Watteau, circa 1718-21, Musee du Louvre, Paris France, Europe

The Judgement of Paris, by Jean-Antoine Watteau, circa 1718-21, Musee du Louvre, Paris France, Europe

Nymph, L. Nicolas, 1886

Birth of Cupid, work of the Master of Flora (active ca 1555-1570), oil on canvas, 108x130 cm.

Bacchus feast by Sebastiano Ricci, oil on canvas , circa 1713, 1659-1734, Russia, St. Petersburg, State Hermitage, 104x142, 5

Girolamo Francesco Maria Mazzola Parmigianino (Copy) / 'Cupid', Late 16th century, Italian School, Oil on canvas, 148 cm x 65 cm, P00281. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Danae and the golden shower, golden rain, Danae, in Greek mythology the daughter of Akrisios, mistress of Zeus, painting by Orazio Gentileschi, Historical, digitally restored reproduction from a 19th century original.

Cleopatra. Date/Period: Between 1674 and 1675. Painting. Oil on canvas. Height: 1,245 mm (49.01 in); Width: 1,054 mm (41.49 in). Author: BENEDETTO GENNARI.

Musidora 1813-35 Thomas Sully American Painted in Sully's most succulent, painterly manner, "Musidora" is his only known nude. Inspired by James Thomson's poem Summer (1727), it is at once chaste and erotic, a combination that had great appeal for contemporary Victorian audiences. Sully depicts the modest Musidora at the moment her suitor, Damon, discovers her bathing in the forest. His gentlemanly conduct so impresses her that she pledges her love for him at once. The subject was painted by many artists of the day, but Sully's interpretation, in which the unwitting viewer plays the role of Damon, is compellingly unique.. Musidora. Thomas Sully (American, Horncastle, Lincolnshire 1783-1872 Philadelphia, Pennsylvania). American. 1813-35. Oil on wood

'Nude', 20th century, 100 x 100 cm. Author: JULIO ROMERO DE TORRES. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Venus and the Lute Player ca. 1565-70 Titian Italian Venus, the goddess of love, interrupts her music making to be crowned with a wreath of flowers by Cupid. An admiring, well dressed youth playing the lutethe quintessential instrument for love madrigalsgazes at her raptly. In the background nymphs and satyrs dance to the music of a shepherd. Titian painted this amatory theme multiple times. This one was left unfinished, except for the landscape background, which is fully painted by the artist. Once believed to allude to contemporary debates concerning "seeing" versus "hearing" as the primary means for perceiving beauty, these pictures seem mainly to celebrate sensual pleasures.. Venus and the Lute Player 437827

Painting Depicting Fame, Giovanni, Giovanni da San, 1624.

Hans von Marees (1837-1887). German painter. Eclogue (Pastoral Melody), 1868. Wallraf-Richartz Museum. Cologne. Germany.

Allegory of Prudence, Drolling, Michel Martin (1789-1851)

Couple; Albani, Francesco (1578-1660); XVII century (1600-00-00-1699-00-00);Amor (mitol.), Kierbeziowa, Eugenia (1855-1946), Kierbeziowa, Eugenia (1855-1946)-collection, gift (provenance), Italian painting, mythological scenes, sleep

Venus with Cupid the Honey Thief, Lucas Cranach the Elder, 1529, Metropolitan Museum of Art, Manhattan, New York City, USA, North America

The Babylonian captivity, Comerre, Léon-François (1850-1916)

Painting titled 'Allegory of Love, Cupid and Psyche' by Francisco Goya (1746-1828) Spanish romantic painter and printmaker regarded as the last of the Old Masters. Dated 1800

A 'harem' is not a bordello, seraglio or brothel, but refers to the women's quarters, usually in a polygynous household, which are forbidden to men. It originated in the Near East and is typically associated in the Western world with the Ottoman Empire. Female seclusion in Islam is emphasized to the extent that any unlawful breaking into that privacy is haram ie, 'forbidden'. A Muslim harem does not necessarily consist solely of women with whom the head of the household has sexual relations (wives and concubines), but also their young offspring, other female relatives or odalisques, which are the concubines' servants. The harem may either be a palatial complex, as in Romantic tales, in which case it includes staff (women and eunuchs), or simply their quarters, in the Ottoman tradition separated from the men's selamlik. A hammam is a common bath house.

The birth of Venus. Painted (1636-1638) by Cornelis de Vos (ca.1584-1651). Museum of Prado, Madrid, Spain.

Sleeping Eros. Albani, Francesco (1578-1660), painter

Reclining Nude, Pierre-Victor Galland, Swiss, active France, 1822 - 1892, France, late 19th century, figures, Drawing, Drawing

England, London, Dulwich, Dulwich Picture Gallery, Painting of The Judgement of Paris by Adrian Van Der Werff dated 1716

Muse with Lute. Dating: 1528 - 1594. Measurements: h 119 cm × w 84 cm; d 16.5 cm. Museum: Rijksmuseum, Amsterdam. Author: Jacopo Tintoretto.

Portrait of naked woman by Paul Cezanne, Oil on cardboard, circa 1886-1890, 1839-1906, Germany, Wuppertal, Von der Heydt Museum, 44x62

A Young Girl Defending Herself against Eros; William Adolphe Bouguereau (French, 1825 - 1905); about 1880; Oil on canvas; 81.6 × 57.8 cm (32 1,8 × 22 3,4 in.)

Bliżej Kultury Verlag of A.E. Seemann in Leipzig, Cabanel, Alexandre (1823 1889)

Eve 1507 Durer, Albrecht(1471-1528 German) Oil On Wood Panel Museo del Prado, Madrid, Spain

Giulio Romano (1499-1546). Italian painter and architect. Roman school. Love Scene (Two Lovers), 1524-1525. Detail. Oil on canvas. The State Hermitage Museum. Saint Petersburg. Russia.

'Female Nude (after bathing)', ca. 1869, Spanish School, Oil on canvas, 185 cm x 90 cm, P04616. Author: EDUARDO ROSALES GALLINAS. Location: MUSEO REINA SOFIA-PINTURA. MADRID. SPAIN.

Artist, attributed to: Michele Tosini (Michele di Ridolfo), Italian, 1503-1577, Artist, possibly by: Carlo Portelli, Italian, ca. 1510-1574, Lucretia, ca.1550, Oil on wood, 81.2 × 65.4 cm (31 15/16 × 25 3/4in.), Made in Florence, Italy, Italian,Florence, 16thcentury, Paintings

Saint Sebastian. nieznany malarz niemiecki, painter

Resting Maiden - Francois Boucher, circa 1751

Water nymphs. Pruszkowski, Witold (1846-1896), painter

Cupid and Psyche by Francois-Edouard Picot, 1817, France, Paris, Musee du Louvre

Nude woman in the water, woman in the waves, painting by Jean Desire Gustave Courbet (10 June 1819-31 December 1877), Historic, digitally restored reproduction from a 19th century original

Nude photograph of a woman with a flowering branch, painting by Jean Desire Gustave Courbet (June 10, 1819-December 31, 1877), Historic, digitally restored reproduction from a 19th century original.

'Little Bather'. France, 1849. Dimensions: 117x90 cm. Museum: State Hermitage, St. Petersburg. Author: THOMAS COUTURE.

Pygmalion and the Image - The Hand Refrains. Date/Period: 1878. Painting. Oil on canvas. Width: 763 mm. Height: 987 mm. Author: Edward Burne-Jones.

Woman with a parrot, by Eugene Delacroix (1798-1863).

Nude 1842 Theodore Chasseriau (1819-1856 French) Oil on canvas Private Collection

Male Nudes by a River in an Alpine Landscape. Gottfried Hofer (1858-1932). Oil on canvas. Signed and dated 1902. 240 x 190.5cm.

Jean Baptiste Marie Pierre / 'Diana and Callisto', 1745-1749, French School, Oil on canvas, 114 cm x 197 cm, P03217. Museum: MUSEO DEL PRADO, MADRID, SPAIN. Author: JEAN-BAPTISTE MARIE PIERRE.

Detail of Eros and Psyche; 1500s; Oil on canvas Niccolo dell Abbate; Italian; 1509/12-1571

Sleep and Death; The children of the night' 1883; by Evelyn De Morgan (30 August 1855 ñ 2 May 1919); English Pre-Raphaelite painter. Two boys represent sleep and death. The lady of the night watches over sleep as death gazes out his flaming torch dwindles as his life force ebbs away

Sandro Botticelli (1445-1510). Italian painter. Venus, c.1480. Gemaldegalerie. Berlin. Germany.

The early 1900s caption reads: "Peace Bringing Back Plenty. in the Louvre. It was shortly after her return from this journey into Flanders that Joseph Vernet decided to put down her name for election to the Royal Aacdemy. Her portrait of herself created such a sensation that her election became assured. She had to paint the usual formal tableau de reception, and chose Allegory, painting her "La Paix ramenant l"Abondance," which, though a somewhat stilted affair such as Academies demand, is full of charm, and is still to be seen at the Louvre." Elisabeth Louise Vigee Le Brun (1755-1842), also known as Madame Le Brun, was a French portrait painter, especially of women, in the late 18th and early 19th centuries. Her artistic style is generally considered part of the aftermath of Rococo with elements of an adopted Neoclassical style. She gained renown in particular for her self-portraits and depictions of courtly women, especially Queen Marie Antoinette.

The Bathers 1884 France. Oil on canvas . William Adolphe Bouguereau

Leda and the Swan, Moreau, Gustave (1826-1898)

Venus Disarming Cupid. Alessandro Allori (Italy, Florence, 1535-1607). Italy, circa 1570. Paintings. Oil on wood

The Bath of Venus, by Francois Boucher, 1751, French painting, oil on canvas. In this painting, the goddess is depicted as an object of sensual beauty, in a lush garden setting, with a pouting Cupid, putti, and doves (BSLOC_2016_5_26)

Arcadia ca. 1883 Thomas Eakins (1844-1916 American) Oil on canvas

CHASSERIAU, ThŽodore (1819-1856). The Toilet in the Seraglio. 1849. Romanticism. Orientalism. Oil on canvas. FRANCE. ëLE-DE-FRANCE. Paris. Louvre Museum.

The Three Graces'. Jean-Honoré Fragonard (1732-1806) French painter.

The act of sitting woman; Before 1939 (1901-00-00-2000-00-00);Women's acts, interwar period, contemporary painting

'La Maja Desnuda', (The Naked Maja), c.1797-1800, (c1934). Artist: Francisco Goya.

Cupid and Psyche, 1817, François-Édouard Picot, Louvre Museum, Paris, France

Nude in the Garden; Nus au Jardin. Paul Delvaux (1897-1994). Pen and ink and watercolour on paper. Signed and dated 30-8-45. 55 x 73cm.

The Cave Of The Storm Nymphs 1903 Edward John Poynter (1836-1919 British) Oil On Canvas Private Collection

Jean-Auguste-Dominique Ingres 1780-1867. Dormeuse. 1824 - 1834. oil painting on canvas cm 47,6 X 78.

Maenad - female semi-nude. Piątkowski, Henryk (1853-1932), painter

Death of Cleopatra, by Domenico Puligo (1492-1527), oil on wood, 59x43 cm.

Wenus, nimfy i amorki. Chodowiecki, Daniel (1726-1801), painter

IDYLL, Narcisse Virgile Diaz de la Peña, 1853 painting Idyll. Face in a forest where three partially undressed women rest in rocks on the waterfront. panel. oil paint (paint) pastorals, Arcadian scenes. public baths - AA - in the open air

Les Baigneuses The Bathers. Date/Period: 1918 - 1919. Painting. Oil on canvas. Height: 1,100 mm (43.30 in); Width: 1,600 mm (62.99 in). Author: Pierre-Auguste Renoir.

The sleeping, Renoir, Pierre Auguste, 1841-1919, French

Portrait of a Tapuya woman holding human body parts - Albert Eckhout, 1641

INGRES, Jean-Auguste-Dominique (1780-1867). The Turkish Bath. 1862. Right central detail. Oriental subject. Round painting. Classicism. Oil on canvas. FRANCE. ëLE-DE-FRANCE. Paris. Louvre Museum.

Musidora Bathing, 1849 By Arthur Hughes, Oil Painting, Pre-Raphaelite, Nude, Literature, Poetry

Franciszek Żmurko (1859-1910), `Female study` photograph of a painting sygnowana przez malarza. Golcz, Jadwiga (1866-1936), photographer

Adam and Eve by Bartholomeus Spranger, oil on wood, 1546-1611, Lativa, Riga, State Museum of Foreign Art of Republic Latvia, 137, 7x81, 3

Venus with a Mirror by Titian, (School) / State Hermitage, St. Petersburg/ 1560/ Italy, Venetian School/ Oil on canvas/ Renaissance/ 130x105/ Mythology, Allegory and Literature

Giovanni Francesco Barbieri, called Guercino, Joseph and Potiphar's Wife, 1649 Joseph and Potiphar's Wife

Leda and the Swan. Sir Peter Paul Rubens (1577-1640). Oil on panel, 64.5 x 80.5cm.

Venus and Cupid, Lucas Cranach, circa 1530

Jean Auguste Dominique Ingres / 'The Valpinçon Bather', 1806, Oil on canvas, 146 × 97,5 cm, RF 259. Museum: MUSEE DU LOUVRE, BUDAPEST, France.

"Love Locked Out" by Anna Lea merritt. Oil on canvas circa 1889.The figure represents Love grieving at a mausoleum door after the death of her partner.

'Birth of Venus', 1863. Artist: Alexandre Cabanel

fine arts, Baldung, Hans called Grien, (1484 / 1485 - 1545), painting, ""Frau mit Spiegel, Schlange, Hirsch und Hindin"", (""woman with mirror, snake, deer and doe""), 1529, oil on panel, Old Pinakothek, Munich, Germany, Europe, 16th century, renaissance, allegory, nakedness, naked, nude, full length, vanity, transcience, beauty, deers,

Woman by Spring by Renoir, Pierre Auguste (1841-1919) Ohara Museum of Art, Kurashiki 1914 Oil on canvas 92,5x73,7 France Impressionism Genre,Nude painting Painting

Woman by Spring. Date/Period: 1914. Painting. Oil on canvas. Height: 925 mm (36.41 in); Width: 737 mm (29.01 in). Author: Pierre-Auguste Renoir.

Venus And Cupid With Bee Hive Lucas Cranach the Elder (1472-1553 German)

Lucas Cranach the Elder (c. 1472-1553). German Renaissance painter and printmaker. Venus and Cupid, 1509. Oil on canvas. The State Hermitage Museum. Saint Petersburg. Russia.

'St Mary Magdalene Penitent'. Milanese School c1530. Oil on canvas. Private collection.

The Wounded Philoctetes by Abildgaard, Nicolai Abraham (1743-1809) Statens Museum for Kunst, Copenhagen 1775 Oil on canvas 123x175,5 Denmark Classicism Mythology, Allegory and Literature Painting

Bacchante with an Ape; Hendrick ter Brugghen (Dutch, 1588 - 1629); 1627; Oil on canvas; 102.9 × 89.2 cm (40 1,2 × 35 1,8 in.)

Reading woman. Henner, Jean Jacques (1829-1905), painter

EL OTOÑO. Author: Jean Antoine Watteau. Location: LOUVRE MUSEUM-PAINTINGS. France.

GOYA Y LUCIENTES, Francisco de (1746-1828). The Naked Maja. ca. 1800. Detail of the head. Romanticism. Oil on canvas. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Prado Museum.

A Dying Gladiator. Jean-Simon Berthélemy (France, Laon, 1743-1811). France, 1773. Paintings. Oil on canvas

Sacred and profane love - Amor sacro e amor profano - by Tiziano, 1514 circa Rome, Italy - 28 December 2023: Borghese Gallery, Sacred and profane love - Amor sacro e amor profano - by Tiziano, 1514 circa Copyright: xZoonar.com/PaoloxGallox 22168630

Odalisque. Jules Joseph Lefebvre; French, 1836-1912. Date: 1874. Dimensions: 102.4 × 200.7 cm (41 5/16 × 79 in.). Oil on canvas. Origin: France. Museum: The Chicago Art Institute, USA.

DE LALAING, Jacques, Comte (1858-1917). Sambre and Meuse. 19th c. Oil on canvas. BELGIUM. WALLONIA. HAINAUT. Tournai. Fine Arts Museum.

Bath house by Feodor Andreyevich Bronnikov, oil on canvas , 1858, 1827-1902, Russia, Shadrinsk , Museum of Regional Studies, 160x212

The Glade; 1900 Oil on canvas Julius LeBlanc Stewart; American; 1855 - 1919

'Mary Magdalene in the Desert'. Holland, 1720. Dimensions: 33x26 cm. Museum: State Hermitage, St. Petersburg. Author: ADRIAEN VAN DER WERFF.

TIZIANO, pupil of (16th century). Christ and the adulteress. 1512 - 1515. Detail of the adulteress. Renaissance art. Cinquecento. Venetian school. Oil on canvas. AUSTRIA. VIENNA. Vienna. Kunsthistorisches Museum Vienna (Museum of Art History).

Tarquinius and Lucretia by Titian (1488-1576) / Art History Museum, Vienne / 1516-1517 / Italy, Venetian School / Oil on wood / Mythology, Allegory and Literature / 82x68

Mary Magdalene or Mary of Magdala, sometimes The Magdalene. Saint. Repentant Mary Magdalene. Engraving by Perez at "La Ilustracion Espanola y Americana", 1885. Colored.

The turkish bath, 1862, by Jean Auguste Dominique Ingres (1780-1867), oil on wood, 108x108 cm.

Rafael Estrany i Ros / 'Madre e hijo'. Colección privada.

Lady with Fan, 1874, by Domenico Morelli (1826-1901), oil on canvas, 111 x 76.5 cm.

Nudes; Nakt. Anders Leonard Zorn (1860-1920). Oil on canvas laid down on board. Dated 1902. 52 x 32.5cm. Painted in the Stockholm Archipelago.

Orpheus And Eurydice Watts, George Frederick(1817-1904 British) Oil On Canvas Christie's Images, London, England

Venus, nymphs and cupids; Chodowiecki, Daniel Nicolaus (1726-1801); 1750 (1750-00-00-1750-00-00);Studziński, Franciszek (1895-1967), Studziński, Franciszek (1895-1967)-collections, cupids, antique, clouds, trees, women, foreign miniatures, mythologies, heaven, mythological scenes, rocks, purchase (provenance)

Ignacio Palmerola / 'Roman Charity'. 1851. Oil on canvas. Museum: Museo del Prado, Madrid, España.

Cupid and Psyche. Jacopo Amigoni (1685-1752). Oil on canvas, 213.3 x 147.5cm.

The Seasons. Johann Friedrich Engel (1844-1921) Oil on canvas. One signed and dated 1910. 210.2 x 105.4cm. A set of three paintings.

Scheherazade. Edgard Tytgat (1879-1957). Oil on canvas. Signed and dated 1922. 198 x 168cm.

The Embrace, L'Etreinte, by Pablo Picasso, 1903, Musee de L'Orangerie, Paris, France, Europe

Edward Burne-Jones, 1833-1898, British, Cupid and Psyche, ca. 1870. Watercolor, gouache and pastel on moderately thick, moderately textured, wove paper mounted on linen.

Music. Henry Holliday (1839-1927). Oil On Canvas. Catalogue No. 438c.

Rebecca at the well (Rebecca al pozzo)

The White Slave, 1894 by Ernest Normand (1859-1923) English orientalist painter.

Dante and Virgil in Hell. Date/Period: 1850. Painting. Oil on canvas. Height: 280.5 cm (110.4 in); Width: 225.3 cm (88.7 in). Author: William-Adolphe Bouguereau.

Judyta from G Ow Holofernes; Gottlieb, Maurycy (1856-1879); 1877-1878 (1877-00-00-1878-00-00);Middle East, Czarnecki, Stefan (1904-), Czarnecki, Stefan (1904-)-collection, Holofernes (Bible), Judyta (Bible), Old Testament (Bible), Dar (provenance), femme fatale (iconogra.) , orientalism (style), sketches

Warrior with Drawn Sword. Dating: 1808. Measurements: h 92.5 cm × w 73 cm; d 9 cm. Museum: Rijksmuseum, Amsterdam. Author: Joannes Echarius Carolus Alberti.

Young Woman Overtaken by a Storm (Une Jeune Femme s'étant Avancée dans la Campagne se Trouve Surprise par l'orage) Chevalier Féréol de Bonnemaison (French, ca. 1770-1827). Young Woman Overtaken by a Storm (Une Jeune Femme s'étant Avancée dans la Campagne se Trouve Surprise par l'orage), 1799. Oil on canvas, 39 3/8 × 31 11/16 in., 67 lb. (100 × 80.5 cm, 30.39kg). France in the wake of the Revolution was a place of terror. Political, social, and economic instability undermined faith in the new government, leaving citizens with a sense of helplessness. Artists often conveyed this collective fear of the unknown in paintings of the natural world. Here, for example, the forces of nature overpower a young woman, who stands defenseless in a storm. European Art 1799

The Goddess of Love Philippe Mercier (1689-1760 French) Oil on canvas

Shameless, 1875, by Giovanni Battista Quadrone (1844-1898), oil on canvas, 26x26.5 cm.

Japanese girl - 19th century - oil on canvas. Author: HANS MAKART (1840-1884). Location: KUNSTHISTORISCHES MUSEUM / MUSEO DE BELLAS ARTES. WIEN. AUSTRIA.

The Toilette of Venus. Artist: François Boucher (French, Paris 1703-1770 Paris). Dimensions: 42 5/8 x 33 1/2 in. (108.3 x 85.1 cm). Date: 1751.Madame de Pompadour, mistress of Louis XV, admired Boucher and was his patroness from 1747 until her death in 1764. This famous work was commissioned for the dressing room at Bellevue, her château near Paris. The bodies of the goddess and her cupids are soft, supple, and blond. The carved and gilded rococo sofa, the silk, velvet, and gold damask drapery, are heavy and elaborate enough for the Victorian era. Museum: Metropolitan Museum of Art, New York, USA. Author: Francois Boucher.

Man embracing woman by anonymous artist, painting, Sweden, Stockholm, Nationalmuseum

The Turkish baths by Jean-Auguste-Dominique Ingres, 1862, France, Paris, Musee du Louvre

The old man and the young woman, by Lucas Cranach the Elder (1472-1553).

In the Heather 1896 France. Oil on canvas . Pierre Puvis de Chavannes

The little art lovers. Dating: 1840 - 1886. Measurements: h 16.7 cm × h 17.7 cm × w 14.8 cm × w 15.7 cm × t 1.0 cm; d 5.2 cm. Museum: Rijksmuseum, Amsterdam. Author: Hippolyte Michaud.

Ignace Henri Fantin Latour, Sara la Baigneuse (Sarah the Bather), 1887, oil on canvas, Museo Nacional de Bellas Artes (MNBA), Buenos Aires, Argentina

Dante And Virgil In Hell 1850. Painted by French artist William-Adolphe Bouguereau. Oil on Canvas

Study for "Science Instructing Industry". Date: 1898. oil on canvas. Museum: Smithsonian American Art Museum.

BOUCHER, Franois (1703-1770). Jupiter and Callisto. 1744. Rococo. Oil on canvas. RUSSIA. MOSCOW. Moscow. Pushkin Museum of Fine Arts.

Female head crowned with ram horns, Gerôme, Jean-Léon (1824-1904)

The farewell , Farewells, Children. Louis Prang & Company Collection

LA MAGDALENA Y LA CALAVERA. Author: PIERRE PUVIS DE CHAVANNES (1824-1898). Location: MUSEO KROLLER-MULLER. OTTERLO. HOLANDA. MARY MAGDALENE. MAGDALENA PENITENTE.

Saint John the Baptist in the Wilderness, Caravaggio, Michelangelo (1571-1610)

Odalisque to the slave, 1842 by Jean-Dominique Ingres 1780-1867.

Nude Outstretched; Nu Allonge. Theophile Alexandre Steinlen (1859-1923). Charcoal and chalk on buff paper. 50.2 x 66cm.

Joseph and Potiphar's Wife. Dating: c. 1575. Place: Southern Netherlands. Measurements: h 104.5 cm × w 160 cm; d 13.5 cm. Museum: Rijksmuseum, Amsterdam.

'Penitent Magdalene', 1568, Oil on panel, 80 x 200 cm, P2639. Author: MARCELLUS COFFERMANS (1520-1575). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. MARY MAGDALENE. MAGDALENA PENITENTE.

Life's Ambitions. Albert Henry Collings (1868- 1947). Oil on canvas. Signed and dated 1920 200 x 143.8cm.

The Italian - 1931. Author: IGNACIO ZULOAGA. Location: ESPACIO CULTURAL IGNACIO ZULOAGA. Zumaia. Guipuzcoa.

Turkish Bath 1862 Jean Auguste Dominique Ingres (1780-1867 French) Oil on canvas Musee du Louvre, Paris

The Fugitive, Study for Timon of Athens Thomas Couture (French, 1815-1879). The Fugitive, Study for Timon of Athens, ca. 1857. Oil on canvas, 25 7/8 x 33 3/8 in. (65.7 x 84.8 cm). Within months of his arrival in Paris, Francisco Oller entered the studio of the popular painter Thomas Couture, who completed this study from life at about the same time. Couture taught the importance of drawing, anatomy, and classical proportions, the traditional European art-school curriculum dating back to Italian academies in the Renaissance. His painting style was a combination of the real and the ideal, and he trained students to reproduce the wonders of nature and ideas of our own time,” though never to the degree of Oller’s other great mentor in Paris, Gustave Courbet. Oller submitted two paintings to the 1865 Paris Salon exhibition as a pupil of Couture. Pocos meses después de su llegada a París, Francisco Oller ingresó al taller del popular pintor Thomas Couture, quien completó este estudio en vi

The goddess Diana and her retinue, surprised by Satyr, the demon. Engraving after a painting by Peter Paul Rubens, Diana and her retinue surprised by Satyr, the demon. Copper engraving after a painting by Peter Paul Rubens, digital improved reproduction from a publication from 1880, Goddess Diana and her entourage, surprised by Satyr the demon. Copper engraving after a painting by Peter Paul Rubens, ueberrascht. Copper engraving after a painting by Peter Pau

ZULOAGA ZABALETA, Ignacio (1870-1945). Nude. 1915. Countess Mathieu de Noailles. Romanticism. Oil on canvas. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Reina Sofia Art Centre National Museum.

The Tease, Stuck, Franz, Ritter von (1863-1928)

Pity ca. 1795 William Blake British Blake was inspired by lines from Macbeth (act 1, scene 7), in which the title character imagines the aftermath of his intended murder of Duncan, the king:"And pity, like a naked new-born babe,Striding the blast, or heavens cherubin, horsd Upon the sightless couriers of the air, Shall blow the horrid deed in every eye"Shakespeares similes are embodied here to form a dynamic interplay: a tiny baby springs from his mother towards an angel astride a blind steed. The artist inventively mixed relief etching with colors printed from millboard to produce the image, and then used ink and watercolor to define details. Blake called prints like this one "frescoes" and considered them part of a narrative sequence.. Pity. William Blake (British, London 1757-1827 London). ca. 1795. Relief etching, printed in color and finished with pen and ink and watercolor. Prints

Cupid and Psyche - Palace Green Murals - Psyche's Sisters visit her at Cupid's House, 1881. By Sir Edward Burne-Jones and Walter Crane. A scene from William Morris' epic poem, 'The Earthly Paradise'.

Spring, engraving from a painting by William-Adolphe Bouguereau, from La Tribuna Illustrata, No 10, March 9, 1890.

Painting titled 'Study for the picture 'Poets' Garden' by Marià Fortuny (1838-1874) Catalan painter. Dated 1873

Jacqueline Marval, The Odalisques, 1902-1903, oil on canvas, Grenoble museum.

Eve, Cranach, Lucas the Elder, .

ARTE RENACIMIENTO. ALEMANIA. LUCAS CRANACH "EL VIEJO" (Kronach, 1472-Weimar, 1553). Pintor y grabador alemán. "ADAN" (1533-1537). Instituto de Arte de Chicago. Estado de Illinois. Estados Unidos.

Zeuxis choosing five young women to study their shapes in preparation for depicting the figure of Helen, by Pietro Michis (1836-1903), oil on canvas, 152x272 cm. Ancient Greece, 5th century BC.

Francesca da Rimini and Paolo Malatesta - 1819 - 48x39 cm - oil on canvas. Author: JEAN AUGUSTE DOMINIQUE INGRES. Location: MUSEUM OF FINE ARTS. Angers. France.

The Natchez. Artist: Eugène Delacroix (French, Charenton-Saint-Maurice 1798-1863 Paris). Dimensions: 35 1/2 x 46 in. (90.2 x 116.8 cm). Date: 1823-24 and 1835.In 1823, Delacroix began to paint this scene from Chateaubriand's widely read Romantic novel <i>Atala</i>, which narrates the fate of the Natchez tribe in the wake of the French and Indian War (1754-63). After putting the canvas aside for about a decade, he finally completed the picture for the Paris Salon of 1835. In the catalogue, Delacroix provided this explanatory note: "Fleeing the massacre of their tribe, two young savages traveled up the Mississippi River. During the voyage, the woman was taken by pain of labor. The moment is that when the father holds the newborn in his hands, and both regard him tenderly.". Museum: Metropolitan Museum of Art, New York, USA.

'Head of a Man'. Spain, Between 1570 and 1575. Dimensions: 44x44 cm. Museum: State Hermitage, St. Petersburg. Author: Juan Fernández de Navarrete (El Mudo) ( ).

'Saint Anne, the Virgin, Saint Elisabeth, Saint John and the Child Jesus' (detail), 1525-1532, Spanish School, Oil on panel, P02805. Author: FERNANDO YAÑEZ DE ALMEDINA (1480-1536). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. SAN JUAN BAUTISTA NIÑO / SAN JUANITO.

Portrait of Simonetta Vespucci (Cleopatra) by Piero di Cosimo (ca 1462-ca 1521) / Musee Conde, Chantilly / c. 1480 / Italy, Florentine School / Tempera on panel / Portrait,Mythology, Allegory and Literature / 57x42

Dead Game. Date/Period: Before 1674. Painting. Oil on canvas Oil. Height: 822 mm (32.36 in); Width: 606 mm (23.85 in). Author: PIETER BOEL.

'Gabrielle d'Estrées and One of Her Sisters', c. 1594,Oil on canvas, 96 x 125 cm. Author: COUSIN JEAN EL JOVEN. Location: LOUVRE MUSEUM-PAINTINGS. France. VILLARS DUQUESA. ESTREES GABRIELLE. ENRIQUE IV DE FRANCIA AMANTE.

The Shepherd David. Date/Period: Ca. 1895. Painting. Oil on canvas. Height: 60.5 in (153.6 cm); Width: 41.3 in (105 cm). Author: Elizabeth Jane Gardner.

Boy with a Flask and Vegetables, by Salini Tommaso known as Mao, 17th Century, 1610, oil on canvas, cm 99 x 73

Turkish bath, 1876-1878, by Domenico Morelli (1826-1901), oil on canvas, 32x52 cm.

Nude Warrior with a Spear SC 001176 Théodore Gericault, Nude Warrior with a Spear, French, 1791 - 1824, c. 1816, oil on canvas, Chester Dale Collection

Venus, painting by Lucas Cranach the Elder, 4 October 1472, 16 October 1553, one of the most important German painters, graphic artists and book printers of the Renaissance, Historical, digitally restored reproduction of a historical original

A Turkish Lady Going with her Slave to the Bath, Francis Smith, active 1763-1780, British, ca. 1760, Oil on canvas, Support (PTG): 21 1/2 x 15 1/4 inches (54.6 x 38.7 cm), costume, portrait, robe, slave, slavery, turban, Turkish, women, Turkey

Five Nudes in a Grape Arbor. Date: 1889. oil on canvas. Museum: HIRSHHORN MUSEUM AND SCULPTURE GARDEN.

albert Moore (1841-93) 'Dreamers' 1882 .

St Dominic at the feet of Jesus Crucified, by Guido di Pietro (Piero) known as Beato Angelico, 1438 - 1446, 15th Century, curved fresco with marble frame. Italy, Tuscany, Florence, San Marco Convent, cloister, north-western angle span. Detail. Christ's abdomen drapery: draping.

16Th Century, Achille Deveria, Adults Only, Art, Beard, Chair, Characters, Color Image, Death, French Artist, Friar Lawrence, Full Length, History, Horizontal, Illustration, Illustration And Painting, Indoors, Literature, Louis Boulanger, Lying Down, Men, Only Men, Painted Image, Paintings, Past, Pl

Spanish school. The Girl With Oranges. La niña de las naranjas. 1928. Granada, Luis Miller collection . Spain. Author: JULIO ROMERO DE TORRES. Location: PRIVATE COLLECTION. GRANADA. SPAIN.

Vintage Hand Colored Nude French postcard from the 1920s

The voluptuous, bare-breasted Diana, in Roman mythology the goddess of the hunt, the moon and childbirth, protector of women and girls, Historical, digitally restored reproduction from a 19th century original.

Emmanuel Krescenc Liska (1852-1903). Czech painter. Cain, 1885. Oil on canvas, 110 x 202,5 cm. National Gallery Prague. Czech Republic.

JOURNEY TO TONDAL OR VISION OF TONDAL - NUDE DETAIL - XV/XVI CENTURY - OIL/BOARD - FLEMISH SCHOOL - SET 3392. Author: IMITADOR DE EL BOSCO. Location: MUSEO LAZARO GALDIANO-COLECCION. MADRID. SPAIN.