Classic Architectural Sketches

Depicts various sketches of rural buildings and landscapes, showcasing pencil and etching techniques in muted tones, conveying historical architectural styles.

Holmberg, Werner, work, Sketch book, engraving, drawing, 16.5 cm x 22 cm, Holmberg, Werner, signature

Holmberg, Werner, work, Sketch book, engraving, drawing, 16.5 cm x 22 cm, Holmberg, Werner, signature

Old Willesley House. Dated: 1865. Dimensions: plate: 17.4 x 25.1 cm (6 7/8 x 9 7/8 in.) sheet: 20 x 26.9 cm (7 7/8 x 10 9/16 in.). Medium: etching on cream laid paper. Museum: National Gallery of Art, Washington DC. Author: Francis Seymour Haden.

Farm with well, draughtsman: Jan van Goyen, 1630 - 1639, paper, h 110 mm × w 210 mm

Drawing by Ferdinand Boberg. Skåne, Luggude hd., Kågeröds sn., Knutstorp Nordic

Lord Henry Seymour's Estate, Capt. Thomas Hastings, 1778-1854, British, 1827, Graphite on medium, slightly textured, cream wove paper, Sheet: 9 1/8 × 12 3/4 inches (23.2 × 32.4 cm), architectural subject

Zabudowania gospodarcze nad Kwisą w okolicach Lubania. Blaschnik, Arthur (1823-1918), draughtsman, cartoonist

Saxon-Czech border near Petrovice. Scholtz, Julius (1825-1893), draughtsman, cartoonist

Umbria Terni Amelia Palazzo Petrignani7. Hutzel, Max 1960-1990 Post-medieval: 16th century frescoes, restored ; views of exterior. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Capt. Thomas Hastings, 1778-1854, British, Near West Cowes, between 1826 and 1830. Graphite on medium, slightly textured, cream wove paper.

Wright, Ferdinand von, work, Sketchbook, pencil, drawing, 16.5 cm x 25.8 cm, Wright, Ferdinand von, pencil

Ericsson, Henry, Sketchbook, 21 leaves, 1930, drawing, 26.8 cm x 21.2 cm, Ericsson, Henry, part: Cityscape, 1930, Carl August Henry Ericsson, 1898 in St. Michel, Finland - 1933 in Borgå, was a Finnish graphic artist and decorative painter of Finland.

Cart in the yard for a farm.Leaf 40 recto from a sketchbook with 69 sheets.

Landscape, Thomas Daniell, 1749-1840, British, active in India, William Daniell, 1769-1837, British, undated, Graphite on medium, moderately textured, blued white, laid paper, mounted on, moderately thick, slightly textured, cream, wove paper, Sheet: 3 7/8 × 7 inches (9.8 × 17.8 cm), Contemporary drawn border: 5 × 8 1/8 inches (12.7 × 20.6 cm), and Mount: 5 1/2 × 9 7/8 inches (14 × 25.1 cm), boats, figure, landscape, monument, tree, water

Veer in Rhenen. A house is located on a road along the water. For the house, some figures can be seen from whom two are on a boat.

Mountain landscape. Draughtsman: Leonaert Bramer. After Jan Lievens (mentioned on object). Dating: 1652 - 1653. Measurements: h 279 mm × w 398 mm. Museum: Rijksmuseum, Amsterdam.

Ivy Cottage, Rydal, Capt. Thomas Hastings, 1778-1854, British, 1836, Pen and brown ink on medium, slightly textured, cream wove paper, Sheet: 10 5/8 × 16 3/8 inches (27 × 41.6 cm) and Binding: 10 5/8 inches (27 cm)

The Goldweighers Field. Artist: Rembrandt (Rembrandt van Rijn), Dutch, 1606-1669

Drawing is part of an album, Hill landscape with dilapidated tower on a waterfront., draughtsman: Huib van Hove Bz, 1824 - 1867, paper, pen, brush, h 89 mm × w 118 mm

Landscape with mill, 1896 - 1897 Page 44 Recto from a sketchbook with 44 sheets. paper. chalk windmill in landscape

Drawing, Imaginary Landscape with; Frederic Edwin Church (American, 1826-1900); Attributed to Thomas Cole (1801 - 1848); USA; pen and dark brown ink support: off-white laid paper; 8.5 x 11 cm (3 3/8 x 4 5/16 in.) 3 3/8 x 4 5/16 in. Mat: 40.6 x 55.9 cm (16 x 22 in.)

Italian Sketchbook Sanford Robinson Gifford (American, 1823-1880). Italian Sketchbook, 1867-1868. Graphite on tan, medium-weight, slightly textured wove paper, 5 x 9 x 7/16 in. (12.7 x 22.9 x 1.1 cm). This sketchbook served as a travel diary for the Hudson River School landscape painter Sanford Robinson Gifford during his journeys in France, Switzerland, and Italy. In this two-page spread depicting the church of Santa Caterina del Sasso, perched precariously on the edge of a cliff overlooking Lake Maggiore in Italy, Giffords precise and assured lines exemplify his skills as a draftsman. A practitioner of plein air sketching, the artist used these drawings as preparatory studies for paintings executed later in his studio. The small framed motifs that appear on this and other pages of the sketchbook show his initial experiments with composition. American Art 1867-1868

Sir Robert Smirke the younger, 1781-1867, British, Farmhouse, 1802-1804. Graphite on medium, moderately textured, blued white, laid paper.

Face on lembeek; Lembeek.

Various pencil sketches by Tina Blau from 1871 depicting figures, landscapes, and compositional arrangements.

Artist: John Trumbull, American, 1756-1843, Untitled, from folio: Sketches in France & Germany, one of 22 sheets in FolioB, Graphite, 11 × 17.8 cm (4 5/16 × 7in.), Made in United States, American, 18thcentury, Works on Paper - Drawings andWatercolors

Pencil sketches by Ferdinand Georg Waldmüller illustrating diverse subjects and exploratory compositions.

Moreau, Pierre Louis, La Bièvre in Paris. (Faithful title), 1899. Carnavalet Museum, History of Paris.

Italy, Roman State Richard Cooper II British, Scottish 1774-75 Born in Edinburgh, Cooper II trained as an engraver under his father, then studied in Paris with Jacques Philippe le Bas (1707-1783). He made these drawings during a visit to Italy in 1771-76 and, until recently, they were preserved in an album that descended in the family. Interestingly, each composition relates closely to a drawing in a sketchbook that Joseph Wright of Derby (1734-1797) used in Rome in 1774-75 (57.102.1(1-44)). These visual links suggest that the two artists sketched together and took it in turns to use an optical instrument. While the outlines of their related compositions are close was then developed in markedly different ways. This is drawing relates to Wright's sketchbook page 57.102.1(28). View more. Italy, Roman State. Richard Cooper II (British, Edinburgh, Scotland 1740-1822 Eltham, Kent). 1774-75. Graphite. Drawings

James McNeill Whistler, Wild West, Buffalo Bill, 1887 Wild West, Buffalo Bill

Capt. Thomas Hastings, 1778-1854, British, Near Rydal Lake, 10 February 1836, 1836. Graphite on medium, slightly textured, cream wove paper.

Wind and surf, Vlissingen prints, etchings, works on paper

Drawing of Prinzessin Maria von Sachsen wearing a hat, executed in pencil in 1804.

Village face, Armand Heins, 1889 print paper etching village

Way to Montmartre. Draughtsman: Georges Michel. Dating: 1773 - 1843. Measurements: h 100 mm × w 155 mm. Museum: Rijksmuseum, Amsterdam.

Drawing by Ferdinand Boberg. Uppland, Danderyds Skplg., Danderyds K: a Nordic

Drawing by Ferdinand Boberg. Småland, N. Tjusts hd., Lofta sn., Ottinge Nordic

Liber Studiorum: Ville de Thun, Switzerland. Joseph Mallord William Turner (British, 1775-1851). Etching and mezzotint;

A drawing book page by Josef von Führich dated December 10, 1806, featuring pencil sketches by the Austrian painter and illustrator.

Print made by Francis Seymour Haden, 1818-1910, British, From the Bridge at Cardigan, 1864. Etching with drypoint.

Haystack in the meadow. Pruszyński, Aureliusz (Kraków ; zakład artystyczny ; 1873-post 1930), printing house, Jasieński, Feliks (1861-1929), merchant employer, Wyczółkowski, Leon (1852-1936), graphic artist

Taneran on the north side; Travel sketches made in India.

Paradeisgartl Paradeisgartel with the Café Corti, Rudolf von Alt -, artist

Face on stick. Leaf 8 Recto from a sketchbook with 44 sheets.

Without title Graz city view , Karl Wiener -, artist

Jardin du Luxembourg and man at an advertising column in Paris. Leaf 2 recto from a sketchbook with 52 sheets.

Artist: John Trumbull, American, 1756-1843, Untitled, from folio: Sketches in France & Germany, one of 22 sheets in FolioB, Graphite, 11 × 17.8 cm (4 5/16 × 7in.), Made in United States, American, 18thcentury, Works on Paper - Drawings andWatercolors

Drawing by Ferdinand Boberg. Hi, Nordic

The Seine outside the city. Draughtsman: Georges Michel. Dating: 1773 - 1843. Measurements: h 100 mm × w 155 mm. Museum: Rijksmuseum, Amsterdam.

An Essex Farm, Francis Seymour Haden, 1818-1910, British, 1874, Etching and drypoint, with plate tone on moderately thick, smooth, cream laid paper, Sheet: 8 7/16 x 13 7/16 inches (21.5 x 34.2 cm), Plate: 6 15/16 x 10 3/8 inches (17.6 x 26.4 cm), and Image: 6 15/16 x 10 3/8 inches (17.6 x 26.4 cm), architectural subject, boats, brook, buildings, bushes, chimneys, clouds, dinghies, farm, house, landscape, marine art, masts, meteorology, port, river, rocks (landforms), roofs, sails, science, sea, seamen, ships, shore (landform), stream, trees, weather, England, Essex, Europe, Thames, United Kingdom

Villa di Grotte di Cervara, campaign; Blaschnik, Arthur (1823-1918); 1855 (1855-00-00-1855-00-00);

Montmartre and left the Val de Grce. Draughtsman: Georges Michel. Dating: 1773 - 1843. Measurements: h 72 mm × w 151 mm. Museum: Rijksmuseum, Amsterdam.

Landscape With Two Mills. Artist: School of Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Dimensions: sheet: 3 13/16 x 6 in. (9.7 x 15.3 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Canterbury Cathedral (recto); Hands Holding a Book (verso), 1889. Childe Hassam (American, 1859-1935). Watercolor with gouache and graphite; sheet: 18.7 x 13.9 cm (7 3/8 x 5 1/2 in.). Late in 1886, Hassam and his wife departed his native Boston for France, spending the next three years abroad. His work of this period reflected his burgeoning interest in French Impressionism; he increasingly used broken brushstrokes and a lighter palette. Rather than being labeled an American Impressionist, however, Hassam preferred to identify himself as a painter of "light and air." An early morning rosy sky illuminates this distant view of Canterbury Cathedral, one of several watercolors of the English city.

Thomas Rowlandson, 1756-1827, British, Album Drawing, undated. Graphite and pen and ink on medium, slightly textured, cream wove paper.

From the Strand to Kilkenny Written 1843 England. Graphite on cream wove paper . Elizabeth Murray

Skały na szczycie wulkanu Teide. Loeillot, Wilhelm (1827-1876), draughtsman, cartoonist, Adalbert (książę pruski ; 1811-1873), draughtsman, cartoonist

Deck. .

Thermen from Diocletian, Claes Jansz. Visscher (II), After Willem van Nieulandt (II), 1618 print View of a hilly landscape with the ruinous thermal baths of Diocletian, in Rome. On the slope on the left are goats and there are two shepherds in the foreground. Amsterdam paper etching public baths. goat. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc. Thermen from Diocletianus

St. Osyth Church, Print made by Sir Frank Short, 1857-1945, British, after Joseph Mallord William Turner, 1775-1851, British, 1902, Etching on thing, slightly textured, cream laid paper, Plate: 5 5/8 x 8in. (14.3 x 20.3cm), Sheet: 8 × 10 1/4 inches (20.3 × 26 cm), and Image: 5 1/2 × 7 7/8 inches (14 × 20 cm)

Sand road with color notes, Sketch of a country road, draughtsman: George Hendrik Breitner, 1867 - 1923, paper, h 438 mm × w 590 mm

Pejzaż z okolic Lubania. Blaschnik, Arthur (1823-1918), draughtsman, cartoonist

James McNeill Whistler, The Swan, Chelsea, 1872 The Swan, Chelsea

Ch�teau in Poivri�re

Das pferde Rennen; Kobell, Wilhelm von (1766-1853); 1811 (1811-00-00-1811-00-00);

Porto Azzurro, Tuscany, Italy, Henry Swinburne, 1743-1803, British, 1777 to 1778, Pen and brown ink, over graphite on medium, moderately textured, cream, laid paper, mounted on, moderately thick, slightly textured, cream, wove paper, Mount: 16 3/8 × 11 1/8 inches (41.6 × 28.3 cm) and Sheet: 2 11/16 × 8 1/2 inches (6.8 × 21.6 cm)

Faces from the Bodenmeer, including Slot Arenenberg, 1858 Leaf 30 Recto from a sketchbook with 47 sheets. Bodenmeer paper. ink. pencil pen sailing-ship, sailing-boat. lake. city-view, and landscape with man-made constructions Bodenmeer

Farm, Pierre François Basan (workshop of), After Pieter de With, after Rembrandt van Rijn, 1807 - 1808 The print is part of an album. Paris paper etching The print is part of an album. Paris paper etching

37" pen in bruin recto l.b.

Man drives a donkey towards a bridge, Anonymous, After Esaias van de Velde, 1610 - 1617 print Haarlem paper etching landscape with bridge, viaduct or aqueduct. ass, donkey

Print made by Sir Frank Short, 1857-1945, British, View of a River from a Terrace, Macon, 1891. Etching printed in brown ink on medium, slightly textured, cream wove paper.

Print, A City Farm, New York; Mary Nimmo Moran (1842 - 1899); USA; etching in brown ink on paper; Platemark: 15.2 x 25.7 cm (6 x 10 1/8 in.) Sheet: 28.3 x 38.8 cm (11 1/8 x 15 1/4 in.); Bequest of Ruth B. Moran; 1948-71-7

From Our House in East Cowes, Sunday Evening, 12 May 1833, Capt. Thomas Hastings, 1778-1854, British, 1833, Pen and brown ink on thin, slightly textured, beige wove paper, Sheet: 6 1/8 × 7 5/8 inches (15.6 × 19.4 cm)

Part of the Agrigento, to the West, Sir Robert Smirke the younger, 1781-1867, British, 1802-1804, Graphite on moderately thick, moderately textured, beige, wove paper, Sheet: 8 15/16 × 11 1/4 inches (22.7 × 28.6 cm)

'View of Mount Bingemma on Malta'. Series of Preparatory Drawings for the Engraved Edition "Picturesque Journey around the Islands of Sicily, Malta and Lipari" (Voyage pittoresque des isles de Sicilie, de Malte et de Lipari... Par Jean Houel, Peintre du Roi. Paris. 1782. V.1; 1784.V.II.1785.V.III.1787.V.IV. ). France, Late 1770s. Dimensions: 28x43,5 cm. Museum: State Hermitage, St. Petersburg. Author: Jean-Pierre-Laurent Houel.

View of the Rhine with Pfalzgrafenstein Castle and Kaub Seen from the South-East. Artist: Johann Adam Klein (German, Nuremberg 1792-1875 Munich). Dimensions: Sheet: 9 in. × 12 15/16 in. (22.9 × 32.9 cm). Date: 1815. Museum: Metropolitan Museum of Art, New York, USA.

Entrance to the Port of Marseilles. Landscape. Pen and brown ink, graphite and gouache on medium, slightly textured, blue wove paper, mounted on card. Height: 165 mm (6.49 in); Width: 248 mm (9.76 in). Author: Edward Lear.

Design for advertising by Nutrix Geschuit, Gerrit Willem Dijsselhof, 1876 - 1924 drawing Design for advertising by Nutrix rusk `the hollow bolle car ': a church full of sheep, a barge full of turnips. paper. chalk advertising. (other) historical names

Sketch with wells. Draughtsman: Georges Michel. Dating: 1773 - 1843. Measurements: h 93 mm × w 157 mm. Museum: Rijksmuseum, Amsterdam.

Brunehault. Draughtsman: Constantijn Huygens (II). Dating: 18-Aug-1677. Measurements: h 102 mm × w 169 mm. Museum: Rijksmuseum, Amsterdam.

View of Amsterdam, possibly the surroundings of the Western Islands. Draughtsman: George Hendrik Breitner. Dating: 1912. Place: Amsterdam. Measurements: h 101 mm × w 160 mm. Museum: Rijksmuseum, Amsterdam.

Arc de Triomphe, from Some Aspects of Paris Life. Pierre Bonnard (French, 1867-1947); printed by Auguste Clot (French, 1858-1936); published by Ambroise Vollard (French, 1867-1939). Date: 1897-1898. Dimensions: 320 × 462 mm (image); 408 × 534 mm (sheet). Lithograph in light green, bottle green, dark gray, sanguine, and red, partially from transfer paper transferred to stone, with scraping on stone, on ivory China paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

View of a snowy and fenced settlement, Anonymous, Huibert Horneer, 1835 - 1877 print There are large mountains of snow within the fence. Some places are marked with a letter. At the top left: 'East', bottom left 'Noord', bottom right 'West'. Bare trees and a water well outside the walls. Numbered in the top left: 'Page. 177 '. Gorinchem paper walls ~ fortified city. snow. winter landscape; landscape symbolizing winter (the four seasons of the year). well

De Berken at the roundabout and the church of Blaricum, Jan van Essen, 1864 - 1936 drawing paper. pencil. chalk trees: birch. church (exterior) Blaricum

Capt. Thomas Hastings, 1778-1854, British, Seymour Lodge, 12 July 1826, 1826. Graphite and pen and brown ink on medium, moderately textured, cream wove paper.

Sketches in pencil by Josef von Führich from December 10, 1806, including studies of figures, postures, and preliminary compositional arrangements.

Harbor view. Draughtsman: Carel Nicolaas Storm van 's-Gravesande. Dating: 1907. Measurements: h 137 mm × w 222 mm. Museum: Rijksmuseum, Amsterdam.

Henry Swinburne, 1743-1803, British, Mürzzuschlag, Austria, 1779. Pen and brown ink, over graphite on medium, moderately textured, blued white, laid paper, mounted on, moderately thick, slightly textured, cream, wove paper.

Spectators observing a fight in an arena, maybe decorative project

Print, Morning, Hook Pond, East Hampton; Thomas Moran (American, b. Britain, 1837-1926); USA; etching, roulette, and sandpaper ground in brown () ink on tan paper, mounted on cardboard ; Frame: 44.8 x 60.3 cm (17 5/8 x 23 3/4 in.)

An Old Oak, Edward Alfred Goodall, 1819-1908, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Line engraving on moderately thick, slighty textured, beige, wove paper, with beige, chine colle, Sheet: 17 3/8 × 11 7/8 inches (44.1 × 30.2 cm), Plate: 11 7/16 × 6 inches (29.1 × 15.2 cm), Chine collé: 11 1/4 × 5 3/4 inches (28.6 × 14.6 cm), and Image: 2 3/4 × 3 1/4 inches (7 × 8.3 cm)

Drawing by Ferdinand Boberg. Dalarna, Malungs sn., Malungs K: a Nordic

Augustin Hirschvogel (German, 1503 - 1553), River Landscape with the Temptation of Christ, 1545, etching counterproof

Haystacks, I. Waliszewski, Zygmunt (1897-1936), draughtsman, cartoonist

Farm along a speed, a house and figures with a slede.Leaf 26 verso from a sketchbook with 41 sheets.

Anefo photo collection. Assignment on the Laak, paintings etching (repro). January 16, 1968

S. Rocco. Dated: probably c. 1754/1765. Dimensions: Overall: 10.3 x 13.6 cm (4 1/16 x 5 3/8 in.) support: 15.6 x 21.5 cm (6 1/8 x 8 7/16 in.). Medium: black chalk on laid paper. Museum: National Gallery of Art, Washington DC. Author: Hubert Robert.

Rustic Landscape 18th century Louis Philippe Joseph, duc de Chartres French. Rustic Landscape. Louis Philippe Joseph, duc de Chartres (French, 1726-1785). 18th century. Etching. Prints

Windsor (Memorial) 1887 United States. Drypoint with foul biting in black ink on ivory laid paper . James McNeill Whistler

Along the Seine. Draughtsman: Georges Michel. Dating: 1773 - 1843. Measurements: h 103 mm × w 163 mm. Museum: Rijksmuseum, Amsterdam.

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