Classic Landscape Prints

Etched prints of landscapes featuring harbors and ruins, showcasing classical architectural elements against nature's beauty.

Capriccio puts Bretonse Haven, Jeanne Françoise Ozanne, After Nicolas Marie Ozanne, c. 1760 - C. 1780 print paper etching harbour Brittany

Caravan at half time for the temple ruins of Baalbek, Jules Joseph Augustin Laurens, after George Antoine Prosper Marilhat, 1850 print Paris paper. landscape with ruins (+ city(-scape) with figures, staffage). oasis (+ landscape (in the non-temperate zone) with figures, staffage). 'en route', traveller under way Baalbek

Martello Towers near Bexhill, Sussex. Dated: published 1811. Medium: etching and mezzotint. Museum: National Gallery of Art, Washington DC. Author: Joseph Mallord William Turner and William Say.

FRIDGE OF VIANA, OVER THE DOURO-SCENE OF THE LATE RAILWAY ACCIDENT, SPAIN, ENGRAVING 1873

Dudley, Worcestershire, Robert Wallis, 1794-1878, British, after Joseph Mallord William Turner, 1775-1851, British, 1827-1838, Etching, first published state, Sheet: 6 3/8 x 9 3/8in. (16.2 x 23.8cm), Image: 6 3/8 x 9 3/8in. (16.2 x 23.8cm), and Plate: 10 x 11 7/8in. (25.4 x 30.2cm)

Boree Timranze Durgum Taken from the Pehher River Near Cavenpatan-Barramah'l (South India), Samuel Davis, 1757-1819, British, undated, Watercolor, with pen, in brown ink, and graphite on medium, moderately textured, cream laid paper, Mount: 18 7/16 × 24 1/2 inches (46.8 × 62.2 cm) and Sheet: 14 15/16 × 21 7/16 inches (37.9 × 54.5 cm)

Sortie of the Roman garrison..., from Souvenirs d'Italie: Expédition de Rome. Denis Auguste Marie Raffet (French, 1804-1860); printed by Auguste Bry (French, 19th century); published by Chez Gihaut Frères (French, 19th century). Date: 1854. Dimensions: 189 × 323 mm (image); 277 × 379 mm (primary support); 398.5 × 569 mm (secondary support). Lithograph in black on warm ivory wove chine laid down on off-white wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Souterrain van het amfitheater van Catanië. Amphithétre de Catane (title on object). Voyage en Italie, en Sicile et à Malte - 1778 (series title). Draughtsman: Louis Ducros. Dating: 1778. Measurements: h 252 mm × w 384 mm. Museum: Rijksmuseum, Amsterdam.

Penmanmawr, from "Remarks on a Tour to North and South Wales, in the year 1797" September 1, 1799 John Hill. Penmanmawr, from "Remarks on a Tour to North and South Wales, in the year 1797". "Remarks on a Tour to North and South Wales, in the year 1797". John Hill (British, ca. 1714-1775). September 1, 1799. Etching and aquatint. W. Wigstead (British, active London, ca. 1799-1805). Prints

J. C. Varrall, active 1815-1827, Walton Bridge on Thames, Surrey, 1830. Line engraving and etching, 3rd state on moderately thick, smooth, cream, wove paper.

Extreme point of large port of Syracuse, 1778 drawing Drawing from the album 'Voyage and Italy, and Sicile et à Malte', 1778. paper. chalk. watercolor (paint) brush

SKETCHES IN THE LIPARI ISLANDS

Entrance to the Narrow Pass. Jacob Wilhelm Mechau; German, 1745-1808. Date: 1794. Dimensions: 250 x 193 mm (plate); 470 x 331 mm (sheet). Etching and aquatint in sanguine on ivory wove paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Robert Wallis, 1794-1878, British, Coteaux de Mauves, 1831. Line engraving, early proof on medium, slightly textured, gray, wove paper.

Walking ride of Prince William III outside The Hague (leaf in the middle), 1686, 1686 print Walking ride of Prince William III outside The Hague, 1686. The magazine in the middle: clouds, trees and the weapons of the four mayors in The Hague: François Doublet, Adriaen Rosa, Johan Dedel and Johan van Byemont. Part of an unassembled whole of 6 magazines (without text magazines) with a performance by the prince and princess who take a pleasure ride in a carriage, accompanied by an escort from riders. In the background the city of The Hague. Northern Netherlands paper etching / engraving outing, pleasure trip The Hague

Castle of Ooy threatened by the water, 1820, Philippus Velijn, after Cornelis van Hardenbergh, 1820 print The ruins of the castle of Ooy threatened by the water during the flood on January 23, 1820. Trees and household goods dragged by the water, on the left a barge with people rescued for the flood. Part of a group of illustrations from a book about the flood of 1820. Print Maker: Netherlands Figter Drawing by: Ooij paper etching / engraving flood Castle of Ooy

Landscape - in villa patrons a tivoli; Reinhart, Johann Christian (1761-1847); 1793 (1793-00-00-1793-00-00);Schlesisches Museum der Bildenen Künste (Wrocław - 1880-1945) - collection, Tivoli (Italy), Italy (state), landscapes, landscapes, cartoonist, artist, character, relay, water, water

Veduta del Convento Bianco; Altra veduta del medesimo; Veduta di Minyeh Miny.. Denon, Vivant, 1747-1825. Denon, Vivant (1747-1825). Prints, Illustrations. 1808. General Research Division. Egypt , Description and travel, Miny (Egypt)

Amsterdam, Danckerts, Justus, Berchem, Nicolaes Pietersz., Visscher, Jan de, The four parts of the day, NOX., Night, verso - stamped, View of a hilly landscape at night. The full moon is shining. A shepherd and shepherdess on horseback are letting their cattle drink from a lake. In the background a man in a boat and the outlines of a village., print, prints, J. Visscher fecit, lower left - engraved, Berghem inventor, Justus Danckerts Excudit, lower right - engraved, NOX, lower center - engraved, height 330 mm, width 370 mm, Northern Netherlands, 1633 - 1692, print maker, printmaker, 1645 - 1701, paper, papier, etching, engraving, engraving (printing process), 1620 - 1683-02-18, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1635-11-11 - 1701-07-16, publisher

Cava Napoli, 1700s or 1800s. Attributed to Jean-Honoré Fragonard (French, 1732-1806). Graphite, black chalk, and gray wash; sheet: 37.2 x 23.9 cm (14 5/8 x 9 7/16 in.).

John Pye, 1782-1874, British, Ehrenbreitstein, 1828. Line engraving, engraver's proof on moderately thick, moderately textured, cream, wove paper, with cream chine colle.

Interior of the Villa Mecenate Ruin in Tivoli, Johann Christian Reinhart, 1793 print Nuremberg paper etching / engraving landscapes. monument, statue. landscape with ruins. draughtsman studying classical remains - CC - out of doors Tivoli

W.W.W. The best Gutenstein.

Winter view with figures and a sledge on the ice, on the left a village wall with a tower, Winter view A. Schelfhout , print maker: Johannes Philippus Lange, (mentioned on object), Andreas Schelfhout, (mentioned on object), 1820 - 1849, paper, steel engraving, h 135 mm × w 105 mm

Villa Maecenas Villa Mecenate Malerisch radirte Prospekte aus Italien , print maker: Albert Christoph Dies, (mentioned on object), Rome, 1794, paper, etching, h 380 mm × w 283 mm

Le Mousse à la pêche (La Pêche à la ligne) The Foam while Fishing (Line-Fishing). Artist: Charles-François Daubigny, French, 1817-1878

Bliżej Kultury Hellmuth (Fl. CA 1840 1843), Dubois de Montpéreux, Frédéric (1798 1850), lithography of H. Nicolet (Neuchtel)

Design for a Stage Set at the Opéra, Paris. Artist: Eugène Cicéri (French, Paris 1813-1890 Fontainebleau). Dimensions: sheet: 10 5/8 x 15 1/4 in. (27 x 38.8 cm). Date: 1830-90. Museum: Metropolitan Museum of Art, New York, USA.

MALAGA. ANTEQUERA. VISTA GENERAL. GRABADO DE PIETER VAN DER AA. 1707. BIBLIOTECA NACIONAL. MADRID. MALAGA PINTADO.

Low relief of the rock Altlinster, vintage engraved illustration. Magasin Pittoresque 1880.

Ponte Molle near Rome, print maker: Cornelis Brouwer, intermediary draughtsman: Jacob van der Ulft, (mentioned on object), Netherlands, 1741 - 1803, paper, etching, h 126 mm × w 210 mm

A temptation, Z Serii Z SERI Lounge 1842 W: The Charivari unknown, Aubert et Cie (fl. ca 1840 1860)

Glen Oona (from A Round of Days). Artist: After John William North (British, London 1842-1924 Stamborough, Somerset). Dimensions: Image: 6 5/16 × 4 13/16 in. (16.1 × 12.3 cm)Sheet: 9 1/2 × 7 5/8 in. (24.2 × 19.4 cm). Engraver: Dalziel Brothers (British, active 1839-1893). Publisher: George Routledge & Sons (London). Date: 1866. Museum: Metropolitan Museum of Art, New York, USA.

Bahr el Jussef (Bahr Yussef Canal), Illustration from the Book, "From Pharaoh to Fellah" by C.F. Moberly Bell with Illustrations by Georges Montbard, engraved by Charles Barbant, Wells Gardner, Darton, & Co., London, 1888

Round Table of King Arthur, near Aumont Cumberland, vintage engraving. Round Table of King Arthur, near Aumont Cumberland, vintage engraved illustration. Colorful History of England, 1837. Copyright: xZoonar.com/PatrickxGuenettex 10648820

Design for a Stage Set at the Opéra, Paris 1830-90 Eugène Cicéri French. Design for a Stage Set at the Opéra, Paris. Eugène Cicéri (French, Paris 1813-1890 Fontainebleau). 1830-90. Pen and brown ink, watercolor, over graphite. Drawings

Page of OrientalStudies. Artist: Alexandre Gabriel Decamps, French, 1803-1860

Charles Hamilton Smith, 1776-1859, Belgian, Cape Melville & Melville Monument, undated. Watercolor and graphite on moderately thick, moderately textured, cream wove paper.

Plate 129 from Voyages Pittoresques...Auvergne vol. II: Picturesque and Romantic Journeys in Old France: Auvergne (vol. II): St. John Church, Thiers, Plate 129 , 1831. Eugène Isabey (French, 1803-1886). Lithograph on chine collé; sheet: 53.4 x 35.1 cm (21 x 13 13/16 in.); platemark: 38.4 x 31.1 cm (15 1/8 x 12 1/4 in.).

Water, Cornelis Bloemaert (II), after Abraham Bloemaert, 1620 - 1630 print DIY fishermen's huts are on the edge of the sea. In the foreground, a fisherman is tied a net. paper engraving water (one of the four elements)

Napoleon Bonaparte on the island of Saint Helena by Anonymous / Patrimoine comte Charles-Andre Colonna Walewski/ 1816/ England/ Colour lithograph/ History

Nelson, 1858 watercolours, works on paper

. Print at the top right labeled: Pag: 44.

Gezicht op de zoutpannen van Trapani. Vue des Salines de Trapani (title on object). Voyage en Italie, en Sicile et à Malte- 1778 (series title). Draughtsman: Louis Ducros. Dating: 1778. Measurements: h 204 mm × w 308 mm. Museum: Rijksmuseum, Amsterdam.

Jonas Leaving the Whale ca. 1770 After Joseph Vernet. Jonas Leaving the Whale. After Joseph Vernet (French, Avignon 1714-1789 Paris). ca. 1770. Engraving. Jean-Baptiste Tilliard (French, 1740-1813). Prints

Fort Clark on the Missouri, from the book Maximilian, Prince of Wieds, Travels in the Interior of North America (London: Ackermann & Co., 1841). Etcher: Lucas Weber, American, 1811-ca. 1860 After: Karl Bodmer, Swiss, 1809-1893Printer: Imprimerie de Bougeard, Paris, active 19th century

Vue de Ruines, à Tindare. Dimensions: plate: 21.2 x 29.5 cm (8 3/8 x 11 5/8 in.) sheet: 28.4 x 33.5 cm (11 3/16 x 13 3/16 in.). Medium: color aquatint on wove paper. Museum: National Gallery of Art, Washington DC. Author: Thales Fielding after Comte de Forbin.

Shepherds with cattle in a ruin. Shepherds with cattle and a dog at a ruin. On the left is a woman against the ruin. A building in the background. The print is part of a series of 25 prints to Dutch masters. Above the image: PL XXI.

Lambert's quick step ,

The daughter of Louis XV, / arrives at S (T) Florent, September 23, 1823. (IT)

Design book illustration for Alexander Cohen's From Anarchy to Monarchy: View of Toulon in the fall. Draughtsman: Leo Gestel. Dating: 1891 - 1941. Measurements: h 131 mm × w 191 mm. Museum: Rijksmuseum, Amsterdam.

Sir Richard Colt Hoare, 1758-1838, British, One from Views in Saxony, France, Spain, Reba, Italy, Sicily.., ca. 1817. Watercolor and black ink over graphite on wove paper.

Charles Hamilton Smith, 1776-1859, Belgian, Cave of Surtshellir or Robber's Cavern, Iceland, undated. Watercolor and graphite on moderately thick, moderately textured, cream wove paper.

Bliżej Kultury Cassell and Company Ltd., London, Paris, New York and Melbourne, Hayes, Edwin (1819 1904)

A watercolor by Leander Russ depicting the roof stone from Ischl, with white highlights, gloss, and pencil traces, created in 1842.

Title print for the series about the flood of 1855; The 1855 water disaster outlined in 24 images, drawn to nature and etched by members of the Society Arti et Amicitiae. King William III and Prince Hendrik at the ruin of a house, title print for the series of 24 prints about the flood of March 1855, by members of the Arti et amicitiae society. Edition for the victims of the flood.

Oil painting by Wilhelm Kandler depicting Nero's water pipe, showing structure, construction, and material details.

Artist: John Ferguson Weir, American, 1841-1926, M.A., 1871, Mt.Etna, Watercolor, sheet: 47 × 34.2 cm (18 1/2 × 13 7/16in.), Made in United States, American, 19thcentury, Works on Paper - Drawings andWatercolors

Native American fishing boats in front of New Eddystone Rock, a pillar of basalt in Alaska. Handcoloured copperplate engraving by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1837.

Phrygie Chiaour-Kaléçi, murailles de la forteresse et figures sculptées sur le roc, Exploration archéologique de la Galatie et de la Bithynie: d'une partie de la Mysie, de la Phrygie, de la Cappadoce et du Pont: exécutée en 1861 et publiée sous les auspices du Ministère de l'Instruction publique, Delbet, Jules, Guillaume, Edmond, Perrot, Georges, 1832-1914, Lithography, 1862-1872, Lithograph by J. Laurens, after design by Edmond Guillaume.

Sir Richard Colt Hoare, 1758-1838, British, One from Views in Saxony, France, Spain, Reba, Italy, Sicily.., ca. 1817. Watercolor and black ink over graphite on wove paper.

'Treves', 1890. Creator: Unknown.

One from Views in Saxony, France, Spain, Reba, Italy, Sicily..., Sir Richard Colt Hoare, 1758-1838, British, John Warwick Smith, 1749-1831, British, ca. 1817, Watercolor and black ink over graphite on wove paper, Sheet: 11 1/4 x 14 7/16in. (28.6 x 36.7cm)

Bridge over the Apurimac, Cuzco: a journey to the ancient capital of Peru; with an account of the history, language, literature, and antiquities of the Incas. And Lima: a visit to the capital and provinces of modern Peru; with a sketch of the viceregal government, history of the republic, and a review of the literature and society of Peru. With illustrations and a map, Brooks, Vincent, 1814-1885, Markham, Clements R. (Clements Robert), Sir, 1830-1916, Lithography, 1856, Chromolithograph, plate, 5, facing page 91, part of chapter 4, entitled, Cuzco the City of the Incas. Inscribed at lower left, A.M. del. and inscribed at lower right, Vincent Brooks Lith.

Caesarea.. Fenn, Harry (1838-1911). Prints, Illustrations. 1881 - 1884. Dorot Jewish Division. Caesarea (Israel), Mediterranean Sea

Leander Russ depicted Emperor Ferdinand opening the Semmering route using watercolor with gold, cover colors, gloss, and pencil traces in 1841.

The steamer entered the bay of Port Jackson, vintage engraved illustration. Jules Verne Mistress Branican, 1891.

Set of four Sporting in the Scottish Isles: No. III. Salmon Fishing, William Heath, 1795-1840, British, after William Heath, 1795-1840, British, 1835, Hand colored lithograph, Sheet: 8 7/8 x 12 5/8in. (22.5 x 32.1cm)

Eugène Delacroix (French, 1798 - 1863). Tigre Royal, 1829. Lithograph. Undescribed state, without () address.

Scene 4, from Jack and the Giant Killer, Scenes for a Toy Theater. Dimensions: Sheet: 6 11/16 × 8 7/16 in. (17 × 21.4 cm). Publisher: Benjamin Pollock (British, 1857-1937). Date: 1870-90. Museum: Metropolitan Museum of Art, New York, USA.

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