Biblical Scenes in Prints

Dynamic etchings depicting dramatic biblical moments, with intricate details of choreography between warriors and biblical characters.

Monogrammist W. H. (Austrian active ca. 1480-1490) after Martin Schongauer (Alsatian (German) ca. 1430-1491) retouched by Master A. G. (German, active ca. 1475-1490). Christ Carrying the Cross, 15th century. Engraving. Second of two states, with monogram A G.

Vatican City, Raphael, Italy, Borgianni, Orazio, Paintings in the Loggia of Raphael, Joshua commands the sun and moon to stand still, verso - stamped, In the foreground a tangle of warring Amorites and Israelites. Joshua is on horseback and makes the sun and moon stand still. In the background on the right the Ark of the Covenant is carried., print, prent, prints, prenten, height 148 mm, width 199 mm, 1578 - 1616-01-11, print maker, prentmaker, 1615 - 1615, paper, papier, etching, etchings, 1483-04-07 - 1520-04-07, after a painting by

The last judgment, leaf in. A detail from the fresco 'The Last Judgment' by Michelangelo in the Sistine Chapel. Marked at the bottom right: I.

Vatican City, Raphael, Italy, Borgianni, Orazio, Paintings in the Loggia of Raphael, David Beheading Goliath, verso - stamped, Goliath lies on the ground. David stands over him, raising Goliath's sword above his head, ready to behead him. On the left, the Philistines flee, while Saul's soldiers give chase., print, prent, prints, prenten, height 159 mm, width 190 mm, 1578 - 1616-01-11, print maker, prentmaker, 1615 - 1615, paper, papier, etching, etchings, 1483-04-07 - 1520-04-07, after a painting by

The Passage of a Caravan from the frieze Ces Moeurs et fachons de faire de Turcz (Customs and Fashions of the Turks) 1553 After Pieter Coecke van Aelst Netherlandish. The Passage of a Caravan from the frieze Ces Moeurs et fachons de faire de Turcz (Customs and Fashions of the Turks) 422765

Rome, Papal court, Aelst, Nicolaus van, Italy, Tempesta, Antonio, Old Testament battle scenes, Iosues ercam septies Iericho circumducit moenia corruunt, The fall of Jericho, verso - stamped, The walls of the city of Jericho have been destroyed. An army storms the city and attacks the inhabitants. Title and caption in Latin in the lower margin., print, prints, height 204 mm, width 288 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1613 - 1613, paper, papier, etching, etchings, Publication (Event), Publication, South Netherlands, 1527 - 1613, publisher, uitgever van privilege

Monogrammist W. H. (Austrian active ca. 1480-1490) after Martin Schongauer (Alsatian (German) ca. 1430-1491) retouched by Master A. G. (German, active ca. 1475-1490). Christ Carrying the Cross, 15th century. Engraving. Second of two states, with monogram A G.

Achior, gagged on a tree by the Assyrians, is cut loose by the Israelites and taken to the city of Betulia, Israelites cut Achior loose History of Judit and Holofernes , print maker: Philips Galle, Maarten van Heemskerck, (mentioned on object), Hadrianus Junius, Haarlem, 1564, paper, engraving, h 203 mm × w 248 mm

The heroes king Arthur, Charles the Great and Godfried of Bouillon; The nine heroes. One of three woodcuts, part of Frisian with nine heroes. Three Christian heroes: King Arthur, Charles the Great and Godfried of Bouillon on horseback. Above Arthur a frame with name and urperate, above other two a banderole.

Andrea Mantegna, The Entombment, 1465 1470 The Entombment

Italy, Thomassin, Philippe, Raphael, Master of the Dice, Victory of Scipio over King Syphax, verso - stamped, A battle with soldiers on foot and on horseback. On the right in the background the walls of a city from which people are watching. A line of Italian text in the bottom margin., print, prints, height 199 mm, width 252 mm, Italian, German, print maker, printmaker, 1530 - 1560, paper, engraving, engraving (printing process), Work conception, 1483-04-07 - 1520-04-07, after a design by, Publication (Event), Publication, French, 1562-01-28 - 1622-05-12, publisher

The Triumph of Time on Fame, from "The Triumphs of Petrarch" Georg Pencz German. The Triumph of Time on Fame, from "The Triumphs of Petrarch". The Triumph of Petrarch. Georg Pencz (German, Wroclaw ca. 1500-1550 Leipzig). Engraving. Prints

Plate 22: Josaphat Thanking God for His Victory, from 'The Battles of the Old Testament' ca. 1590-ca. 1610 Antonio Tempesta Italian. Plate 22: Josaphat Thanking God for His Victory, from 'The Battles of the Old Testament'. Antonio Tempesta (Italian, Florence 1555-1630 Rome). ca. 1590-ca. 1610. Etching. Nicolaus van Aelst (Flemish, Brussels 1526-1613 Rome). Prints

Antwerp, Jode, Gerard de, Vos, Maerten de, Wierix, Antonie (II), Thesaurus sacrarum historiarum veteris testamenti, elegantissimis imaginibus expressum excellentissimorum in hac arte virorum opera: nunc primum in lucem editus, History of Jeremiah, Capture of King Zedekiah, When King Zedekiah flees the city at night in the direction of the Jordan Valley, he is captured by the Chaldean army on the plain of Jericho. Below the representation is a reference in Latin to the Bible text in Jer. 39. This print is part of an album., print, album page, prints, height 189 mm, width 257 mm, South Netherlands, 1559 - 1604-03, print maker, 1585 - 1585, fourth quarter 16th century, paper, engraving, engraving (printing process), Southern Netherlands, 1532 - 1603-12-04, intermediary draughtsman, after a drawing by, Publication (Event), Publication, Northern Netherlands, 1509 - 1591-02-05, publisher

Wolves hunt, Pieter Serwouters, Claes Jansz. Visscher II, 1612.

TRIOMFTOCHT van Julius Caesar, Andrea Andreani, After Bernardo Malpizzi, After Andrea Mantegna, 1599 print Numbered bottom left: 3. print maker: Italyafter drawing by: Mantuaafter painting by: Mantua paper triumph of Caesar. armour

Speculum Romanae Magnificentiae: Roman Horsemen Crossing a Bridge (from Trajan's Column) 16th century Marco Dente Italian This print comes from the museums copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one sta

Allegorical representation of Gelderland and Zutphen With four-line caption, Allegory of Gelderland and Zutphen, print maker: Romeyn de Hooghe, Romeyn de Hooghe, (attributed to), Netherlands, 1704 - 1706, paper, etching, h 175 mm × w 285 mm

Return from the Vineyards, plate three of four from Le Travaux de la Vendange. Joseph-Marie Vien, the Elder; French, 1716-1809. Date: 1750. Dimensions: 160 × 425 mm (image); 170 × 433 (plate). Etching on paper. Origin: France. Museum: The Chicago Art Institute, USA.

The Giants try to conquer the sky from the earth by means of mountains and clubs, where the Olympic gods reside. The latter fight back with weapons such as spear, lightning and trident. Below the image two times two lines of Latin text. This print is part of a series of 52 prints depicting stories from Ovid's Metamorphoses. This series is divided into three numbered series: two of 20 prints and one of 12 prints. This print belongs to the first series, Attack of the Giants on the World of the Gods Ovid's Metamorphoses (series title), print maker: Hendrick Goltzius, (workshop of), Hendrick Goltzius, Franco Estius, Haarlem, 1589, paper, engraving, h 176 mm × w 253 mm

The Triumph of the Unicorn. Dated: probably 1561. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Jean Duvet.

The Four Avenging Angels of Euphrates, from The Apocalypse Made 1496-1498 Germany. Woodcut in black on tan laid paper . Albrecht Dürer

Lucas van Leyden, Arthur, Charles the Great (Charlemagne), Godfry of Bouillon, 1515 1517 Arthur, Charles the Great (Charlemagne), Godfry of Bouillon

Johann Wilhelm Baur (German, 1607 - 1641), Capricci di varie battaglie, 1635, etching on laid paper

Gideon and his men ambush the Midianites. Around the camp Gideon's men are blowing ram's horns. In their hands they hold pitchers of water with torches in them. The Midianites, thinking they are being attacked, draw their swords and begin to fight their own men. Below the depiction a reference in Latin to the Bible text in Ri. 7. Gideon raids the Midianites History of Gideon Thesaurus sacrarum historiarum veteris testamenti , intermediary draughtsman: Maerten de Vos, print maker: anonymous, publisher: Gerard de Jode, Antwerp, 1585, paper, engraving, h 196 mm × w 265 mm

Graflegging van Christus, Andrea Mantegna, 1460 - 1470 print Italy paper engraving Christ's entombment (possibly by angels)

The victory of Scipio over Syphax 1530-60 Master of the Die Italian. The victory of Scipio over Syphax 371091

From Van Van Jericho, Antonio Tempesta, 1613 print The walls of the city of Jericho have been destroyed. An army storms the city and attacks the inhabitants. Title and caption in Latin in the lower margin. paper etching the fall of Jericho (Joshua 6)

Alkmaar, Schabaelje, Jan Philipsz, Amsterdam, Visscher, Claes Jansz. (II), Broeck, Crispijn van den, Sadeler, Johann (I), Den Grooten Figuer-Bibel, History of Moses after the Exodus, History of Israel in the Desert, War with the Amalekites, lower right - handwritten in brown ink, In the foreground the Jewish people are fighting the army of the Amalekites. In the background on a hill Moses, Aaron and Hur. Moses holds his arms in the air, which means the Jewish army wins the battle. Aaron and Hur help Moses by supporting his arms. Below the image a reference in Latin to the Bible text in Ex. 17:8. This print is part of an album., print, prent, albumblad, prints, prenten, 87, height 190 mm, width 258 mm, Zuid-Nederlands, 1550 - 1600-08, print maker, prentmaker, 1579 - 1579, paper, papier, engraving, engraving (printing process), Work conception, 1524 - 1591, after design of, Publication (Event), Publication, Northern Netherlands, 1586 - 1652-06-19, publisher, 1592 - 1656-04

Antwerp, Cock, Hieronymus, Antwerpen, Jode, Gerard de, Heemskerck, Maarten van, Amsterdam, Muller, Harmen Jansz, Thesaurus sacrarum historiarum veteris testamenti, elegantissimis imaginibus expressum excellentissimorum in hac arte virorum opera: nunc primum in lucem editus, The Ten Commandments, Thou shalt not steal, Achan buries the spoils in his tent, Achan buries the spoils of war, which were destined for God, in his tent. In the background Achan and his family are stoned for this sin. In the background the destruction of Jericho. Print is part of a series on the Ten Commandments and shows a violation of the seventh commandment: Thou shalt not steal. At the bottom in the margin a reference to the Bible text in Latin. Print is part of an album., print, album sheet, prints, height 213 mm, width 251 mm, Dutch, 1540 - 1617-10-07, print maker, printmaker, 1564 - 1568, paper, engraving, engraving (printing process), Work conception, Northern Netherlands, 1498 - 1574, after a design by, Pu

Antwerp, Jode, Gerard de, Cleve, Marten van (I), Sadeler, Johann (I), Thesaurus sacrarum historiarum veteris testamenti, elegantissimis imaginibus expressum excellentissimorum in hac arte virorum opera: nunc primum in lucem editus, History of David and Bathsheba, Death of Uriah, Uriah is placed at the front of the battle in the most dangerous place by order of King David. He is killed by the enemy with a lance. Below the image is a reference in Latin to the Bible text in 2 Sam. 11. This print is part of an album., print, prent, albumblad, prints, prenten, height 198 mm, width 285 mm, Zuid-Nederlands, 1550 - 1600-08, print maker, prentmaker, 1585 - 1585, paper, papier, engraving, engraving (printing process), Work conception, 1527 - 1581, after a design by, Publication (Event), Publication, Noord-Nederlands, 1509 - 1591-02-05, publisher

Amsterdam, Visscher, Claes Jansz. (II), Italy, Tempesta, Antonio, Alexandri magni praecipvae res gestae, The deeds of Alexander the Great, Darius flees from the battlefield, verso - stamped, The army of Alexander the Great in battle with the Persian army. In the foreground the Persian king Darius fleeing from the battle. Four-line verse in Latin in two columns in the bottom margin., print, prints, height 224 mm, width 285 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1608 - 1608, paper, papier, etching, etsen, Publication (Event), Publicatie, Noord-Nederlands, 1586 - 1652-06-19, publisher

Amsterdam, Visscher, Claes Jansz. (II), Groeningen, Gerard van, Muller, Harmen Jansz, The history of Joshua, Thirty-one kings defeated by Joshua, verso - stamped, Joshua stands on the left in a landscape and points to the 31 kings on the ground, whom he has defeated. At the bottom in the margin a reference to the Bible text in Latin., print, prent, prints, prenten, height 209 mm, width 290 mm, Dutch, 1540 - 1617-10-07, print maker, printmaker, 1567 - 1570, paper, papier, engraving, engraving (printing process), Work conception, South Netherlands, 1515 - 1599, after a design by, Publication (Event), Publication, North Netherlands, 1586 - 1652-06-19, publisher

Veen, Otto van, Italy, Tempesta, Antonio, Batavorum cum Romanis Bellum, à Corn. Tacito, The Batavian Oft Oude Hollandtsche Krijghe teghen de Romeynen, The Batavian Revolt, Cerialis drives the Batavians into the Rhine, 69-70, Cerialis drives the Batavian soldiers into the water of the Rhine. Print number 30 in the series of prints about the Batavian Revolt: Batavorum cum Romanis bellum, à Corn. Romeynen. Otto Vaenius, Antwerp 1612. At the bottom two verses of four lines in Dutch and Latin. On the back text in Latin., print, picture, history print, prints, pictures, Frederik Muller History plates, height 163 mm, width 208 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1612 - 1612, first quarter 17th century, paper, etching, etchings, Work conception, South Netherlands, 1556 - 1629-05-06

Jozef sold by his brothers, Johann Sadeler (I) (attributed to), after Michiel Coxie (I), 1643 print Joseph is taken out of the well and sold by his brothers to a group of Ismaelites. Under the performance a reference in Latin to the Bible text in Gen. 37. Amsterdam paper engraving Joseph is pulled out of the pit. Joseph is sold for twenty pieces of silver

Alkmaar, Schabaelje, Jan Philipsz, Amsterdam, Visscher, Claes Jansz. (II), Groeningen, Gerard van, Muller, Harmen Jansz, Den Grooten Figuer-Bibel, The history of Joshua, The Histories of Iosua, Achan before Joshua, bottom right - handwritten in brown ink, Achan is brought before Joshua, because he had stolen war booty. In the background Achan and his family are stoned. Below the image a reference in Latin to the Bible text in Josh. 7:19. This print is part of an album., print, album leaf, prints, 101, height 207 mm, width 289 mm, Dutch, 1540 - 1617-10-07, print maker, printmaker, 1567 - 1570, paper, engraving, engraving (printing process), Work conception, South Netherlands, 1515 - 1599, after a design by, Publication (Event), Publication, North Netherlands, 1586 - 1652-06-19, publisher, 1592 - 1656-04

Italy, Romano, Giulio, Veneziano, Agostino, Battle with a Cutlass, Battle between the Romans and the Carthaginians, verso - stamped, A battle between the Romans, led by Scipio Africanus, and the Carthaginians. Soldiers on foot and on horseback fighting each other. On the left in the background a city on fire. On the left in the foreground is the cutlass (type of hunting sword) to which the commonly used title of the print refers., print, prent, prints, height 336 mm, width 454 mm, Italian, 1490 - 1536, print maker, printmaker, 1500 - 1536, paper, papier, engraving, engraving (printing process), 1499 - 1546-01-11, intermediary draughtsman

Rome, Statius, John, Italy, Nebbia, Cesare, Tempesta, Antonio, The death of Camillus in the battle between Greeks and Romans, verso - stamped, The death of Camillus in a battle of Greek and Roman soldiers on horseback. Verse in Latin in lower margin., print, prints, height 327 mm, width 424 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1591 - 1591, paper, papier, etching, etchings, Work conception, 1536 - 1614, after a design by, Publication (Event), Publication, publisher, uitgever

Odysseus in the land of the Lotuseters, Theodoor van Thulden, After Francesco Primaticcio, 1632 - 1633 print On the island of the Lotuseters, Odysseus grabs his three scouts at De Haren and takes them to the ships. After the scouts of the Lotus flowers had eaten on the island, they no longer wanted to leave. Paris paper etching / engraving Ulysses and his men in the land of the lotus-eaters (Homer, Odyssey IX)

Plate 7: Triumphal Procession after Victory over Turks, from the Triumphs of Charles V 1614 Cornelis Boel Netherlandish. Plate 7: Triumphal Procession after Victory over Turks, from the Triumphs of Charles V. Cornelis Boel (Netherlandish, Antwerp ca. 1576-after 1621). 1614. Etching and engraving. Prints

Amsterdam, Visscher, Claes Jansz. (II), Tempesta, Antonio, Ryckmans, Nicolaes, Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae, History of Jephthah, Battle between Jephthah's army and the Ammonites, Jephthah and his army inflict a heavy defeat on the army of the Ammonites and capture twenty cities. The battlefield in the background. Below the scene is a reference in Latin to the Bible text in Judg. 11:32. This print is part of an album., print, album sheet, prints, height 215 mm, width 283 mm, 1595, print maker, printmaker, 1616 - 1636, paper, engraving, engraving (printing process), Work conception, Italian, 1555 - 1630-08-05, after a design by, Publication (Event), Publication, Northern Netherlands, 1586 - 1652-06-19, publisher

Cattle of helios; Les Travaux d'Ulysse; Odysseus works. The hungry companions of Odysseus slaughter on board one of the cattle of the sun god helios. In the background the cattle and helios in his car. Neptunus threatens the ship in the foreground. The print is part of an album.

Jozef sold by his brothers, Johann Sadeler (I) (attributed to), after Michiel Coxie (I), 1585 print Joseph is taken out of the well and sold by his brothers to a group of Ismaelites. Under the performance a reference in Latin to the Bible text in Gen. 37. Antwerp paper engraving Joseph is pulled out of the pit. Joseph is sold for twenty pieces of silver

Rhombus in ancient times. Draughtsman: anonymous. Dating: 1590 - 1610. Place: Italy. Measurements: h 267 mm × w 397 mm. Museum: Rijksmuseum, Amsterdam.

Achilles Dragging the Body of Hector, 1648. Pietro Testa (Italian, 1612-1650). Etching; The strong diagonals and heroic male bodies in this print relay an episode from the Trojan War in which the Greek warrior Achilles takes vengeance on the Trojan prince Hector for murdering his friend Patroclus. Here, Achilles is depicted dragging Hectors dead body behind a chariot outside the gates of Troy. Primarily a draftsman and printmaker, Pietro Testa was known for the remarkable effects of space, texture, and light he was able to achieve by immersing the copper plate in an acid bath in several stages. This method allowed for deeper etched lines, in such areas as the dark shadows that frame the two central figures, while retaining sketchier details in the background.

Moses hits water from the rock, Michele Greco, 1534 - 1609 print A landscape with Moses that hits water from a rock so that the Israelites can drink. Italy paper etching Moses striking water from the rock (Exodus 17:1-7; Numbers 20:2-13)

Plate 15: The Death of Abimelech, from 'The Battles of the Old Testament' ca. 1590-ca. 1610 Antonio Tempesta Italian. Plate 15: The Death of Abimelech, from 'The Battles of the Old Testament'. The Battles of the Old Testament. Antonio Tempesta (Italian, Florence 1555-1630 Rome). ca. 1590-ca. 1610. Etching. Nicolaus van Aelst (Flemish, Brussels 1526-1613 Rome). Prints

Pluto riding a chariot descending into Hell, from the 'Division of the Universe' 1531-76 Giulio Bonasone Italian. Pluto riding a chariot descending into Hell, from the 'Division of the Universe' 392644

A Battle. Artist: After Giulio Romano (Italian, Rome 1499-1546 Mantua); Antonio Fantuzzi (Italian, active France, 1537-45). Dimensions: Sheet (trimmed): 13 1/2 × 18 3/8 in. (34.3 × 46.7 cm). Date: 1540-45. Museum: Metropolitan Museum of Art, New York, USA.

Vatican City, Raphael, Italy, Borgianni, Orazio, Paintings in the Loggia of Raphael, Crossing the Red Sea, verso - stamped, In the foreground on the right a group of Israelites who have safely crossed the Red Sea with the help of Moses. Moses stretches out his arm and lets the water of the sea flow back, drowning Pharaoh's army. In the background on the left drowning soldiers, horses and camels., print, prent, prints, prenten, height 164 mm, width 205 mm, 1578 - 1616-01-11, print maker, prentmaker, 1615 - 1615, paper, papier, etching, etchings, 1483-04-07 - 1520-04-07, after a painting by

Amsterdam, Visscher, Claes Jansz. (II), Collaert, Hans (I), Francken, Ambrosius (I), Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae, Parables from the New Testament, Parable of the workers in the vineyard, Day laborers working in a vineyard digging and removing wood. On the left, the day laborers are paid their wages. Those who came to work later in the day receive the same as those who started early in the day. Below the image is a reference in Latin to the Bible text in Mat. 20:1. This print is part of an album., print, prent, albumblad, prints, prenten, height 230 mm, width 284 mm, print maker, prentmaker, 1585 - 1585, paper, papier, engraving, engraving (printing process), Work conception, 1544 - 1618-10-16, after a design by, Zuid-Nederlands (voor 1775), 1540 - 1581, Publication (Event), Publication, Noord-Nederlands, 1586 - 1652-06-19, publisher

Jacques Callot, Taking of Bone, c 1614 Taking of Bone

Childhood, Hieronymus Wierix, Ambrosius Francken (I), 1563 - before 1619.

Neptunus wakes up a storm; Les Travaux d'Ulysse; Odysseus works. Neptunus fits a storm. He hunts his horses by sticking them with his trident. At the top right, a wind god blows the wind. Jupiter falls from heaven with lightning bolt and minerva with helmet on the head. On the left, Odysseus looks frightened. The ships are difficult. The print is part of an album.

Allegory of Death and Fame (or TheSkeletons). Engraver: Agostino Musi, called Veneziano, Italian, ca. 1490-after 1536 After: Rosso Fiorentino (Giovanni Battista di Jacopo), Italian, 1494-1540

Peasants' Brawl from The Peasants' Feast or the Twelve Months 1547 Sebald Beham German Six peasants brawl with swords, a spear, and a club. At left, an espalier bears at grape vine. At right, a trimmed, leafless tree.. Peasants' Brawl from The Peasants' Feast or the Twelve Months 417969

The Triumph of Envy, from The Cycle of the Vicissitudes of Human Affairs, plate 4 1564 Cornelis Cort Netherlandish. The Triumph of Envy, from The Cycle of the Vicissitudes of Human Affairs, plate 4 630106

Print, Massacre of the Innocents; Print Maker: Etienne Delaune (French, 1519 - 1583); After Marc Antonio Raimondi (Italian, 1483 - 1527), Raphael (Italian, 1483 - 1520); France; engraving on white paper; 10.1 x 15.3 cm (4 x 6 in.); 1896-31-3

Heemskerck, Maarten van, Romano, Giulio, Rome, Antwerp, Bos, Cornelis, Triumph of Bacchus, right half, verso - stamped, Procession in honor of the God Bacchus. Bacchus sits on a triumphal chariot with a horn filled with bunches of grapes next to him and a jug of wine in his hand. In the procession, satyrs and putti are partying wildly. Some are playing flutes and tambourines. Right part of a print consisting of two plates., print, prints, height 305 mm, width 560 mm, Work conception, Dutch, 1510 - 1566, after print by, 1600 - 1699, paper, papier, etching, etchings, print maker, printmaker, Italian, 1499 - 1546-01-11, after design by, inspirator, Northern Netherlands, 1498 - 1574

The death of Titus Tatius; Occiso Tatio Sabinorum (...) Quirus Regnat; Life of Romulus and Remus. The soldiers of Romulus kill Titus Tatius and his consequence. The print is part of an album.

Ecole d'Andrea Mantegna (1431-1506). "Elephants wearing torches - B 12". Engraving. Museum of Fine Arts of the City of Paris, Petit Palais. 39454-3 Light, Elephant, Epi Ble, ancient Greece, wear, torch, animal, fire, engraving

Germany, Schongauer, Martin, Italy, Raimondi, Marcantonio, Alessio, Antonio di, Christ Collapses Under the Weight of the Cross, verso - stamped, Christ collapses under the weight of the cross he carries on his shoulders on the road to Golgotha. Soldiers pull Christ with ropes and aim their spears at him., print, prent, prints, height 263 mm, width 341 mm, print maker, printmaker, 1500 - 1599, paper, papier, engraving, engraving (printing process), Work conception, Italian, 1482 - 1534, after print by, German, 1430 - 1491-02-02

Copper engraving by Marcantonio Raimondi, circa 1509-1510, depicting the Massacre of the Innocents in Bethlehem, illustrating biblical narrative and historical event.

Bathing (Gli Arrampicatori); Must, Agostino Dei (Ca 1490-Ca 1540), Buonarroti, Michelangelo (1475-1564); 1524 (1524-00-00-1524-00-00);Dembiński, Michelangelo Buonarroti, Stefan (1887-1972) - collection, acts, copies (imitation), inverted copies, bathing (iconogr.), Personality, landscapes, reproductive graphics

Poland and Sweden, presenting to Jean Casimir their king, a crown and a sword, allegory according to Lazzaro Baldi (Dutuit p.47, white 276) Cornelis ii blloert, dit u jeune (1603-1692). La Poland and The Swedge's delices at Jean Casima, une ages and Beautiful Cover, All-Day of Arizora Baldi (Dutuit P baldia Baldi (DUTUIT P. 47, A blanc 276). Burin, curnitely sites. Museums of the city of the city of Paris, Petit Palais.

David Dijoofdt goliat; Paintings in the Loggia of Rafaël. Goliat is on the floor. David is over him and raises the sword of Goliat above his head, ready to behead him. On the left flight the Philistines, while the soldiers of Saul bets the pursuit.

Holland, 17th century. Satirical print depicting the French invasion of Holland in 1674, including Louis XIV, Leopold I and the United Provinces

Antwerp, Jode, Gerard de, Vos, Maerten de, Pieter de (I), Thesaurus novi Testamenti elegantissimis iconibus expressus continens historias atque miracula doni nostri Iesu Christi, Life and passion of Christ, Christ is crucified, The cross lies on the ground. Soldiers nail Christ's hands and feet. Below the representation a four-line verse in Latin. This print is part of an album., print, album page, prints, height 205 mm, width 126 mm, South Netherlands, 1570 - 1634-08-09, print maker, 1585 - 1585, fourth quarter 16th century, paper, engraving, engraving (printing process), Work conception, Southern Netherlands, 1532 - 1603-12-04, after a design by, Publication (Event), Publication, Northern Netherlands, 1509 - 1591-02-05, publisher

Fishing with landing net, Philips Galle, After Jan van der Straet, 1578 print Fish is caught in a river by means of a landing net. The print has a Latin caption and is part of a 43-part series about hunting. print maker: Antwerpafter design by: Florencepublisher: Antwerp paper engraving fresh-water fishery (+ aids ~ crafts, industries, agriculture)

Wild bull hunt, Antonio Tempesta, 1621 print Landscape with hunters and hunting dogs hunting wild bulls. Rome paper etching hunter. hunters hunting (N.B.: In 1988-1990 this notation denoted the concept of 43C11421 'hunters resting during the hunt'). bull

Drawing of soldier approaching king, surrounded by crowd. Romanino, Girolamo, approximately 1485-approximately 1566. Drawings, Illustrations. 1900. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection

Vulcan's Forge ca. 1542-45 Attributed to Master of the Story of Cadmus. Vulcan's Forge 366155

Clolelia crosses the tiber; Cloelia virgo, una ex bidding, frustrata custodes, dux agminis virginum tyberim tranat, so spitesq omnes romam ad propinquos restituit. The cloelia escaped from captivity along with other women to Rome. She crosses the river tiber on horseback. In the foreground a river god (Tiber) and the Lupa Capitolina that suckles the twins romulus and remus.

Achior for Holofernes, Philips Galle, After Maarten van Heemskerck, 1627 - 1678 print Holofernes sits in a tent from the army camp on a throne and listens to Achior's message, the captain of the Ammonites. print maker: Haarlempublisher: Antwerp paper engraving Judith and Holofernes (Judith 8-16)

Simon van Trent is found, Anonymous, 1550 - 1649 print The body of the young Simon van Trent is found on the banks of a river. Italy paper etching river. finding a dead person

Odysseus dressed as a fool and his troops at a city gate, Anonymous, Hans Weiditz (II), 1514 - 1531 print Print is part of an album. paper letterpress printing (story of) Ulysses

Hunting Wild Ossen, Antonio Tempesta, 1602 print Landscape with hunters on horseback and hunting dogs hunting wild oxen. Text in Latin in STUDMARGE. print maker: Italypublisher: RomeItaly paper etching hunter. hunters hunting (N.B.: In 1988-1990 this notation denoted the concept of 43C11421 'hunters resting during the hunt'). ox

Venice, Titian, Verona, Fontana, Giulio, The Battle of Cadore, The Battle of Spoleto, verso - stamped, Two armies fighting each other in a river landscape, with a bridge over the river. In the background a burning city. Previously it was thought that the Battle of Cadore was depicted. Now it is thought to be the Battle of Spoleto in 1155, in which the army of Emperor Frederick Barbarossa fought against the inhabitants of Spoleto, because they supported Pope Alexander III., print, prent, prints, prenten, height 417 mm, width 555 mm, Italian, 1543 - 1582, print maker, prentmaker, 1553 - 1582, paper, papier, etching, etsen, Work conception, 1488 - 1576-08-27

Triumph of scipio. Triumphop trip from Scipio Africanus in Rome after his victory over the Carth Day army. Behind the victors on horseback the chained healing. Right a triumphal arch.

The nine heroes (3 boards): 3. Arthur, Charlemagne, Godefroy of Bouillon (Bartsch 15, Hollstein 190) Lucas de Leyde. The nine heroes (3 boards): 3. Arthur, Charlemagne, Godefroy Bouillon (Bartsch 15, Hollstein 190). Woodcut. 1520. Museum of Fine Arts in the city of Paris, small palace.

Drawing (Italy)

Pierre Mignard drawing of Porus, wounded in battle, paying homage to Alexander the Great, executed in red and black chalk with gray-brown wash between 1665 and 1673.

The Unicorn Purifies the Water with Its Horn. Dated: probably c. 1555/1561. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Jean Duvet.

A copper engraving by Marcantonio Raimondi from around 1510 depicting the Bethlehemitic child murder, showing figures, gestures, and narrative composition.

Specklin, Veit Rudolf, Holbein, Hans (II), Shishak of Egypt plunders treasures from the temple, King Shishak of Egypt and his troops plunder the treasures from the temple in Jerusalem. In the margin above the image is the text II Paralip XII 2 Chronicles 12., print, book illustration, prints, height 60 mm, width 85 mm, height 79 mm, height, 98 mm, German, 1498 - 1543-11-29, print maker, printmaker, 1538 - 1538, second quarter 16th century, paper, woodcut, French - 1550, block cutter

Haarlem, Heemskerck, Maarten van, Coornhert, Dirck Volckertsz., Fall and the Redemption of Mankind through the Life and Passion of Christ, Mocking of Christ, Christ is mocked by the soldiers in prison. He is blindfolded and bound. Soldiers beat, mock, and humiliate him. The print is part of a thirty-part series of prints about the Fall and Christ's Passion., print, prints, width 193 mm, height, 248 mm, Northern Netherlands, 1522 - 1590-10-29, print maker, printmaker, 1548 - 1548, paper, papier, etching, etsen, 1498 - 1574, intermediary draughtsman

BattleScene. Artist: Master of the Egmont Albums, Flemish, active 16th century

Traders around a camel, Léon Davent, After Francesco Primaticcio, 1540 - 1556 print Fontainebleau paper etching merchant, salesman. hoofed animals: camel

Plate 14: a large group of people outdoors, possibly a troupe of actors, from the series of customs and pastimes of the Spanish people 1850 Francisco Lameyer y Berenguer. Plate 14: a large group of people outdoors, possibly a troupe of actors, from the series of customs and pastimes of the Spanish people. Francisco Lameyer y Berenguer (Spanish, 1825-1877). 1850. Etching and aquatint. Prints

The Peasant Wedding Dance after 1570 Pieter van der Heyden Netherlandish. The Peasant Wedding Dance 338711

Antwerpen, Cock, Hieronymus, Heemskerck, Maarten van, Coornhert, Dirck Volckertsz., Parable of the Royal Wedding Feast, Second Pretext: The New Oxen, Antwerp, A servant of the king, with a wind instrument in his hand, comes to the second guest and invites him to the wedding feast. The guest excuses himself with the excuse that he has just bought five yoke of oxen, which he has to inspect. Below the representation a reference in Latin to the Bible text in Luke. 14. This print is part of an album., print, album sheet, prints, height 204 mm, width 250 mm, Northern Netherlands, 1522 - 1590-10-29, print maker, printmaker, 1558 - 1559, paper, engraving, engraving (printing process), Work conception, 1498 - 1574, after a design by, Publication (Event), Publication, Southern Netherlands, 1518 - 1570-03-10, publisher

Mantua, Romano, Giulio, Italy, Bonasone, Flora giving a wreath, verso - stamped, Flora giving a wreath to a woman kneeling before her in a vineyard. They are surrounded by various figures, including Cupid. On the right a man and a boy by a tree. In the foreground on the left lies a nymph., print, prent, prints, prenten, height 331 mm, width 434 mm, Italian, 1510 - 1576, print maker, printmaker, 1501 - 1580, paper, papier, engraving, engraving (printing process), Work conception, 1499 - 1546-01-11

Allegory around the Eighty Years' War. Allegorical show around the eighty year old war and the Spanish tyranny and the faith. Centrally a gate with the weapons of the seventeen provinces. With caption of two lines in one line.

Title print of Book 4 of the Ystroom (1671) by Antonides van der Goes, Romeyn de Hooghe, 1671 print Title print of Book 4 of the Ystroom (1671) by Antonides van der Goes. The river god of the IJ (Ystroom god) is in the middle of the performance and looks around. The Zuiderzeegodin leans on his shoulder. Several allegorical figures, such as a Water Center, Triton and the personification of the Zaan, around them. Netherlands paper etching river personified, 'Fiumi' (Ripa). gods of the waters: Neptune and his environment IJ

Execution of the Five Kings of the Amorites 1533-74 Joachim Beuckelaer Netherlandish. Execution of the Five Kings of the Amorites. Joachim Beuckelaer (Netherlandish, Antwerp 1533-1575 Antwerp). 1533-74. Oil on paper. Drawings

Triomf van Zeegoden, Albrecht Altdorfer, After Peregrino da Cesena, c. 1506 - 1538 print Procession through the water of sea gods and a love couple pulled in a cart by horses. The woman in the cart has an animal skull in her hand. print maker: Germanyafter design by: Italy paper engraving gods of the waters: Neptune and his environment

Knight, death and devil. A knight on horseback, driving over a rocky path with his dog beside himself, meets on his way death, also on horseback, and the devil. In the background a city.

Grandjean, Jean, Amsterdam, Garreau, Louis EF, History of Germanicus, Germanicus during a battle with Germans, verso middle - stamped, Germanicus sees six eagles in the air during a battle. He gives the order to follow the eagles. In this way he prevents an ambush that the Germans had planned. The Roman army then crushes the Germanic resistance. The print is part of the history of general Germanicus., print, history print, prints, Frederik Muller History plates, height 186 mm, width 138 mm, print maker, printmaker, 1783 - 1783, fourth quarter 18th century, paper, etching, engraving, engraving (printing process), Dutch, French, 1752 - 1781

Holofernes's body is discovered; History of Judit and Holofernes. In the morning, the Israelites are struggling against the Assyrians. Two army leaders of the Assyrians want to wake Holofernes and discover the beheady body of their Lord in his tent.

Achilles beats Telephos; Entry of Ferdinand in Ghent in 1635, Antony van der Does, After Nicolas de Liemaker, After Peter Paul Rubens, 1635 - 1636 print Achilles beats Telephos, parallel to Ferdinand's fight. Presentation at the bottom left of the rear of the Triumph -Poort Arcus Fernandi on the Vrijdagmarkt. Page No. 16 In a whole of 42 plates that illustrate the publication of the description of the entry of the Cardinal Infant Ferdinand of Austria in Ghent on January 28, 1635 as the new governor for the Spanish Netherlands. Print Maker: Southern Netherlands Publisher: Antwerp paper engraving triumphal arch. (story of) Achilles. the Greeks in Mysia, they fight against Telephus and his men Ghent. Friday market

Plate 12: Pulling a Vessel Loaded with Grain to Shore, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas) 1611 Antonio Tempesta Italian. Plate 12: Pulling a Vessel Loaded with Grain to Shore, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas). Antonio Tempesta (Italian, Florence 1555-1630 Rome). 1611. Etching, first state of two, issue 1 (Bartsch). Prints

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