Classical Allegorical Etchings

Fine engravings portraying allegorical scenes and figures, highlighting complex compositions and detailed gestures in both religious and mythological themes.

frame with an angel in the top center appearing to the shepherds and announcing the birth of Christ. On the left in an oval a representation of the visit of Mary to her cousin Elizabeth (Visitation). On the right in an oval a representation of the marriage of Joseph and Mary. In the bottom center the Christ child as a 'Passover lamb' on a cushion. Next to him a seven-armed candlestick, a slaughter knife and a carafe., print, prent, prints, verso - stamped, height 308 mm, width 208 mm, print maker, printmaker, 1650 - 1750, paper, papier, engraving, engraving (printing process)

Etching by Max Klinger from 1881 depicting Professor Gropius, included in commemorative publication sheet 14, showing portrait, figure, and composition.

Copper engraving by Léonard Gaultier from 1600-1641 depicting the Last Judgment scene in the Sistine Chapel, showing figures, gestures, and architectural setting.

Etching by Simone Cantarini da Pesaro depicting an allegorical frontispiece, created between 1630 and 1648.

$100 Federal Reserve Note, Kenyon Cox, American, 1856-1919, Engraving in black ink on paper, laid down, Design for United States bank note. The allegorical figures represent, from left to right: Agriculture, Prosperity, America, Peace, and Commerce., USA, ca. 1914, numismatics, Print, Print

Copper engraving and etching by Esaias van Hulsen depicting an ornamental grotesque design in black, created in 1616.

Frontispiece for the Catalogue of the Engravings of Thomas De Leu. Charles Meryon; French, 1821-1868. Date: 1866. Dimensions: 129 × 98 mm (image, including stray marks); 153 × 108 mm (plate); 343 × 242 mm (sheet). Etching and engraving with burnishing on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

Two Warriors, One Standing, The Other Clinging to a Tree 1599-1661 Andrea Sacchi Italian. Two Warriors, One Standing, The Other Clinging to a Tree 341137

Photo production from a print to a fresco by Rafaël from Moses with the Tables of the Law, Edward Dunmore, After Anonymous, After Rafaël, c. 1863 - in or before 1868 photograph paper albumen print Moses comes down with the new tablets and is awaited by Aaron and the assembled people, who notice that 'his face is shining' (Moses' face is depicted with rays of light or with horns)

frame with an angel in the top center appearing to the shepherds and announcing the birth of Christ. On the left in an oval a representation of the visit of Mary to her cousin Elizabeth (Visitation). On the right in an oval a representation of the marriage of Joseph and Mary. In the bottom center the Christ child as a 'Passover lamb' on a cushion. Next to him a seven-armed candlestick, a slaughter knife and a carafe., print, prent, prints, verso - stamped, height 308 mm, width 208 mm, print maker, printmaker, 1650 - 1750, paper, papier, engraving, engraving (printing process)

Gypsum Model for Decoration of the Louvre Palace. Share of meeting of the Tuileries at the Louvre 1852-1857, album 4.

A 16th-century etching by Daniel Hopfer showing two ornamental fillings with satyrs and an ornament depicting a woman riding a dolphin, showing figurative and decorative elements.

Relief from a rider on horseback fighting with a dragon, from the San Marco in Venice, Carl Heinrich Jacobi, c. 1880 - in or before 1885 photomechanical print This print is part of a cover with 79 prints on 53 sheets and 2 text magazines. Venice paper collotype piece of sculpture, reproduction of a piece of sculpture. riding a horse, ass, or mule; rider, horseman. dragon Basilica of San Marco

A woodcut book illustration from the Cranach Workshop, depicting the Revelation of John, created between 1527 and 1645. The print shows symbolic figures and scenes from the biblical text.

Quast Ferdinand von (1807-1877), grave slab of the Archbishop Sigfried of Mainz in the monastery church in Hasungen (without date): View. Pencil on transparent, 37.7 x 28.2 cm (including scan edges) Quast Ferdinand von (1807-1877): Grabplatte des Erzbischofs Sigfried von Mainz in der Klosterkirche, Hasungen

Woman with fan and man with hat on a chair in a crowd, Xavier Mellery, 1855 - 1913 print Above the show a sketch of the head of the woman with fan. paper. pencil etching fan. sitting figure. crowd, mob

Reproduction of a print of leaves with birds by Martin Schongauer, Simonau & Tooey, after Martin Schongauer, c. 1867 - in or before 1872 photomechanical print This print is part of a cover with 24 prints on 24 magazines. Brussels (possibly) paper foliage, tendrils, branches ~ ornament. birds

Three figures in a row, Jan van de Kerkhove, 1832 - 1881 print paper etching human types

Two satires fighting for nymphs, Arion and Nereida, Mucius scaevola, which entered in Ogie; Altdorfer, Albrecht (CA 1480-1538); 1520-1526 (1st edition) (1515-00-00-1538-00-00), approx. 1520-1525 (1st edition) (1515-00-00-1538-00-00);

Plaquette () showing John the Baptist () as a child with cross, surrounded by flower garlands, in a decorative frame with sleeve (), from the collection of the Minutoli Institut, Liegnitz (now Legnica, Poland). Belitski, Ludwig (1830-1902), photographer

Allegory; Makowski, Tadeusz (1882-1932); Before 1924 (1915-00-00-1923-00-00);

Two images of details of the San Marco in Venice, Carl Heinrich Jacobi, c. 1880 - in or before 1885 photomechanical print These prints are part of a cover with 79 prints on 53 sheets and 2 text magazines. Venice paper collotype piece of sculpture, reproduction of a piece of sculpture. the cross ~ symbols of Christ Basilica of San Marco

Sketchbook Page (USA); Designed by Frederick Krieg (American, b. Germany 1852-1932); drawing; 1984-125-108-10

st, University ring - Burgtheater - Interior view - Detail - Kandelaber, Michael Frankenstein , Comp, Photo Studio

Plaster models for a decoration of the Palais du Louvre by Pierre Edouard Charrier, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 3. Paris paper. photographic support salted paper print permanent exhibition, museum. ornamenting, decorating ~ applied arts Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

Gypsum Models for Sculptures at the Louvre Palace: Links "The study" by Joseph Alexandre Renoir and on the right "Fortune" by Etienne Montagny. Share of meeting of the Tuileries at the Louvre 1852-1857, album 2.

Triumph from Bacchus, Pietro Sante Bartoli, After Rafaël, 1645 - 1700 print Bacchus is sitting on an elephant. Behind the elephant, a soldier and a figure follow on a lion. print maker: Italyafter drawing by: Italyafter design by: Vaticaanstadpublisher: Rome paper etching / engraving sheep

Twelve personifications of good human characteristics, Daniel Nikolaus Chodowiecki, 1789 print With caption in German and French. Berlin paper etching Abstract Ideas and Concepts (+ abstract concept represented by female figure)

Hability to Pallas Athene and Aphrodite Anadyomene, draft for a wall frieze , Otto Wagner -

Woodcut book illustration by Ulrich Molitor in 1489 depicting The Lamps and Phytonis women, showing figures, objects, and composition.

Palisy pipes; Makowski, Tadeusz (1882-1932);

Mad Szabrol sisters. Siedlecki, Franciszek (1867-1934), graphic artist

Copper engraving by Jan Harmensz. Muller depicting scenes from the Passion of Christ, created between 1615 and 1620, showing figures, composition, and narrative detail.

Two women kiss each other, Félicien Rops, 1868 print paper etching / drypoint embracing each other, kissing. (lovers) kissing each other. homosexual love - CC - homosexual love between women: lesbianism

Tracing of the Fish Footman and the Frog Footman. Tenniel, John, Sir, 1820-1914. 1866. Drawings, Tracings, Illustrations. Henry W. and Albert A. Berg Collection of English and American Literature

A. Veduta della Fornice de' Consoli Dolabella, e Silano investita dagli archi Neroniani provegnenti dal Condotto dell'Acqua Claudia , Archaeological sites, Aqueducts, Arches, Dolabella, Publius Cornelius, approximately 80 B.C.-43 B.C., Silanus, D. Junius, active 146 B.C.. The Antonio Cardinal Tosti Collection

Gypsum Models for Sculptures at the Louvre Palace: Links "Summer" by Vital Dubray and Right "The Water" by Hubert Lavigne. Share of meeting of the Tuileries at the Louvre 1852-1857, album 1.

Etching by Bernhard Rode from 1793 depicting the recovery of the goddess of peace in a draft for the bas-relief below the quadriga on the Brandenburg Gate, showing allegorical and architectural elements.

"Copper engraving and etching by Félix Massard depicting a relief with antique figures, showing figures, gestures, composition, and classical style around 1818."

Etching by Pierre Brebiette from 1618-1650 depicting allegorical figures representing Grammar and The Peed on paper.

Diana completes her job, Claude Augustin Duflos, after Bernard Picart, after Eustache Lesueur, 1740 print Diana, goddess of the moon, is sitting in her horses drawn by horses and completes her job in the sky. The goddess looks to the right and protects her eyes with her hand. A putto with a star in hand leads the horses to the left. To the painting by Lesueur in the Chambre des Muses of the Hôtel Lambert. Print is part of a series of prints to the paintings in the Hôtel Lambert in Paris. Paris paper etching / engraving Diana as moon-goddess, i.e. Luna (Selene). Luna in her chariot, usually drawn by two horses, a white and a black one; 'Carro della Luna' (Ripa) Lambert Hotel

Frame for Portrait of Armand Guéraud; Projet d'Encadrement Pour Le Portrait d'Armand Guéraud. Picture frame with allegorical representation of the invention and application of printing. Books with titles on the tires and printing tools are stacked on top of each other round an empty frame. Among the framework, intended for the portrait of the Printer Armand Guéraud, are a code and a sword. In a band below you are among other Chinese characters and hereoglyphs. Meryon took a lot of trouble for the development of the frame, he manufactured fourteen states and always changed the titles on the books in addition to other details. Striking are some red accents that the artificial to art experimented.

Plaquette () showing John the Baptist () as a child with cross surrounded by flower garlands, in a decorative frame, from the collection of the Minutoli Institut, Liegnitz (now Legnica, Poland). Belitski, Ludwig (1830-1902), photographer

La PetitePassion. Artist: Jacques Callot, French, 1592-1635

Plaster models for façade decorations on the Cour Visconti of the Palais du Louvre, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 3. Paris paper. photographic support salted paper print permanent exhibition, museum. ornamenting, decorating ~ applied arts Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

Woodcut by an anonymous artist around 1500 illustrating the Vienna Copy sequence in book form, showing detailed scenes and figures.

Invicta. Richard Dadd; English, 1817-1886. Date: 1842. Dimensions: 130 × 178 mm (image); 225 × 152 mm (plate); 276 × 165 mm (sheet). Etching on ivory wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

GIPS models for sculptures on the Palais du Louvre: left "La Guerre" by Edme Sornet and right "La Navigation" by Charles-Louis Menn, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 2. Paris paper. photographic support salted paper print permanent exhibition, museum. piece of sculpture, reproduction of a piece of sculpture Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

Spingensi innanzi al carro i prigioni fatti nella battaglia, e li trae al cospetto di Amon-rê Amon e di Mut.. Angelelli, Giuseppe (1803-1848). Rosellini, Ippolito, 1800-1843. Prints, Illustrations. 1832 - 1844. General Research Division. Egypt , Antiquities, Nubia , Antiquities, Amon (Egyptian deity), Monuments & memorials , Egypt, Prisoners of war , Egypt

Woodcut by Bohumil Kubista titled 'Garten', depicting a garden scene with stylized plants and architectural elements.

Lazio Frosinone Roccasecca Panoramic views. Hutzel, Max 1960-1990 Post-medieval: Architecture. Panoramic views of the city. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Le banquier et sa femme. Jasiński, Feliks Stanisław (1862-1901), graphic artist, Massijs, Quinten (1456-1530), painter

Vestigia delle Terme di Tito. Children's Bacchus. Quadro from the decoration of the room of the room 25; Carlone, Marco (1742-1796), Smuglewicz, Franciszek (1745-1807), Manna, Pietro (17 ..- 18 ..); after 1776 (2nd edition of black and white) (1776-00-00-1801-00-00);Bachus, Rome, Sas-Zubrzycki Jan, collection, Vestigia delle Terme di Tito, 1776, illustration, archeology, antiquity, purchase (provenance)

Design by Aldengräver. Édouard Baldus (French, born Germany, 1813 - 1889)

Bookstore in Edo, Anonymous, c. 1750 - c. 1800 print View of the facade of a bookstore with passers -by. paper book-shop, bookseller Or

Frisian with leaf motifs and fighting lions

Design for stained glass, Alice Cordelia Morse, American, 1863-1961, Brush and gouache on paper, mounted on illustration board, Two identical designs, one smaller than the other, made up of green, yellow, orange and red pieces., USA, late 19th century, architecture, interiors, Drawing, Drawing

Etching by Moritz von Schwind from 1833-1844, Vignette No. 21 in the Album for Smokers and Drinkers, depicting figures engaging in smoking and drinking, with detailed composition and visual elements.

Pablo Picasso / 'Neuf têtes', Etching, 31,7 x 22,6 cm. Museum: PRIVATE COLLECTION.

Bendemann Eduard Julius Friedrich (1811-1889), wall frieze in the ballroom of the Residenzschloss in Dresden (approx. 1900): Four photographs after stitches with the representation of the four age. Photo on paper, 32.7 x 44.1 cm (including scan edges) Bendemann Eduard Julius Friedrich (1811-1889): Wandfries im Ballsaal des Residenzschlosses, Dresden

Marriage of Minakshi and Sundarehsvara, attended by Vishnu Unidentified ca. 1800 These eighteen drawings depict sculptural piers in the Pudu Mandapa (New Pillared Hall), a temple festival hall built around 1630 as an addition to the Minakshi-Sundareshvara temple complex at Madurai. The hall was constructed at the behest of the Nayaka ruler Tirumala Nayak (r. 1623-59), whose reign marked a high point in temple and courtly patronage at the southern city of Madurai. The interior gallery is adorned with 124 elaborately sculpted piers, capitals and lintels decorated with narrative reliefs of the Brahmanical gods and local legends devoted to their worship. These meticulously executed ink drawings are on English laid paper watermarked J. Whatman and with the firms trademark fleur-de-lis and the year 1798. View more. Marriage of Minakshi and Sundarehsvara, attended by Vishnu. Unidentified artist, Indian. India, Madurai, Tamil Nadu. ca. 1800. Ink and wash on J. Whatman paper watermarked 1798. P

Monument to Seweryn Bethman outside the church of the Blessed Virgin Mary in Krakow Krieger, Ignacy (1820 1889)

Psyche punished by smart and pain; Story of Amor and Psyche.The Personifications of Smart and Pain Psyche psyche commissioned by the goddess Venus. Venus is sitting on the right of a chair and watches.

Ludwig von Lützow and Theodor Körner. Scholtz, Julius (1825-1893), draughtsman, cartoonist

Portable relic venet of gold from the collection of Senator Vergauwen from Ghent, prepared at an exhibition on religious objects from the Middle Ages and Renaissance in 1864 in Mechelen, Joseph Maes, 1864 - in Or Before 1866 photomechanical print Mechelenantwerp paper photolithography piece of sculpture (+ precious metals ~ arts). relics (and reliquaries) Mechelen

Study sheet with a female figure and two men's heads, Adrien de Witte (Attributed to), 1860 - 1913 print paper etching / drypoint adult woman. adult man. carrying something on the head or on the shoulders

Kariatiden, 1783 - 1839 print paper etching half-column, pilaster ~ architecture. caryatids ~ architecture

Plot models for sculptures on the Palais du Louvre: left "Keller" by Pierre Alfred Robinet and right "Coyevox" by Jules Droz, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 2. Paris paper. photographic support salted paper print permanent exhibition, museum. piece of sculpture, reproduction of a piece of sculpture Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

Gypsum Models for Sculptures at The Louvre Palace: Links "The Hunting" by Charles Auguste Lebourg and Right "Greek Art" by Charles Edouard Elmerich. Share of meeting of the Tuileries at the Louvre 1852-1857, album 2.

Photo production of a print of the triumph of Neptunus, Bibois, After Anonymous, c. 1852 - in or before 1857 photograph photographic support salted paper print triumph of Neptune

Lithograph by Edvard Munch showing the garden front of a house, printed in a litho series on black and brown paper, 1902.

Late 15th-century anonymous woodcut book illustrations depicting various scenes, figures, and decorative elements in narrative compositions.

Roche, Pierre (n.1855-D.1922-01-18), women Fellah (main title), 1912. Gypsography, brown-black draw .. Petit Palais, Museum of Fine Arts of the city of Paris.

Plein with column in London, Unknown, 1884 drawing Figures on a square in London with a clock tower and ornamental column on a pedestal. Drawing is part of an album. paper. pencil square, place, circus, etc. (+ city(-scape) with figures, staffage). monumental adornments (in city). tower, clock tower ~ monumental adornment London

Print made by Samuel Ireland, active 1760-died 1800, British, A Third Modern Military Punishment, 1794. Etching and aquatint on medium, slightly textured, cream wove paper.

Copper engraving print by Étienne Delaune between 1538 and 1583 depicting scenes from the Book of Genesis with biblical figures.

Plot models for sculptures on the Palais du Louvre: left "l'eté" by vital dubray and right "l'Eau" by Hubert Lavigne, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 1. Paris paper. photographic support salted paper print permanent exhibition, museum. piece of sculpture, reproduction of a piece of sculpture Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

Une femme et des enfants ; Chiffonier ; La marchande de friture ; Moine en prière ; Paysage ; Joueur de vielle.. 1844. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Frame for Portrait of Armand Guéraud, Charles Meryon, 1862 print Frame with allegorical representation of the invention and application of printing. Books with titles on the tires and printing tools are stacked on top of each other Round an empty frame. Under the framework, intended for the portrait of the printer Armand Guéraud, is a law book with a sword. In a band at the bottom there are Chinese characters and here. Meryon took a lot of trouble for the elaboration of the frame, he made fourteen states and always changed the titles on the books alongside other details. A few red accents are striking that the Kunstnaar experimented with. paper etching / drypoint book. tools, implements of printer

Pelicans, 1876 - 1924 Page 7 Recto from an album with 17 sheets. cardboard. ink. chalk pen water-birds: pelican

Etching and copper engraving by Bernardino Capitelli depicting a relief showing the sacrifice of a bull, created in 1633, showing ritual scene with detailed figures and symbolic elements.

Two designs for tables, stands, a vase and a bowl on a stand, c. 1765 - c. 1780 drawing Drawing is set up on sheet with framework lines in brown. Paris paper. ink. graphite (mineral). watercolor (paint) pen / brush table. laid table: table-ware, table-decoration, etc.

Drawing, View of Venice, Italy; Robert Frederick Blum (American, 1857-1903); USA; pen and ink on wove paper; 16.8 × 10 cm (6 5/8 × 3 15/16 in.)

Print (France)

Camping, Anibal.

Cabinet from Château d'Anet, prepared during the exhibition Rétrospective of 1873 in Tours, France, Gabriel Blaise, 1873 photomechanical print Tours paper ornamental cupboard (+ wood and other phytogenic material). temporary exhibition, 'Salon' Tours

Putti with a sacrifice column / resurrected phenens.two performances on a leaf.

Two chairs, two locks and an ornamental medallion on pedestal; Designs for religious and profane objects; Invenzioni Various Di Mobili Ed Utensili Sacri E profani; Invenzioni Various Di Mobili Ed Utensili Sacri E profani per USI Comuni della Vita. Print is part of an album.

Kaulbach Friedrich August (1850-1920), Fries in the staircase of the new museum in Berlin (approx. 1900): Continuous children's frieze with the ironic relativization of monumental world history (3 photos on a carrier). Photo on paper, 32.7 x 44.2 cm (including scan edges) Kaulbach Friedrich August (1850-1920): Fries im Treppenhaus des Neuen Museums, Berlin

Detail of a capital of the Gnadenpforte in the Dom van Bamberg, Anonymous, 1900 - c. 1920 photograph This photo is part of an album. Bamberg baryta paper gelatin silver print church (exterior) Bamberg stupid

Design for Stained Glass, c. 1850-1910. John La Farge (American, 1835-1910). Watercolor; image: 19.8 x 7.7 cm (7 13/16 x 3 1/16 in.); sheet: 40.5 x 27 cm (15 15/16 x 10 5/8 in.).

Competition of caricatures relating to sport. "Optimist" and "Pessimist", Anonymous, After Cornelis Julius van Wickevoort Crommelin, 1897 print maker: Netherlandsprinter: Amsterdam paper pessimist. optimist. flowers. the four seasons of the year ~ human activities. patient, sick person

Page from a Scrapbook containing Drawings and Several Prints of Architecture, Interiors, Furniture and Other Objects. Artist: Workshop of Charles Percier (French, Paris 1764-1838 Paris); Workshop of Pierre François Léonard Fontaine (French, Pontoise 1762-1853 Paris). Dimensions: 15 11/16 x 10 in. (39.8 x 25.4 cm). Date: ca. 1800-1850. Museum: Metropolitan Museum of Art, New York, USA.

Offer ritual, Pietro Sante Bartoli, After Rafaël, 1645 - 1700 print A female figure makes a sacrifice. In her hands a bowl with fire and a wreath. print maker: Italyafter drawing by: Italyafter design by: Vaticaanstadpublisher: Rome paper etching / engraving sacrifice ~ Roman religion

Reproduction of a portrait of Archduke Leopold Willem van Austria, Anonymous, c. 1892 - in or before 1897 photomechanical print paper collotype adult man

Plaster model for a Frisian decoration on the Palais du Louvre, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 4. Paris paper. photographic support salted paper print permanent exhibition, museum. ornamenting, decorating ~ applied arts Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

"Copper engraving and etching by Henri Guillaume Chatillon depicting a relief with antique figures, showing figures, gestures, composition, and classical style around 1818."

Cornelisz. van Oostsanen, Jacob, Nederlanden, Het mirakel van Amsterdam, 1345, Cornelisz van Oostsanen, 15 maart 1345. Three images: the sick man in bed receives the last sacrament administered (1); the woman takes the intact host out of the fire, here are two angels (2) and the coat of arms of Amsterdam, the host between the flames and the coat of arms of Holland (3). Here are three pieces of text describing the events., print, image, history print, text sheet, prints, Frederik Muller History plates, height 62 mm, width 78 mm, width 84 mm, height 121 mm, height 34 mm, width 86 mm, print maker, printmaker, 1727 - 1729, second quarter 18th century, paper, papier, etching, engraving, engraving (printing process), Work conception, Northern Netherlands, 1475 - 1533

Balzac, honored by.

Umbria Terni Collescipoli S. Nicolo7. Hutzel, Max 1960-1990 Post-medieval: Architecture (15-16th century); sculpture, choirstall (16th century); frescoes (16-17th century); painted wooden organ loft (17th century); silk altarcloth (14th century) Object Notes: Two Hutzel photo campaigns dated 1970 and 1971. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Foligno (environs) Abbazia di Sassovivo (Benedictine). Hutzel, Max 1960-1990 Exterior views of this Benedictine Abbey in the woods focus on the 13th-century cloister arcades and 14th-century blind arcade, comprised of colonnettes of different styles. Cloister views also include a well-head; and on the east cloister wall are heraldic devices among which figure a pair of lions, a cross, and crossed keys. Interior views focus on fresco fragments, including a depiction of the Last Supper with baroque columns. One view shows the names of the first abbots, architects, and stone masons of the abbey engraved in marble. Object Notes: Hutzel photo campaign date: October 6, 1982 General Notes: The artists named above are architects and stone masons who worked on the cloister. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough docume

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